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Mods Of Your Generation Interview – Gary Shail – 40th Anniversary Of Quadrophenia

Mods Of Your Generation Interview – Gary Shail – 40th Anniversary Of Quadrophenia MODS OF YOUR GENERATION·WEDNESDAY, 10 APRIL 2019

 It is a massive pleasure & honour to feature an interview with English actor, director, producer and musician Gary Shail on “Mods Of Your generation”. Best known for his role as “Spider” in the iconic cult movie Quadrophenia that many of us still admire and talk about today. This year (2019) marks the 40th anniversary of the film which is a massive milestone for everyone involved. The fact that its still talked about today makes it even all the more great. Gary is a great guy who has attended a lot of events over the years in aid to raise money for charity. We asked Gary about his own event coming up called QUAD 40 and about his career and experiences filming Quadrophenia & Jack the Ripper. We also discussed his book “ I think I’m on the guest list” published in 2015 and his Christmas song “ Modding up my Christmas list ” (2017) and more. Gary has done a variety of interviews throughout the years so it was difficult to ask him questions that he hadn’t been asked before, however I hope you enjoy the interview as much as we enjoyed asking the questions. Make sure not to miss out on the anniversary celebration of the movie on Brighton Pier August 25th 2019 for more information go to www.quad40.co.uk#ModsOfYourGeneration

 (1) I have heard you are a huge fan of the Regents a four-piece band based in Essex heavily influenced by the original mod spirt of 1964. Are there any other new bands influenced by the mod scene who you are also a fan of? Yes I’m a big fan of ‘The Regents.’ I’ve known Sea Jays the lead singer since he was 16yrs old and he definitely has the right attitude. Mind you, he has always had the right attitude! Another young band I am really impressed with are ‘The Lapels’ who I saw play in Derby at a MOTM event the year before last. They completely blew the roof off the place, and nobody wanted to go on after them! The drummer was only 14yrs old at the time I think, and I watched them play with his mum! (2) You were just 18 when you were cast to play spider in Quadrophenia. I am sure you have been asked this many times before but did you think Quadrophenia would become the phenomenon it is today at the time of filming.  Of course I didn’t know that I’d still be being asked questions about a film I was in 40yrs ago, but, I think we all knew at the time that it was definitely something special (3) On Christmas 2017 you released a song called “Modding up your Christmas list” to become number one. Have you any plans to do this again in the future. “Very catchy tune by the way LOVED IT” HAHAHAHA..My Mod Xmas Song? Well, I actually got a hell of a lot of flak for doing that by certain people who shall remain permanently nameless. But it was great fun to do, and a lot of people loved it, especially the kids. I had people sending me videos of their children doing dance routines in their living rooms, which was brilliant! But no, I don’t think I’ll be the next Cliff Richard. 

Modding Up My Christmas List- 2017 (Official Video) (4) You have been involved in many MOD and Quadrophenia events over the years. Is this something you enjoy being part of and do you have any memorable moments from any of the events that stand out. Yes I do enjoy all the events I get asked to. Over the years I must have met thousands of people who love Quadrophenia, and it’s always a great feeling when my presence can actually help to raise money for a worthy cause. Some of the funniest memories I have are probably un-printable, but trying to get a kebab in Stoke at three in the morning with Alan May (The Glory Boy Radio Show) doing Withnail & I impersonations sticks firmly in my memory! (5) Your character in Quadrophenia had many memorable quotes in the film. What is the one that fans mention the most? Always the one about getting a gun!  (6) Your book “I think I’m on the guest list” published by New Haven publishing LTD in 2015 was highly regarded and recommended. I found the book to be a very funny memoir of your life and the extraordinary people you have worked with and met throughout your career. Can your briefly describe the book to someone who has not yet read it. The book was actually written because of Gary Holton (The Rocker who beats Spider up) Gary and I became really good mates after Quadrophenia, and actually formed a band together called ‘The Actors.’ But when Gary sadly died in 1985 I never spoke to the press or anyone else for that matter about it. Then I was contacted 30yrs later by someone who was writing a book about him and wanted a contribution from me. I wanted to put the record straight about a few things, so I agreed. The publishers of the book loved what I’d written, so I was offered a publishing deal for my own story. I thought I’d better do it myself before I was dead and some other twat was ‘putting things straight’ about me! It’s certainly not your average autobiography I think, and later on this year I will be doing an Audio Version with a soundtrack, which will be totally different to anything you’ve ever heard I hope. 

 (7) Many fans of Quadrophenia have expressed an interest in a follow up to the film. Is this something that you would support? or like myself do you feel it is best left alone. There has always been talk of a “follow up” But I can’t see that ever happening. It’s always interesting to hear some of the Ideas of what our characters would have been doing in later life though. I think Spider would’ve become a hit-man for Ferdy’s drugs cartel!  

 (8) You are a huge fan of Trojan records, what is your favourite track, album or artist under the Trojan label. Yes I grew up with the Trojan record label, and one of the first artists I remember driving my parents mad with was Desmond Dekker. But I’ve always loved reggae and had a very respectable collection of Jamaican Pre- Releases by the tender age of 13. Last November, I was proudly invited by Neville and Christine Staple to their 50th Trojan Anniversary weekend at ‘Skamouth’ In Great Yarmouth where I actually met ‘The Pioneers’ who were about 100yrs old. They could still cut it though!  (9) This year (2019) marks the 40th anniversary of Quadrophenia (film). To celebrate this, you have organised, and event called Quad 40 in Brighton on the 25th of August 2019. Tell us a little bit about what to expect from the event and where fans can buy tickets. It’s actually on the 25th August Johnny! Yes I have hired Horatios Bar on Brighton Pier from 12 noon ‘till midnight on Sunday the 25th August. And I can tell you now that I never thought I had this much bottle to actually try and pull something like this off. It’s a logistical fu**ing nightmare, but I’m actually really enjoying it. I’ve spoken to almost all of the other cast members of Quad who have all promised to attend (work permitting) but trying to get us all in the same country together is hard enough, let alone on a bleedin’ pier! On that morning before the actual party, Quadrophenia is being honoured with ‘The Brighton Music Walk Of Fame Plaque’ to be unveiled at the pier entrance, so it would be great if there were a few mods about. Tickets and details available at www.quad40.co.uk

 (10) A question received by Jimmy Hemstead follower of Mods of Your Generation and Blogger at MOD TV UK “HI Gary in your younger days was you ever a mod and did you ever own a scooter, can you tell me when and how you got into acting and why please?” Hi Jimmy, love all your art-work by the way!No, I was far too young to be a mod; I was born in 1959, so I was only 5yrs old in 64 and the only scooter I owned was made by ‘Chad Valley.’I never had any ambitions to become a professional actor at all when I was a youngster, but somehow found my way into drama school at the age of 12, thanks to my parents and a couple of Comprehensive High School Teachers who probably just wanted me just out of the way!Quadrophenia was my first professional job when I left. (11) Do you have any plans to release more music, Books etc or what are you doing now that we can look forward to in the future? Yes, I will definitely be writing another book I think, but not part 2 of my autobiography, that would just be a bloody diary. It will probably be about my time working in the advertising industry in the 1990s. You think actors and musicians are crazy? They’ve got nothing on advertising people! Musically though, I never really stop. I had a solo album out last year called ‘Daze Like This’ (see below) which a lot of people liked, and I guested on ‘The Transmitters’ debut album which was great, although I hear that they have now split up. I’ve also recorded a couple of tracks with Steve ‘Smiley’ Barnard which are on his ‘Smiley’s Friends’ albums, and I’m back in the studio in a couple of months with ‘The Regents’ for their new album. I’m always writing though, and will hopefully record some of my own stuff probably next year now.

Title track from the album “Daze Like This” (12) Do you keep in touch with any of the main characters of Quadrophenia 40 years on? Yes, I see quite a lot of Trevor Laird (Ferdy) and I’ve recently been working with Toyah. Hopefully I’ll be seeing the others soon  

 (13) What do you regard as your biggest achievement in your career or what are you most proud of? I actually don’t think like that. Everything that keeps me off of the unemployed statistics is an achievement these days! I am extremely proud of my family though, and very recently became a granddad to a beautiful baby girl called Ellie May. I’m very proud about that! (14) In 1988 you appeared as the tough pimp “Billy White” in the tv series of “Jack the Ripper”. Sir Michael Caine also appeared in the series as Chief Inspector Frederick. Caine was a huge influence on British Culture in the 1960’s and referred to by many as a style icon.What was it like working with such an influential person in British pop culture? Making ‘Jack The Ripper’ in 1988 was like a dream come true, and working on a film with Sir Michael Caine was an experience I shall never forget. He was so interesting to watch, whilst he was working on camera, and I learnt a great deal from him. Everywhere you looked on that set there was something extraordinary going on in the acting stakes. Lewis Collins, Armand Assante, Susan George, Jane Seymour, Lysette Anthony, Ray McAnally, Hugh Fraser, Ken Bones etc etc.They were all giving it their all. I was just glad I gave it mine!  

 (15) Finally, How would you like to be remembered?  Just to be remembered at all would be nice!             Again it was a massive privilege to interview Gary shail and a big thank you to followers of “Mods Of Your Generation”, Please continue to show your support.  Please like & share the “Mods Of Your Generation” Facebook Page https://www.facebook.com/modsofyourgeneration/ interview conducted by Johnny Bradley for “Mods Of Your Generation”interview (C) 2019 to Johnny Bradley & “Mods of your Generation”                                         

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Punk Rock: A Jewish History

From its emergence in the 1970s, punk rock was a movement which concerned itself with the present. Its hallmarks were rock ‘n’ roll, a do-it-yourself attitude and a good sense of humor. As it spread from the U.S. to the U.K., it would also come to include a distinctive political sensibility. Many of the early punks were young people who actively sought to distance themselves from their upbringings, from any kind of ethnic ties, and to form new identities through their art.

Given the punk attitude of leaving the past behind and forging a new way forward, it seems counterintuitive to connect punk rock with Judaism. Yet punk, like many art forms to come out of New York City, has deep roots in Jewish history. From its origins with Jewish musicians in the 1970s to modern-day Jewish punk bands, the histories of Jewish culture and punk rock are deeply intertwined.

Many of the people involved in the original punk scene in 1970s New York were the children of working- and middle-class Jews. Their backgrounds ranged from overtly religious to secular and culturally Jewish, but all of them were formed by their Jewish backgrounds and would in turn bring those influences to their music and performances. These included not just musicians—such as Joey and Tommy Ramone, Chris Stein of Blondie, Lenny Kaye of the Patti Smith Group, Richard Hell, and all of The Dictators—but also managers, photographers, club owners and more. Punk might not exist as we know it without the Jewish club manager Hilly Kristal, founder and owner of CBGB, the club where many New York punks performed for the first time. Nor would it have made it to the U.K. without Jewish manager and Sex Pistols founder Malcolm McLaren. Jewish record company executives like Seymour Stein recorded the music, while Jewish photographers like Bob Gruen documented the scene for posterity.

However, despite the large Jewish presence in early punk, many were reluctant to discuss their Jewish heritage. Like many Jewish entertainers, quite a few punks took on less Jewish-sounding stage names (like Thomas Erdelyi and Jeffrey Hyman, who became Tommy and Joey Ramone, respectively), while others had their names changed by their parents in childhood, in order to better fit into the American middle class (as with punk godfather Lou Reed, whose father changed the family name from Rabinowitz). Some even went as far as denying or refusing to discuss their Jewish heritage. While for some this may have reflected their discomfort with their Jewish identities, many more undoubtedly did it as part of embracing punk’s freedom to recreate oneself. “The tabula rasa aspect of punk is one of the most important things about it,” says Vivien Goldman, who was a music journalist covering punk in the U.K. in the 1970s and is now the author of Revenge of the She-Punks, a book on women and punk. Although Goldman’s Jewish background is certainly important to her—her parents were Holocaust survivors, and she is a first generation British citizen—she believes that “to be a punk was to liberate yourself from what had gone before.”

This seemed to be the predominant belief among punks of the 1970s on both sides of the Atlantic. Jewish culture was rarely at the forefront of punk music, even if its creators were quietly Jewish behind the scenes. Some offhand references to Jewish culture crept into the occasional song, but these were “few and far between and largely subterranean,” says Michael Croland, author of the books Oy Oy Oy Gevalt!: Jews and Punk and Punk Rock Hora: Adventures in Jew-Punk Land. These references were largely secular and easy to miss, such as The Ramones’s reference to “kosher salamis” in the song “Commando.”

Quite a few punks took on less Jewish-sounding stage names—like Thomas Erdelyi and Jeffrey Hyman, who became Tommy and Joey Ramone.

Something that did become part of the imagery for many early punks—Jews and non-Jews alike—was, counterintuitively, Nazi imagery. Young punks were known to wear swastikas and, particularly in the New York scene, collect Nazi memorabilia. The reason for this can seem difficult to grasp. “They weren’t serious [about being Nazis],” says Goldman, however she also adds, “I didn’t like it, and a lot of us didn’t like it.” One reason for the use of the swastika by U.K. punks, as Goldman and others have speculated, is that it was a way to rebel against their parents, the generation that had lived through World War II and had yet to stop talking about it. In America, Steven Lee Beeber speculates in his book The Heebie-Jeebies at CBGB’s: A Secret History of Jewish Punk that the use of Nazi imagery was a means for Jews to take back control of the narrative, to control former Nazi property, to play with it and poke fun at it as they pleased.

Starting in the 1980s, punk underwent a series of musical and cultural changes. By this point, many of the best-known original punk bands had either broken up or evolved their sound to fit punk’s new commercial market. However, their early work had permanently changed the music world, especially for young people, with new punk bands arising and the genre spawning new offshoots such as post-punk and new wave. Punk was disseminated beyond its original scenes, leading the musical style to be adopted for new purposes. This included, for the first time, Jewish punk bands who embraced their Jewish identity in their music, rather than relegating it to the background.

According to Croland, the first such band was Jews from the Valley, which arose from the L.A. punk scene in 1981. At the time, they were still somewhat of an outlier. While new punk bands like Bad Religion and NOFX carried the 1970s torch in having Jewish members while not making most of their music about Judaism, Croland says that Jews from the Valley began when “one guy was screaming along to ‘Hava Nagila’ one day and thought, ‘I should distort that and put that into a song.’” That guy was Mark Hecht, and the song and the band both became known as Jews from the Valley, and thus began the short-lived career of the first Jewish punk band. Their music incorporated well-known Jewish songs such as “Hava Nagila,” original songs with Jewish themes, and a good dose of Jewish/punk humor and offensiveness. The band broke up after just a couple years, and at the time, it seems there were no other bands making punk music explicitly Jewish.

The 1990s saw punk undergo yet more major changes. In the early and mid-90s, punk (or pop punk, depending on who you ask) became radio-friendly, with bands like Green Day and The Offspring mainstreaming the genre. Throughout the 1990s and 2000s, many pop punk bands rose to fame. The other major punk revolution of the decade was Riot Grrrl, a movement which combined punk rock style and aesthetics with feminist politics. Though women had been present in punk scenes since the beginning, feminism was now being brought to the forefront of punk politics, and all-female punk bands such as Bikini Kill were rising to prominence. On a somewhat smaller scale, Jewish identity also became a more prominent feature of punk, helped by the fact that Jewishness was becoming a more acceptable topic in popular music at large (a trend which Croland partially credits to Adam Sandler’s “Chanukah Song”). Though there was not—and is not—really a Jewish punk “scene,” the 1990s was the first time that multiple Jewish punk bands came into existence simultaneously.

Probably the most prominent example of such a band was the Australian group Yidcore. Formed in 1998, they put their Jewish identity at the forefront of their music and performances, albeit not in a particularly serious way. “They were all about shtick,” says Croland, “whether that was drinking Manischewitz wine out of a shofar, getting into food fights on stage with hummus or bagels or falafel, or using their songs to try to woo Natalie Portman.” They drew on the traditions of the early punk scene, not just in musical style, but also in their love of humor and irony, while adding an in-your-face Jewish twist which early punk bands lacked. The group stayed together for over a decade, becoming perhaps the best-known Jewish punk band.

In the 21st century, punk has splintered into many styles and subgenres, including the further development of “Jewish punk” and “punk-influenced Jewish music” as genres unto themselves. With punk so well integrated into the musical mainstream, it is hard to point to an insular “punk scene” such as that of 1970s New York, but instead, punk and its offshoots have spread out, both stylistically and geographically.

MoshiachOi

Moshiach Oi! performing at the book launch for Michael Croland’s Punk Rock Hora in March 2019 (Credit: Shloyo Witriol)

While Jewish punk continues to be a niche genre, several bands have carved out an unabashedly Jewish space in the modern world of punk. Moshiach Oi! is one such band. Formed in 2008 and still active today, the band performs songs with an overtly religious bent, made to showcase its love of Torah. In the realm of cultural Jewishness, The Shondes has become a successful punk band that is open about its Jewish roots. “I came into playing rock music through Riot Grrrl and queercore—radical punk movements that helped shape my aesthetics and politics at a really formative age,” says Louisa Solomon, the band’s singer. The Shondes’ music combines rock and radical politics with references to Jewish proverbs and melodies, a combination which came naturally. “We write as full people informed by all of our experiences,” says violinist Elijah Oberman. “Jewishness is one part of that, just as our experiences as queer or as women or trans/non-binary people are. Jewish stories and ritual are a part of how we’ve come to be who we are, and so are Jewish melodies.”

The Shondes True North

The Shondes at a seder in their new Passover-themed music video “True North” (Credit: Jeanette Sears)

The Shondes

The Shondes

Similarly, punk—both its aesthetic and its attitude—has permeated more traditional forms of Jewish music, including klezmer and simcha music. Younger musicians like Daniel Kahn grew up with punk as part of their musical taste. Kahn has taken aspects of punk and made them part of his klezmer-based repertoire, creating a self-described “radical Yiddish punkfolk cabaret.” Similarly, bands such as Electric Simcha have adapted aspects of punk to simcha music—traditional Jewish music played at celebrations such as weddings. Just as punk has influenced non-Jewish forms of music, forming such genres as pop punk, so too have there been multiple punk-y variations of Jewish music.

The fact that punk has been and continues to be influenced by Jewishness (and vice versa) speaks to the core concerns at the center of both cultures. In discussing why Jews continue to be drawn to punk, Oberman gets to the heart of one of their most essential similarities: “Jews are taught to wrestle with G-d, and to me that also means wrestling with our texts, our rituals, our traditions. When even the things you hold most sacred are always up for debate, I think that can lead to a level of comfort with deep questioning of how things are or are supposed to be. Pretty punk, yeah?”

Written by: BRIANNA BURDETSKY

List of Punk Rock Jews:

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Modern Rap, The New Punk Rock attitude

There are few things more exhilarating than being stuck in the middle of a mosh pit during a JPEGMAFIA show.

On stage at this year’s Primavera Sound festival in Barcelona, the 30-year-old US rapper’s topless body, dripping with sweat, contorts urgently as he channels the aggression of the crowd into brutal bursts of movement that sit somewhere between an intoxicated Iggy Pop and an irate DMX.

