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Subcultz. The Home of fashion Subcultures. United We Stand!

THE GREAT SKINHEAD REUNION, BRIGHTON

What a fantastic Skinhead reunion we  have achieved every year since 2011. The numbers rose to over 700, to make it a packed house. People were welcomed from across the globe, and everyone had a ball. The Great Skinhead Reunion, Brighton will be back 1-2-3 JUNE 2018. Tickets Here

The Great Skinhead Reunion is now on its 8th year, a 3day weekender. People young and old come to Brighton from across the planet, to celebrate the Skinhead Subculture. The Event starts at noon each day. Dj’s playing the very best in Skinhead history music, from the early days of Jamaican Reggae and Soul, through punk, 2tone Ska and Oi!. After 6pm Live bands hit the stage to perform until midnight, then back onto aftershow DJ’s.

This is a family event, set on Brighton seafront, At the Volks bar, Madeira Drive, Brighton. The same place used in the filming of Quadrophenia, the beach that put Skinheads on the world map in the 1960’s Mod era, all are welcome. you dont need to be a Skinhead. Under 18’s are welcome until 9.30 due to licencing issues.Bands so far confirmed for 2018 Monty Neysmith (Symarip) Legend of Jamaican ReggaeThe Glory (Leicesters finest Oi)

Keep an eye on our facebook page UPDATES HERE

Bands so far confirmed for 2018

The Last Resort

Monty Neysmith and The bishops (Symarip legend of Jamaican Reggae)

The Glory (Leicesters finest Oi!)

Dakka Skanks ( modern but authentic Ska rocksteady)

Martens Army (Germany)

more TBC

skinhead girls, great skinhead reunion, brighton

Bands to be confirmed for the Great Skinhead Reunion 2018 …

DJ’s confirmed for  2018OLAS, Barry Bmore George, Lee Evans,  Martin long,Terry Dyatt, Phil Templar (New York),  Gabor Fuxy (Dublin)  Luc Milan (Marseilles), Glyn Wilcox, Holly Dee

TICKETS HERE

The Skinhead Reunion An ode to be in England, Sat beside the sea, With friends the world over, Enjoying everyone’s company. A Brighton blast, that went fast, This years reunion is in our past, Beer was drunk in excess, We scoffed our faces full, The bands & dj’s played their sounds, 3 days of living it up, ’twas never dull. Oh how we laughed & jumped about, Sharing stories as a SKINHEAD lout,

The sun was shining, the mood was great, We stared at the stars, Until it got very late, The friends we made, The ones we’ve not seen in years Laughing, living & chatting, Over quite a few beers We opened our eyes, To the greatest cult alive Comrades in arms, all under one roof, Skinheads together, the reunion is proof, Happy & jolly like kids with a new toy, The young & the old ones, All jumping for joy. Another reunion as passed We leave with our sad faces, On trains, buses, planes & cars, All going home to our places, But do not fear, this time next year, They have organised another Make your plans, shine your boots So we can stand side by side like sister & brother Amen Oi Oi

Adrian Lee Noon 

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Vicious Rumours Confirmed for The Great Skinhead Reunion, Brighton 2017

Tickets 

Vicious Rumours make a comeback..Brighton Skinhead Reunion 2017.

Question 1. Why would you like to play the great skinhead reunion, in brighton
..Symond, 2 1/2 years ago, you reached out to me and asked if we would consider playing the Reunion.. Well you and I had many exchanges, surprisingly most of them about our kids, principles and general outlook on life.. We discovered that we were very much cut from the same clothโ€ฆ I was so excited to be playing and it was going to be our first show back together in England since the Main Event.. Then unfortunately we were unable due to JC and his wife expecting a baby right at that time. Symond, whilst disappointed never once showed or held it against us or me personally and we have continued to build our friendship these past couple of years.. Okay (I tend to ramble so this will be a long interview, so if edited I will take no offence) now why we/I want to play Reunion 2017.. This Event is to get together people from all over the world who love this scene and for some has been part of their lives since their early teenage years as it was for me.. I love music and ever since I can remember that has always been my first love.. Along came punk and then punk/Oi!/ska.. Well that was it. As you can see from the picture my vast taste in music.. See I told you I ramble.. What was the question? Oh yes. This is an event to see old friends, make new and a way to show our and my appreciation to you all and thank you for letting us/me be part of something that will live forever.. And this event is about just that.. Being in a band was and still is a dream for me but none of this means anything without you lot, so when Symond said yes a 2nd time to my/our request to Play 2017 my face and heart lit up and we promise to give you a show to remember.. Don’t forget we are one big family xx

vicious-rumours


2. When did you start the band, and why.
in 1979 around April /may I had the idea of a starting a band. A friend of mine Dave field played guitar and another Al Kilpin was up for trying put drums.. Why, well it seemed like fun, I loved to sing and a few other kids at school had put together bands.. So why not me!!

3. Who were the original members, and how did you meet?
Okay, I met Dave Field at Church, we were I the Boys Brigade together and actually ended up going to the same school.. Al Kilpin on drums, we also met at the church in one of those kids club things, but Alan was also hanging out at the local youth clubs and knew everybody. Also Alan’s good friend and co-worker was Micky F lead singer of an up and coming band called the Business. Also we had a stand in bass player, Phil Lecomber.. So that was the original up.

4. Who were the writers?
I did most of the writing once we starting playing more gigs and then the band would put it all together as at first we only had about 4 songs, including Vicious Rumours, which was actually written by a girlfriend of ours, Lesley and Dave and I wrote music.. The rest of the songs I the first few months were mainly sex pistols covers, even some early Adam and the ants, oh and Chip on your Shoulder was one we played at every gig till Bout 81..

5. What was your first gig?
Our first gig was at welling baptist church with a local band Called The Reprobates, whose guitarist Ian eventually ended up being our guitarist a couple of years later. We co-workers and recorded This is your Life together..

vicious-rumours-3

6. What would you say was the most memorable, for good or bad reasons?
Wow, most memorable.. Okay sorry Symond I will have to name 3..only because of different reasons and all good..
1.our first high at Skunx, May 1982. JC, AL, Worve and myself. Supporting The Business and One Way System.. It was our first Big gig in London as all the others were in local pubs, church halls and youth clubs.. It was very special and the crowd really accepted us..
2.Red Lion, Gravesend 2015..simply because it was our first gig back in the U.K in 25/26 years and the friends that showed up on a Wednesday night, in the middle of nowhere was just overwhelming.. To see so many smiles, hugs and just felt the love.. Absolutely priceless.. Plus it was my introduction to the lads in The East End Badoes.. Just a great band and brilliant blokes.. We have become friends for life..
Now there were gigs in the early days, France, Old Bexley, The Lovel, Danson youth club, Isle of wight scooter run, Coventry but for my 3rd isโ€ฆ
3.PSK 2015 Stockholm, Sweden and this is why.. Pike Kollberg and Niklas Tรถrnblom put on an outstanding show.. Amazing bands and put their heart and soul into it as I know that you can relate to Symond.. They were enthusiastic, Genuine and made us feel right at home.. Now the crowd, playing to people that had never seen us before, we’ll most of them, all I could feel was an amazing energy, total support and people having a great time and enjoying us.. What a beautiful feeling, this was also my 50th birthday trip so to spend it doing what I love, with people that I love and making new friends. Honestly, what could be better..

7. Why did the band fold up?
The band stopped playing after the main event, for me and I know for JC we were disappointed with our performance that night.. I insisted on a wireless guitar cable which didn’t work, and a few other hick ups, , well we didn’t talk about splitting we just took a break then in 1990 I left for the States.

8. What happened to the members after you moved on in life?
Well now, JC Lives in France, and He still loves playing his bass.. Danny lives in Malta, Ian(worve) sadly passed away a couple around a year ago as for some of the other members along the way I’m not sure but all of them had a part to play in the band..

skinhead-moonstomp2


9. What do you feel about the modern scene, as opposed to the 80’s?
As JC would say to me and still does that I am clueless.. I just love people.. Love meeting them and being a part of an amazing culture.. Though I have seen fights break out at gigs, I myself have never once had a problem.. I am extremely happy that there is still such a strong scene as it gives us a chance to do what we love, and a chance to make memories with the best people and Symond, would you not agree making great memories and having fun is what it is all about!! I know you do mate..

10. What advice would you give to young bands starting out?
Well young bands starting out, have fun and enjoy it, be humble and appreciate anyone who shows an interest in your band, get to know some of the bands that you enjoy and could see yourself playing with, it is so easy now to get in touch with them because of the Internet etc.. and start off by just introducing yourself, let them know you have a band.. Start there.. Practice practice practice then gig gig gig.. I still reach out to bands that I have always looked up too, even at 51..The Cockney Rejects, still absolutely first class till this day. I got a message from Jeff Turner and I was like a big kid, it meant so much to me.. Micky Fitz from the day I met him at the age of 14 has always treated me with nothing but kindness and respect. He is my mentor and I have always looked up to him and appreciated the way he treated me. Although Jamie Flanagan, lead singer with Tear Up have never met we have built up a great relationship this past year and a half.. I am saying this because he has done everything that I just said to do and not because I suggested it, because of who he is.. Love ya Bruv xx
Okay last thing that I want to say isโ€ฆ. I love this Band, 37 years and I can honestly say the line up that we have now sounds brilliant, tight and full of energy. Mad Max Spartan back on rodie duty, keeping everything on track..Tom Sultans our youngster drummer is brilliant, Dave Hayman on guitar who just bets it out like I only wish that I could, Dave Reeves on guitar who is a fantastic solid seasoned player, John Coupรฉ on bass and as tight and poised as ever, Nippa Troth, my little brother right there with us and Myself on vocals ready to give my all heart n soul and a night you will always remember.. Love and respect Symond and of course everyone else cannot wait to see you in Brighton..
Always, Johnny Mundy xxx

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Jeff Turner and Gary Bushell on Oi!

The Cockney Rejects’ 1980 performance at Birmingham’s Cedar Club remains unnoted in the annals of rock history. It warrants no mention when music journalists compile the 100 Most Shocking Moments in Rock, nor the 100 Craziest Gigs Ever, which seems like a terrible oversight. In fairness, no one is ever going to rank the show by the East End quartet โ€“ then enjoying chart success with a punk take on the West Ham terrace anthem I’m Forever Blowing Bubbles โ€“ alongside Jimi Hendrix at Monterey in terms of musical brilliance. Still, it has its own claim to historical import: by all accounts, it was the most violent gig in British history.

“I’d seen quite a bit on the terraces or outside football grounds, but this was carnage,” says Jeff Turner, today an immensely amiable decorator, then “Stinky” Turner, the Cockney Rejects’ teenage frontman, cursed with what his former manager Garry Bushell tactfully describes as “a bit of a temper”. Turner continues: “There was a lot of people cut and hurt, I got cut, my brother [Rejects’ guitarist Micky Geggus] really got done bad, with an ashtray, the gear was decimated, there was people lying around on the floor. Carnage.”