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With vocals that quickly shift from gentle to vicious, the artist, real name Barrington Hendricks, raps rapidly like a machine gun, with lyrics, couched in internet speak, that are often scathingly satirical. One of his songs is called I Might Vote 4 Trump, while on his typically experimental new album, All My Heroes Are Cornballs, he raps, as a black man, about wanting to be adopted by Madonna and merrily drinking the tears of “rednecks”.

JPEGMAFIA (Credit: David Hanes-Gonzales)
JPEGMAFIA (Credit: David Hanes-Gonzales)

JPEGMAFIA is a scathingly satirical artist with a sound that incorporates thick waves of distortion and screaming synths

But the fact he does all this over ugly, uneven beats, built around thick waves of distortion and screaming synths, means Hendricks could just as easily be categorised as punk rock as hip-hop. Free the Frail, one of his new LP’s standout tracks, speaks directly to punk’s anti-capitalist values, as Hendricks claims: “I don’t rely on the strength of my image”.

Back in the 1980s, rap and punk were both genres that got frowned upon by the elite just for being what they were – JPEGMAFIA, aka Barrington Hendricks

In Barcelona, as dozens of teenagers enthusiastically bang heads to songs with subversive titles such as I Cannot Wait Until Morrissey Dies and Digital Blackface, it’s easy to draw a parallel between Hendricks and the bold onstage personas of legendary anti-establishment acts like The Sex Pistols or The Clash, artists who also knew how to channel youthful angst into something euphoric and liberating.

Hendricks is happy to indulge in the comparison. “Back in the early 1980s when rappers couldn’t perform in the fancy venues because the police were too racist and scared, it was the punk venues letting them in to perform,” he tells BBC Culture. “I guess race was the big thing separating [rap and punk] in the general public eye, but they were both resilient genres that got [frowned upon] by the elite just for being what they were. They gave a home to outsiders. I [have] always felt like they were just the same thing, but both wrapped up in a different way.”

Growing up, he explains, he was equally enthusiastic about political rappers like Ice Cube and Chuck D as hardcore punk bands like Bad Brains and Fear. “I saw Fear perform live at a young age, so I guess you could say I draw from that same energy.”

Modern punk heroes

Today, JPEGMAFIA is one of dozens of young rappers and rap acts drawing heavily from the DIY ethos of punk rock to create music to be moshed to. The likes of Death Grips, Run The Jewels, Denzel Curry, Danny Brown, Sheck Wes, Rico Nasty, Ski Mask The Slump God, and Travis Scott (who was arrested back in 2017 after the police accused him of inciting a riot at one of his shows) perform with the same transgressive vigour of 1970s punk icons. When Sheck Wes plays the stirring Mo Bamba live, it recalls the renegade firecracker spirit of Nirvana’s iconic Smells Like Teen Spirit video.

In the UK, snarling Northampton rapper Slowthai thrillingly struts around the stage like a modern-day Sid Vicious. He blasts what he sees as the toxicity of Brexit Britain in a way that’s pure punk provocation. It’s no surprise, for example, that he carried around a fake severed head of Prime Minister Boris Johnson during his performance at last month’s Mercury Prize amid ugly beats inspired just as much by Gang of Four as Dizzee Rascal. His punk-ish rap peers include Scarlxrd and Master Peace. On the other hand, you could also point to the hip-hop influence of lo-fi British punk bands like Idles and Sleaford Mods as a sign of the convergence between the two genres.

Slowthai
Slowthai the new face of British Punk Rock

UK rapper Slowthai is like a modern-day Sid Vicious, blasting what he sees as the toxicity of Brexit Britain (

Prolific Long Island producer Kenny Beats, real name Kenneth Blume III, has worked with many of the aforementioned artists, helping shape the punk-rap sound that’s currently ruling the underground. He believes the fact more and more rap artists are gaining a penchant for primal screaming and ugly production is simply a reflection of our times. “The other month I played a show just 24 hours after there were two mass shootings here in America,” he says. “The planet is literally on fire, so what more can an artist like Rico Nasty do but scream? It’s instinctual to rappers at this particular moment. It’s how they process the world.” He says he’s currently producing a record for hardcore punk band Trash Talk “that’s pure thrash with no electronic drums, but that way of working isn’t too dissimilar from when I work with JPEGMAFIA or Slowthai.”

A 21st-Century protest

In this age of social media, where people fire off snarky political opinions every couple of seconds, Kenny believes that anti-establishment protest music can have trouble cutting through. To have a real impact, it’s less about what you say than how you say it. “You need to make people think about society in a less literal and more primal way,” he says. “It’s about using the least amount of sounds to make the most amount of noise and energy, and making a bass stab really feel like you’ve been punched in the face. A lot of the rap I produce really has that kind of punk essence. When I work with JPEGMAFIA he asks me for the worst beat possible as I guess a rapper that makes something that’s raw and ugly and chaotic is definitely going to stand out and feel more human right now, because things aren’t pretty out there.”

Rico Nasty, real name Maria Kelly, is a 22-year-old Maryland rapper every bit as enigmatic and hell-raising live as JPEGMAFIA – the fact she’s pushing similar buttons as a woman makes her, arguably, even more important. On songs like Bitch I’m Nasty and Rage, which are both produced by Kenny Beats, who also guided the music on her most recent album Anger Management, Kelly attacks the gnarly guitars and cutting drums with real venom, every word delivered like she’s face-to-face with her worst enemy. Sometimes she just starts screaming in between bars.

I’ll see straight guys moshing with the gay guys and I love that – Rico Nasty, aka Maria Kelly

Evoking the DC comic book character Harley Quinn, her bold onstage look is about reclaiming the colours white female punk artists wore before her and showing her fans, many of whom feel like outsiders, that they can be anything they want to be. It’s quietly revolutionary.

“If you come to a Rico Nasty show you’ll see all kinds of people, dancing together as one in the mosh pit,” she explains. “I’ll see straight guys moshing with the gay guys and I love that. A lot of these people aren’t able to let out their anger in the real world without being demonised, particularly black women, but they can at my show and to my songs. It’s a safe space to let out all the rage, and that’s healthy. It’s like group therapy.”

In a world with infinite choice, thanks to streaming platforms such as Spotify and Apple Music, Kelly believes fans expect more from their favourite artists – because, if their interest palls, they can quickly move on to something else. By embodying the fearless punk values of her hero Joan Jett, she can ensure she lives up to their estimations, she says. “They gotta see me go crazy on stage or I’m not doing my job! it’s all about showing emotions because they paid good money to see you and they don’t want to just see me stand still. You’re the person who made their favourite song so you should be performing until your voice cracks [like the punk artists voices’ used to do].”

(Credit: Works Of Ace)

Rico Nasty is a 22-year-old Maryland rapper who embodies the fearless punk values of her hero Joan Jett (Credit: Works Of Ace)

It’s something Hendricks very much agrees with. Punk in the 1970s was a reaction to the overly conceptual progressive rock that bands like Pink Floyd and Genesis were releasing. The Sex Pistols’ two-minute songs, which used a minimal amount of chords played as shoddily as possible, were in stark contrast to the stadium rock that some young people found pretentious.

Similarly, Hendricks believes the reason rap with punk sensibilities resonates right now is because the melodic ‘trap’ sound that has dominated the radio for so long is also starting to become stale. Hip-hop fans could be looking for something to counter the neatly produced club trap anthems by stars like Drake and Migos, which means music that’s more unhinged and doesn’t read from a script, and artists who enjoy giving their all on stage and are comfortable making people feel, well, uncomfortable.

“So much of rap sounds the same, and that’s okay, but that means some people want something that can be the complete opposite too. We’re entering an era where you have to leave a part of yourself on the stage and really make the crowd move. People aren’t going to just accept your presence or you miming to a song; you have to really do your job, you know? Maybe that’s where [punk-rap] comes in. I feel like this is the only time this sound really has a chance to break through into the mainstream.”

Two genres united

But if punk-rap makes sense for this particular cultural moment, it’s hardly a new phenomenon. As John Robb, the author of Punk Rock: An Oral History – and a rock legend in his own right as lead vocalist in post-punk band The Membranes – points out, rap and punk first became intertwined in the 1980s, a time when The Clash experimented with a rap edge on The Magnificent Seven.

He believes Public Enemy were the first band to really bring the two different audiences together, with their rough, hard-hitting boom-bap sound resonating with both black kids in the inner cities and white kids in the suburbs. The fact that, in the 1980s, iconic producer Rick Rubin would split his time between producing new albums for hip-hop acts like Run DMC and The Beastie Boys and hardcore bands like Slayer and The Cult, also helped to create links between the two cultures.

“Public Enemy were really the first band to resonate with both camps,” says Robb. “Chuck D was a huge fan of The Clash and I know from speaking with him, he studied all of the punk bands. I saw them on the Anthrax tour and Public Enemy blew this hardcore band right off the stage. I’m sure every white punk fan in the audience became a rap fan after that.”

These kids live in such a distorted world that the music is lying if it isn’t distorted as well – John Robb

As the 1990s arrived, hip-hop’s punk sensibility was further enforced by in-your-face acts like Ice Cube, DMX, Onyx, and Rage Against the Machine. Then, although he’s easy to mock now, Atlanta rapper Lil Jon also spliced genres to innovative effect with ‘crunk’, his southern rap take on punk, which prioritised uncomfortably loud horns and repetitive screams. It’s no surprise that Denzel Curry, one of punk-rap’s most prominent artists, channelled Lil Jon’s trademark “what” screams on his 2018 song SUMO | ZUMO. “Lil Jon was definitely a pioneer for some of the punk-rap acts we see now,” agrees Kenny Beats. “He showed you could scream on a song and still have a hit on the radio. He even sampled [US heavy metal guitarist] Randy Rhoads, so it was obvious he knew what he was doing.”

But Lil Jon was hardly an anti-establishment renegade, more just someone who found a sound that stood out from the norm. It was around a decade ago that punk-rap really returned with a vengeance, via authentic anarchist acts like Tyler the Creator’s Odd Future collective. The Los Angeles group weren’t afraid to release incendiary singles where hooks were built around calls to burn schools, among other things, while beats were both manic and minimalist. They lived the punk life they rapped about, hanging out at skate parks and dingy clubs in three-day-old clothes. This DIY spirit made them feel like the black Sex Pistols. And Kanye West borrowed punk elements for his brilliantly bleak 2013 album Yeezus. On it, he took Odd Future-style industrial sonics and made them more palatable for the mainstream, sampling post-punk bands such as Section 25 and offering up riotous tirades like Black Skinhead.

(Credit: Alamy)

Kanye West also went punk on his brilliantly bleak 2013 album Yeezus (Credit: Alamy)

But Kenny Beats believes one of the most important songs in this new age of punk could be Look At Me by XXXTentacion – the controversial Florida rapper, real name Jahseh Onfroy, who was shot dead last year at the age of 20, while facing multiple criminal charges. The 2017 song features uncomfortable levels of distortion and unhinged vocals as Onfroy, then just a teenager recording in his bedroom with a cheap microphone bought on eBay, refers to himself as the new Kurt Cobain. Peaking at 34 on the Billboard 100, it was the moment punk-rap showed it could really be a force on the pop charts.

“Whatever you think [about the person and the allegations], there’s no denying Look at Me was one of the most punk-rock moments in a long, long time,” says Kenny Beats, when asked why the song resonates so much with the current generation of rap fans. “You play it in a room and people are ready to riot. XXX sounds like a scary cult leader rapping over the worst sounding MP3 I’ve ever heard, but everything about that song bottles this idea of being young and not giving a damn. It’s the reason why you hear distorted drums on an Ariana Grande song or people putting out two minute singles. Its influence is everywhere. It doesn’t have a message, but that’s what makes it have one somehow.”

People get upset that the old rock ‘n’ roll attitude doesn’t exist anymore, but it’s right there in front of them – JPEGMAFIA, aka Barrington Hendricks

As conversation rages around Brexit, Trump and global warming, there is a feeling among some young people that they are paying for the sins of their parents and have inherited a world that is teetering on the edge. It’s in this context that the darker punk-rap sound has resonated deeply, says Robb. “These kids live in such a distorted world that the music is lying if it isn’t distorted as well.”

However, he’s keen to point out the impact of the internet in making this style of music popular too: “You’ve got to remember that genre boundaries don’t really exist like they did before. With streaming, every genre cross-pollinates into the next and you just hop from one thing to another. That makes it easier for punk-rap to thrive than it could in the 1980s or 1990s, as back then, everything had to be a hit on a radio. Now, you just put it on Soundcloud and it gets a million views and kids will treat like you like a rock star.”

So often, Hendricks says, he reads “lazy” articles from white music journalists speculating when guitar-driven punk is going to make a comeback and “save music”. Yet he believes this is a blinkered question founded in racism – critics are unwilling to acknowledge that punk never went anywhere, but its spirit is now embodied by hip-hop, and phallic guitars have been replaced by dusty 808 drums.

“[Rock music] is stagnant, yet here we are in 2019 still clinging on to this old idea of what rock ‘n’ roll is. People get upset that the old attitude doesn’t exist anymore, but it’s right there in front of them: we’re the new rock stars”.

  • By Thomas Hobbs
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The Isle of Wight International Scooter Rally Site move announced

VFM, the organisers behind The Isle of Wight International Scooter Rally have announced today (read the press release below) that the August Bank Holiday rally will be relocating for 2020. The main hub of the rally has been at Smallbrook Stadium for the last two decades but the redevelopment of the site and the granting of planning permission for a new multi-million-pound ice rink (to replace the perfectly good existing one located right in the heart of Ryde town) at the site means it’s no longer able to cope with the size of the rally.

Sandown Airport

Isle Of White Scooter Rally main site moves

It’s a positive move though, the rally will be held at Sandown Airport, located just 1.2 miles out of the pretty seaside town. The huge grass field site boasts plenty of room for campers (and camper vans etc), hardstanding for the trade area, a cafe, an aircraft hanger (which will be utilised as a northern soul room), there will also be a marquee for the main evening entertainment and the site will also have the best washing and shower facilities brought in for the weekend.

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Moving to that side of the island (it’s just 6 miles from Smallbrook) will also mean there’s more chance of getting B&B or hotel accommodation, as long as you get in quickly. Get on to Booking.com as soon as you’ve read this, there’s also a Premier Inn in Sandown. Coaches will be laid on so rally goers can explore this ‘new’ town and still get back to site, although it is within walking distance.

We’ll bring you more information as we get it but hopefully, this move will get people excited for August Bank Holiday once again. It may still be the same little island across The Solent but it’s a whole new place for most of us to explore.Click here for the latest on Booking.com

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Madness have a dig at Boris Johnson and the Eton elite

FIRST PUBLISHED IN NME

“The Eton Boys are undefiled/ The Bullingdon Boys, running wild”

Madness
Suggs and co. have a dig at Boris Johnson in the lyrics to their new song. CREDIT: Getty Images

Madness have released ‘Bullingdon Boys’, their first new song in three years – and it features lyrics aimed at Boris Johnson and his Eton cohorts – listen to it below.

The pioneering ska band’s snap release is a “barbed swipe at the charlatans, rotters and chancers at the top of the tree who have done their best to take the shine off 2019,” according to a press release.

Inspired by the fact that 19 of the 54 UK Prime Ministers have come from Eton, the new song takes aim at Johnson, who was educated at Eton College before going on to study at Oxford, and his peers with anti-Tory lyrics.

“The Eton boys are undefiled/ The Bullingdon Boys, running wild,” Suggs sings on the chorus. “And England slides into the mist/ No hope they’ll cease nor desist.”

Other lyrics include: “They’re making England Great Again/ But make way for the bagmen/ When everything’s been sold and bought/ We’ll soon be off the life support.”

The song’s artwork features what is assumed to be a group of Eton students donning a variety of masks, including Halloween villain Michael Myers and Porky Pig. It includes the tagline: “Don’t get bullied by the Bully Boys.”

Madness

Accompanied by a supercut video that features scenes from Clockwork Orange, the Batman TV series and The Riot Club, you can listen to ‘Bullingdon Boys’ below:

Earlier this month, Madness performed a show in London where fans were given the chance to pay the same entry price as they did 40 years ago.

Madness Electric Ballroom 2019. Credit Symond Lawes

The Camden Town legends played the Electric Ballroom on November 17 – 40 years to the day since they launched the legendary Two Tone Tour at the very same venue. Tickets were just £2.50 (plus booking fees).

There’s nothing new about musicians having a go at Eton EliteWill Lavin “meanwhile, Boris Johnson has received a backlash for declaring that he’s a fan of The Clash.

The revelation came from a new general election campaign video in which the Prime Minister is seen walking around the Conservative Party headquarters answering questions.

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Scooterboys 1980’s The lost tribe of British youth culture

THESE fascinating pictures show a little-known youth tribe called Scooterboys, who roamed the country during the 80s and 90s.

The group was dubbed as “the lost tribe of British youth culture”, however tens of thousands of scooter riders insist they collectively rejected that label.

Scarborough sea-front in 1983 during the period when Scooterboy overtook Mod in numbers
Scarborough sea-front in 1983 during the period when Scooterboy overtook Mod in numbersCredit: John Stevens / Carpet Bombing Culture
The classic ‘80s Scooterboy look was an MA1 flight jacket covered in rally patches
The classic ‘80s Scooterboy look was an MA1 flight jacket covered in rally patchesCredit: Greg Hollingdale-Cooper / Carpet Bombing Culture

Interesting pictures reveal the freedom Scooterboys had 30 to 40 years ago, showing rallies taking place in Hampshire and Dorset.

The photographs are featured in Scooterboys: The Lost Tribe book, created by Martin “Sticky” Round.

The book paints a picture of what the youth tribe experienced in their customised Vespa and Lambretta scooters as they set off on adventures each weekend.

The book mentions the shared experiences of riots, local hostility and police harassment, which built strong fraternal bonds that lasted a lifetime.

Scooterboys were members of a 1960s mod subculture, who rode motor scooters and wore anoraks, wide jeans, and boots.

One recent photograph shows crowds of scooterists in the Isle of Wight, while another takes you back to  the 1970s and shows how the youth tribe compared to today.