The problem was football-related. “Most of the punk bands at the time, they had their ideals โ€“ the Clash, Career Opportunities, political stuff, fair play,” says Turner. “When I was a kid, my thought for punk rock was that it could put West Ham on the front pages.” To this end, the band โ€“ affiliated to the club’s hooligans in the Inter City Firm โ€“ had appeared on Top of the Pops in West Ham shirts. “After that, everybody wanted to fight us, but you couldn’t back down,” says Turner. “Once you were defeated, it would have opened the floodgates for everybody.”

So the Rejects and their party fought: “Twenty Cockneys against โ€ฆ well, not all 300 Brummies were trying to attack us, but I’d say we were trying to fight off 50 to 100 people.” In the aftermath, Micky Geggus was charged with GBH and affray, and the Cockney Rejects’ career as a live band was, in effect, over. An attempt to play Liverpool later that year ended after six songs “because there was 150 Scousers trying to kill us”, while a subsequent gig in Birmingham was aborted by the police: “The old bill got wind of it and escorted us on to the M6,” says Turner. “At the time, I was gutted, but now, I think, thank God for that. Someone could have died.”

Perhaps it’s unsurprising the gig has been swept under the carpet of musical history: after all, so has the genre the Cockney Rejects inadvertently inspired. Thirty years after Bushell โ€“ then a writer for the music paper Sounds, as well as the Rejects’ manager โ€“ coined the term “Oi!” to describe a third generation of punk-inspired working-class bands playing “harder music on every level, guitar driven, terrace choruses”, it remains largely reviled or ignored in Britain.

In the eyes of its remaining fans, Oi! is the “real thing”, the genuine sound of Britain’s streets in the late 70s, populated by artists Bushell championed when the rest of the music press concentrated on “bands who dropped literary references you wouldn’t have got if you didn’t have a masters’ degree and wrote pretentious lyrics”. Bands such as the Cockney Rejects, the Angelic Upstarts โ€“ Marxists from South Shields managed by a man Bushell colourfully describes as “a psychopath โ€“ his house had bars over all the windows because people had thrown firebombs through it” โ€“ Red Alert, Peter and the Test Tube Babies. It briefly stormed the charts. The Angelic Upstarts followed the Cockney Rejects onto Top of the Pops, while Splodgenessabounds made the Top 10 with the deathless Two Pints of Lager and a Packet of Crisps Please. But today, if the general public have heard of it at all, they tend to agree with the assessment once offered by journalist and broadcaster Stuart Maconie: “Punk’s stunted idiot half-brother, musically primitive and politically unsavoury, with its close links to far-right groups.” It is, asserts Bushell, “without a doubt, the most misunderstood genre in history”.

cockney-rejects-greatest-cockney-ripoff

The problem isn’t really to do with the music, although protracted exposure to the oeuvre of Peter and the Test Tube Babies โ€“ home to Student Wankers, Up Yer Bum and Pick Your Nose (and Eat It) โ€“ could leave all but the hardiest soul pleading tearfully for a few literary references and pretentious lyrics. The problem is Oi!’s adoption by the far-right as its soundtrack of choice. It wasn’t the only part of street culture to attract the attentions of the National Front and the British Movement in the late 70s and early 80s. Losing out at the polling stations thanks to the rise of Margaret Thatcher, the NF had instigated a programme of “direct action”: it would attempt to kick its way into the headlines at football matches and gigs. Chart bands such as Sham 69, Madness and the Specials had concerts disrupted.In 1978, seig-heiling skinheads caused ยฃ7,500 worth of damage at a Sham 69 gig in London.

But it was to Oi! that the far-right was most attracted, not least because it attracted both football hooligans and the re-emergent skinhead movement โ€“ two groups the NF’s direct-action programme targeted for recruitment. “We played a gig in Camden, we saw these Nazi skinheads beating the shit out of these two punks,” remembers Turner. “They’d managed to wreck Sham 69’s career, but us with our following” โ€“ the ICF was then headed by Cass Pennant, whose parents were Jamaican โ€“ “we weren’t going to have it. We just went down and absolutely slaughtered them. We declared to them that if they ever set foot where we were again, we’d decimate them.” And so it proved. “Neo-nazis confronted the Rejects again at Barking station,” remembers Bushell. “They basically told them, ‘We’re going to come to your gigs, we’re going to do this and do that.’ The Rejects crew battered them all over the station. They didn’t come to the gigs after that.”

Bushell points out that there was “a Nazi subculture all the way through punk. Malcolm McLaren started it all with the swastikas, which thick people saw and thought, ‘Oh, they must be Nazis.'” There were white power punk bands, too โ€“ such as the Dentists and the Ventz, which were formed by the “Punk Front” division of the National Front, in lieu of real punk bands showing any interest in promoting white supremacy. It was a trick the NF would be forced to pull again when Oi! bands resisted their overtures โ€“ the party recruited a failed punk band from Blackpool called Skrewdriver and repositioned them as the musical voice of the neo-Nazi movement. “It was totally distinct from us,” says Bushell. “We had no overlap other than a mutual dislike for each other.”

strength-thru-oi-poster-gavin-watson

Bushell’s latterday career as a gleeful provoker of the liberal left, writing for the Sun and the Daily Star, probably hasn’t done much to help public perceptions regarding Oi!’s political affiliations. When Oi! was at its height, however, he says he was a Trotskyist who did his best to infuse the movement with socialist principles. He organised Oi! conferences and debates, “trying to shape the movement, trying to stop the culture of violence, talking about doing unemployment benefits, working with the Right to Work campaign, prisoners’ rights gigs โ€“ I thought we could unite punk and social progress.” Not everyone was receptive: “Stinky Turner was at one debate, and he didn’t contribute much, apart from the classic line, ‘Oi! is working class, and if you’re not working class you’ll get a kick in the bollocks.'” He laughs. “Perfect! That was what the Rejects were all about.”

Trotskyist or not, Bushell also managed to exacerbate the problem, not least by masterminding the unfortunately titled 1981 compilation Strength Thru Oi!. “I didn’t know!” he protests. “I’d been active in politics for years and had never come across the phrase ‘strength through joy’ as a Nazi slogan.It was the title of a Skids EP.”

To compound matters, its cover featured a photograph of a skinhead who turned out to be the delectable-sounding Nicky Crane, who โ€“ nothing if not a multi-tasker โ€“ managed to combine life as a neo-Nazi activist with a secret career as a gay porn star. “I had a Christmas card on the wall, it had that image that was on the cover of Strength Thru Oi!, but washed out. I honestly, hand on my heart, thought it was a still from The Wanderers,” Bushell says. “It was only when the album came through for me to approve the artwork that I saw his tattoos. Of course, if I hadn’t been impatient, I would have said, right, fucking scrap this, let’s shoot something else entirely. Instead, we airbrushed the tattoos out. There were two mistakes there, both mine. Hands up.”

Much worse was to follow. A July 1981 Oi! gig featuring the 4-Skins and the Business in Southall โ€“ the scene of a racist murder in 1976 and the race riot that ended in the death of Blair Peach in 1979 โ€“ erupted into violent chaos: 110 people were hospitalised, and the venue, the Hambrough Tavern, was burned down after being petrol bombed. Depending on whose version of events you believe, it was either sparked by skinheads attacking Asians or Asian youths attacking gig-goers: either way, the Southall riot stopped Oi!’s commercial progress dead. The Cockney Rejects found that shops refused to stock their new album, The Power and the Glory: “I’d sung a song called Oi Oi Oi and all of a sudden there’s an Oi! movement and I didn’t really want anything to do with it,” says Turner. “This awful, awful shit happened in Southall, we were never there, and we got the rug pulled out from under our feet. I went from the TV screen to the labour exchange in 18 months.”

gary-bushell

An inflammatory article in the Daily Mail exacerbated the situation further: “We never had an problems with Nazi activists at our gigs until after the Mail’s piece,” says Bushell. “Only then did we have people coming down, thinking it was going to be this rightwing thing, When they discovered it wasn’t, that’s when the trouble started. I was attacked at an Upstarts gig at the 100 Club by about 20 of them. I had a knife pulled on me at Charing Cross station.”

That should have been that, had it not been for Oi!’s curious afterlife in America. Steve Whale โ€“ who joined the Business after Southall and struggled on through the 80s, repositioning the band as “street punk” โ€“ unexpectedly found himself in possession of a US recording contract with Bad Religion’s label Epitaph, lauded by bands including Boston’s Irish-punk stars the Dropkick Murphys and the extraordinarily influential California band Rancid. Jeff Turner has just returned from a tour of Japan: “Osaka, Tokyo, Nagoya. I haven’t got fortunes but I’m able to do that. That’s all I can ask for, it makes me happy.”

“I had Lars Freidricksen of Rancid come in and sit in the pub round the corner from my house, welling up, telling me if it wasn’t for Oi! he might have killed himself as a teenager,” says Garry Bushell. “I thought, ‘Fuck me, it’s really had an effect on these people.’ I’m not proud of the way Oi! was misunderstood, but I’m proud of the music, proud of what it started, proud of what it gave punk.”

In Britain, he concedes, the genre’s name is still blackened in most people’s eyes. “There were people in 1976 saying punk had to be a Nazi thing because of the swastikas. The difference is, those bands had rock journalists on their side. The Oi! bands only had me.” He laughs, a little ruefully. “I did me best.”

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Mods and Rockers Brighton 1964

The trouble caused by mods and rockers in May 1964

Bank holidays in Brighton tended to be busy, jolly affairs in which thousands of Londoners flocked to the sea and sunshine.

All that changed in 1964 during the Whitsun bank holiday when more than a thousand mods and rockers fought pitched battles with each other on the prom and pavements.

There was more trouble in 1965 during both the Easter and August bank holidays, only this time they were met by a force of 100 policemen chosen for their barn door proportions.

Deckchairs were a favourite weapon and if they were not being used for striking enemies, they were destroyed in fires on the beach.

Photo:Mods pictured in May 1964 throwing deckchairs from the roof terrace of Brighton Aquarium on to Madeira Drive below

Mods pictured in May 1964 throwing deckchairs from the roof terrace of Brighton Aquarium on to Madeira Drive below

There were 75 arrests and the courts were kept busy for weeks afterwards in dealing with all the cases. Images of the fights went all round the world.

In a new book on the shady side of Brighton, David Boyne says, โ€œAs shocking as the violence for many of the older generation was the discovery that many of those involved were taking drugs, particularly amphetamines.โ€

The Brighton Council of Churches found that more than half the mods and almost half the rockers were taking blues, a form of speed.

There was more trouble in 1965 during both the Easter and August bank holidays, only this time they were met by a force of 100 policemen chosen for their barn door proportions.