Riders boarding the ferry after the riot at Isle of Wight 1986
Riders boarding the ferry after the riot at Isle of Wight 1986Credit: Piggsy / Carpet Bombing Culture
Isle of Wight pictured in 1984 - probably Britain's biggest ever rally
Isle of Wight pictured in 1984 – probably Britain’s biggest ever rally
Scooterboys chilling at Margate National Rally in 1990
Scooterboys chilling at Margate National Rally in 1990Credit: Dave Chapman / Carpet Bombing Culture
Scooters and Soul music have lived a conjoined existence since the 1960s, but intricately airbrushed photo-realistic murals are typically Scooterboy
Scooters and Soul music have lived a conjoined existence since the 1960s, but intricately airbrushed photo-realistic murals are typically ScooterboyCredit: Carpet Bombing Culture
Before political correctness it was acceptable to ride a paint splattered chop called 'Time of the Month'
Before political correctness it was acceptable to ride a paint splattered chop called ‘Time of the Month’Credit: Nick Purser / Carpet Bombing Culture
A Scottish scooterist guards his club’s matching airbrushed crash helmets
The Great Skinhead Reunion Brighton June 5-6-7 2020
The Great Skinhead Reunion Brighton June 5-6-7 2020. Hit the picture for tickets

20A Scottish scooterist guards his club’s matching airbrushed crash helmetsCredit: Carpet Bombing Culture

Scooterboys loved highly tuned street-race scooters such as these DTC-painted Lambretta GPs
Scooterboys loved highly tuned street-race scooters such as these DTC-painted Lambretta GPsCredit: Sticky / Carpet Bombing Culture
After the 60s Mods came Skinheads, Suedeheads and Smoothies. In the early 70s the customising fashion was the accessorised Lambretta ‘skelly’
After the 60s Mods came Skinheads, Suedeheads and Smoothies. In the early 70s the customising fashion was the accessorised Lambretta ‘skelly’Credit: Sticky / Carpet Bombing Culture
Steve Maw’s Lambretta chopper ‘Illusion’ at Great Yarmouth in 1985
Steve Maw’s Lambretta chopper ‘Illusion’ at Great Yarmouth in 1985Credit: Stuart Lanning / Carpet Bombing Culture
Scooterists from Hampshire and Dorset explore Girvan in Scotland
Scooterists from Hampshire and Dorset explore Girvan in ScotlandCredit: Nick Purser / Carpet Bombing Culture
Vespa cutdown ‘Little Rascal’ pictured at Morecambe
Vespa cutdown ‘Little Rascal’ pictured at MorecambeCredit: Piggsy / Carpet Bombing Culture
Scooterists at the end of the Isle of Wight ride-out in 2012 respond to DJ Tony Class
Scooterists at the end of the Isle of Wight ride-out in 2012 respond to DJ Tony ClassCredit: Sticky / Carpet Bombing Culture
Classic early-80s Scooterboy style in Brighton
Classic early-80s Scooterboy style in BrightonCredit: Mike Lovell / Carpet Bombing Culture

Symond And Nev Wycombe Skinheads 1981. Photo Credit Gavin Watson
When Scooterboys built radical projects it often meant use of an angle grinder and welder
When Scooterboys built radical projects it often meant use of an angle grinder and welderCredit: Carpet Bombing Culture
Custom Lambretta named after the Jam record as Funeral Pyre
Custom Lambretta named after the Jam record as Funeral PyreCredit: Nick Purser / Carpet Bombing Culture
Getting stopped by the police was an occupational hazzard
Getting stopped by the police was an occupational hazzardCredit: John Stevenson / Carpet Bombing Culture
The Alcoholic Rats all-girl scooter club at Great Yarmouth
The Alcoholic Rats all-girl scooter club at Great YarmouthCredit: Jo Jackson / Carpet Bombing Culture
The book's cover, depicting a police check of riders attending Redcar National rally in 1985
The book’s cover, depicting a police check of riders attending Redcar National rally in 1985Credit: Carpet Bombing CultureIf you have photos and stories to tell or want to add to this, we would love to hear from you and add them to the site. Please email subcultz@gmail.com
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Scooter Squabble

Scooter Squabble

Despite its reputation as Hog heaven, the birthplace of Easy Rider and the whole Hells Angels bike club thing America has always had quite a healthy scooter scene. Believe it or not Harley Davidson even produced their own range of scooters in the 1960s.

Here we zip back to around 1960 and join the San Francisco based Pioneer Scooter Club on what is described as a Motor Scooter Squabble. To our eyes it looks just like a Sunday ride out so maybe our American readers can put us straight as to whether the word squabble is commonly used
to describe a gathering. Interestingly enough when researching this we found that squabble is the collective noun for a gang of midgets. You live and learn!

So take a look back at some lovely Vespas, Lambrettas and slightly more exotic brands that found their way across the Atlantic back in the late 1950s. Now what would the collective noun for a bunch of scooter riders be?

scooter san fransisco
scooters, san fransisco
scooters, golden gate bridge, 1960's
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Great Skinhead Reunion Brighton Information

BUY TICKETS

Great Skinhead Reunion Brighton 2022 Line up
Line up so far 9-10-11-12 June 2022

Established in 2011 The Great Skinhead Reunion Brighton was designed to bring Skinhead back home to where it was born in the 1960´s When the Mods and Rockers came to Brighton and hit the headlines, establishing their own youth culture. From those early Mods came the Skinheads, who embraced the new music coming in from Jamaica known as Ska. The Jamaican immigrants to the UK mixing with British working class kids with style and attitude, to form a new youth culture.

The Great Skinhead Reunion poster

The second wave of Skinhead began to build in the mid 70´s with the birth of Punk Rock in 76, this time musically the Skinheads adopting the Punk rock sound and aggro of the football terraces, Working class bands forming and putting out their own angry antisocial messages in music, frightening the media into a frenzy of misinformation, who promoted the image of hyper violent bootboys and girls on the loose. This was a time of major political unrest in the UK and extremist groups tried to recruit within working class culture, often targeting Skinheads and football supporters, in the hope of win one, win them all pack mentality.

By 79 The skinheads were on the fightback and in London with bands like Madness and Badmanners, linked with British Midlands such as Coventry bands The Specials. The Selector and The Beat and created the 2tone label, which firmly mixed black and white youth together against this media onslaught.

In 1981 came the next wave. Oi! music was unleashed by Sounds magazine, bringing back the angry streetpunk energy and protest into the Skinhead subculture, once again giving the media and movie makers something to chew on.

Over the years the pendulum swung back and forth, but against all the odds Skinhead in its genuine form found its way across the world, connecting the Working class of Britain with mainland Europe, during the cold war even into communist Eastern block, then across to USA, South America, and in modern times, Indonesia to pretty much every westernised nation.

At the Great Skinhead Reunion Brighton you will find the most genuine, real and very friendly welcoming event in Skinhead history. Real people who have lived the life, mixing with new faces just coming in. We actively search for new acts to showcase and tour. We reunite old bands and give them a stage to play, we encourage scene DJ´s from across the worldwide scene, to play and network. Together all of us taking the scene forward, learning from previous mistakes, without selling out our principals of a true Working class subculture. The reunion invites everyone to attend, be you a skinhead or just someone wanting to be part of the event, interested and wanting a great fun weekend. We also actively support charities every year.

United We Stand!

TICKETS

FULL 3 DAYS EVENT, YOUR WRISTBAND IS VALID THROUGH OUT, YOU CAN USE IT FOR AS LITTLE, OR AS MUCH AS YOU WANT. THE EVENT WILL SELL OUT.

WRISTBANDS GIVE YOU FULL ACCESS TO ALL THE EVENT, THREE FULL DAYS AND NIGHTS OF ENTERTAINMENT, 12 BANDS, 10 DJ’S PLUS A  SPECIAL PRE PARTY  BEACH BBQ ON THURSDAY PRE PARTY

The line-up maybe subject to change, as so many band members and dj’s are involved, alcohol, world wars and famine can be unforeseen, but the Great Skinhead Reunion, is more about coming to Brighton to see all your friends and making some more, for 3 full days of mayhem.

SKINHEAD ONLY HOTELS .

Add to your experience, by getting a room in our Skinhead only hotels. Conveniently located, with a short walk to the venue, and no moaning neighbours to worry about. The rooms vary in size and cost, to fit your needs. all within an easy walk to the skinhead reunion venue. We have hotels exclusive to the Great Skinhead Reunion guests and bands.  Party party !! please email subcultz@gmail.com with your requirements, to be booked into the Skinhead Hotels

For those on a low budget, its worth checking Hostels and campsites, but my advice, is to get in the reserved hotels, for a nice stress free, clean and comfortable holiday in Brighton.

TRAVEL INFORMATION

Brighton is situated on the south coast of England, approximately one hour from London. London Gatwick is the nearest airport. There are regular direct trains and National Express buses. The next nearest is Heathrow, We Strongly advise NOT to fly to Stansted or Luton as this is a long way and expensive UK public transport, but if you have no choice then use National Express buses from those airports, which you need to book in advance to get cheaper rates, and you risk losing valuable drinking time

The nearest ferry port serving mainland Europe is Newhaven -Dieppe . Newhaven is about 20 min drive to Brighton. Dover is about 2 hours to Brighton

PARKING ZONES – one of the worst aspects of Brighton, is a lack of affordable parking. my advice is to use street parking on the suburbs of Brighton, its a reasonably safe place. a good bus service will take you into brighton centre (churchill square) and a short walk from there to the sea front. worth allowing the extra hours work, to save yourself serious parking charges. Wilson Avenue is about the nearest free street parking to the venue, jump on a local bus back into town.

All Event Enquiries email Symond at subcultz@gmail.com. phone (uk) 07733096571

The Facebook community group Facebook group

Facebook page

Brighton can lay claim to being a big part of the birth of Skinheads. During the Mods and Rockers battles of the 1960’s when London lads would descend on the South Coast for bank holidays to Peacock and cause ‘Bovver’ the term Skinhead was born, to describe the short haired Mods.

Becoming probably the biggest and longest standing of all the youth fashion subcultures, Skinhead has matured and now become a worldwide community. Distinctly recognized by almost military shaven head, boots and braces. The real skinhead is a working class product of the British council estate ‘salt of the earth character’ fiercely proud of his identity,with an obsession for clothing, style and music, equaled only with his love of beer.

On the first weekend of every June, since 2011, Brighton has seen an ever increasing number of Skinheads and their lovely Skinhead Girls invade Brighton. Boots, Braces, pristine clothing and a cheeky smile. Attracting scene members from right across the globe, to Madeira Drive, overlooking the beach. A full three days of Skinhead related entertainment is laid on. DJ’s playing hyper rare vinyl, from the early days of Jamaican Ska, through to modern day Street Punk and Oi. Live bands hit the stage of the Volks bar each night. With various aftershows happening until the early hours, to keep the party buzzing.

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Mods Of Your Generation Interview – The Electric Stars – “Beautiful Music For Beautiful People”

Mods Of Your Generation Interview – The Electric Stars – “Beautiful Music For Beautiful People” MODS OF YOUR GENERATION·SUNDAY, 1 SEPTEMBER 2019What can say about The Electric Stars that hasn’t already been said?Formed in 2011 the band have featured in countless magazines and had many glowing reviews, with their album “Sonic Candy Soul” making the Top 12 of 2012 best albums in ‘Scootering Magazine’ alongside the likes of Paul Weller. Recently front man Jason Edge featured in the September 2019 issue of Scootering with an incredible two pager. They have the incredible ability of taking inspiration from all the best music from any era and blending it together to create original, new modern music. Their Psychedelic Rock n Roll sound and their upbeat soulful vocals sets them aside from others. They have one mission and that is to make “Beautiful Music For Beautiful People” and that is exactly what they do. Personally i would like to thank them for providing an alternative. I believe “music is the soundtrack to our lives” If you agree then you need the Electric stars in yours. To find out more about the band continue reading below

 The band formed in 2011 how did it all happen? We formed while we were in the studio recording Sonic Candy Soul. The Album was already written & as myself, Keef & Andy went in to record we didn’t have a drummer. We used a guy who was hanging around with us & began laying down the tracks. The whole concept began to fall into place, the sound, the look, the vibe and the name, while we were recording. As soon as we finished it, that’s when we found our drummer, Johnny. 

 You signed to Detour Records in February 2012 and released a single in March. Then released your debut album ‘Sonic Candy Soul‘ in September. What was the reaction to the single and album? Once we had the Masters of the Album we started to look for the right label. Dizzy at Detour has always been great with us. He has great History on the Scene and is a Fab guy! The first single came out & got a brilliant response. In fact you can’t get a copy of that anymore! When the Album came out, I think we were happy with it, well most of us were ha ha, but you never know how the public will like it. But the response we have had since day 1 for the Album has been fantastic. Wherever we go around the UK now people have it, play it and talk about it. It’s a great feeling to know that people dig our songs.

THE ELECTRIC STARS Blind Album Sonic Candy Soul How did you come up with the name of the band – ‘The Electric Stars’? The name.. A lot of people ask about it! When we were in the studio everything was kind of in a melting pot. The image of the band is very important. We are very influenced by the late 60’s early 70’s sounds. So it is natural we dress that way. Lots of colour, vibrant imagery, psychedelic patters ya know. The name is suggestive. Like our music & vibe The Electric Stars suggests something! I’m not a fan of dull music & dull clothes. I like my Rock n Roll Stars to look Godlike! Local pub bands might dress in jeans & t shirt. The Electric Stars dress to kill. 

 The album was featured as one of the Top 12 albums of 2012 in ‘Scootering Magazine’ alongside Paul Weller. That must have been amazing, Tell me bout it? One of the 1st reviews we got for Sonic was in Scootering and it was Ace. We were a bit shocked but blown away with the write up! Then at the end of the year, they do a round up of the best Albums & Sonic Candy Soul is in there alongside Paul Weller… Totally Cosmic! In fact now you’ve reminded me about that, It’s brought back the way we felt & it was very humble. To get a review like that makes you appreciate every bit of support from everyone! 

In 2014 the band recorded their own version of Belfast Boy, A song first released in 1970 by Don Fardon. Tell me about the reasoning behind releasing the track and how the idea developed? Belfast boy came about from a chance meeting I had with Eamon Holmes. He is a massive George Best fan like me. We got chatting about music and fashion. He is a big fan of The Electric Stars. He reminded me of the Don Fardon song and said that he didn’t think that anyone had ever recorded it since. We got in touch with the GB Foundation and the MUFC Foundation, both said they were behind the idea! Then we got a load of Players & Celebs to write about Georgie in the sleeve notes. It was a bit of an ambitious release but it got to Number 15 in the BBC Indie Charts.. Nice! The most pleasing thing for me is the B side. I wrote The Brightest Star about one of my Heroes and to have his sister say it is one of the best things ever recorded about George means more than the chart placing.

Belfast Boy – The Electric Stars | George Best Charity Single  ‘We Love You’ released in 2018 & ‘Sunshine’ released in 2017 are two of my favourite tracks. Which songs do you like performing live from your incredible repertoire? We Love You and Sunshine are both on the new Album – Velvet Elvis, The Only Lover Left Alive! To be honest I like all our tunes, we don’t let any bum songs get through quality control ha! Picking favourites is tough because they all mean so much to me. 136 is special.. It was written over in Florida & I really wanted to get the message across about this new band.. What we were.. Where we had come from.. What the message was going to be! Music for me is not just going through the motions. I can’t stand what is happening to music in 2019. Beautiful Music for Beautiful People is what we try to do. That lyric sums up The Electric Stars. We are trying to keep the flame burning and that’s important! 

The Electric Stars – Sunshine ☀️ You headlined the ‘100 club’ which had an incredible response. Tell me about the night and what is was like performing at such an iconic musical venue? The 100 Club is a wonderful venue. Probably one of the most Iconic in the world! Most of my Heroes have played there and to go on last to a sold-out crowd was off the scale! All the bands on the night were Fab. Turner, Darron J Connett, The Sha La La’s all played out of their skin. It was a bit of an experience for sure. I hope we get to play there again as it’s a special stage to be on.On the back of the gig we got loads of press & our good friends at Scootering gave us a Fab double page spread. The support they have given us since day 1 has been Brilliant. 

The Electric Stars – 100 Club – 2016The new single has been released ‘The only lover left alive’ where can we buy or download the album? The new album should have been out so long ago. Just down to laziness on the bands part I guess! The Only Lover Left Alive, Sunshine, We Love You & Loaded With Regrets are all on the new Album. Its gonna have a more stripped back feel to it.. More acoustic & less polished I think. More like the live Stars & less produced.

The Only Lover Left Alive – The Electric StarsDescribe the bands musical style and would you compare it to another? Mmmmm, well we are not ashamed of our influences. Retro, yes for sure, but with our own songwriting style! You can hear plenty of Who, Stones, Kinks, Faces for sure. But you can also hear Bowie, Bolan, Beatles & Floyd. I love American music, so Hendrix, Velvets, Doors & Love. Mix it all up with Blues & Grooves.. What do you get? Beautiful Music for Beautiful People! 

Who are your musical influences as individuals or as a band from any era past or present? The Record Collection is huge man. But if you’re going to push me.. The Rolling Stones! I will gladly fight anyone in the car park who tries to tell me they are not the Greatest Rock n Roll Band in the world. There is a little bit of Stones in everyone & there is a little bit of everything in the Stones. 

 The Electric Stars are a Manchester based band, the city has an incredible history of producing many great artist and bands. Did this inspire you to get into music and to take up playing your instruments? Manchester is a wonderful city. We are great at most things. But, when it comes to Music, we are quite Spectacular! It’s a working class city that is big enough to challenge London and small enough to create its own culture and swagger. Being in a band in Manchester is something we just did! The Hollies, 10cc, Buzzcocks, Joy Division, Mondays, Roses, Oasis.. Not bad is it for a bunch of Mancs ha ha!  

 British actor & musician Gary Shail is a huge fan of the band and asked you to perform at the Quad 40 event on Brighton Pier. What was it like to be asked to perform at such an iconic event celebrating the 40th anniversary of a timeless cult film Quadrophenia? We met Gary a long time ago at a gig. He loves live music and used to be in a band before he was an Actor. He liked our sound and we became friends. Last year he called me up and said “Jay, I’ve got an idea & I want the Stars to be part of it”. What an idea it turned out to be! Quad 40 was absolutely Fantastic! To be asked to be part of the Anniversary of one of the most Iconic British Films ever made.. WOW It really was a Brilliant event. Still buzzing from it to be h honest. 

 Do you have anything you would like share with all your supporters? I think if I’m going to finish on something it’s just to say a huge thank you to everyone who has supported us. The people who come to the gigs & buy our music. The people who write about us & book us to play all over the UK and Europe. We write our own material and we never take it for granted that people prefer us to cabaret. We want to make a difference & in 2019 that is getting harder than ever! Thanks to you Johnny for giving us the opportunity to tell people about the band & see you all soon!

The Electric Stars – We Love You   Copyright © Johnny Bradley (Mods Of Your Generation) & The Electric Stars, 2019, All Rights Reserved. No part of this article may be reproduced without the permission of the authors.

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Mods Of Your Generation Interview – The Touch – They’re back after 40 years with their new album – Lost and Found

Mods Of Your Generation Interview – The Touch – They’re back after 40 years with their new album – Lost and Found MODS OF YOUR GENERATION·TUESDAY, 2 JULY 2019· 

The Touch are back after 40 years with their brand new album ‘Lost and Found’They were a mod revival band in the 70’s recording one album which was confusingly released by their record company under the wrong name. as well as know track titles or any other information about the band.I was kindly given a copy of the NEW album before its release and became instantly hooked to find out more about the previous album and the confusion around the first albums release. There may of been confusion around the previous album however there is no confusing who they are now. Whether your a fan of great music or a new fan of The Touch, whether you just like the Mod revival, or brilliantly written creative and relatable music. I suggest this album needs to be part of your collection.I was so excited about the new and old album that i immediately needed to interview them to find out more. I am also incredibly intrigued to see what they do next.