Photo: Illustrative image for the 'Adam Trimingham looks at the trouble caused by mods and rockers in May 1964' page

Boyne says all kinds of ideas were offered to solve the problem, including bringing back conscription, hard labour and even reviving the stocks.

Sentences handed out by Brighton magistrates were generally tough. One of them, Hebert Cushnie, referred to the youths as โ€œsawdust Caesarsโ€. He was widely quoted but few were sure what he meant.

But after that there was comparative peace on bank holidays until the late 1970s when the Brighton-based film Quadrophenia and the start of the punk fashion led to a mod revival.

This time the enemy was skinheads rather than rockers and confrontations Police worked out a simple but effective way of stopping youths from kicking each other. They made youths take out their bootlaces.

Photo: Illustrative image for the 'Adam Trimingham looks at the trouble caused by mods and rockers in May 1964' page

Mary Whitehouse, the doughty defender of old- fashioned morals, blamed the violence by young people on copying what they saw on TV.

Less predictably, support for mods and rockers came from the National Federation of Hairdressers as both sides paid much attention to style.

Forty years ago pictures of Mods and Rockers shocked polite society. But were they staged by the press?

Photo: Illustrative image for the 'Forty years ago pictures of Mods and Rockers shocked polite society. But were they staged by the press?' page

It all kicked off between the mods and the rockers this weekend in 1964. But appearances can be deceptive

Robin Stummer reports

They came, they saw, they beat each other senseless on the shingle. Or did they? Forty years ago this Easter weekend, mods took on rockers for the first time, fuelling Britain’s first mass-media scare over dissolute, drug-taking, mindlessly violent youth.

They came, they saw, they beat each other senseless on the shingle. Or did they? Forty years ago this Easter weekend, mods took on rockers for the first time, fuelling Britain’s first mass-media scare over dissolute, drug-taking, mindlessly violent youth.

Starting with a spot of bother at Clacton, Essex, over the Easter weekend of 1964, the tabloid press feasted for months on the gory new phenomenon breaking out at sleepy seaside towns across the South-east.

Beside gleefully horrified headlines – “Riot police fly to seaside” – were photographs of pale youths in Italian fashions fighting pale youths in engine-oil-caked leathers beside penny arcades at Margate, Brighton, Bournemouth, Clacton, Southend and Hastings.

But now mod experts and some of the old rockers and mods themselves are admitting that many of the candid newspaper shots of seaside gang fighting in 1964 – so shocking at the time, and now considered classic images of Sixties Britain – were staged.

Further, with the tales of drug-fuelled derring-do and flying deckchairs now the stuff of pop-culture legend, a new, far less violent picture is emerging of what actually happened. It’s a world far removed from Quadrophenia, the cult 1979 film based on The Who’s mod-nostalgia album.

“There are famous photographs taken in Brighton where the photographer paid the lads a few shillings,” says David Cooke, a Brighton-based mod ephemera dealer and an authority on the history and lore of the mod world. “Quite a few people know that photographs were set up in Brighton.”

Finding that gangs were engaged not in open warfare but aimless wandering, some photographers and reporters paid youths to stage mock fights and chases.

“At Margate some photographs were definitely staged,” recalls Howard Baker, in 1964 a purist mod and now a writer whose novel Sawdust Caesar is set against mid-1960s mod culture. “Reporters and photographers were paying off a lot of kids. You’d get a fiver or a tenner. We’d get pissed on it.”

“The media made it sound much worse than it really was,” says rocker Phil Bradley, a veteran of dozens of seaside “visits” in the Sixties and a repentant mod-baiter. Bradley became a rocker at 14 when he bought his first motorbike, and spent most of his teens trading insults with the scootering mods. But bloodshed? “There wasn’t as much fighting as what has been made out,” he says. “The press hyped it right up. There were only isolated incidents. There weren’t riots like in that film Quadrophenia. The odd deckchair came flying through the air, but there weren’t weapons like you see nowadays.

“And we certainly didn’t go chasing after old people, even us rockers. If we saw an old lady going across the road having trouble, we’d walk across with her.”

Tabloid headlines about the drug menace facing Britain’s youth, which for a few months in mid-1964 alternated with seaside warfare headlines, pointed to another glaring falsehood. “There was an idea that amphetamines, which were the mod pill of choice at the time, caused us all to be terribly aggressive, but that wasn’t the case,” says Alfredo Marcantonio, 40 years ago a devoted mod and now a leading figure in British advertising. “Most of the time you danced your socks off in clubs, but afterwards you were so worn out you wouldn’t want to fight anyone.”

No, says Howard Baker, there was real fighting as well as fake fighting. “The Brighton photographs weren’t staged. I was there. The violence was nasty, but there weren’t guns.”

Mods were not averse to fighting other mods, rather than rockers. “It wasn’t really mods versus rockers, as the press put it, anyway,” says David Cooke. “Mods were fighting each other. The north London mods hated south London mods. South London mods hated north London mods, and east London mods hated everybody, and everybody hated them.”

“You could almost tell which part of London a mod was from by which colour suit he had,” recalls Mr Marcantonio. One of many early mods who went into advertising and the media, he remembers spats, but maintains pitched battles did not happen. “The streets were not strewn with broken deckchairs,” he says. “The police herded you up and you ended up walking around Brighton in the great phalanxes of people looking a bit pissed off.

“The seaside towns were the domain of the rocker, their patch,” he explains. “Every rocker, you imagined, dreamt of working on the dodgems, with the sound of Del Shannon echoing past the helter-skelter. So a lot of us turning up on scooters, it was asking for trouble. But mods didn’t ever get on their scooters and go down to the coast for a fight. Real mods were far too concerned about their clothing. I mean, we’re talking about possibly losing buttons – you know, creasing or tearing clothing you’d saved for!”

But isolated outbreaks of violence did continue throughout the Sixties. “The Battle of Hastings, about 1965, was quite a big one,” remembers Phil Bradley. “Some scooters and bikes went off the top of the cliff. Margate in 1964 was the worst – the cells filled up. There were only seven coppers in Margate at the time, and one Black Maria – but there were about 4,000 mods and 500 rockers!”

In the end, the mod movement mutated. “Everyone diverged,” says Howard Baker. “Lots of mods became hippies or freaks and wandered off to India, like I did.”

“I haven’t the foggiest idea why there was any fighting with the mods,” says Phil Bradley. “I really don’t know.”

The Independent   More about…50 years on.

The early 1980s revival ebbed away and since then all resorts including Brighton have not suffered from large-scale fighting by violent gangs of youths.

It is almost half a century now since the first clashes and some of the combatants have become nostalgic about them.

Every September there is a huge convoy of men on motorbikes and scooters who ride down to Brighton for the day.

Now mostly pensioners, they reminisce about what they see as the good old days while often drinking nothing stronger than tea.

Photo: Illustrative image for the 'Adam Trimingham looks at the trouble caused by mods and rockers in May 1964' page

By Adam Trimingham

  • Bloody British History: Brighton by David J. Boyne (The History Press ยฃ9.99)

     More about…50 years on.

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Skinhead Girls, Derek Ridgers 1980

Who are the subjects in the iconic “Skinhead girls, Bank Holiday, Brighton 1980” photo by Derek Ridgers used in Morrissey’s 1992 “Your Arsenal” tour as a backdrop and merchandise (t-shirt, program cover)? Finally we know – Caroline and Debbie. Both were together recently and surprisingly, both learned just last weekend (Aug. 2016) about the use of the photo on Morrissey’s tour 24 years ago.

Debbie writes through emails:

I am one of the skinhead girls in the photo as I have just found out my picture was used… Caroline on the left, I’m on the right (in both 1980 and 2016 photos, below). She moved to Australia and was over last weekend. That’s when we found out via Google about the photo, such a shock but a nice one. Eyes nearly popped out when we saw the huge backdrop of us.

I have been in touch with Derek, he is sending us a photo as we never got one. Sent him a photo of what we look like now and he thinks we haven’t changed (well, longer hair and older). Does anyone have any tour mementos?

Caroline lives in Perth, Australia, is married with 3 children and also a granny.

I live in Surrey, married, with 1 son and work in community nursing.

We was both wild when young, me being the worst as my mum tells me.

Skinhead Girls London 1980. derek Ridgers
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About Brighton

pete reunion crowd

   Brighton information
Still one of the most popular seaside destinations in the UK, Brighton has been a tourist hotspot for many years thanks to its climate, nightlife and fantastic shopping.
The advent of the railway really helped to boost the city’s profile. Brighton has consistently attracted visitors for day trips, weekends and entire holidays, with its proximity to London has helped create a huge tourist industry that erupted during the Victorian era, with the building of several attractions including the West Pier and the Palace Pier.
Modern-day Brighton has much to echo the luxury of the Georgian and Victorian eras, with a new swathe of independent boutiques opening in key shopping areas of the city, such as The Lanes, which is packed full of quirky shops, jewellers, antiques dealers and specialist restaurants.
Brighton has been a mecca for youth culture, ever since the 1960’s infamous Mods and Rockers battles. Punk found its south coast home during the 70’s and 80’s, with an explosion of Acid House at the end of the 80’s. in modern day, Brighton has a huge independent music scene, with world renowned bands regularly springing up and touring the world. The town has also seen the rise of a huge Skinhead weekender every June, where people come from across the planet to Moonstomp the weekend away. Showing what a cultural diverse and amazing place the City is

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Skinheads BBC, Don Letts

Skinheads. Don Letts documentary. BBC

When I first received an email from the BBC asking would I like to be involved in a documentary that BBC4 were putting together with Don Letts, my first thought was one of caution, I have done a few documentaries over the years, starting with George Marshall in 1994, Then Skinhead attitude of 2002. The first documentary I remember being made was the 40 minutes, focussing on the band Combat 84 and chubby Chris, which was a complete stitch up, and ruined the bands career, making them being excluded from the forthcoming Oi! Albums and finding their records banned.

The media will always have an agenda, usually one based on other media perceptions on Skinhead racialist politics. So I thought to myself, do I really want to go and tell this terminally boring story once again, but then I thought, well if I don’t, someone else will. Its been a curse for nearly 40 years, since the far right National Front in the UK actively set up a recruitment campaign, targeting disenfranchised white working class kids, provoking and promoting violence and faction. The Skinhead image perfect for the Sun Newspaper to run front page images of the modern devil in our midst. Like any young kid, wanting to be part of something, many jumped onto that image and the wheels have turned ever since, one feeding the other.

barry-bmore-george-don-letts-symond-lawes-bbc-skinhead-documentary

I decided to go meet up with Don and get his story, find out his motivation in his desire to make a documentary. Was it going to be the usual media left wing leaning clap trap. But very soon Don and I started having a laugh, we shared many life experiences and times. Although he is slightly older than me, we were both involved in riots in 1981, both loved punk rock. I had booked Don in 2007 to DJ our Xray Spex show at the Roundhouse, as he was the legendary Roxy club Dj and a friend of Poly Styrene.