(1) Where do you find inspiration for your song lyrics & music? The music usually starts with an idea that magically arrives’ in the head, either as a riff, or a melody. It’s rare that one starts out with the idea to create a particular progression, and more often the rest of the music gets built around that one idea. Lyrics are a different matter. They are almost always either autobiographical or about something we’ve observed. For example, we must have been in the depths of teenage misery when we wrote Grey Day and I’m a Stranger as they are certainly based on real events. On the other hand, Walk in the Park, and Stop Stop are social commentaries. (2) How and when was the band formed? An early version of the band (The Flames) came together as a unit around 1976 with Son Jack on lead guitar and vocals, Gerry on rhythm guitar, Charlie on drums and Jim Henebury on bass. When Jim left, for a while we were 2 guitars and drums, weird but it sort of worked. We used to rehearse at Alaska Studios in Waterloo round the corner from the famous Wellington pub where many of the great early mod revival bands used to play. The studio was owned by ex-Vibrators bassist Pat Collier, and it’s thanks to him that we got started properly, but more about that later. 

(3) When & where was your first gig? As The Flames our first gig was the Rochester Castle, Stoke Newington November 3, 1977 opening for the Stukas. We also supported them every other Thursday that month. As The Touch, our debut was at the Nashville on Dec 29, 1979 supporting the Bishops. 

 (4) Has anyone played a major role in your music career? We’d have to say that Alan May, Dizzy Holmes, and Albert Cummings are the three kings for us right now as they are responsible for us being back together. Another big shout out goes to Pat Collier who got us started in the first place. We were a scrappy 3 piece called The Flames rehearsing at his Alaska Studios in London in ’77 when he helped us out playing bass, booking our first gigs, and helping us with promotion. Having him produce this album was brilliant and brought things full circle. (5) Your new album was recently released. What has the reaction been? We’ve been blown away by the comments and overall reaction, really, just staggering. You usually expect a spread of opinions in the feedback and so far it’s been just amazing.

(6) What were the biggest challenges in doing this album? That’s easy. Time. Son Jack lives in the states, Dave is in Devon, and Charlie and Gerry are in London, so trying to find time when we could all be in the same place at the same time was hard. It’s amazing we managed to get together as often as we did, and over a 6 month period Son Jack flew to London 5 times to get this done.The second biggest challenge was re-learning songs that none of us had touched in 40 years. This involved converting lots of old dusty cassettes into MP3’s and hunting through old boxes of lyrics to track down the words and song structures. (7) Where can fans buy or download the old & new albums? Pretty much everywhere! There are a bunch of options:1/ Via Paypal (UK and Europe only and incl s&h) send £13 to g.czerniawski@uel.ac.uk2/ Worldwide CD fulfilment via CDbaby at https://store.cdbaby.com/cd/thetouch43/ For streaming and downloads it’s on Amazon, iTunes, Spotify, Google Music, Deezer, Napster, Pandora, Shazam, Tidal, Youtube Music and a bunch of other places. 

 (8) Have you got any future gigs coming up and what’s next for the band? We have just one more gig on the books at the Mod Weekender in Brighton on August 24th. We’re at the Hope and Ruin in Queen Street and are playing a double bill with the Teenbeats. Last time we played together was at Marquee in ’79 I think so this will be a very special gig. We’re also pricing it for the fans at £13 on the night, or £10 in advance at http://bit/ly/TouchTeenbeats.

 (9) What’s the story behind the first album being released under the wrong name? We have theories but would risk getting sued for defamation of character if we shared them J. Let’s put it down to being young, naive, and star-struck at having an album at the age of 18. Twenty/twenty hindsight and all that. 

 (10) Can we look forward to another great third album? Haha! Mate, we’ve just finished this one and that took 40 years! Seriously though, it’s too early to tell but if we think we can do a knockout third album, and there’s demand for more then we’ll definitely consider the idea. (11) After the band disbanded after confusion over release of first album, what did each of the members go on to do musically or other? Son Jack: I didn’t play for over twenty years. It was only after moving to the states that I got the blues bug, and started trying to learn how to play it. I started out playing solo, then duo, then full on 4-piece band and enjoyed a 10 year career playing blues all over the world and recording 4 albums. Best part was getting to meet some amazing people like BB King, and we even got to open for Chuck Berry in the legendary Duck Room in St Louis.Gerry: I spent a few years playing in different bands including the tail end of The Fixations, Bad Karma Beckons, Waving Not Drowning and Mojo Hand. I’ve got a ‘day job’ but the music side of things has never really left my soul so keep my hand in one way or another. 

Charlie: Although I played on the early demo’s included on the Detour release, I had left the band before the first album was recorded so didn’t actually play on it. Instead I went back to education and retook some exams. Played drums for garage band called Bad Karma Beckons with Gerry, they released an album, Mutate and Survive, in 1986. Currently also playing in a couple of active London bands namely The Phobics and The Beatpack.”Dave: After the touch I played in a number of new romantic groups in London including The Marines, and concentrated on learning the keyboards and developing my song writing. In 2000 I spent ten years living in Catalonia and during that time played in a popular dropzone band. 

(12) When did the band decide to get back together and why? We got “re-discovered” through an insane set of unlikely events about 2 years ago. It’s a really long story but in short, Alan May and Dizzy Holmes tracked us down. Alan urged us to consider getting back together, and Dizzy wanted to do an official re-release of the original album on his Paisley Archive label. Alan also put us in touch with London promoter, Albert Cummings, who offered us a gig. So basically, everything was lined up and we had a reason to get back together. Without Alan, Dizzy and Albert I don’t think we would have bothered so we’re incredibly grateful for their support and encouragement. (13) Where would you like to see the band in a few years and what can we expect from you in the future? We’d LIKE to see us being waited on hand and foot on a private Island in the Caribbean but that probably isn’t going to happen. We’re in this for the love of it, not the money so we’re not on the career path that the younger more ambitious acts are. As long as we’re making music together, even if occasionally, that will be a beautiful thing. (14) Do you have a message for fans and a response to the reaction the band has had from the new album? That’s an easy one. THANK YOU FROM THE BOTTOM OF OUR HEARTS! You’ve made a bunch of old geezers feel like teenagers again. 

 (15) How would you describe the bands musical style if you were to compare it to another band? That’s a tough question as our musical style doesn’t easily fit one definition, as it evolved over time. We started out playing rock’n’roll (Gene Vincent, Johnny Kidd, Chuck Berry etc) in Charlie’s basement around 1973, and then when punk rolled around we got into that for a couple of years. Then we did the whole mod revival thing which also blended with Power Pop. So, you’ll hear elements of all those phases in the songs. 

Images from The Touch archives

 Interview conducted by Johnny Bradley for Mods Of Your GenerationInterview (c) Johnny Bradley & Mods Of Your Generation 2019

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How Twiggy Changed The World

Back in the mod ’60s, when Twiggy conquered London and fashion changed forever, the waif of a teen with huge eyes, a boyish bob and long legs craved the glamour and curves of a different icon.

“Whether you’re thin, fat, small, dark, blond, redhead, you wanna be something else,” said the world’s first boldface supermodel. “I wanted a fairy godmother to make me look like Marilyn Monroe. I had no boobs, no hips, and I wanted it desperately.”

What she wanted was all around her: fuller-figure models with names nobody remembers, many of them middle-class or upper- crust older girls biding their time before landing husbands. Absent any of that, what Twiggy had was extreme youth, a thirst for fashion and triple-layered false eyelashes that fed her right into the decade’s social revolution alongside the Beatles and pop art.

Now 60, she remains a one- name wonder with a joyous laugh, a gift for chat and a homegirl cockney accent. She’s achieved, slightly, some of those coveted curves, but she hasn’t lost her edge. The singer, dancer, actress and author isn’t done just yet.

Twiggy will soon hit HSN with an affordable line of skinny jeans, ruffled blouses, gypsy skirts, jackets and accessories in bold colors and price points of under $100. That, she said, would have pleased her younger self, who saved up spending money to splurge at London’s popular Biba boutique.

“I’ve always had the strong belief that fashion should be for everyone, not just for wealthy people,” said Twiggy, lounging on a white hotel settee between Union Jack accent pillows. “Lots of people can’t afford to spend lots of money on clothes, and they should have nice things, too.”

Lots of people who wear lots of different sizes. The “Twiggy London” line will be available up to around size 20, said the creator, who cites genes — not starvation — for the rail-thin look that made her the face of 1966 at age 16.

It’s not the first time Twiggy has indulged her interest in design, or remote shopping. Her “Twiggy Collection” of last decade was sold online through the portal Great Universal.

There were other home- shopping ventures as well. Back in the ’60s, she put out a line for teens but left it in the dust of some bad business partners after three years.

“We were very green then. We’re a bit wiser now. A little bit older, a little wiser,” she said with a laugh.

The youngest of three girls, she was born Lesley Hornby in north London’s Neasden to a carpenter dad and a factory- worker mom who also worked a Woolworth’s counter to earn extra money. At 5 feet 6 inches — short for a model — Twiggy weighed only 91 pounds when she exploded into the culture.

Working Saturdays as an assistant in a hair salon, she met Nigel Davies, who became her boyfriend and manager, changing his name to the flashier Justin de Villeneuve. They arranged for a hairdresser to engineer her androgynous ‘do for photos he put up in his salon. The shots were spotted by one of his clients who wrote for the Daily Express and splashed Twiggy across two pages to launch her career.

By 1967, she was on the cover of Vogue, jetting around the world working six days a week and spreading the London look to America, where knee-length hems and pillbox hats inspired by Jackie Kennedy were still the norm when she made her first visit to the U.S. that year.

Before she was discovered, she was already painting on tiny lower lashes — “my twigs” — to help make her eyes look as large as tea saucers. Her look was perfect for emerging unisex trends and ever-rising hemlines, but it opened the debate still raging over whether skinny models promote an unhealthy body ideal, especially for young girls.

“It was debated when I hit the headlines and I always came out and said that I was very healthy, which I was, and always ate, which I do. I love my food. I just come from a lineage. My dad was very slim, so it’s kind of in the genes really,” she said.

In today’s crowded model marketplace, where competition is far more fierce than when Twiggy came up, girls have died as a result of starvation. She thinks the publishers of fashion magazines, booking agents, modeling agencies and designers all share responsibility.

“They ask for these girls. It’s gotta stop. I don’t know how you go about it, so the debate goes on,” she said. “The agencies have to protect these girls.”

Twiggy’s interest in fashion design was stronger than modeling ever was.

“I didn’t plan to be a model. I thought the world had gone stark raving mad,” she said. “I was used to being teased at school for being so skinny and I thought I was really funny looking, but I was obsessed with clothes.” She retired from modeling in 1970 after four years, joking at the time: “You can’t be a clothes hanger for your entire life.” She moved on to stage, films, TV and singing, earning two Golden Globes and a Tony nomination. The ultra-skinny look remains dominant in fashion.

“Twiggy will be an icon until her dying day and beyond,” film director and writer Ken Russell, who cast her as Polly Browne in a musical adaptation of “The Boy Friend,” told The Biography Channel in 2007.

Twiggy spent four seasons as a judge on “America’s Next Top Model.” There was also a memoir, a book on looking good at 40 and a return to modeling in 2005 for the British department store chain Marks & Spencer.

And there was her daughter, now 31-year-old Carly, a textile designer for Stella McCartney who made a scarf in a repeated hummingbird motif for her mother’s HSN line that launches Saturday.

Twiggy cites teen innocence and solid supervision for not succumbing to the more destructive aspects of the era that made her famous.

“My dad was always a very strong presence in my life. He instilled a kind of being down- to-earth, being sensible, especially when this whole thing happened to me,” she said.

How does she see it now, looking back over the last 44 years? “It was just so weird,” she said. “I was this funny little kid from working-class London. It could have gone horribly wrong.”

Associated Press: 2010

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Reggae on the Beach, Carry on up the Costa, Campoamor, Alicante,Spain

A weeks holiday or a weekender. Your Choice, we have a beautiful hacienda style hotel to stay in, and the weekend sees the party nights. friday will be a night of Ska , Reggae and Soul with top DJ’s and Saturday live bands with Dakka Skanks and Jenny Woo, for some fun, and beers

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TICKETS HERE 2 PEOPLE CABIN FOR A WEEK, INCLUDING BREAKFAST AND 2 EVENT TICKETS

Carry on up the Costa Ska vacation, Campoamor

HOTEL CLICK HERE

2nd-9th, Campoamor Costa Blanca, Spain

Reggae on the Beach ,Carry on up the Costa’ Campoamor  Alicante Spain

 Dakka Skanks, Radio Rude,  Moldy and Reggae Rita.

A week holiday in the sun with the very best DJ’s playing the smooth sounds of Reggae, Soul and Ska, while you relax around the pool during the day, and dance the night away in the evening. A perfect paradise sandy beach, with warm Mediteranean waters within a 5 minute walk. In Southern Spain.

64 Cabins are available, that sleep up to 3 people, bookings for a week, with a 2 night full late night event over  the weekend of 5th -6th April, with pool games, and music throughout your week. This is a family friendly event. All hotel amenities onsite, including a restaurant.

We will accept installment payment for this event. £100 secures a cabin

email subcultz@gmail.com for further information

Nearest Airport Alicante or Murcia Spain

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THE ‘JEWISH SKINHEAD’ GIVES BACK AND FIGHTS ON

John Daly’s Hollywood-like life has been equally exciting and – given his mission to give back to the world while constantly skirting the grim reaper – inspiring.

BY MAXINE LIPTZEN DOROT OCTOBER 15, 2016 02:59 

John Daly

Keeping active, John Daly pedals long distances over difficult European roads to help raise funds for orphans in Nepal. (photo credit: RONY R. BOONEN)

Metro readers first met 43-year-old John Daly in February 2009 in “The Harrowing Life of a Jewish Skinhead.” The article detailed his unbelievable life as a member and eventual leader of the North Florida branch of the Nazi Skinhead American Front.

Growing up in a small town in Florida, John Daly hooked up with a group of nonconformist kids with whom he thought he could fit in – an anti-racist skinhead group named after the county he lived in, Marion County Against Racism (MCAR).

While most people immediately associate the word “skinhead” with “Nazis,” there are different types of skinheads that most people don’t know about: non-racist SHARPs (Skinheads Against Racial Prejudice), and those who are black, Jewish and even gay.

As Daly recounts, “In my small high school in Ocala, if you weren’t on a sports team, you were a nobody. I wanted to be accepted so I got involved in an anti-racist group of skinheads, MCAR. We didn’t do much of anything except hang out and talk about what was going on with the racist skins in larger cities, relieved we didn’t have them in our town.

“The guys all knew I was Jewish, but it didn’t bother anyone. It was all cool.”

One night, two of Daly’s friends went to Orlando, where they were approached by local racist skinheads (neo-Nazis) and were ordered, with threats of beatings and intimidation, to give the neo-Nazis the names and addresses of their skinhead friends in Ocala for recruitment in order to build up their dwindling ranks. One of the names was Daly’s.

Several days later, there was a knock on the door of the Daly home. When John opened it, he saw three neo-Nazi skinheads, complete with swastika tattoos. Afraid to let them in his house where they’d see the family’s menorah and other Judaica, he got in their car and drove off with them. He knew that if they had come into his house and saw the “Jewish stuff,” they’d kill him.

In the car, the three Nazi gang members took turns telling him stories about how certain individuals had been mysteriously hurt and hospitalized trying to escape. The driver then turned to Daly, put out his hand and said, “Welcome aboard.” Daly, a nice Jewish kid from a nice Jewish home, was now officially a neo-Nazi skinhead.

He lived in constant fear that his secret would come out. Whenever Jews came up in conversation, he would change the subject, saying, “Well you know there’s no shortage of minorities.”

Most of the time, he and his buddies would hang out, drink and fight “rednecks.” Daly had a sharp tongue and would verbally go after people, scaring them off with threats. This earned him a reputation as a good fighter and kept him from having to use his fists.

Daly miraculously escaped death when his Jewish identity was revealed by a jilted girlfriend of one of the skinheads, and the furious neo-Nazis decided it was time to “kill the Jew.”

He was beaten viciously and then plunged into the Atlantic Ocean to the chants of “Die, Jew boy! Die!” Thinking they had succeeded in drowning him, the would-be murderers fled, but miraculously Daly survived and made his way home.

While in the hospital, he was questioned by police. The skinheads, realizing they were in serious trouble, testified against each other to avoid long prison sentences, all the while planning revenge against “that dirty Jew.”

Upon recovering from his injuries, Daly took up martial arts, knowing he had a target on his back. He eventually earned numerous black belts in three different types of martial arts.

IN SEPTEMBER 1997, as the last of the skinheads were being released from prison, Daly, then 23, made aliya and was sent to Ashkelon because there was an opening in the absorption center there. He learned Hebrew and adjusted to his new life, doing volunteer work wherever he felt there was a need for his help. He has been living in Ashkelon ever since.

In 1999, taking a break from his studies in Ashkelon College, he accepted a job offer to go on a speaking tour around the US. His incredible story was the catalyst for raising awareness of the dangers of the growing threats of racism and the skinhead movement there.

He visited Anti-Defamation League chapters, Jewish and Christian groups, schools and retirement homes to talk about Israel. He was also a motivational speaker for addicts and at-risk youth.

Not being drafted into the IDF – though not for lack of trying and never getting an answer as to why he had been rejected – Daly views his speaking on behalf of Israel wherever he goes as his “personal army service.”

In 2001, he was accepted into an academic program offered by the Jewish Agency. This allowed him to go to college tuition-free in return for volunteering (which he had already been doing). He earned a bachelor’s in sociology and political science from Ashkelon College and Bar-Ilan University, with a minor in Judaic studies. A master’s in public policy and administration followed a few years later.

Since returning from his US speaking tour, Daly has been busy with jobs as a travel agent and teacher, but his passion is still volunteering. For many years he was the Ashkelon volunteer coordinator for Yedid, a nonprofit with one stated aim – to empower people to solve their problems by teaching them to work together to find solutions on a local or national level. In February 2009, Daly ran for the Knesset with the Hayisraelim Party on a platform of electoral change. (The party didn’t win any seats.) He has also been active in the English Speakers of Ashkelon and with a city animal rights group.

DALY WAS leading a healthy, active life, which came to a sudden halt on October 10, 2009.

In a synagogue enjoying Simhat Torah services, he suddenly crashed to the floor – having suffered, for the first time ever, a seizure. He regained consciousness in the ER of Ashkelon’s Barzilai Medical Center, totally oblivious to what had landed him there and to the fact that he had undergone several tests and a CT scan.

Electrodes connected to an EEG help to track seizures caused by a brain tumor that is an inoperable cancer (photo credit: GAL SELA)

Electrodes connected to an EEG help to track seizures caused by a brain tumor that is an inoperable cancer (photo credit: GAL SELA)

He was soon transferred to Soroka University Medical Center in Beersheba where, relying on the CT, doctors told him that he had a brain tumor resting on the right frontal lobe (which controls higher mental functions, motor skills, emotional stability and helps with concentration) and there was nothing to do but give him anti-seizure medication.