Before we started talking Skinhead, Don produced some old tattered photos of himself in the late 60’s as a skinhead, stapress, loafers and button down shirt. Then told me his own story of growing up on a south London council estate, and the early pre punk skinhead days. And that his motivation was to put the record straight, and celebrate the strongest youth subculture to have ever been born in England. Its rich tapestry, that has weaved the threads of Skinhead from the mid 60’s to the mid 2010’s.

I agreed to take part, and roped my old mate from the Wycombe Skinheads, Barry ‘Bmore’ George along. I did put several names forward to the researchers, as people I told them held respect through action in the skinhead world. People like Gary Hodges, Milky, Roy Ellis. They told me they had been speaking to Roi Pearce and Suggs, so I thought it would be great to have some of these king pins of the scene involved, but sadly most people in our scene distrust the media more than rabid dogs, which after all these years, and stitch ups, is understandable. I even find it a struggle with some bands that are very happy to play large ‘Punk’ festivals to a skinhead audience, but don’t want to appear on a flyer for a ‘Skinhead Reunion’ So its a problem on all levels. Until everyone involved claims the Skinhead subculture, and puts their truth forward, the subculture will forever be that of the medias perception. As a kid of 13 I made a vow to become a skinhead, and through lifes journey, its a belief and core I have never felt any embarrassment over. Guilt through association.. well I know who I am, and who my skinhead friends are. So what the media and the middle class think of me, I wont be losing sleep over.

I found the documentary to be surprisingly good. It started with the roots of skinhead. The Reggae and Jamaican influences of its inception in the 60’s. The football hooligan gang fighting of the 70-80’s. The influence created by Joe Pearce and the Young national Fronts campaign. The musical icons like Jimmy Pursey. The 2tone explosion of 1979. Some old footage of Ian Stuart. Live interviews with Kevin Rowland and Pauline Black, to give quite a good balance, and explain the why’s and wherefores of the British Skinhead subculture.

Sure if I had been given the job of researcher and assistant director, I would have added more elements in. The music and what it meant to us, on a street level, the offshoots like the scooter and northern soul scene. Perhaps tried to get people involved in the far right skinhead scene to explain from their angle, why they felt the way they did, and how they feel its part of the skinhead culture they have lived. Don had voices of the far left, with Roddy Mareno. Might have even been nice to find a journalist that would admit to paying young kids for a seig heil for the newspapers.

But what the documentary really did for me, was to show I am not the only person with such a strong passion for our beloved Skinhead subculture. I saw many faces on the screen I consider friends, brothers and sisters. So many of them singing from the same hymn sheet. And that is, there is only one skinhead subculture and its called SKINHEAD

watch it here 

Symond Lawes.

23 Oct 2016

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Punk 45. The Singles Cover Art of Punk 1976-80

The best punk singles record covers โ€“ in pictures
Punk 45: The Singles Cover Art of Punk 1976-80 is a collection of punk’s seven-inch sleeves, whose distinctively DIY designs encapsulated the attitude at the heart of the musical genre. Co-edited by Jon Savage and Stuart Baker, the book includes interviews with some of the designers whose use of montage, Day-Glo colours and hand lettering created the punk aesthetic. For Savage, it was the single, not the album, that was the perfect format for the succinct speediness of the music (“A lot of punk songs were two minutes or under,” he says), and here he describes some of his favourite covers of the era

Xray Spex , The World turned Dayglo

This book is a revelatory guide to hundreds and hundreds of original 7โ€ record cover sleeve designs โ€“ visual artefacts found at the heart of the most radical and anarchistic musical movement of the 20th century. Punk Rock 45 Soundsystem! is introduced (and co-compiled) by Jon Savage, author of the acclaimed definitive history of punk, Englandโ€™s Dreaming. As well as the encyclopaedic visual imagery featured inside, the book also includes a number of interviews with celebrated designers involved in creating punkโ€™s original iconic imagery. The revolutionary do-it-yourself ethic of punk was applied to the aesthetic of design as much as it was to music, and record sleeves acted as lo-fi signifiers of anarchy, style, fashion, politics and more with an urban and suburban invective courtesy of the 1000s of new bands – punk, post-punk, pre-punk, nearly-punk and more – that emerged at the end of the 1970s. This book is an exhaustive, thorough and exciting celebration of the stunning artwork of punk music โ€“ everything from the most celebrated and iconic designs through to the stark beauty of the cheapest do-it-yourself lo-fi obscurities.

Punk record covers: Punk Record covers x ray spex
X-Ray Spex: The Day the World Turned Day-Glo
Jon Savage: โ€œA perfect fusion of music and image.โ€

Blitzkrieg bop , The Ramones


Punk record covers: Punk record covers Ramones
Ramones: Blitzkreig Bop
Design by John Holmstrom of Punk magazine. โ€œA very good example of their cartoon format.โ€
Photograph: Soul Jazz Books

Sex Pistols, God Save The Queen, Picture sleeve


Sex Pistols: God Save the Queen
Design by Jamie Reid. โ€œAn archetypal image for an archetypal single.โ€
Photograph: Soul Jazz Books

Crass, Nagasaki Nightmare


Punk record covers: Punk record covers crass
Crass: Nagasaki Nightmare
Art and design by Crass. โ€œCrass record sleeves were a mine of information, illustration and agit-prop designโ€
Photograph: Soul Jazz Books

Punk record covers scritti politti

Punk record covers: Punk record covers scritti politti
Scritti Politti: Work in Progress 2nd Peel Session
โ€œA fantastically influential sleeve, which includes a detailed breakdown of the cost of production.โ€
Photograph: Soul Jazz Books

The Panik, It Won't Sell


Punk record covers: Punk record covers the panik
The Panik: It Won’t Sell
Design by Steve McGarry. โ€œThe image of hustlers is from a 1964 Time magazine. The Panik were the first group to be managed by future Joy Division and New Order manager Rob Gretton.โ€
Photograph: Soul Jazz Books

The Middle Class, Out of Vogue


Punk record covers: Punk record covers the middle class
The Middle Class, Out of Vogue
โ€œA great illustration of the suburban nightmare.โ€
Photograph: Soul Jazz Books

Orgasm_Addict_Live Buzzcocks


Punk record covers: punk record covers Buzzcocks
Buzzcocks, Orgasm Addict
Montage by Linder Sterling, design by Malcolm Garrett. โ€œI worked with Linder Sterling when we produced a magazine called The Secret Public. From the first moment I saw her work, I was a huge fan, and very pleased to work with her. I also love the colour that Malcolm Garrett put behind the central image, which is so striking. It’s a feminist image on a pop record sleeve for a song about sexual excess, which manages to be at once extremely true and also very funny.โ€
Photograph: Soul Jazz Books

Subway Sect, Nobodys Scared Picture cover

Punk record covers: punk record covers subway sect
Subway Sect: Nobody’s Scared
โ€œTheir first single, a good example of the underground imagery prevalent in punk.โ€
Photograph: Soul Jazz Books


Punk record covers: Punk record covers punk 45 book cover Available on Amazon and other outlets

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Tear Up (5 minute interview)

With The Great Skinhead Reunion looming we dropped into Jamie from Tear Up to see how things were cooking, so here’s a 5 minute interview

tear up 2

Whilst looking for new bands to introduce to the skinhead world, i came across Tear Up last year, and after a brief chat with the singer Jamie, sussed out, he had the right attitude and decided to give them a whirl at the Great Skinhead Northern gathering, an event which i thought might intimidate a young band, being in the deep dark north East town of Sunderland, home of British ship building and strong working class community, but they rode it like professionals and brought the house down. Apprenticeship served, they are up for smashing the fuck out of the Brighton Skinhead Reunion.

Takes me right back to early Cockney Rejects with a touch of Peter and The Test Tube Babies

1. the first thing that jumped in my mind when i saw Tear Up was, why would a young bloke be into oi?
Well I grown up always loving the cockney rejects and I have known Jon from argy bargy and Nick from angry agenda since I was really little so they got me hooked on the oi scene I love the passion and aggression behind it

2. why did you decide to form a band
I wrote a few songs in prison and when I came out I tried giving them to Terry Hayes from the east end badoes but he said I should start my own band so got on stage with them a few times then started my own band

3. where are you from, whats your history and connection to the oi/ skinhead scene
Im from watford I was a bit of a scallywag growing up but I got a my little boy Ronnie now the only thing I love more than the band as I said previously there is a few bands out of Watford u go to a gig talk to people and your network just gets bigger and bigger

4. who writes for tear up
I write all the stuff for us I co wrote a song with Steve thurlow from Peckham Rolex and I am currently writing a song with John mundy from vicious rumours top bloke he is

5. what was your first song
My first song was bollocks to the smoking ban

6. what was your first gig, and the highlight so far
My first gig was angry agenda nicks birthday at some club in Watford I was so nervous I pace up and down and drive everyone mad lol we played 4 songs I think

7. whats the plan for 2016 -2017
Just gotta finish recording the album and get it out there hopefully get a few gigs over the water

have you released any material for people to buy
We have a 5 track ep called fuckin av it I’m sure we will have a couple kicking about in Brighton

9. why did you ask to play the skinhead reunion, a tough crowd to please
We played the northern gathering and people loved us not as tough as they look lol I had lost my voice as well I’m pretty sure you asked us when we had all them jager bombs
10. can we expect new material from tear up soon
We have 3 New songs called dodgy Dave, punch the cunt out of you inspired by the YouTube video cockney rejects trouble at bridgehouse and another song called retribution .

See u all in a few weeks

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MindofaLion

OFFICIAL WEBSITE CLICK HERE

‘they are heavy at the same time it is very melodic and well played shit so i think anyone who is not too one-way-minded would appreciate their songs’ … Adelina, Sweden

What the industry says

Updates for 2016, Mindofalion have been busy in the studio, releasing an EP to critical acclaim, they immediately secured a play listing for BBC introducing, and have been inundated with live shows. Smashing the Brighton scene wide open they are very pleased to announce a series of Major UK Festivals 

The wheel keeps rolling… After the success of our Sell out EP launch leading to Machina being played on BBC Sussex for BBC Introducing (link below) we are now very proud to announce we will be playingY Not Festival!! Editors, Noel Gallagher’s High Flying Birds, our friends at Madness, our favourite band The Hives are headlining and we are playing alongside our friends SAFE TO SWIM, Thyla, Atlas Wynd, Penelope Isles, MANC BOYS Duke Mercury,The Rocking Horse Club, SEATS… You get the picture. A lot of amazing talent.