Three days later, Daly was sent home with a bagful of medication, and returned to college life. He was summoned for an MRI a month later; there, Soroka’s chief of neurosurgery gave him the grim news, “The only person I know who might be able to help is Prof.

Tsvi Ram at Ichilov Hospital [part of Tel Aviv’s Sourasky Medical Center]. He’s your one chance. Good luck.”

Daly’s records were sent to Prof. Ram at the end of December 2009. With his mother, Ruth, one of his brothers and his then-girlfriend anxiously waiting, He endured his first “awake” brain surgery, a procedure during which the patient is totally conscious in order to respond to different commands to see how their brain is functioning.Recommended videos 

He was given a sedative to relax him and a local anesthesia was injected into his scalp. The anesthesia didn’t take, which according to doctors happens in just 1 percent of patients – and he was one of that group. He remembers intense, agonizing pain, screaming, cursing, yelling, drilling and the sounds of anxious voices all around him trying to calm him down.

Because of the excruciating pain, not only could he not pay attention to what was being asked of him, there was the real possibility of a life-threatening seizure. The anesthesiologist then sedated him completely. One of the results of this surgery was that his left side became partially paralyzed and he still endured massive seizures after the operation. To minimize the episodes, he started on doses of medications but nothing helped; he was time and again experiencing potentially fatal seizures.

His life became a series of doctor visits with regular trips to an epileptologist, a neurosurgeon, a neurologist and a neuro-oncologist. Throughout all this, he still managed to volunteer at Yedid to the best of his abilities. On September 2013, back in the hospital, Daly was taken off all medications for a full week. This was done to induce seizures so a video testing system could track them, allowing the specialists to understand them better. He was a prisoner in his hospital room, attached to electrodes and cables. It was here that he celebrated his 40th birthday, not knowing if he’d reach his 41st.

These procedures led to a second awake brain surgery in February 2014, carried out with the help of Dr. Gal Sela, a neuropsychologist. Ram once again performed the procedure and, thankfully, it went smoothly and without pain. During the operation, a portion of the tumor was successfully excised, but not all of it could be removed. As a result, Daly still has seizures, though they aren’t as aggressive.

Incredibly, after long months of physiotherapy, he was able to return to his life with some physical limitations. He still does volunteer work and lectures in high schools and colleges around the country, never covering the long, bright scar that runs across the top and side of his head. For him, it is a badge of honor.

Daly considers the long scar running across the top and the side of his head a badge of honor (photo credit: RONY R. BOONEN)

Daly considers the long scar running across the top and the side of his head a badge of honor (photo credit: RONY R. BOONEN)

IN JULY 2014, Daly was tracked down by a former friend who had been a member of the skinheads but was not in on the attempt to kill him. He wanted to make amends for his youth.

Although there was the chance it was a setup, Daly agreed to meet him, hoping that the friend’s goal was indeed legitimate.

The friend invited him to Prague, and since his seizures were less aggressive and to conquer his fear of traveling and meeting someone from his vicious past, Daly flew to meet him. This meeting resulted in a soon-to-be-released documentary, Escape From Room 18, making the rounds of global film festivals this season.

At an international pro-Israel rally in Jerusalem, Daly met a Belgian woman named Sandy, a staunch supporter of Israel. Intrigued by his life story, she invited him to Europe for the first of several trips speaking with audiences all over the continent.

This connection led him to an orphanage in Nepal founded and privately supported by a group of Belgians. To raise funds, they sponsored a bicycle trip, and Daly – who for years was not allowed to ride a bike or even think of driving a car – got the okay from his doctor and volunteered to join, provided he wore protective gear. he trained hard in preparation for this trip and was proud and elated to be an active part of it.

From this past May through August, under the Daly-designed banner of “Survivors for Survivors,” off he rode through wind, rain and heat on bumpy European roads. Exhilarated and crying with joy as he rode, thinking again and again, “I’m not supposed to able to do this,” he and his team got donations from as far away as Australia and the US. In the end, they raised more than €4,000.

To ensure all the money makes its way to the orphanage, Daly has been asked to go to Nepal for two weeks. He plans to expand the operation of the orphanage and to repair damage caused by the massive 2015 earthquake.

TODAY, DALY is in a watch-and-wait state. His tumor is an inoperable cancer that is constantly growing, albeit very, very slowly. If the tumor gets to the point where it must be treated, Daly will have radiation and chemotherapy treatments, but no one can predict how his tumor will behave.

Meanwhile, he lives an amazingly active life with daily doses of medicines to ward off potentially fatal seizures, which could happen at any time. The average life expectancy for someone with his type of tumor is five years.

Daly is going into his eighth.

Daly and his mother, Ruth, share a light and caring moment at her home in Ashkelon (photo credit: JOHN DALY)

Daly and his mother, Ruth, share a light and caring moment at her home in Ashkelon (photo credit: JOHN DALY)

“I’ve been living under a death sentence since I was 17, and now this tumor can go crazy at any time,” he says.

“Just as I refused to let the skinheads win, I won’t let this mass in my brain stop me from fighting for this country with my words, encouraging support of Israel from people abroad and helping people living here.”

Besides the surgical staff who saved his life, there is another hero in this saga: Ruth Daly, his beloved mom.

Having her son lead the dangerous life he did as a teen would be enough to overwhelm any parent, but Ruth, constantly worried for her son’s safety, was always there for him. No matter what, he always knew that he had a loving home to return to along with unconditional love.

Ruth made aliya to Ashkelon in 2009, a year after becoming a widow – Daly’s father, Ken, is buried in the Ashkelon cemetery. Ruth still worries about her son and is frightened for his health, safety and well-being, but one would never know it since she’s always smiling and laughing. When she looks up at her 1.8-meter-tall son, it is with a tremendous amount of love and a bit of awe that he’s still beating the odds.

Daly ended his meeting with Metro on a pensive note.

“When they tried to kill me, they shouted, ‘Die, Jew boy! Die!’ but they failed spectacularly. My revenge is not only living, but living in Israel, sharing my love for my heritage and this country, even if it costs me my life. You know, it’s very simple. They lost. I won.”

Daly’s Hollywood-like life has been equally exciting and – given his mission to give back to the world while constantly skirting the grim reaper – inspiring.

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Mods Vs Rockers! Best friends mark 1964 clash

Mods Vs Rockers! Best friends mark 1964 clash that became part of Sixties folklore and inspired iconic film Quadrophenia

  • John Pedrick and Adrian Tincknell headed to Brighton for anniversary
  • They were part of the bloody seafront battle in in Brighton in 1964
  • More than 1,000 youths clashed there as police fought to control them
  • Battle between Mods and Rockers that became part of 60s folklore

Original story By LEON WATSON

They may now be retired grandfathers, but that didn’t stop these two former Mods climbing aboard their scooters and heading for Brighton.

Fifty years ago today John Pedrick and Adrian Tincknell were part of the bloody seafront confrontation between the Mods and Rockers that became part of 60s folklore.

More than 1,000 youths clashed on the seafront on May 18, 1964, as police fought to control running battles that saw more than 70 arrests and deck chairs used as weapons by the warring groups of youths.

Former Mods John Pedrick and Adrian Tincknell climbed aboard their scooters and headed for Brighton
Old aged Mods, Lambretta Scooters Brighton Beach

Former Mods John Pedrick and Adrian Tincknell climbed aboard their scooters and headed for Brighton

I'll deck you! Adrian Tincknell, 69, and John Pedrick, 67, met at the spot where the Mods and Rockers battled

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I’ll deck you! Adrian Tincknell, 69, and John Pedrick, 67, met at the spot where the Mods and Rockers battled

But with the combatants now pensioners there was only good natured banter as they shared an ice cream with bikers who had also headed for the city to mark the anniversary.

Mr Tincknell, a former mechanic, is now 69 and still owns a Lambretta scooter and dresses in Mod gear.

After riding into Brighton from his home nearby in Worthing, West Sussex, he said: ‘Once a Mod, always a Mod. I had to be here.Share

‘On that fateful day 50 years ago I was keeping out of trouble up a lampost on the seafront watching the mayhem when my father spotted me.

‘He was a Brighton policeman at the time and he ordered me to go home. Needless to say, I didn’t. There was too much going on.

‘I still love riding my scooter and dressing in Mod gear. We are all too old to fight now, it has all been very peaceful with lots of banter over a cup of tea with the lads on their motor bikes.’

John Pedrick and Adrian Tincknell were part of the bloody seafront confrontation between the Mods and Rockers

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John Pedrick and Adrian Tincknell were part of the bloody seafront confrontation between the Mods and Rockers

Mods and rockers fighting on the beach at Brighton in 1964
Mods fighting Brighton beach 1964, inspiration for Quadrophenia film

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Mods and rockers fighting on the beach at Brighton in 1964

Mods at the opening of the 1979 film Quadrophenia, about the Brighton battle
Mods on Lambretta scooters heading for Brighton

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Mods at the opening of the 1979 film Quadrophenia, about the Brighton battle

His best friend John Pedrick, now 67 and a retired insurance assessor living in Chichester, West Sussex, rode the same model Lambretta scooter along the promenade in Brighton where 50 years earlier he had run into the sea to escape the fighting.

‘It’s all very friendly today but it was pretty violent back then. I was a footballer in those days so I could run fast enough to get away, something I’d struggle to do now.

‘And the only safe place was in the sea. I can’t believe it has been 50 years. I’m still a young Mod at heart and thankfully things are much more chilled out now.’

Mr Tincknell (right) is a former mechanic, is now 69 and still owns a Lambretta scooter and dresses in Mod gear

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Mr Tincknell (right) is a former mechanic, is now 69 and still owns a Lambretta scooter and dresses in Mod gear

For the 50th anniversary in the sun the fighting had been replaced by a seafront Mini Car Rally

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For the 50th anniversary in the sun the fighting had been replaced by a seafront Mini Car Rally

Morality campaigner Mary Whitehouse said she was 'disgusted' with mass brawls she blamed on youngsters watching violence on television

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Morality campaigner Mary Whitehouse said she was ‘disgusted’ with mass brawls she blamed on youngsters watching violence on television

The pictures of the battles along the seafront and pavements in Brighton on that Whitsun bank holiday in 1964 became iconic symbols of the era.

The courts were busy for weeks afterwards dealing with the 75 youths arrested and the skirmishes were later immortalised in the film Quadrophenia.

Morality campaigner Mary Whitehouse said she was ‘disgusted’ with mass brawls she blamed on youngsters watching violence on television.

For the 50th anniversary in the sun the fighting had been replaced by a seafront Mini Car Rally and a performance by a group of Morris dancers.

THE BATTLE OF BRIGHTON: MODS VS ROCKERS IN 1964

A youth waves a defiant hand as he is taken from the beach by policemen

Fifty years ago, in the spring of 1964, simmering rivalry between the groups reached a flashpoint as they clashed repeatedly on seaside piers and promenades across the country.

But the worst of the violence was seen in Brighton, as families were trapped in a shocking showdown which sparked moral panic about the state of British youth.

Tensions had been rising for some time. The Rockers were usually in their 20s or 30s; Elvis-loving bikers rooted in 1950s Teddy Boy culture.

The teenage Mods’ culture, which flourished in the early 60s, was based on continental clothes, Italian Vespa and Lambretta scooters and the music of soul and jazz musicians.

They first clashed that spring on the March bank holiday in Clacton. At the Essex resort 97 people were arrested and the battle lines were drawn.

After that, trouble flared from Bournemouth to Margate, up to the bank holiday of August 1964. But Brighton’s Whitsun clash was the most notorious, thanks to sensational headlines and its immortalisation in Mod flick Quadrophenia.

Battles ran well into the night but although there were weapons – knives, chains and makeshift knuckle dusters – most scuffles involved fists and boots.

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Ten Reasons Why Catching a Cold Can Actually Be Beneficial

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20 Reasons the Holidays Are the Best Time of the Year

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This Fall Use Daylight Savings Time to Your Advantage

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50 Unexpected Family-Friendly Vacation Destinations

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Scientists Found A Secret Chamber In The Great Pyramid

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There Are Far Better Things Ahead Than Any We Leave Behind.

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How Different Materials Affect Your Drawing Process

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15 Destinations For The Obsessed With The Supernatural

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These Are The Most Valuable Passports In The World

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What Halloween Looked Like the Year You Were Born

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12 Nintendo Switch Games Every Collection Needs

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23 Films That Are Secretly Deeper Than You Thought

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The Hottest New Family Cars For 2018

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This Is the History Behind These 5 Common Superstitions

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The World’s Highest-Paid TV Hosts 2017

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That’s How You Find Super Cheap Flights!

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End Your Nightly Snoring Nightmare

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Hilary Duff Shows Off Her Flat Stomach

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21 Extremely Funny Thoughts To Celebrate

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Watch Out. This Girl Knows to Sell Videos

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8 Things You Should Never Do in Paris

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Open List: The Best Places To Go Camping

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Ten Fashion Brands to Keep an Eye out For

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Build Your Ideal Date And We’ll Tell You Who

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What Dogs Can Do When They Get Scared Is Absolutely Hilarious

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MOTÖRHEAD Drummer PHIL ‘PHILTHY ANIMAL’ TAYLOR Dies At 61

Former MOTÖRHEAD Drummer PHIL ‘PHILTHY ANIMAL’ TAYLOR Dies At 61

November 12, 2015

Another Legend goes to the Great Gig in the Sky 

Ex-MOTÖRHEAD drummer Phil “Philthy Animal” Taylor died on Wednesday, November 11 at the age of 61.

Taylor‘s former MOTÖRHEAD bandmate “Fast” Eddie Clarke posted the following tribute to his colleague: “My dear friend and brother passed away last night. He had been ill for sometime but that does not make it any easier when the time finally comes.

“I have known Phil since he was 21 and he was one hell of a character. Fortunately, we made some fantastic music together and I have many many fond memories of our time together.

“Rest in peace, Phil!”

Taylor played in MOTÖRHEAD from 1975 to 1984 and again from 1987 to 1992.

In a 1983 interview with Artist magazine, Taylor stated about his drumming approach in MOTÖRHEAD: “Well, once [MOTÖRHEAD bassist/vocalist] Lemmy starts playing, he’s sort of out there on his own, in a way. It’s something that came naturally; but when Robbo [Brian Robertson, guitar] joined the band, we started working it out a bit more. When Eddie was with the band, I played more with the guitar than I did with Lemmy, because he’s not really a bass player. Lemmy always plays so fast that it’s always been down to the guitarist and me to keep the rhythm and melody going. Lemmy is just non-stop playing all the time, so for the highs and lows of the numbers, the ups and downs, light and shade — whatever you want to call it — it’s basically down to Robbo and myself. I’d never played much before, so it’s probably a lot more difficult for Robbo than for me. He’d always played in bands that had a proper bass player, so to speak.”

Pictured in his early days as a 1960’s Skinhead

Clarke and Taylor rejoined their former bandmate Ian “Lemmy” Kilmister on stage on November 6, 2014 at National Indoor Arena in Birmingham, England before Clarke, Lemmy and current MOTÖRHEAD drummer Mikkey Dee ripped through a blazing rendition of the MOTÖRHEAD classic “Ace Of Spades”.

Asked in a 2011 interview with Guitar International if he had any plans to ever reunite with Taylor and Clarke, Lemmy said: “No, because these two guys with me now have been with me longer than the original two. They played ‘Ace Of Spades’ more often than those two. They played ‘Overkill’ more often than those two. Why should I put Phil [Campbell] and Mikkey on hold to go off with guys who probably can’t play them as well? They’ve been out of practice. It’s ridiculous to think of it. Then I would be a nostalgia act. I’m all for the now and the future.”

Regarding whether he still talks with Phil and Fast Eddie, Lemmy told Guitar International: “Now and then. I like Phil, he was my best mate. Eddie was kind of a friend except he was always complaining about something. It got kinda tedious. Last time he left, we laid low. Before, one of us would go off and bring him back. It was a shame he shouldn’t have done that, we had a lot going for us back then. He should have stuck though it. It was the Wendy O. Williams thing and I couldn’t understand that (reference: recording ‘Stand By Your Man’, a cover version of the Tammy Wynette with Wendy O. Williams). He just gave up on it because Wendy wasn’t immediately perfect on it, she just needed to go through it a few times and he left the band over it. I couldn’t fucking believe it. I think he was expecting to be talked back in. Phil came in the room and said, ‘Eddie‘s left again.’ I said, ‘Whose turn is it to go talk to him?’ [Laughing]. I said, ‘Fuck it, I’m not doing it.’ That’s the way it went. Wrong decision on his part.”

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Tony Van Frater of The Cockney Rejects dies.

Tony Van Frater, the guitarist with Sunderland punk band Red Alert, has died, reportedly of a heart attack. He was 51.

He was a mainstay of the group, who were formed in Sunderland back in 1979 and went on to tour nationally and internationally.

He also played with the Angelic Upstarts and Cockney Rejects, and was one of the most respected figures in the North East punk scene.

Tony – real name Anthony Frater – was a founder member of Red Alert, who made three studio albums and released several singles which reached the UK Indie Charts Top 30.

Red Alert broke up in 1985, reformed four years later and continued touring and occasionally recording.

Meanwhile, Tony, who was known as ‘Tut’, played with South Shields band Angelic Upstarts, and, since 1999, with the reformed Cockney Rejects.

Away from music, he used to have an ice cream van, and it is believed he had recently been working as a taxi driver.

Tributes started flooding in today on social media sites.

Official announcement from the Cockney Rejects.

Dear friends and supporters worldwide, most of you are probably aware of the tragic circumstances of this past week in which we lost our beloved brother and friend Tony Van Frater. Due to this catastrophic event we have no option other than to cancel the forthcoming UK tour forthwith as a mark of respect for the man and his family.
none of us knows what the future holds at present, we wish to enter a period of mourning and reflection on the massive contribution and impact that Tony made on all our lives.
All tickets will be refunded and we apologise for this, and we hope that we have your understanding and co operation in these difficult times.

Thank you one and all. The Cockney Rejects.

Tony played for us at Concrete Jungle Festival for us in 2007, and has been a big part of the Cockney Rejects band since he joined 

“The founding member of Red Alert and Cockney Rejects bass player was one of the scene’s true gentlemen.

“His talent and friendship will be missed by many. RIP big man – our thoughts are with your family and friends.”

Red Alert singer Steve ‘Castiron’ Smith wrote on his Facebook page: “Best mate, brother, legend, thanks for the memories son, see u up there.”