Buy a ticket on the YNOT website. More news to come…

Listen to Machina 


Soundcloud link

mindofalion Ynot Festival
Mindofalion EP launch

Top night last night for the Mindofalion EP launch. Which should be on all platforms in a couple of days?!
To all the bro’s and sisters that made it. Love you all. @palmpleasures Atlas Wynd Penelope Isles โ€” with Harry Sotnick, Jack Looker, Jack Sowton, Jack Brewis-Lawes, Lily Wolter, Sam Evans and Jack Wolter.

When’s it going to stop? So to remind ourselves… Sell out EP (THANKS EVERYONE!), BBC Sussexand BBC Introducing play Machina on national radio, Origin EP gets released on all major platforms – a first for Mindofalion, then we reveal we are performing Y Not Festival… Now we are pleased to announce we will be playing Truck Festival!!

Mindofalion Truck fest

2016 sees another band members shuffle, and in comes Sam on Bass guitar, to really lift the live shows, to another level of excitement, Think along the lines of Tim Commerford and you know what to expect from Sams stage performance

mindofalion Sam
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MindofaLion

2014 tour 

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 Autumn 2014.

M.O.A.L Hit the road for a UK tour. From Manchester in the North to the Deep south

music download 

 Into 2015 Together with the regular UK shows, M.O.A.L are proud to announce, they have been invited to perform in Stockholm, Sweden. Making this the first international performance. 

Event Details Pet Sounds Bar, Stockholm 17th April 

Maximum Volume music‘……… Brighton based three piece MindOfALion are a new name on the landscape. What you need to know for now is they do a nice line in alternative rock. Tracks like โ€œMonopolyโ€ have a big sound and they are evidently a little different to the usual. Single โ€œZia Groundโ€ is an interesting song and the band, built around the Brewis-Lawes brothers, Archie and Jack, are clearly driven. Archieโ€™s guitar playing is impressive and when they really let go they are at their best.

Into 2014 Great news Mind of a lion have teamed up with Gullwing USA, with a second video being shot with Mind of a Lion track ‘Conflict’ being overdubbed, lets hope to see this great British band entertaining out cousins in the sunshine

Self motivated musicians expressing their state of mind through a raw, organic and poetic sound. Energy and influence through drums, bass, guitar and vocals.

At a very young age the brothers traveled around India,  witnessing the poverty that we donโ€™t experience in our world. People begging in front of their godโ€™s temples, different mind sets, ancient beliefs & the segregation and conflict caused by religion. They use music to express their own thoughts and state of mind, influenced from these early experiences and blend the two to form Mindofalion, write songs to reflect their own life experience. Experimenting and developing, think of the verve, white stripes. but with a new 2014 energy

Check out the new music coming through, with a new direction, in the battle to achieve that stand alone sound

mind of a lion

 2013

what the press says 

Brighton,  music blog, Press party

henna

Mind of a lion have been busy writing new material, gigging and would like to announce a new member on bass. Henna

2012

Based in Brighton , England

This hard hitting band are very difficult to pigeon hole, although its clear to see a certain Rage Against the Machine influence. in their early tracks, the stuff coming through in 2014 is in a new direction, showing strong versatility, as the trio find their own individual sound . Mind of a Lion has a definite London working class feel, with an edge of Grime mixed in, but with elements of the verve and white stripes. The first thing that shocks, is the age of the lads when they turn out such a high level performance of well written songs, fully charged live performance. Most young bands tend to follow whatever is popular at the time, but Mind of a Lion seem to be more interested in the message in their music, than being the โ€˜rock starโ€™.

“Music should have a message” Archie BL

archie studio

As young lads, brothers Archie and Jack had a childrenโ€™s tree camp in nearby woods, one day the whole area was cordoned off by police and terrorist material was discovered, which lead to the banning of all bottles on Aeroplanes. Perhaps subconsciously this had a great influence on Archieโ€™s song writing. The First Demo album is entitled โ€˜Peace through aggressionโ€™ which is a direct reference to the life of young people in the 21st century. Living a backdrop of the war on terrorism, with Governments theory of war will create peace.

Co Writers- Archie Brewis-Lawes

& Jack Brewis-Lawes

Storming the stage as the opening band to 2012 Rebellion Festival

Definitely destined for the big time, Mind of a lion are the future of the British underground.

jack on drums, mind of a lion

live in Brixton, London

Check out their songs: Monopoly, Obstacle, Zia Origin.

This is the new punk rock/indie/alternative. 

https://www.youtube.com/mindofalion/
http://www.soundcloud.com/mindofalion/
http://www.facebook.com/mindofalion/

previously known as the Monacles http://www.myspace.com/themonaclesmusic

Into 2014 Great news Mind of a lion have teamed up with Gullwing USA, with a second video being shot with Mind of a Lion track ‘Conflict’ being overdubbed, lets hope to see this great British band entertaining out cousins in the sunshine

Mind of a Lion are two brothers, Jack and Archie, with female band member Henna. Touring the UK in 2014, fighting the never ending battle for recognition. They started life as musicians at 12 years old, writing a full album of material. this is a video, made by them at that age

written in 2007, by the boys, then aged 12 years old ‘Reliegion’

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King Hammond and The Rude Boy Mafia confirmed for the Great Skinhead Reunion, Brighton

Legends of British Ska, King Hammond and The Rude Boy Mafia confirmed for the Great Skinhead Reunion, Brighton.

skinhead reunion 2016 dj flyer

As we like to have a real mixed genre bag every day of the Great Skinhead Reunion, We are pleased to announce King Hammond will be hot tailing down to Brighton for our Sunday night Knees up session, to play out 2016.

* Nick played his first professional (paid!) gig in July 1977 at The Roxy Club in London where his band The Dead shared a bill with Cocksparrer & Dead Fingers Talk. The same week he was pictured on the front of the Melody Maker under the headline “Teds Versus Punks”!

Continue reading King Hammond and The Rude Boy Mafia confirmed for the Great Skinhead Reunion, Brighton
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Staying Power – Gavin Watson

Staying Power – Gavin Watson

Victoria and Albert Museum, London 

Gavin Watson was born in London in 1965 and grew up on a council estate in High Wycombe, Buckinghamshire. He bought a Hanimex camera from Woolworths in his early teens and began to take photographs. Upon leaving school at the age of sixteen, Watson moved back to London and became a darkroom assistant at Camera Press. He continued to photograph his younger brother Neville and their group of skinhead friends in High Wycombe.

The โ€˜Wycombe Skinsโ€™ were part of the working-class skinhead subculture brought together by a love of ska music and fashion. Although skinhead style had become associated with the right-wing extremism of political groups like the National Front in the 1970s, Watsonโ€™s photographs document a time and place where the subculture was racially mixed and inclusive. His photographs were published in the books Skins (1994) and Skins and Punks  (2008), and the director Shane Meadows cited them as an inspiration for his film This is England (2006). In 2011 and 2012 Watson photographed campaigns for Dr Martens and began a project with the singer Plan B. 


Gavin Watson, 'Barry's Haircut', 1987. Museum no. E.361-2011. ยฉ Gavin Watson / Victoria and Albert Museum, London. Supported by the National Lottery through the Heritage Lottery Fund.

Gavin Watson, ‘Barry’s Haircut’, 1987. Museum no. E.361-2011. ยฉ Gavin Watson / Victoria and Albert Museum, London. Supported by the National Lottery through the Heritage Lottery Fund.

Gavin Watson, 'Micklefield', 1981. Museum no. E.362-2011. ยฉ Gavin Watson / Victoria and Albert Museum, London. Supported by the National Lottery through the Heritage Lottery Fund.

Gavin Watson, ‘Micklefield’, 1981. Museum no. E.362-2011. ยฉ Gavin Watson / Victoria and Albert Museum, London. Supported by the National Lottery through the Heritage Lottery Fund.

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Sultan Ali – Son of Prince Buster, Jamaican Ska Legend

Sultan Ali Live, Prince Buster

 SULTAN ALI (Sonofprincebuster) aka #TheSultanofSKA   Born in Kingston, Jamaica, Sultan has honed his craft performing in Los Angeles since the late eighties. His father is the legendary ska originator Prince Buster, who changed the face of Jamaican music forever and inspired generations of ska revivalists as well as producing greats like Toots and the Maytals and paving the way for international reggae. Sultan recently appeared onstage with Prince Buster at the Sierra Nevada World Music Festival. With this two-song teaser youโ€™ll hear the music thatโ€™s been welling up inside of Sultan since childhood burst forth with a full-tilt pedal-to-the-metal intensity, all pistons firing. In his voice you will hear passion, urgency, commitment, heart and hope: the voice of a new generation drawing from the roots to create a new sound. Few Jamaicans or Americans would dare to cover Marvin Gaye, whose โ€œPride and Joyโ€ Sultan delivers in an upbeat, driving style. โ€œBeautiful Angelโ€ is an original whose melodic and infectious chorus will stay with you long enough to make you want to hear it again and again. The music melds ska, rock steady reggae with contemporary dancehall and rhythm and blues. These cuts preview a forthcoming full-length release which should now be eagerly awaited by a growing number of fans.โ€“ Chuck Foster, host of KPFK-LAโ€™s โ€œReggae Centralโ€ andauthor of Roots Rock Reggae (Billboard Books). In the influence of his father, Sultan performs many of the legendary songs written by his father, a rare chance to hear such great tunes performed live. For all enquiries and European bookings , please contact subcultz@gmail.com

https://youtu.be/VIovjZD9eu0

Beautiful Angel

Instagram
https://www.instagram.com/thesultanofska/

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Great Skinhead Reunion revue, By David Webster

Skinhead Reunion, brighton, Dave Webster, Steve Aller,Linda Scarpallini, 2014

Arrived in Brighton around 1.30 with my mate Steve Aller holding high expectations of what the weekend had in store. I was not to be disappointed as this years reunion was even better than the 2013 event. After checking in at the Adelaide hotel, we made our way to the Volks where we met up with many old mates, Dave Ryan and his son Sid, Dave Nash, Lisa Sumner, Lynda Scarpellini, Jo Barnett, Steve Parish, and many more. The vibe was good as we all sat around chatting outside in the sun whilst the music blasted out. First band on were ”Grade 2” who performed well above anything I had anticipated. This band made up of 3 lads all still at school showed a confidence well above their years. Sid the vocalist showing no nerves at all. I was straight on the dancefloor throwing myself about like a spider on acid. Loved every second of their set. Then it was back to the fresh air of Brighton to cool myself down. Saw a old flame from the past, [11 years to be exact!] Ana, and straight away we connected. The relationship blossomed over the w/e. Back to the bands and next on were Swedish Oi band ”Agent Bulldog” who had brought with them a large Swedish contingent. Although I could not understand the lyrics to their songs, I still enjoyed their set very much and had a jump around. Last band of the night were ”The Downsetters” who I had seen earlier in the year at Skamouth. The masses obviously enjoyed these lads as the dance floor filled. Their set included a combination of covers and their own material, which was very good. They even did a ska version of the Sex Pistols Pretty Vacant, which I was not sure about! By around 10ish the bands had finished. But for many the night was just beginning as the crowds headed for the next venue [which I cannot remember the name of!] After a short walk we arrived to hear old Trojan sounds blasting out, and so the dancing continued into the early hours. By around 1 o clock this old boy was done in, my bed was calling.

SATURDAY.
Up early to hit the breakfast table, so after a shower and a squirt of Steves chanel deodorant, off we toddled.  We eventually hit the Volks around 1ish on another scorching day. Gutted that I had missed Ken and Bobbi’s wedding do.Already the place was heaving with skinheads slowly getting pissed. As a non drinker it was J20s all the way, kinda funny seeing most getting pissed whilst I remained sober. The music is my alcohol! The Dr Martens photo booth was in big demand as many queued for a free photo. First band on today were ”Lineside” who I must apologise to for missing. I took a break from reunion activities for a walk along Brighton pier with the Latina Ana, where we got more reacquainted, and indulged in a ice cream. Back to the Volks just in time to catch Linesides last number. They actually sounded very good indeed. Next band up were the 2-Tones, who I thoroughly enjoyed from last years reunion. Again, they blew the roof off with the dance floor packed as they belted out cover after cover of our favourite ska/Trojan sounds. A hour or so later it was time for Saturdays headlining band ”The Feckin Ejits” a band I had not seen since the 1980’s. Really enjoyed this set as the crowd went mental to ”You gotta kick a picket or two”. Top marks Mr Sterling! Then at 10-30 it was off to the ?????? for more dancing. My poor feet were done in, the dms are certainly better than brogues for jumping about in. Again by 1ish I was cream crackered and pestered Steve to go back to the hotel. [He had the solitary key!]. And so endeth day 2.

SUNDAY
Up early, due to my mate Steve singing Judge Dredd songs whilst I was trying to sleep. Down for brekky, then it was more sleep. Got to the Volks to find it still packed, regardless of many having headed home for work commitments. Only 2 bands tonight. ”Jack the Lad” with Gunk from Condemned 84 who did a complete set of Oi covers, and jolly good fun it was too! Once again I jumped about like a loony on day release. Finally it was the highlight of the w/e [not including meeting Ana again] the band I had really came to see ”The Last Resort”, having not seen them for a few years I was really psyched up. And what a energetic set it was. All the old favourites, mixed in with newer stuff like Never get a job, and the superb We are invincible. The floor was a mass of boots, muscle and sweat [with a couple of females amongst the nutters, well done Jo Barnett and Tash] . After 2 encores that was it, no more bands. But certainly not the end of the night as Ana and I strolled romantically along the beach with the lit up pier and big wheel in the background. Awww how nice. Still made it back to the volks for the last hour or so of music. The djs incidentally have been superb. Top marks to them all. Also the bar staff who were kept on their toes. Gotta say a massive thank you to everyone that made this w/e such a great event. It is what you make it to a point, but after all is said and done it would not be happening without Symond. Sod the haters. Roll on 2015s Reunion. Oi oi that’s yer lot Dave Webster. Could have wrote much more, but have left my personal details out. Ha ha.

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Maid of Ace Live in Weinheim Germany (Punk)

Maid of Ace

A little punk rock show โ€“ Maid Of Ace in Weinheim/Germany 27th november 2015 โ€“ Weinheim/Germany, Cafรฉ Central It was the last weekend in november and I went to Weinheim. Maid Of Ace an all-sister punk band from Hastings, England was on a tour through Europe and that evening they did a show in Weinheim at Cafรฉ Central. I saw them for the first time as main support of Bishops Green on their โ€žA Chance To Changeโ€œ Europe tour in Schweinfurt/Germany. Iโ€™ve been in many clubs and locations but it was the first time for me being at Cafรฉ Central. When I arrived at the location I was very astonished. It ist rue the club is small but when I saw all the tour posters at the walls of the club I was impressed how many great bands played there before. Florian, a really good mate of mine who joined my trip to London in february 2015 is a big fan of Maid Of Ace. When I told him I would go to their show in Weinheim he asked me to buy a patch and a CD signed by the band. So I went to the merch to fulfil his wish. I bought a patch and a CD and asked the gilrs to sign it.After a nice conversation about their tour, punk and the scene the girls entered the stage. Obviously there wasnโ€™t a support band. A lot of people were in the small location and the ladies were able to made mostly everybody dancing and singing, even the people in the audience who were definitely not addicted to punk. Maid Of Ace play songs of their album but also some songs which were not on the album, maybe these songs will be on the upcoming album. For some songs there was a guest singer on stage. It was Dee Skusting the vocals of a punk band from Los Angeles/USA called A Pretty Mess. I have to admit that I like the sound of Maid Of Ace a lot, because itโ€™s a real alternation in this man-dominated punkrock scene. The girls had a set of about an hour. After their show I was on my way home. two hours later I sat in my favourite pub and had a few beer with some mates who spent the evening there. Thilo (written in january 2016)

Eine kleine Punkrock Show โ€“ Maid Of Ace in Weinheim

maid of ace 2 (2)

27.11.2015 โ€“ Weinheim, Cafรฉ Central

Am letzten Wochenende im November sollte es mich nach Weinheim verschlagen. Die Punk Band Maid Of Ace aus Hastings/England, welche ausschlieรŸlich aus vier Schwestern besteht war auf Europa-Tour und gab an eben jenem Freitag ein Konzert in Weinheim im Cafรฉ Central. Ich sah Maid Of Ace bereits ein als Support auf der โ€žA Chance To Changeโ€œ Europa Tour von Bishops Green in Schweinfurt. Ich bin zwar schon viel herumgekommen und habe auch schon viele Clubs und Locations gesehen, aber es war das erste mal, dass ich ins Cafรฉ Central fuhr.

Dort angekommen war ich sehr erstaunt. Es handelt sich zwar nur um einen kleinen Club, aber den Tourplakaten zufolge hat dort schon viel mit Rang und Namen gespielt. Florian, ein guter Freund von mir mit dem ich im Februar 2015 in London war, ist ein groรŸer Fan von Maid Of Ace. Als ich ihm erzรคhlte, dass ich auf deren Konzert fahren wรผrde, bat er mich, ihm eine signierte CD und ein Aufnรคher mitzubringen. Gesagt, getan. Vor dem Auftritt ging ich also zum Merchstand der Band, kaufte eine CD und ein Aufnรคher und bat die vier Mรคdels die CD in seinem Namen zu signieren. Wir wechselten danach noch ein paar nette Worte, รผber die Tour, Punkrock, die Szene usw. Dann betraten sie die Bรผhne. Eine Vorband gab es offenbar nicht.

Die kleine Location war sehr gut besucht und die Mรคdels schafften es, trotz der Tatsache dass einige Leute im Publikum waren, die mit Punkrock ungefรคhr so viel zu tun hatten, wie die Bildzeitung mit seriรถser Berichterstattung, nahezu alle mitzureiรŸen. Neben den Liedern ihres aktuellen Album, welches auch den Namen der Band trรคgt, spielten sie auch viele Lieder, die nicht auf dem Album waren. Bestimmt wird man diese dann auf dem neuen Album finden. Zu einigen Liedern holten sie Dee Skusting, die Sรคngerin der Punk Band A Pretty Mess aus Los Angeles/USA auf die Bรผhne. Ich muss zugeben, dass mir die Band Maid of Ace ganz gut gefรคllt, da es eine wirkliche Abwechslung darstellt zur sonst eher mรคnnlich dominierten Punkrock Szene.

Das Konzert ging etwas รผber eine Stunde, dann war es vorรผber und ich machte mich allmรคhlich auf den Heimweg. Ca. 2 Stunden kam ich dort an und gรถnnte mir noch ein paar Bier beim Wirt meines Vertrauens.

Thilo
(geschrieben im Januar 2016)

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Los Angeles Skinhead Ska scene

SKINHEADS UNITED: ALL OVER L.A., NONRACIST, PRIMARILY LATINO SKINHEADS OBSESS ON CLASSIC REGGAE AND SOUL

  • First published in LA Times 2012

BY NICHOLAS PELL

la-weekly-skinheads
Fans at The Gaylads’ Echoplex showPHOTO BY JENNIE WARREN

Around 9 on a recent Friday night, the Echoplex is filling up quickly with skinheads. Men sport closely cropped hair โ€” sometimes with a parting cut โ€” while the women wear either shaved patches up top or mod hairstyles. Button-down Ben Sherman shirts, rolled-up Levi’s 501s or permanent-press trousers known as Sta-Prest are popular on both sexes. A sizable minority, meanwhile, are in their nattiest: well-tailored, slim-cut suits or mod dresses with boots or loafers. On the smoking patio, old friends reunite over cigarettes and beer, showing off new tattoos, talking about jobs they hate or maybe sharing war stories about old shows, old bands and old fights.

They’re here to see Jamaican reggae legends The Gaylads and Brenda Holloway, the first Los Angeles Motown artist. As Holloway takes the stage, small groups skank in circles, with some couples paired off and dancing close, face to face.

L.A.’s skinhead scene has been around for decades but has gotten particularly popular during this latest revival in the past few years. Unlike the skinheads you’ve seen on TV, the L.A. scene is not only anti-racist, it’s overwhelmingly Latino. Though scenesters are into punk and Oi!, early reggae and obscure soul records dominate their collections. At least once a month, several hundred people turn out for old Jamaican stars or mostly forgotten Motown singers. DJ nights at Fais Do-Do in Mid-City offer superdeep cuts of early reggae and “Northern soul,” a neologism for American soul tracks first popular in Northern English dance clubs in the early ’70s. The Rocksteady Lounge at Silver Lake’s Akbar, a gay pub, offers a more intimate monthly affair with no less drinking and revelry.

Skinheads range from teenagers to middle-aged scene veterans. Their boots get an extra coat of polish for a night out, but otherwise they leave for work in the morning looking the same as they do for the club. Unlike the East L.A. punk scene, skinheads aren’t preoccupied with rebelling against The Man, and the police aren’t always busting them up. Instead, they’re focused on the simple pleasures of beer, music, friends, dancing and fashion. Women are as much a part of it all as men, and there’s always a good chance for romance.

This working-class subculture grew out of the British mods of the late 1960s. Ten years later during a punk-oriented revival, the neo-fascist National Front targeted English skins for recruitment. This cleaved the scene into two groups: racists, known as “boneheads” (or “glue sniffers”), and “traditional skinheads,” also known as “sussed skins.” While the former degenerated into fascist street gangs, the latter remained true to the skinheads’ original ethos of beer, boots and monster beats.