I was actually to be seeing Tony tomorrow, as i am DJ’ing a festival in Bavaria. we are all deeply shocked by this, and our thoughts go out the the Rejects and all Tony’s friends and family, it makes you realise once again, how short this life is, and we have to keep on keeping on. Stop the negative infighting, and enjoy the life we have. We are all brothers and sisters in our old punk and skinhead subcultures. Symond

The show will go on, and a pint of two will be drank in Tony’s name. Big respect will go out to Tony ifrom Bavaria, and across the Punk and Oi! world

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Great Skinhead Reunion Brighton, Big 6. 2016

Tickets for 2016 are available HERE

CONFIRMED ACTS

INFA RIOT Punk – Oi! 1982 Legends   

ROUGH KUTZ

FECKIN EJITS

THE HACKLERS – SKA

GRADE 2

CROWN COURT

TEAR UP from Watford, A brand new young oi! act

Dekkertones a leading British Ska Tribute act, to get the party started

PISTONES  (Finland)

SPECIAL GUESTS WILL BE ANNOUNCED AT THE EVENT

Facebook Event page

Bands and DJ’s wishing to perform, all info and enquiries, contact Symond at subcultz@gmail.com

Video made in 2013

The Great Skinhead Reunion, Brighton, www.subcultz.com

The Great Skinhead Reunion Brighton Every Year, the first weekend of June, Skinheads come from across the globe to Brighton seafront. for full event details go to www.subcultz.com

Posted by Skinhead Reunion Brighton on Saturday, 2 April 2016

FULL 3 DAYS EVENT, YOUR WRISTBAND IS VALID THROUGH OUT, YOU CAN USE IT FOR AS LITTLE, OR AS MUCH AS YOU WANT. THE EVENT WILL SELL OUT, AND THERE WILL BE NO ADVANCE DAY TICKETS AT A REDUCED DAILY RATE , IN ADVANCE.

The line-up maybe subject to change, as so many band members and dj’s are involved. Babies coming along, alcohol, world wars and famine can be unforeseen, but the Great Skinhead Reunion, is more about coming to Brighton to see all your friends and making some more, for 3 full days of mayhem.

SKINHEAD ONLY HOTELS .

Add to your experience, by getting a room in our Skinhead only hotels. Conveniently located, with a short walk to the venue, and no moaning neighbours to worry about. The rooms vary in size and cost, to fit your needs. all within an easy walk to the skinhead reunion venue. We have hotels exclusive to the Great Skinhead Reunion guests and bands.  Party party !! please email subcultz@gmail.com with your requirements, to be booked into the Skinhead Hotels

For those on a low budget, its worth checking Hostels and campsites, but my advice, is to get in the reserved hotels, for a nice stress free, clean and comfortable holiday in Brighton.

TRAVEL INFORMATION

Brighton is situated on the south coast of England, approximately one hour from London. London Gatwick is the nearest airport. There are regular direct trains and National Express buses. The next nearest is Heathrow,  There are also direct trains from Luton Airport . Its advised not to fly to Stansted, as this is a long way, and you risk losing valuable drinking time

The nearest ferry port serving mainland Europe is Newhaven -Dieppe . Newhaven is about 20 min drive to Brighton. Dover is about 2 hours to Brighton

PARKING ZONES – one of the worst aspects of Brighton, is a lack of affordable parking. my advice is to use street parking on the suburbs of Brighton, its a reasonably safe place. a good bus service will take you into brighton centre (churchill square) and a short walk from there to the sea front. worth allowing the extra hours work, to save yourself serious parking charges

All Event Enquiries email Symond at subcultz@gmail.com. phone (uk) 07733096571

The Facebook community group Facebook group

Facebook page

Continue reading Great Skinhead Reunion Brighton, Big 6. 2016
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Stomper 98 Confirmed for The Great Skinhead Reunion, Brighton, England 2016

Stomper 98 are confirmed for the great skinhead reunion in Brighton England june 3-4-5th 2016. Brighton is seen as a birthplace of the skinhead subculture, with mods and rockers fighting on the beaches in 1964, by 1967 the skinhead had spread across the uk, a solid British working class subculture. Saturday afternoon saw mobs of skinheads fighting for their territory and team on the football terraces, by night, Stomping to Jamaican reggae, wearing the cutting new clothing of quality British design and cloth, handmade leather shoes and boots. After a dip came the rebirth, with the aggro Boot Boys and explosion of Punk Rock from 76, the Sham Army. 79 saw the 2tone revolution, bringing the Punk and Reggae sounds together. By 1980, the largest number of skinheads in history were on the streets of Britain. Then came a backlash against the middle class system, which had controlled the people for centuries, this music was known as Oi! Music. Direct action through music. As riots spread across the UK skinheads scared the government, an army of angry disenfranchised street kids, ready to Ruck. Margaret thatcher put a ban on oi music, clubs and pubs refused skinheads entry, record shops took the vinyl from the shelves. The SPG ( police) Attacked Skinheads across the country . But we refused to die. We went underground, created our own scene, our own clubs, promoted by fanzines and word of mouth. ‘skinheads, a way of life’ like martyrs through the centuries. a faith, which is stronger than any latest fashion. So by the mid 80’s Skinheads were popping up across the planet, fed by the media scare stories, of the anti Christ. By photographic images and books. But also by skinhead bands playing around the globe, for a few beers and a hot dog. Gone are the days of territorial violence and racial conflict. The political infighting designed to divide and destroy, thrown aside. What’s now, is a world wide community, living A skinhead way of life. Every year we celebrate the skinhead subculture, in all its positive eras. From 60’s ska to 21st century oi! And with that, We invite Selective bands each year to come represent their country and scene. We are very pleased to announce Stomper 98 from Germany will be performing at the Great Skinhead Reunion, Brighton, England for 2016. tickets are already 1/3 sold out for 2016, so dont miss out, on what is set to be a sell out event www.subcultz.com

Stomper 98 sind für die Great Skinhead Reunion in Brighton/England bestätigt, die vom 3.-5. Juni 2016 stattfindet.

Brighton gilt als eine der Geburtsstätte der Skinhead-Subkultur, denn im Jahr 1964 war es eben genau in Brighton, wo sich Mods und Rocker ihre ersten Schlachten an den Stränden und in den Straßen ablieferten. 1967 hatte sich die Skinhead-Bewegung bereits über das gesamte Vereinigte Königreich ausgebreitet und war fester Bestandteil der Subkultur der britischen Arbeiterklasse. Samstag nachmittags sah man Skinhead-Banden im Umfeld von Fußballspielen für ihre Städte und Vereine auf den Straßen kämpfen und nachts konnte man die Skinheads dann zu jamaikanischem Reggae tanzen sehen. Bei all dem achteten sie darauf stets smart gekleidet zu sein. So trugen sie qualitativ hochwertige Stoffe im typisch britischen Design, sowie handverarbeitete Lederschuhe und Stiefel.

Die Zeit verging und durch die Boot Boys und und den nicht mehr aufzuhaltenden Punk Rock erlebte dieser Kult eine Wiedergeburt im Jahr 1976. Drei Jahre später braucht der 2Tone zusammen, was zusammen gehört und kombinierte die Klänge von Punk und Reggae.

Es war in 1980, als man so viele Skinheads wie nie zuvor in den Straßen von Großbritannien finden konnte und als eine bestimmte Musikrichtung die Leute aus ihrem Mittelschicht-Winterschlaf reisen sollte. Diese Musik war bekannt unter folgendem Namen: Oi! Mit dieser Musik gingen viele Unruhen und Krawalle einher, sodass die Skinheads bei Staat und Polizei ein Gefühl der Angst verbreiteten. Margaret Thatcher verbot Oi! in Clubs und Kneipen, veranlasste gar ein Hausverbot für Skinheads und sorgte dafür, dass keine Oi!-Platten mehr in den Plattenläden zu finden waren. Die Polizei griff uns Skinheads scharf an, aber wir ließen unseren Kult nicht sterben! Die Bewegung verschwand zunehmend in den Untergrund. Wir betrieben unsere eigenen Clubs, veranstalteten eigene Konzerte, brachten eigene Fanzines heraus und lebten unseren “Way Of Life” abseits der Masse. Wir waren wie Märtyrer. Der Stolz auf diesen unseren Kult war und ist stärker als jeder Trend und wird überleben!

In den Medien verteufelt verbreitete sich der Skinhead-Kult über den ganzen Globus. Doch nicht nur den Medien gelang es Diesen Kult zu verbreiten, sondern auch Bands, die die wahren Werte dieser Subkultur in die Welt hinaus trugen.

Fernab von territorialen Auseinandersetzungen, jeglichem Rassismus und unzähligen Versuchen der Politik die Bewegung zu Spalten oder gar zu zerstören, lebt der Skinhead-Kult unbekümmert weiter wie eine weltweite Gemeinde am Rande der Gesellschaft.

Und genau deshalb feiern wir jedes Jahr unsere Subkultur in all ihren positiven Epochen. Vom Ska der 60er Jahre bis hin zum Oi! der heutigen Tage.

Jedes Jahr laden wir wohl ausgesuchte Bands ein, uns die Szene in ihrem jeweiligen Land zu präsentieren und wir freuen uns ganz besonders im Jahr 2016 die Band Stomper 98 https://www.facebook.com/Stomper98?fref=ts aus Göttingen/Deutschland in Brighton begrüßen zu dürfen.

Ein Drittel der Karten ist bereits verkauft und wir rechnen auch in 2016 wieder mit einer ausverkauften Great Skinhead Reunion.

www.subcultz.com

tickets here

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Football hooliganism makes it to America

Football, or as Americans call it ‘Soccer’ may be one of the fastest growing sports in America – with the English Premier League watched by millions each week – but it appears some of its worst excesses may have crossed the Atlantic. 

Two gangs of rival supporters were seen brawling in the streets of New Jersey Sunday afternoon ahead of a heated clash between the New York Red Bulls and newly-formed New York City Football Club.

In scenes reminiscent of the blood-soaked battles between British hooligan gangs, shirtless men bellowed ‘who are ya?’ at one another and lashed out with full trash bags and sandwich boards outside a supporters’ bar.

The unedifying confrontation raised the prospect of a violent soccer culture having migrated west, along with many of its best-known players, who have accepted big-money deals to devote themselves to U.S teams. 

 Scuffles break out outside New Jersey bar ahead of soccer derby 

Attack: Street brawlers were pictured in Newark, New Jersey, attacking one another with sandwich boards and shouting ahead of a New York City FC vs New York Red Bulls soccer match

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Attack: Street brawlers were pictured in Newark, New Jersey, attacking one another with sandwich boards and shouting ahead of a New York City FC vs New York Red Bulls soccer match

'Who are ya?': The fighters were shouting at one another in faux-British accents, appearing to mimic the hooligan cultures which plagues UK soccer

‘Who are ya?’: The fighters were shouting at one another in faux-British accents, appearing to mimic the hooligan cultures which plagues UK soccer

The clash took place not far from Penn Station in Newark, and under a mile from the Red Bull Stadium, where the Red Bulls eventually beat NYCFC two goals to nil.

The fans fought – reportedly only for a few minutes – outside Bello’s Pub and Grill, a New York Red Bulls supporters’ bar.

A member of staff told DailyMail.com the clash did not involve patrons drinking inside and it is the first known instance of soccer-related violence around the stadium

Violence and gang culture related to soccer fans has been a serious problem in Great Britain and other European countries, where riot police and mounted officers often attend the most emotional games in an attempt to keep the peace.

One passing witness said ‘Some of the guys had tattoos and were making hand gestures, whilst bouncing on the spot, a bit like a child desperate for an ice cream’

Soccer authorities have been promoting a sanitized version of the game in the United States, garnering many fans in the process.

The elevated profile of the sport – as well as big-money contracts – have seen famous European players moved to American teams.

Shirtless: Some of the fans wore little clothing as they clashed not far from Newark's busy Penn Station

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Shirtless: The appalling site of fat guts put local residents off of their hot dogs. Some of the fans wore little clothing as they clashed not far from Newark’s busy Penn Station

Intervention: An NJ Transit Police squad car was seen headed for the fans towards the end of the clip

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Intervention: An NJ Transit Police squad car was seen headed for the fans towards the end of the clip

Quite the welcome: Fans at the game displayed this banner - satirizing the way many European players towards the end of their careers have signed deals with U.S. clubs

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Quite the welcome: Fans at the game displayed this banner – satirizing the way many European players towards the end of their careers have signed deals with U.S. clubs. Big names include David Beckham, Thierry Henri and Chelsea’s Frank Lampard – who played Sunday for NYC FC.

Hollywood producer Albert Goldstein has immediately called for a script to be written, and is desperately looking for an English sounding American actor to play firm boss ‘Road-sign Randy’

The violence tonight raises the question of whether individual soccer fans may be attempting to transfer the so-called hooligan culture across the Atlantic.

The video shows an New Jersey Transit Police squad car responded to the violence. DailyMail.com has contacted NJ Transit and the Newark Police Department for comment. 

Reminiscent: The men seemed to be imitating the football violence which is common overseas - pictured above are fans in Germany being held back by riot police

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Reminiscent: The men seemed to be imitating the football violence which is common overseas – pictured above are fans in Germany being held back by riot police

Transplant: Former Chelsea player Frank Lampard, pictured above with his fiancee Christine Bleakley in Times Square, is one of several European stars to transfer to the U.S.

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Transplant: Former Chelsea player Frank Lampard, pictured above with his fiancee Christine Bleakley in Times Square, is one of several European stars to transfer to the US

The height of the British hooligan culture, was the 1970’s and 80’s until Maggie Thatcher clamped down on it, with heavy fines and jail terms. The New Yorkers have some distance to go, than a few cafe signs and ‘Oo Are ya’s’ 

SOCCER HOOLIGANISM VIDEO ECHOES ELIJAH WOOD ‘GREEN STREET’ FILM

Soccer fans brawling in the streets may be new in reality, but the fascination of hooligan-style violence to Americans has been given the silver screen treatment in the past.

2005’s Green Street Hooligans, which stars Elijah Wood, demonstrated told the story of a Harvard drop-out who was enticed into the violent world of British sporting violence.

Wood’s character left college in disgrace after taking the fall for his roommate’s cocaine use, then moved to London and got caught up in the Green Street Elite, a group with links to London’s West Ham football club.

The young American gets caught up in the brutality and camaraderie of the so-called GSE, which organizes huge, bloody brawls with fans of rival clubs.

However, he is scared away from hooligan culture for good after a family friend is beaten to death when a fight gets out of hand. Elijah Wood joins British football hooligans in Greet Street 

Visceral: Elijah Wood, right, starred in Green Street, which saw him take on British football hooligans on their own turf
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Visceral: Elijah Wood, right, starred in Green Street, which saw him take on British football hooligans on their own turf

Read more: http://www.dailymail.co.uk/news/article-3191764/Has-British-style-hooliganism-infiltrated-American-soccer-Fans-brawl-streets-ahead-New-York-derby-match.html#ixzz3iUjsJWAy
Follow us: @MailOnline on Twitter | DailyMail on Facebook

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Citizen Keyne. Ungreat Britain

Citizen Keyne. Ungreat Britain

Get your Copy Here

So, as I spend way to long on the internet, checking out bands, thinking about what to programme for my next event, I go through lots of bands. Some I avoid like the plague, some have just overplayed the curcuit and burned out. But some have a bit of mystery over them. Sometimes you hear the rumours and the slagging off, before you actually get to see them. Being the Twat I am, the more the bitching, the more I like to take a look.

When Citizen Keyne got in touch with me, my first thought was OI underdogs, is up my street, so I’ll give them a whirl. And what a pleasant surprise I found on putting on the first album, Ungreat Britain. I was expecting the same regurgitated Oi!, with loads of repetitive OI Guitar licks and a singer being ‘Very Hard’.

What I actually heard is a flashback to 1977 Punk Rock, but with a modern twist. Chavs , Boot sale Tales, is straight into 21st Century United Kingdom of Methodone

I have to admit, too many years working in music, too many years of being a skinhead, has numbed my brain to so much. A song has to grab you by the bollocks and get those butterflies tickling your chest, that buzz in your neck that makes you want to pogo round the front room.

Most modern Oi bands will perhaps manage one strong track,or follow the same old done subject matter, of boots braces, tattoo’s and working class delusions. Now onto Floyds arse, this album is such an eclectic mix. With a definite punk rock sound, taking me right back to Micklefield estate in the summer of 78. But don’t write this band off as yet another copycat. Citizen Keyne have really brought in a modern sound, with lyrics dealing with todays issues. The love of lager down our necks. With reminders of early Sparrer, Sham, Buzzcocks, with a touch of Macc Lads thrown in for good measure. This really is a stand alone band, and a great first listen. Cant wait to unpack the next selection.

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Great Skinhead Northern Gathering, Sunderland. 9th – 10th Oct. Sunderland

BUY TICKETS 9-10th Oct 2015

Featuring Live bands Citizen Keyne, Skapones, Adverse society, Tear Up. Toxic. Anti Social

Full DJ line up for a second room, playing SKA, And all Skinhead related music

The Great Skinhead Northern Gathering 9th + 10th October In Sunderland. Our second year of our Autumn Gathering, as a celebration of the skinhead culture A full day of Dj’s in one room, and Live bands in another. A full line up to follow, watch this space. Ony £15 for the whole event. Cheap beer and rooms nearby. Friday will be wristbanded 7pm -3am bands and DJ’s. Saturday 10th noon -5pm free entry meet and greet. After 5pm it will be wristband only, Live bands and DJ’s The weekend wristband £15 is valid for both nights

DJ Coordinator is Sean Marshall

facebook event page, please share

Tickets Here 

This is a family friendly event. Children are welcome until 9_9:30pm, but must be off the premises by then, by law so all are welcome, the venue is The Corner Flag. Central to the city center in a good location for local transport connections, trains, metro etc it’s the corner flag located at high street west, with plenty of fast food outlets and restaurants nearby, there will be something for everyone a good mix of Oi,ska,two tone a little bit of everything, a good size venue capable of holding this event, any bands wishing to play, Oi,Ska,Two Tone also any dj’s wishing to spin a few disks, should contact subcultz@gmail.com. www.subcultz.com If you missed last years then you have to come to this one, good music,good beer,with very good people

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Great Skinhead Reunion documentary DVD

Great Skinhead reunion documentary DVD, coming soon,.For pre orders click HERE

preview clip 

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Rail Strikes in UK may affect skinheads getting to Brighton, please book national express buses as an option

URGENT NEWSFLASH!!!! IT LOOKS LIKE THE ‘WORKERS’ OF OUR RETARDED RAILWAYS ARE THINKING OF STRIKING ON THE FIRST DAY OF THE GREAT SKINHEAD REUNION, I UNDERSTAND THEY WANT TO JOIN US FOR A PISSUP, BUT THIS DOESN’T HELP OUR SKINHEADS GETTING TO BRIGHTON. SO MY BEST ADVICE IS TO USE NATIONAL EXPRESS BUSES, THESE RUN FROM ALL LONDON AIRPORTS AND LONDON VICTORIA, GET OFF AT POOL VALLEY, BRIGHTON, WHICH IS ABOUT 2 MINUTES FROM THE VENUE ON BRIGHTON SEAFRONT BOOK HERE http://www.nationalexpress.com/home.aspx

KEEP AN EYE ON THE NEWS REPORTS, HOPEFULLY, THE LAZY TWATS WILL AT LEAST SAVE THEIR HOLIDAYS UNTIL AFTER THE REUNION http://www.nationalrail.co.uk

OLYMPUS DIGITAL CAMERA
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Bermondsey Joy Riders to perform the Great Skinhead Reunion, Brighton

Late additions to the Bill for The Great skinhead Reunion 2015 The Bermondsey Joy Riders

Claiming all the credentials of a bonafide ‘77 super group, The Bermondsey Joyriders is a band pooling the hard-won experience and history of three veteran punks. Founding membersGary Lammin (vocals / guitar) and Martin Stacey (bass) cut their teeth in the Joe Strummer-produced Little Roosters and Generation X precursors Chelsea respectively, whilst recent recruit Chris Musto (drums) is a sticksman of some credentials – having previously played with Johnny Thunders, Joe Strummer and Nico, to name but a few!