Boneheads look like old-school racist rednecks in wifebeaters and combat fatigues. Traditional skinheads, however, look more cultured, with a preference for Italian scooters (rather than cars) and high-priced polos โ€” a basic Fred Perry costs around $80. A suited and booted traditional skin easily could be mistaken for an extra on Mad Men, if his hair were longer. Strip off the tattoos and sideburns and they’re positively clean cut.

Los Angeles might have the biggest skinhead scene in the country, though cities like San Jose, Portland and Boston have sizable contingents. There’s no distinction here between Latinos and whites, though the latter are a distinct minority. Skinheads live all over L.A. County, but their hot spots are in Mid-City, Echo Park and Silver Lake.

One particularly devoted enthusiast is Mark Morales, a 35-year-old psychology researcher at USC, who promotes soul and reggae events. He’s at the Echoplex tonight but doesn’t have much time to party, as he’s working not only as DJ but also stage manager and liaison for a video crew taping the event. Having grown up in East L.A., he became obsessed with the ska-revival label Two Tone as an adolescent, before falling in love with early Jamaican classics.

A stocky, easygoing guy who’s quick with a smile, Morales hasn’t donned skinhead gear in years, but he’s an influential scenester, bringing top Jamaican acts of yesteryear and obscure soul players to spots like this one and downtown’s Alexandria Hotel. Being a skinhead “is not just a look, like rockabilly or mod or whatever,” he says. “There’s a working-class mentality to it that other scenes don’t have.”

Indeed, you’ll find folks with occupations like line cook, warehouse clerk and assembly-line worker in the crowd. Step into a skinhead’s home and you’re likely to see memorabilia from years past, such as vintage housewares, posters from original 1960s releases and records too scratched to play. Further, skins tend to marry and reproduce within the cult: Melrose shop Posers Hollywood even sells Fred Perry and Ben Sherman baby clothes.

And though this retro-obsessed crowd voraciously consumes tunes that originated in Jamaican shantytowns and American tenements, it’s not protest music per se.

Instead, it’s a document of downtrodden people keeping their collective heads up through hard times. Lyrical themes include colonial oppression (“Israelites” by Desmond Dekker), romance (“The Tide Is High” by the Paragons), sex (the list of dirty reggae tracks runs a mile long) or nothing at all (nonsensical songs like “Skinhead Moonstomp” by Symarip).

This complicated musical evolution began with American R&B singers like Fats Domino and Huey “Piano” Smith, who inspired early Jamaican ska, which evolved into rocksteady, then reggae. The first British skinheads embraced these sounds during tough economic times in late-’60s Britain; more than 40 years on, traditional skinhead tastes haven’t changed much.

But don’t listen for “Redemption Song” at these parties. Though Marley is beloved, skins prefer him with the classic Wailers lineup that includes Peter Tosh and Bunny Wailer. In fact, skinhead parties feature beats and bass that bear more resemblance to a good hip-hop break than what most people think of as reggae.

Unlike many other musical subcultures (punk, for example), skinheads don’t usually “grow out of it.” Some have been around since the early 1980s and are pushing 60. Their preferred look โ€” sharp, smart and clean โ€” certainly helps them to age gracefully, but Morales believes something else keeps people in the fold. “It’s that attitude: the idea that I work for all my shit. Nothing has been given to you, so you’re proud of the stuff you have.” It’s not just about wearing the right clothes or having the right records in your collection; it’s about representing your working-class way of life.

Morales gets a bit of downtime when Holloway takes the stage, though he’s still on the job, so there’s no time to grab a drink at the bar. His eyes darting about the room, he looks over the scene that has shaped him since he was an adolescent. He’s living proof that what makes a skinhead is not what you wear โ€” or even how your hair’s shorn โ€” but what you’ve got in your heart.

Check out the skinhead scene June 9, when reggae legends The Pioneers perform at Los Globos.1

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Swastika in Fashion subculture

Wearing of swastikas proliferated as people made aware of Punk rock by the Grundy incident  became punks adopting and adapting emblems and dress from the first wave of fans including swastikas. We can’t vouch for the political beliefs of these people but as people came to view the emerging far right National Front as a threat and more publicity was given to it in the rock weeklies, the swastikas disappeared.It was a very small part of Punk, and for a very short time. They were just kids. When you are at school what’s the most rebellious thing you could draw on your book? Exactly. A swastika.  Don Letts Punk 77 Interview 2005
Sounds 25.3.78Only punk could wear the swastika and detach its meaning from Nazism while attempting to shock. “That’s what I thought, if punks could wear it ,and we were trying to look decadent and imperfect that should piss every body off, including Nazis. I always thought that if gays had adopted the pink swastika instead of the pink triangle that would have said it all. We just wore swastikas coz we thought they looked cool. We weren’t Nazis nor did we have any political views at all. We had no problem with Jews, Pakistanis, gays or any one else we just hated every one who wore lived in the straight world. None of us fitted in anywhere and that’s the way I liked it. Sorry to go on about this but people loved to misunderstand it, even now especially skinheads who were just naff straights anyway, keeping England white. Who cares? Let the fucking shithole sink into the sea I thought at the time. I still do.”
Marco Pirroni Punk 77 Interview 2002
 
However as punk proclaimed itself working class and ever more populist the more distinctly right wing skinheads became attracted to punks superficial violence and far right symbols. They latched onto bands like Sham 69 and the Lurkers often disrupting punk gigs sieg heiling and causing fights. Here the swastikas and far right symbolism was for real and they thought punk rock could be an ideal recruiting ground. However they thought wrong as the astutely mobilised anti fascist forces of Rock Against Racism and the Anti Nazi League outmanoeuvred the far right in the quest for converts.What happened In the late seventies/ eighties as punk fractured into a myriad of forms such as anarcho and oi the latter became associated with more nationalistic but not necessarily racist tendencies is not the concern of this site.So for UK punk rock 1976-79 we can conclude that. misguided, stupid whatever. “No one wore the swastika as a political statement. It was an attempt to shock, just like the gay t shirts. Shock was the order of the day, and wrong as it may seem, it did just that”.
Nils Stevenson. Punk the Book. Colgrave & Coleman
I’ll finish off with a quote from Hebdiger’s Subculture : The meaning of Style ” We must resort, then, to the most obvious of explanations – that the swastika was worn because it was guaranteed to shock…The signifier (swastika) had been willfully detached from the concept (Nazism) it conventionally signified and placed in an alternative context ( ie punk music)…it was exploited for an empty effect.” 
Clockwise – Captain Sensible, Poly Styrene and friends, National Front at Sham 69 gig.

exert taken from punk 77 website

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Mass Murder in Paris. Terror attack!

Eagles of Death Metal Were Playing Paris Club When Gunmen Attacked

by JON SCHUPPE and SHANSHAN DONGParis Terror Attacks: As Many as 60 Dead as Violence Erupts Around City 2:28

The California rock band Eagles of Death Metal was on stage at a packed Paris nightclub Friday when gunmen stormed in, cut down dozens of fans with automatic weapon fire and held hundreds hostage for hours.

Family members said the band, including singer and guitarist Jesse Hughes, were able to escape the attack at Le Bataclan, one of several that unfolded simultaneously across Paris. But some members of the crew were unaccounted for.

More than 100 people were counted dead at the central Paris club, which holds about 1,500 people and was sold out. Many others were reported wounded.

https://www.youtube.com/watch?v=LTXDfgXheU8Watch French Police Evacuate People From Concert Hall 2:42

The wife of drummer Julian Dorio told NBC News that he’d told her everyone on stage managed to get out and that he and other band members made it to a police station. Emily Hall Dorio said she believed that the whereabouts of some members of the band’s crew were unknown.

“I’m grateful and heartbroken at the same time,” Emily Hall Dorio said. “I’m grateful he’s alive.”

Hughes’ brother reported on Facebook that he was safe.

And Hughes’ mother said later that the rest of the band was also okay.

One of the band’s front men, Joshua Homme, was not on tour with the band. He declined to comment when NBC News reached him by phone in Palm Desert, California.

Eagles of Death Metal in concert in Britain on Oct. 31. Danny Payne / Rex via AP

Homme, also a founding member of Queens of the Stone Age, formed the band in 1998 with childhood friend Hughes. They have used a string of temporary members in the past, including Foo Fighters’ Dave Grohl and actor Jack Black.

The touring band’s bassist posted a photo of the show just before the band was to go on.

Eagles of Death Metal โ€” not actually a death metal band; the name is an inside joke โ€” last month released their fourth album, Zipper Down, and were in the middle of a European tour.

The duo White Miles was the opening act.

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The Road Crew

captain sensible on tour

The road crew. hours of back ache, sore neck, sweaty armpits, 20 hours, an average day, drive. drive and drive all day, to get to a grubby venue and set up for 3pm soundcheck, a quick shower and a bit of food if you’re lucky, a 30 min kip in some backroom on a 2 seater sofa, a bowl of crisps and a sausage roll, doors at 7 and the excited people arrive,

The pre nerves of the band, our job some story telling, and plenty of laughs. On they go to great applause, while we stand behind the curtain, keeping an eye on the guitarists leads. More in the monitor, take the light from the face. the rooms filling up, thats all that matters.

The set you’ve heard a thousand times, even your favourite is beginning to burn the ear drums. but the band play, as if its their first ever gig. the crowd pissed up and jumping about, 45 mins and off for a break, the crowd cheer for their favourite song, another 15 mins and its time for work to begin again.

Rip off the the set list, stuck to the floor, and chuck to some smiling fans, to make their day,Unplug the leads, the amps and the lights, load them in and roll them out, into the van quick as you can, lets try and get at least one beer for the night. off to a fine art, we pack it all away, then into the back stage to see who’s still there. the fridge is empty, just a couple of apples and a half eaten loaf of bread. no one else there, the parties all gone. 3am, we need to be up at 6, to do it all again

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Angelic Upstarts Hamburg, A week of Subculture

A week full of subculture

July 21st 2015 โ€“ July 26th 2015

It was tuesday, 21st of july 2015. My bell rings at 3 oโ€™clock in the morning. This time I wanted to go to Hamburg to see the Angelic Upstarts from South Shields in England. Support band at that show were The Headlines from Malmรถ/Sweden.

I wasnโ€™t in the city of Hamburg for a long time, so I started at about 4 oโ€™clock in the morning to have the posibility of spending much time in Hamburg. But my first destination wasnโ€™t Hamburg, it was the city of Oldenburg in Holstein. Frank, a good friend of mine lives there. First time we met was in Lรผbeck at an Oi! Punk show where he and his band โ€žDrunken Swallowsโ€œ played as support act. Frank invited me to stay the night at the flat of him and his nice girlfriend. Otherwise I had to drive 4 hours to get home after the Angelic Upstarts show. He really takes care of me, hahaha.