More than the sum of their impressive punk rock heritage however, The Bermondsey Joyriders have won praise for splicing those sounds from suburbs with raw blues and Lammin’s startling slide guitar – emerging with a sonic signature that is undeniably all their own. Given just 12 hours (!) in the studio to lay down their self-titled 2008 debut, they managed to produce a record which Classic Rock magazine’s Carol Clerk deemed to have “pulled off a really impudent mix of influences”, and which Guitarist magazine’s Charles Shaar Murray felt had achieved a “unique spin on punk-blues”.

Featuring Gary Lammin, writer of Runnin Riot and Chip on your shoulder, original member of Cock Sparrer. Check their website for full info on the band

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Chelsea Headhunters Racism caught on camera in Paris Underground

Taken from The Guardian newspaper We’re racist, we’re racist. And that’s the way we like it.” Just in case there was any possibility that the group of Chelsea hooligans were preventing a man from boarding a train on the Paris Métro for a reason more obscure than the colour of his skin, they helpfully illustrated their actions with a chant. They are racist.

They like being racist. What further justification than their liking of racism could they possibly need? It’s quite menacing, I think, the counterpoint in that chant, with the understated use of the word “like” confirming that half the fun is in embracing a powerfully destructive and hateful identity in a casual way, as if it’s merely a mild preference. These guys don’t feel passionately racist. It’s just something they “like”. No big deal. What’s all the fuss about?

Chelsea and the U.N condemn fans who pushed black man off Paris Métro Read more Are these men still finding their self-identification as racists enjoyable, now that a fellow passenger has filmed them in their petty aggression and taken it to the media? These men will be identified, banned from attending Chelsea matches at the very least, and perhaps face with criminal charges.

In the meantime, we can be assured of further why-oh-why discussion as to why football should continue to attract racists, despite the game’s years of concerted effort to disassociate itself from racism. Maybe I’m missing something here, but it always seems to me that football support is all about feeling that you’re part of one group and are opposed to another group.

In that way it surely shares at least some of the mentality of the racist. Then there’s the even more tiresome question of why these racist men support Chelsea even though it has so many black players. Yes. Why would a racist enjoy cynically exploiting the skills of black people? Such a baffling mystery. When, in human history, has that ever happened? No doubt these men are now feeling that they are the victims – victims of the political correctness that they think it so clever to defy.

It’s a shame, in a way, that the term “political correctness” even exists, that being against ignorant prejudice and vicious hatred can be characterised not as civilised but as “political”, not as right but as “correct”. The phrase implies heavily that a set of rules that should be followed has been brought into being in some arbitrary, faceless, undemocratic power-grab. The saddest thing is that men such as these men, who “like” hating strangers of whom they know nothing, really do feel that they are the ones being oppressed by a sinister ideology, when all that’s oppressing them is their own nasty, small-minded resentment.
By Deborah Orr

Not undermining, the fact a gang of drunks abusing a rail passenger is a pathetic act, its probably worth looking at the root of where the British football hooligan comes from. The rough end of the council estate. Brought up on a gang mentality. Has much changed in 30 years? Perhaps only the colour of skin

But in the scheme of things, should it really warrant such a high level of BBC media coverage Does anyone remember this being broadcast so loudly?

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Great Skinhead Reunion, Brighton, England 2015. Full line up details

This event is now done, but we are back for 2016 on 3-4-5th June on Brighton beach again, for The Great Skinhead Reunion big 6. we will be putting things together as we go, finding the very best bands on the scene, organising DJ’s, sorting out peoples tickets and hotels. To make the big 6 even bigger. Massive thanks to everyone who has supported the skinhead subculture, and the reunion. see you all soon.

Tickets for 2016 are available HERE

Bands and DJ’s wishing to perform, all info and enquiries, contact Symond at subcultz@gmail.com

Details below are the 2015, New bands will be performing for 2016.But i will leave this link up, to give you the idea, of what the reunion is all about

Video made in 2013

THE TICKETS ARE £40 EACH, WHICH IS FOR THE FULL 3 DAYS EVENT, YOUR WRISTBAND IS VALID THROUGH OUT, YOU CAN USE IT FOR AS LITTLE, OR AS MUCH AS YOU WANT. THE EVENT WILL SELL OUT, AND THERE WILL BE NO ADVANCE DAY TICKETS AT A REDUCED DAILY RATE , IN ADVANCE.

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The line-up maybe subject to change, as so many band members and dj’s are involved. Babies coming along, alcohol, world wars and famine can be unforeseen, but the great skinhead reunion, is more about coming to Brighton to see all your friends and making some more, for 3 full days of mayhem. 

DISCOUNTED HOTEL RATES QUOTE REFERENCE SUB001  When making a booking Hotel rooms, of all sizes. 3 hotels available to fit your requirements email Ed at info@granvillehotel.co.uk or phone 0044 1273 326302. You must quote the reference SUB001 to get your rooms. The rooms vary in size and cost, to fit your needs. all within an easy walk to the skinhead reunion venue. These hotels are exclusive to the Great Skinhead Reunion guests and bands. So no public to worry about. party party !!

YOU CAN NOT BOOK THESE HOTEL ROOMS VIA THE HOTEL WEBSITE, YOU NEED TO CONTACT THEM DIRECTLY, AND GIVE THE CODE, AND SAY YOU ARE ATTENDING THE SKINHEAD REUNION

For those on a low budget, its worth checking Hostels and campsites, but my advice, is to get in the reserved hotels, for a nice stress free holiday in Brighton

PARKING ZONES – one of the worst aspects of Brighton, is a lack of affordable parking. my advice is to use street parking on the suburbs of brighton, its a reasonably safe place. a good bus service will take you into brighton centre (churchill square) and a short walk from there to the sea front. worth allowing the extra hours work, to save yourself serious parking charges 

All Event Enquiries email Symond at subcultz@gmail.com. phone (uk) 07733096571

 The Facebook community group Facebook group

Facebook page

Brighton can lay claim to being a big part of the birth of Skinheads. During the Mods and Rockers battles of the 1960’s when London lads would descend on the South Coast for bank holidays to Peacock and cause ‘Bovver’ the term Skinhead was born, to describe the short haired Mods.

Becoming probably the biggest and longest standing of all the youth fashion subcultures, Skinhead has matured and now become a worldwide community. Distinctly recognized by almost military shaven head, boots and braces. The real skinhead is a working class product of the British council estate ‘salt of the earth character’ fiercely proud of his identity,with an obsession for clothing, style and music, equaled only with his love of beer.

On the first weekend of every June, since 2011, Brighton has seen an ever increasing number of Skinheads and their lovely Skinhead Girls invade Brighton. Boots, Braces, pristine clothing and a cheeky smile. Attracting scene members from right across the globe, to Madeira Drive, overlooking the beach. A full three days of Skinhead related entertainment is laid on. DJ’s playing hyper rare vinyl, from the early days of Jamaican Ska, through to modern day Street Punk and Oi. Live bands hit the stage of the Volks bar each night. With various aftershows happening until the early hours, to keep the party buzzing.

Acts appearing so far booked

Peter and The Test Tube Babies

Make no mistake! Peter And The Test Tube babies have written some of the best punk songs ever. In the early ’80s they stood out, above all other bands to emerge, with their tales of the hazards of being young punks in Brighton – “Banned From The Pubs”, “Intensive care”, “Run Like hell”, the list goes on…all had the Test Tubes hallmark, combining personal experiences, real cool tunes and, most important of all, maintaining a great sense of humour.

At the time, their gigs were fun filled events with electrifying tunes and plenty of entertainment. Harmless humour of those early gigs was captured on their debut album, “Pissed And Proud“. From those early gems, the Test Tubes just got better and better. The next crop of songs, “Jinx”, “Blown Out Again” and “September” all featured on “The Mating Sounds Of South American Frogs“, which stayed at number one for four months at the top of the independent charts. A US tour followed, climaxing with a 4,000 capacity sell out show at the Los Angeles Olympic Auditorium.

The Test Tubes first US domestic release, “href=”http://www.testtubebabies.co.uk/discography/discography04.htm”>Soberphobia“, is probably one of their finest moments. The use of keyboards and sax on some tracks may not have been what people expected but it worked a treat. The much sought after CDs “Cringe” and “The $Hit Factory” again proved the Test Tubes unpredictability in the early ’90s.

The mid ’90s saw the release of “Supermodels” and the departure from the band of Trapper and Ogs (bass and drums), excellent musicians. The band brought in fresh blood, the young and dynamic Rum and AD on bass and drums respectively. To promote the Supermodels album the band then went on a 25 date tour of Germany, Holland and Switzerland.

On their 20th anniversary in 1998 the band flew to Germany to record the “Alien Pubduction” album, their first with AD and Rum. The band also undertook a massive US and Canadian tour that lasted five weeks, lots of UK gigs and of course the annual German Christmas tour. 

Rum quit in 1999 due to the punishing tour schedule. Paul ‘H’ Henrickson, known to the band and a Brighton stalwart, took over on  bass. The band hit the road with renewed vigour touring repeatedly throughout the UK, Germany, Ireland, USA, France and making an impact on the summer festival circuits. Early in 2001, after years of taking punk to the masses, the pressure took its toll and A.D. left the band. Harp playing Christophe from Paris took over on the drums, beating other hopefuls to the job in hard fought auditions. The band were soon back on the road touring all over the world including a visit to The Shetland Islands!

Drums rolled again in 2003 as Christophe yielded the role to Dave ‘Caveman Dave’ O’Brien. Christophe joined Peter and Del in the studio to aid with their creation of vibrant Test Tube material for the twenty first century. 

In 2005, after a seven year hiatus, the band released “A Foot Full of Bullets“, recorded at Ford Lane Studios, Ford, West Sussex. The album was definitely worth the long wait demonstrating a familiar core sound matched with smart self assurance gained from decades of experience. Storming on with characteristic vigour, the Test Tubes gained praise as “the best band of the weekend” (Lars Friedrickson) at the WASTED festival before closing the year with the annual German Xmas Tour 2005.

A remix of “A Foot Full of Bullets” was produced with contributions from Campino (Die Toten Hosen) and Olga (The Toy Dolls) at the start of 2006. “For a Few Bullets More” was released in August. Not long after, web master Dr Nigel announced he was bowing out of the band’s website after years of valued service. The band are all indebted to Nigel and wish him all the best. Creating a new web presence took the band through to the next big tour date…The band flew down under in September to play Australia and New Zealand for the first time. 

The Test Tubes remain one of the best punk bands to come out of Europe. Appearing on the first Oi! albums in the early 80’s, The Test tubes have remained a favourite for many of us, ever since.  See them live at the Great Skinhead Reunion

Rough Kutz (SKA)

The Rough Kutz where formed by Hazza (Hammond organ), Brigga (vocals) and Rat (guitar) in 1994. The band changed the band line-up over the years, the current line-up consists of four other members; Mucka (vocals), Tony (bass), Sean (lead guitar) and yatesy(drums). The first studio album, A Bit O’ Rough was released in 1998 on Antwerp-based ska label Skanky ‘Lil Records. After this release the band began touring Europe. They released second album Welcome to our World in 2002 and, in 2006, followed with Another Week Another War. On this album Roddy Radiation from The Specials played guest lead guitar.[1] In 2006, they also performed a European tour with Radiation on guitar.in 2010 the Rough Kutz released their fourth album gangsters playground on Rk records.in 2012 the Rough Kutz recorded a version of the specials song Rude Boys Outa Jail, for the specialized charity album in aid of the teenage cancer trust.they performed live at the cd launch gig in the home of Two tone records, Coventry.

The Crack. Although they are best remembered as being members of the Oi! punk movement, the Crack were actually closer to the musical stylings of punk popsters 999 and mod rockers the Chords than any of their Oi! brethren (the Business, Cockney Rejects, etc.). On the musical scene since 1982,  often compared to Slade, in their musical sound. They won a national televised battle of the bands, probably one of the only skinhead bands to have gained any positive recognition on British Televisions history.  the Crack didn’t release this debut album until 1989. Like many bands of the era, as the main skinhead culture nose dived in the UK. The Crack, together with Argy Bargy and Cock Sparrer fought the hard times in Europe, to bridge the gap, and keep the flame burning, taking Skinhead and Oi music worldwide. 

Franky Flame. A legend of the Skinhead culture. Franky will be there for his one man Cockney Joanna ‘Pie n Mash’ knees up

In the scene for many years,with his band superyob, Franky plays a traditional london dancehall version of oi tunes, making a great sing a long, beer filled malarkey

Last Seen Laughing (Denmark)

For a long time now Aarhus has been Denmarks Oi! capitol and Last Seen Laughing is another band in that tradition, which we are proud to belong to!

Last Seen Laughing is a 3 piece band, with members who all come from OI/Punk/Hardcore musical backgrounds. We’ve all played in various bands over the last approx. 20-30 years. We have played together about 4 years and had our debut in our hometown of Aarhus, Denmark in Dec. 2008.

The Line-up is:

Steen – Bass, Chorus : Frontman, leadsinger & guitarist in legendary Danish punk band The Zero Point still goin’ strong since 1979. Drummer in Hardcore outfit War of Destruction.

JP – Drums, Chorus : Drummer in Oi! band The Hoolies. Singer in Oi! Band The Outfit. Drummer in 80’s punk band Dayli Kaos and 90’s punk band deFuldeprofeter (The Drunken Prophets).

Kres – Guitar, leadvocal : Guitarplayer in 90’s Hardcore band Toe Tag, bassplayer in 90’s Hardcore band Tiny Toons. Guitar in 90’s punk band deFuldeprofeter and Guitar in The Hoolies and The Outfit.

After The Outfit decided to call it a day, Kres as being the main idea holder of the band, had tons of unused material, decided to start on his own along with brother JP on Bass. Back then we called ourselves The Jutland Muster. Jutland being the part of Denmark where we live. After about 8 months JP couldn’t find the extra time to play music, but Kres kept on with various bass players and drummers (very hard to find musicians that want to play or know oi music in Denmark). It was always kept as a 3 piece band to keep it minimalistic, aggressive and tight. After approx. 2 years of practicing and creating songs JP decided to join back in and took over the drums. 3 months later in late 2008 we hi-jacked Steen to play bass and Last Seen Laughing was born.

In late 2009 we went into the studio to record a demo with 3-4 songs, but ended up with recording 9 songs! We sent out the material to different labels and negotiated with especially one of them. Things dragged on and time went by and we played more and more shows both at home and abroad, and we kept on writing more material until we by the end of 2010 was ready to hit the studio again. This time we recorded 5 songs. 1 song was for a local comp which hasen’t been released yet and the 4 remaining songs was together with the 9 previously recorded songs was going to be our debut album. Suddenly we were contacted by Randale Records in Germany, who had received our 9 song cd earlier, and they wanted to do an album with us. We seized the opportunity and accepted their offer after a bit of negotiating with both them and the other label we had talked to earlier. That resulted in our debut album being released in June 2011. The vast majority of people who have heard it are very pleased with it and reviews of the album are all in all very positive.

Then later that year we landed ourselves a part of a christmas comp. That song brought about the idea of a split christmas Ep together with fellow hometown band The Guv’nors. It’s a picture Ep in the shape of a christmas tree. It has to be the ugliest record you’ve ever seen!!!

We recorded material for the next album & an EP in 2012. The EP containing a teaser from the new album and a song that’s solely on this release. It was available from Randale Records on dec. 20’th 2012. It sparked the interest for the new album to come and the response was really good. The plan was that the new album should be released a couple of months later but due to circumstances it was delayed untill October 2013. The titel of our second album is “As true as it gets” and it’s also released by Randale Records. The impact of this album has really lifted the band to a new level and made our name more well known.

Last Seen Laughing is inspirered by the second wave of Oi! from the 80’s as well as the Oi! Revival of the 90’s. We take bits and pieces from many different bands and mix it into our own sound. The style is aggressive, minimalistic and catchy!
Last Seen Laughing has already made quite an impact on the scene in Denmark especially with the song ”Tæsk” (translates Beating or more precise ”to get your head kicked in”), which is somewhat of a hit or anthem in the underground. These last couple of years has also seen a very fast growing interest for Last Seen Laughing from abroad and we’ve already been to England, Norway, Sweden, The Netherlands and Germany to play gigs. So far Last Seen Laughing has played a lot of concerts in Europe and we still have more to come.
The future for Last Seen Laughing looks remarkably bright if you look upon the bands history so far!

 The Dodgy Few (Ireland)

A new young band from The heart of Ireland. The amazing vocal talents of female vocalist, Shannon Doyle, Playing their own original Reggae /Ska songs. already kicking up a storm, right across the ska scene in Ireland and the UK. We are very excited to see what they can pull off infront of a full house of skinhead veterans, at Brighton.

Gerry Lane (Guitar),

Ciaran White(Drums)

Alan Daly (Bass)

Robbie Collins: Trumpet

Andy Mullan: Saxophone.

Skinheads from across the pond, Minneapolis, USA

Degeneration is Oi! with a capital “O!” These boys have been having a laugh and having their say for 20 years. The band formed in 1994 in Minneapolis, where the music scene was not to favorable for a bunch of skins to be shining out. But they carried on, despite the negative press skinheads were having at the time. The band storms the stage and play unrelenting music, with scorching guitars, heavy bass, and growling vocals. They know what they what needs to be done and then proceed to get it done. 

The boys released their first single “Blind.” in 96. They played hundreds of gigs and then put out “Oi! For the Kids”, where they had their first success. They quickly followed that up with a new drummer, who’s still here today, and 2 more 7”s. “Boots and Braces-Studs & Chains” and the “Young Life EP”. Going from strength to strength, they put out their first cd “Carry The Torch”. 

Moving forward, always staying true to their Oi! roots the band, continued on. They recorded a few songs for compilations, and things slowed down. They stepped away from the stage and raised some families. Never forgetting the music they love, they knew it was time to let the world know that they were still standing tall! 

Their new LP “Standing Tall” will be released on 11/11/15 and they will be coming to Europe for the first time to play both old and new songs. What a better place for a bunch of skinheads to hear them then at the Great Skinhead Reunion!

Degeneration is 

Jason is Lead GuitarGreg on DrumsPhil “Ox” on BassMe VocalsChris “Joker” Rhythm GuitarOi OI Music

SKAbretta, is a 6 piece band that takes you through the years of SKA and Reggae from the early Blue Beat sounds of Prince Buster to the 80’s revival, covering everything in between. Created in mid 2012 they have quickly become a local favourite as there blend of old and new styles caters for every taste whether your in to 2-tone or the more traditional Trojan groove you are in for a night to remember.

In less then a year Skabretta have gone from playing local boozers and clubs to playing venues such as the 12 bar Club in Denmark Street, Folkstone SKAfest and the iconic 100 Club on Oxford Street. With a packed diary and gigs coming in up and down the country, they will be coming to a town near you soon.

Our DJ’s are selected like a fine wine, from around the world of skinheads. Each DJ has a strong history. They all come and play the best music you are ever likely to hear, and most run their own nights elsewhere. so please support these guys and girls, who are the backbone, of the Skinhead Reunion and the scene overall 

Gary Olas, The Upsetter

 Olas has been hosting our Friday nights since the first Reunion.Old school vinyl sound system playing the best in all types of reggae with gigs all over the world. This is also runs the OLAS BOSS REGGAE RADIO SHOW. Twice a week OLAS BOSS does two internet radio shows, Wednesday at 7pm until 9pm playing the very best in roots and dub reggae across all time dates. The later Wednesday, from 9pm till midnight, show is boss reggae/rocksteady/ska – two tone at ten for fifteen minutes – then at 11pm, the world famous Dabble Under the Duvet. An hour of the finest old school lovers rock. All genres of reggae are covered over the two shows. You can also listen again at any time. the radio site iswww.channelradio.co.uk. OLAS BOSS REGGAE RADIO SHOW. 

Barry ‘Bmore Mcvowty’

From the Wycombe skinheads, been active in the skinhead scene since 1979. One of the very best DJ’s, with a wide knowledge of eclectic music. Dont miss Bmore performing as he spins. And dont be surprised with what hits the decks, Bmore plays from the soul!

Skavoovie

SkavooVie! .. Infectious SKA Beats and Killer Diller Rocksteady rhythms. WHERE? Currently enjoying a monthly residency at Upstairs at the Mez, 4th Saturday of the month. Serious SKA choons on original 45’s from the vinyl vaults of Blue Beat, Studio One, Dr. Bird, Top Deck, Treasure Isle and many more…Scorchers!!!

A regular and key player in Brighton, with a record collection, most DJ’s would die for. 

Weekend tickets are available at www.subcultz.com

Lee Evans. Has been around the London scene, longer than red buses. From the Wycombe Skinheads, Lee was a well known face DJ’ing around London in the 80’s with bands like the Riffs and Hotknives, Desmond Dekker and Laural Aitkin shows, to his credit. Now running regular DRC nights

Martin Long..I’d like to welcome Martin Long from Portsmouth, to our list of guest DJ’s at the Great Skinhead Reunion 5. Martin has been a long term skinhead and very active in the skinhead and scooter scene for many years, and its a pleasure to have him play for us in 2015

Rob ‘Double Barrell’ Powell. Is active on the London circuit and Carnaby Street skins, and  Elephants head meet ups of the modern day. And his only fools and scooters events. Playing a cross section of skinhead related tunes

Fuxy AKA The Hungarian’s Boss Sounds

Active on the Dublin scene, Live and direct from Hungary.

Playing, punk, Oi! and Boss sounds

Skashack Toast, will be back in residence for 2015, playing his saturday setS

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Skinhead and Punk Muslim girls at Malay Oi! festival

A Malaysian fan gesturing at a live band performance during a skinhead meeting in Kuala Lumpur. Hundreds of people turn up to watch skinhead bands from Japan and Thailand performing live at the two-day event. – AFP pic, January 18, 2015.Asian “skinheads” converged in Kuala Lumpur over the weekend for two days of full on Oi music

shaven headed, tattoo-covered torsos, boots and braces, the roughly 200 skinheads from Japan, Thailand and Malaysia gathered to spread their anti-racism, anti-drugs credo.

The event was organised by the Malaysian chapter of SHARP – Skinheads Against Racial Prejudice – a group that first emerged in the United States in the 1980’s, as a reaction to the overkill media version of Skinhead equals Ku Klux klan, White Supremacist.

Bob Panjang, one of the SHARP organisers, said it was the first time such a gathering had been held in Muslim-majority Malaysia.
“We are not the Nazi skinhead groups that are racists. We don’t promote Malay power in Malaysia,” he said, referring to the country’s ethnic majority group.

“We promote the spirit of brotherhood. We oppose racism and we have Chinese and Indians in our group.”

Religious authorities today condemned the event, saying the skinheads’ tight, torn jeans and leather jackets project a bad image for youths, despite SHARP’s “good message”.

However, authorities have so far done nothing to stop the festival, held at a converted shophouse venue called “Fire House”, which was plastered with slogans denouncing racism and drug use.

The skinhead movement first emerged among working class youths in Britain in the 1960s, an offshoot of the Mods. But in the 1970’s picked up a political edge, as Britain fell from power, Huge unemployment, and civil unrest. To some a fashion, but to others, a way to project anti-establishment, anti-hippy sentiment, 

However, the movement’s spread overseas was accompanied by a splintering in core values, with neo-Nazi elements becoming notorious for their violence against racial minorities in Europe, sparking a push-back by anti-racist skinhead groups.

Malaysia has tiny communities of relatively tame skinheads, rockers and other Western-inspired subcultures, which are frowned upon by Islamic authorities.

Panjang said SHARP has about 2,000 adherents in Malaysia, including “skinhead girls”. The group also opposes sexual violence.

“I joined the skinheads because I am attracted by its brotherhood and the fashionable outfits we wear,” he said.

Pictured here, is an image of the opposing side. Malay power, too some, might seem quite a contradiction, when the media version of racist’s are pictured as white skinned. Could be just ‘Punk Rock Fashion’, But disenfranchised people, from whatever race they belong, will react, rebel and possibly blame another race of people, for their situation.

The concerts featured live bands from Japan, Thailand and Malaysia playing music by late Jamaican star Desmond Dekker, an earlier pioneer of reggae and ska, as well as music from the “Oi!” skinhead subculture, and the Skatalites,  – AFP, January 18, 2015.

Here at subcultz. We think it just shows the reach the skinhead culture has, across the planet. Who would have thought, when the British media and authorities were crushing us, branding and slandering the British working class kids, that it would be alive and kicking in Malaysia 30 years later. That is a surely a two fingered salute to the middle class media, if anything is.

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Life on Standby

Life on Standby

Alternative Electronic Rock

About Life on Standby?


Erin Donnachie: Erin’s interest in Music started at a young age learning piano and later singing in choirs and jazz bands. It was when she was approached by Gianluca and Gavin to join their band that she adapted to becoming a strong rock vocalist.

Gavin Williams: Gavin picked up a guitar at 17 years old after idolizing legends such as Slash and Black Sabbath since he was quite young and formed a band with his best friend Gianluca before forming Life on Standby.

Gianluca Demelas: Gianluca asked for a drum kit for his Christmas after seeing a friend learn drums and dreamt of being like John Bonham. Through school Gianluca jammed with Gavin and the two soon formed a band which became Life on Standby.

Liam Walker: Liam (originally a guitarist) has an interest in blues and John Mayer. Liam joined Life on Standby as the band’s bassist while he was still in school.

Biography of Life on Standby:

Life on Standby is an Alternative Electronic Rock band who formed in Greenock, Scotland in 2011. Since their formation, the four piece have released two EP’s ‘Set the Sail’ and ‘Masquerade’ as well as 3 singles. However since the release of ‘Masquerade’ the band have climbed up the ranks of the Scottish live music circuit from playing the Glasgow O2 Academy and Garage Main Stages to Headlining King Tuts Wah Wah Hut and sold out Oran Mor. 2014 has been a big year for the band, being invited to perform with bands such as Marmozets and The Hype Theory, Life on Standby were invited down to the Red Bull Studios in London to record a live track and video while observed by Alternative break through band Don Broco, which ultimately led to their first ever performance on English soil at Download Festival followed by a very successful first UK tour. Life on Standby are now looking forward to releasing their debut album in March 2015.

Live Shows and Tours:

Past Venues: (2011-2012)

Garage Attic (Glasgow, Scotland)
Garage G2 (Glasgow, Scotland)
Word Up (Greenock, Scotland)

Tonara Fest (Tonara, Italy)
Bar Bloc (Glasgow, Scotland)
O2 ABC (Glasgow, Scotland)

Recent Venues: (2013-2014)

O2 Academy (Main Stage – Glasgow, Scotland)

King Tuts Wah Wah Hut x 2 (Glasgow, Scotland)

Gig on the Green (Greenock, Scotland)

Oran Mor – Sold out Headline show (Glasgow, Scotland)

PJ Malloy’s (Dunfermline, Scotland)
Download Festival 2014 (Donnington, England)

Recent UK Tour: (Oct 2014)

Green Room (Perth, Scotland)
Eagle (Inverness, Scotland)

Nice N Sleazy (Glasgow, Scotland)

Lomax (Liverpool, England)
Lounge 41 (Workington, England)
the Victoria Inn (Derby, England)

Future Live Events: (2015)

Audio – Glasgow, Scotland: Fri 30th January

Lounge 41 – Workington, England: Sat 7th March

The Swan – Stranraer, Scotland: Fri 13th March

The Green Room – Perth: Sat 14th March

Fanny by Gaslight – Kilmarnock: Sun 15th March

Reviews:

“Incorporating snatches of electronica affords them an eclectic variation on their hard-chugging, contemporary sound, with front woman Erin Donnachie’s spirited performance lending them a streak of punk edge” – Jay Richardson, The Scotsman.

“One of the best unsigned Alternative Electronic bands in Scotland” – Daily Mail.

“Definitely a band to look out for” – Duncan Gray, Triple G Music.

“Life on Standby were the standout act of the night, such a mass of raw energy and emotion” – Underground Uncovered.

“One could perhaps argue that Greenock’s Life on Standby don’t fit the usual mould of a Download Festival band, but don’t be fooled by their electronic leanings. Behind the synths and front woman Erin’s soothing vocals lays a body of eclectic, crunching riffs that will shake off any Sunday hangover.” – Daily Dischord

“SINCE forming in 2011, Life on Standby has emerged as one of Scotland’s best unsigned alternative electronic bands.” – Evening Times.

Social Media:

Facebook: www.facebook.com/lifeonstandbyuk

Twitter: https://twitter.com/life_onstandby

Soundcloud: www.soundcloud.com/lifeonstandbyuk

Instagram: http://www.enjoygram.com/lifeonstandbyuk

YouTube: https://www.youtube.com/user/LifeonStandbymusic1/videos

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How the Music Industry can stop the extinction of British Venues

A few years ago, i flew over to USA to see friends in California. But also, to go see one of my friends bands, called Cock Sparrer. As we drove down from LA to The Great American Music hall in San Fransisco, listening to the car radio, it really struck me, how important British music is to the world. Here i was heading down to a sell out show, by an obscure punk band, in the cool capital of the world. The average British person, would have never heard of this band. 

Everywhere you go, you will find it playing. its not only The Rolling Stones, Beatles and Elton John, or Oasis, but Punk Rock, Indie, 70’s, 80’s and every other decade of popular music. The same in Argentina, Brazil, Scandinavia, all across western Europe and beyond. Gone are the days that Britain is known for military, or railways. Whatever Governments have come and gone, British music has found its way to every corner of the Globe. A major export, not only for financial benefit, but for British cultural benefit. The welcome you get as a British person, in so many countries, is due to the love affair many nations have to our, British Music. Many of those music fans making a pilgrimage to the UK, to see where it all began.

But before it reaches those places, it is a seed in a kids garage, then a local pub. if they get lucky, they step up to the next town or city, playing their songs, working, promoting, and slogging away. One in a thousand, then get a bit of radio play, a larger gig, a record deal. One in 20.000 get BBC acknowledgment. A hard , hard career to follow. With no support from the UK Government. There are many reasons why live music, is in such a bad state. No more Top of the pops, no financial support, a lack of imagination with record labels. But the extremely high price of beer, is killing pubs at a rapid rate. Every town, is being raped, of the grass roots venues. Venues being sold off for development, for a fast profit.

Symond Lawes.

Independent venues are more than just places to see bands – they’re at the heart of their communities. But if the music industry doesn’t step in soon, we’ll be writing even more obituaries for these vital outposts of culture 

What makes a great venue? From the perspective of musicians, it’s when owners realise that good customer service is at the core of everything they do. Give the musicians the basics so they are able to do their job. That includes a comfortable and warm backstage room, plenty of time for a sound check, a respectful crew and a good sound system. Most of these things can be achieved with common sense more than money. But can owners of venues really raise the bar if all they offer is a fridge stuffed with Red Bull? Sadly the lack of resources is keeping standards too low for independent music venues in the UK, compared with, say, the rest of Europe.

Often, venues don’t feel like an artist’s home any more. They’re treated as normal, independent businesses rather than being valued as centres of culture in their communities. Venue owners are often former musicians and they are passionate about live music. But even the best of them are forced into dark alleys to survive, making compromises and potentially killing their passion for the music as it’s dragged down into the shit with them.

Last week, I was a panelist at Venues Day, a conference that was organised by the Music Venue Trust and Independent Venue Week about the future of independent music venues in the UK. I was asked to represent the point of view of the artist, discussing what makes a good venue great.

Mindofalion Live and raw in 2014. The grass roots of music, which becomes a worldwide export

Madame Jojo’s
Placards outside Madame Jojo’s nightclub in London. Photograph: Justin Tallis/AFP/Getty Images
The event took place at the Purcell Room, in London. It was the first time I’d taken part in a conference. Venue owners from all around the UK had filled the room, and someone had told me the participants were “very angry”. I had no idea what to expect, although I knew very well that many small, independent music venues have been in crisis for a long time.

I got involved with the issue the day my favourite venue in London, the Luminaire, shut down in 2009. That day, I lost more than just a place to see live music – I lost my second home. As I walked into the Purcell Room, it was even more clear to me that the owners of such venues need help. They need money, and they need it now, or more of the hundreds of venues that are essential to the culture of the UK and the music business in particular, will follow the fate of Madame Jojo’s and the Buffalo Bar in London, which are each soon to become extinct.

“This has to be addressed at the very top of Government, Live music venues are the training ground for one of Britain’s largest exports, and Icon of pride, which excludes, no class, age or race“

The disastrous financial situation of independent music venues has direct consequences for everyone, including musicians. Take branding. No artist should have to play with a Jack Daniel’s logo on the stage if they don’t want to, or a Vodafone sticker on their monitors if they don’t want to. Artists should not become vehicles for advertising if that’s not how they choose to run their business. Don’t get me wrong, I am not 100% against branding; I understand the need to raise money. But the stage is a sacred place, and if a venue makes a deal with a beer company, it should not involve the musicians.

Let’s take another example: during Venues Day, many owners acknowledged that club nights are how they’re able to survive these days, which means they book two events in one night. Who can blame them? They need money. But what does it mean for the artists? Well, it means that even if they sell out a show, the promoter might book a club night to start after you finish. They eject you, your crew and your fans at 10pm, then a DJ comes in and a whole new crowd invades the premises. Instead of playing at 10pm, your show needs to start at 8.30, which means support bands have to play at a painful 7.30pm. Obviously, there is no time after the gig to sell your merch or to meet your audience. Not only does it kill the band’s small chance of making extra money, but it also kills guitar music. Who wants to see rock’n’roll at 8.30 at night?

Another iconic Music venue, the 12 Bar, on Denmark Street, London. Right in the heart of Britains world famous Tin Pan Alley. Been handed the death sentence, at the end of 2014, by Westminster council, In favour of commercial short term property speculators. 

It is urgent that we find solutions to finance independent music venues which respect the spirit of live music and musicians. Artists are their customers, too, and we know that branding and club nights are not enough to keep some of our venues afloat.

How can we achieve this? One solution became apparent during the conference, where owners were joined by promoters and booking agents. Let’s do the maths: the venue owners need money and the large agents need to make a healthy profit. Got it? The last panel of the day, entitled What’s Next?, was supposed to address solutions available to venue owners. I took the mic to suggest that the industry itself should fund small venues. Agents, big promoters and venue groups should reinvest part of their annual profits into small venues. This is an idea my friend Andy Inglis, who used to co-run the Luminaire, has been talking about for years. After all, they belong to the same industry, don’t they? Just because small venues are the grassroots of the industry, that doesn’t have to mean they can’t benefit from the profits the others make.

I was surprised by the audience’s lack of response. The Music Venue Trust cautiously expressed its intention to create a charity system to support small independent venues, but I didn’t get the feeling it would pick up the funding idea and make it a priority. From what I understood, the two main ideas taken from the day were the need for tax cuts for small venues and an online resource for venues to share ideas and advice. Although it is important to begin with a couple of rallying points and get recognition from government, I still believe that music industry support is essential for the survival of independent venues.

At this point in the conference, I didn’t get a sense of much anger or desperation in the room. I could only assume people were too scared to speak up. Or maybe I’m totally wrong and most venues don’t want funding to come from the industry. I believe the idea is more popular among professionals than we think, but maybe it demands a bigger effort – or someone, a hero, to fight for it.

Next January, The band Savages and I will settle in New York City for three weeks to play a series of club shows. Sold out all nine shows in just one hour, which has never happened to us so fast before. Could this become a new model? Audiences love to see live music in small venues. Let’s hope they survive before we realise how much we needed them.

Find more information about Venues Day 2014, the speakers and partners on venues-day.com

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Skinhead attacked in Ramsgate UK

Colin Harvey aged 47 was attacked on his way home, late Friday night/Saturday morning 1am  1st November 2014

All he knows of The attackers, was a group late teens about 5 or 6 of them, Chatham Court, Station Approach road, Ramsgate. 

Sherina ‘Rena’ Burke says.  One lad was about 6.2 the others about 5.6 /5.7 about 1am yesterday morning
Don’t know if, or who  who’s dealing with it at the Police station, as we left about midday so he could get cleaned up and have a sleep. Not even sure he was going to proceed with dealing with the old bill !
Oh and his wallet was missing too.

Locals we think, but Colin didn’t recognise any of them. The poor neighbour phoned the police, but was too frightened to open the door as she was elderly, I’m sure some one will find out something as they are bound to brag to the wrong person !! Colin’s spirits remained high, he had us all laughing, not sure if I’d have been so upbeat, I’m glad they didn’t knock that out of him. What a trooper !

This attack happened feet from his door 6 youths (late teens) were sat on the steps leading to his door he asked them to move and they attacked like a pack of animals ..he has remained in good spirits and still has his sense of humour, even after cracked ribs, Broken nose, fractured jaw, missing teeth, two black eyes and a large shoe print bruise across his face x
Been a skinhead since his teens not that it makes a difference !!

Skinhead for Life

Colin is well liked, born and lived his whole life here, has had the girls arriving in droves yesterday with beer baccy soup etc. Colin is a regular attender of skinhead events, and is a big ska and oi fan, one of the crowd. He was wearing one of our Great Skinhead Reunion Shirts, So this is an attack on all of us. Do your bit for a brother

Anyone in the area, can you please post this around. The lads are probably boasting, and could be local. 

Ramsgate , is situated on the South East coast of England in Kent, quite a run down area, and is mainly recognised as a major ferry port for Europe. A close knit local community, but does attract alot of transient people. If you saw, or know anything, lets help to get justice for Colin.

If you have any info, please let us know,or contact  Kent police on 101