At about midday we drive together with Henning, a mate of Frank to the harbour of Hamburg. The sun was shining and it was warm so we decided to go on a ship to do a sight-seeing-tour of the harbour and have a few beers in the sun. After that we to the store of Remedy Records to meet our friends of Skinheads Hamburg. We had a little meal at the greek rstaurant next to Remedy Records and went to the concert at Monkey Music Club. When we arrived The Headlines were already on stage. The location was mostly full of people, so a lot of people saw this great show of the four swedes. Some songs were sung by Jake, the male singer and guitar player and some songs were sung by Kerry, the female singer and bass player. I think that hot Kerry ist he reason why especially some male persons in the audience will like this band. They played their own songs and covered Sham 69โ€™s If The Kids Are United and Rose Tattooโ€™s Nice Boys Donโ€™t Play Rockโ€™nโ€™Roll.

Now it was time for me to see Angelic Upstarts. They entered the stage very confident. The audience enjoyed the show as much as I. It was a wonderfull evening and I was glad to see some classics like 2.000.000 Voices, Teenage Warning, England or Solidarity live. Sham 69โ€™s If The Kids Are United was covered by Angelic Upstarts too. After the concert we went back home to the city of Oldenburg in Holstein.

I slept very well and long at Frankโ€™s sofa. At 12 oโ€™clock I was on my way back to my north hessian home. The rest of the day I spend in my flat because of the 11th Back On The Streets Festival in a village called Rheinbรถllen one day later.

It was thursday july 23rd 2015. After loading my car I startet to Rheinbรถllen. I was very happy because I knew I will see a lot of friends and bands I like at the festival.

At the early afternoon I arrived in Rheinbรถllen. I occupied my hotel and decided to do a little siesta because I knew that the evening would be very hard, haha. My first Stop at the festival was Diana and the pavilion of Randale Records. We hadnโ€™t seen for a long while so we had to tell us a lot and had to have a few beer. Thankโ€™s Diana for the records you brought to me. It was a wonderfull first evening of that festival with lots of friends from Kassel, Frankfurt, Hamburg, the โ€žRuhrpottโ€œ and Passau. We told stories from the past, had a laugh and made new friends. My musical highlight of that evening were the guys from Rude Pride (Madrid/Spain). They do traditional Oi! with some influences of ska and reggae. They did a great job!

The Headlines, from Malmo

It was friday morning and I woke up with a big headache. Maybe we had a few beer too much at the evening before. When we went back to the festival our first stopp was again the pavilion of Randale Records. On this day The Business played at the festival and we wanted to have a look if they took some new merchandise to Diana. The first band playing was called Extrem Unangenehm (in english: extreme unpleasant). Butt he show of them wasnโ€™t as bad as their name promised. It was a pity that there were just a small quantity of people in the audience. Then a Band called Foiernacht entered the stage. These four young guys from South Tyrol played a mixture of Oi!, Punk and Psychobilly. They did a very good job and there were more and more people in the audience.

my personal highlight was The Business as you maybe expected. From the beginning their show was powerfull and the sound was great. mostly the whole audience were in front of the stage so many people enjoyed The Business as much as we did. The weather got worse and worse. Now another band from South Tyrol wanted to play their instruments. They had one of the best slots at the festival but the heavy rain caused there were just a few fans watching their show. The completely tattooed singer of the bandwas able to encourage the audience although the weather was as bad as possible. While Unantastbar played their Song โ€žDas Stadion brenntโ€œ (in english: The football stadium burns), a song about football fans burning pyrotechnics, many people in the audience burned pyrotechnics too. Maybe a little bit dangerous but it looked very impressive. The last act of the night was Roy Ellis aka Mr. Symarip. The rain stopped so the audience got bigger again and the people dancd heavily to his reggae beats and ska tunes. As his concert ended, we got back to our hotel.

German Beer for Skinheads

Saturday, July 25th 2015. It was the last day of eleventh Back On The Streets Festival. Because of the bad weather the local authority forbade to start the music before 5pm. So all the bands had to abridge their set. It was 5 oโ€™clock in the afternoon and the first band of the day called EgOi!sten played their show very experienced and the audience liked it. Either I didnโ€™t see the drummer of the band Paris violence or they used a drum computer, but I think it was the second one. The band Martens Army got strengthening by Ferdy Dรถrnberg while they were playing. Ferdy, the half Englishman is a real virtuoso at many instruments and this time he played the slide guitar. Then my personal highlight entered the stage: Superyob. Franky Flame and his band really knew how they got the attention of the audience. Many young bands could learn a lot from this Oi! Punk veteran. After KrawallBrรผder played their set Franky entered the stage again. It was just him, his Piano and Ferdy Dรถrnberg for a few songs. I couldnโ€™t imagine a better end of the festival as these two great musicians.

At the next morning I bade farewell of my friends and drove to my north hessian home.

Thilo
(written in august 2015)

Eine Woche voller Subkultur

21.07.2015 โ€“ 26.07.2015

Es war Dienstag, der 21. Juli 2015, 03:00 Uhr, der Wecker klingelte. Mein Weg sollte mich dieses Mal in den Norden der Republik fรผhren. In Hamburg spielten an diesem Tage die Punkrock-Urgesteine Angelic Upstarts aus South Shields in England. Vorband an diesem Abend waren The Headlines aus Malmรถ in Schweden.

Ich war schon lรคnger nicht mehr in Hamburg, deswegen fuhr ich schon um 04:00 Uhr in der frรผhe los, um noch mรถglichst viel vom Tag zu haben. Das Auto war gepackt und so ging es in Bad Hersfeld auf die A7 und immer Richtung Norden. Das erste Ziel meiner Reise hieรŸ aber nicht Hamburg, sondern Oldenburg in Holstein. Dort wohnt Frank, ein mittlerweile sehr guter Freund von mir. Ich lernte ihn vor Jahren in Lรผbeck auf einem Oi!-Punk Konzert kennen, an dem auch seine Punkrock-Band Drunken Swallows spielte. Er lud mich ein die Nacht in der Wohnung von ihm und seiner Freundin zu schlafen, damit ich nachts nach dem Upstarts-Konzert die Strecke von Hamburg nicht mehr zurรผckfahren muss, sondern erst ausgeschlafen am nรคchsten Tag. Sehr fรผhrsorglich von ihm, hehehe.

Gegen Mittag fuhren wir dann zusammen mit Henning, einem guten Freund von Frank in die Hansestadt. Da das Wetter absolut auf unserer Seite war, fuhren wir nach St. Pauli an die Landungsbrรผcken. Da jeder von uns รผberraschenderweise eine Hafenrundfahrt machen wollte, taten wir genau dies und gรถnnten uns wรคhrenddessen auf der Elbe ein paar Bier. Inzwischen war es spรคter Nachmittag und wir trafen uns bei Remedy Records mit unseren Freunden von den Skinheads Hamburg, gingen nebenan griechisch essen und fuhren weiter auf das Konzert in den Monkey Music Club. Als wir ankamen, hatten The Headlines bereits die Bรผhne betraten und begannen zu spielen. Der Club war bereits sehr gut gefรผllt, sodass die Schweden nicht vor einer halb leeren Location spielen mussten. Das war auch gut so, denn die vier Punkrocker legten die Messlatte zu beginn an gleich sehr hoch. Ihre Musik war kraftvoll und der Wechsel zwischen Frauen- und Mรคnnergesang passte perfekt dazu. Kerry, die Bassspielerin und Sรคngerin sorgte zusรคtzlich fรผr Kurzweiligkeit, insbesondere beim mรคnnlichen Publikum. Neben ihren eigenen Liedern coverten sie Sham 69โ€™s If The Kids Are United und Rose Tattooโ€™s Nice Boys Donโ€™t Play Rockโ€™nโ€™Roll. Danach betraten endlich Angelic Upstarts die Bรผhne und begannen vor einem nahezu รผberfรผllten Club zu spielen. Endlich konnte ich Angelic Upstarts das erste Mal live sehen. Ihr Programm war sehr solide und auch die Song-Auswahl war gut รผberlegt. Bei den Klassikern wie 2.000.000 Voices, Teenage Warning, England oder auch Solidarity gab es im Publikum kein halten mehr. Auch Angelic Upstarts coverten Sham 69โ€™s If The Kids Are United. Nach dem Konzert fuhren wir wieder zu dritt zurรผck nach Oldenburg in Holstein.

Nachdem wir am nรคchsten Morgen ausschliefen und danach gemeinsam frรผhstรผckten, war es auch schon wieder Zeit sich zu verabschieden. Gegen Mittag startete ich wieder in meine nordhessische Heimat. Den Rest des Tages verbrachte ich nur zuhause auf dem Sofa, denn am nรคchsten Tag ging es schon wieder weiter. Das Ziel hieรŸ Rheinbรถllen. Dort fand das 11. Back On The Streets Festival statt.

Donnerstag, der 23. Juli 2015. Gegen Mittag stieg ich voller Freude ins Auto, denn ich sollte an diesem langen Wochenende viele Freunde und Bekannte wieder treffen und auch die ein oder andere gute Band zu Gesicht bekommen.

Am frรผhen Nachmittag kam ich in Rheinbรถllen an. Da ich noch etwas Zeit hatte, nachdem ich im Hotel eingecheckt habe, beschloss ich ein kleines Mittagsschlรคfchen zu halten. Der Abend sollte ja noch lang genug werden, hehehe. Mein erster Halt am Festivalgelรคnde galt dem Stand von Diana und Randale Records. Lange hatten wir uns nicht mehr gesehen und hatten uns daher viel zu erzรคhlen und hatten auch das ein oder andere Bierchen zusammen zu trinken. Danke an der Stelle noch einmal an Diana fรผr die Platten, die sie mir mitgebracht hatte. Es dauerte auch nicht allzu lange bis meine Freunde und bekannte aus Kassel, Frankfurt, Hamburg, dem Ruhrpott und Passau ankamen. Mein musikalischen Highlight an diesem Festivaltag waren Rude Pride aus Madrid/Spanien. Ihre traditionellen Oi!-Klรคnge, bei manchen Liedern mit leichtem Ska- und Reggae-Einschlag trafen voll meinen Geschmack. Die Jungs kรถnnen was!

Es war Freitag Vormittag und ich wachte mit einem ordentlichen Kater im Hotelzimmer auf. Ich ging vom Hotel zum Rastplatz um zu frรผhstรผcken und erstmal einen Kaffee zu trinken. Inzwischen war es Nachmittag geworden und ich pilgerte mit ein paar Freunden zurรผck aufs Festival Gelรคnde. Da an diesem Abend The Business spielten, gingen wir zuerst wieder zum Stand von Randale Records um zu sehen, ob The Business Diana noch neues Merch zum Verkaufen vorbei brachte. Die erste Band des Tages hieรŸ Extrem Unangenehm, wurde aber ihrem Namen รผberhaupt nicht gerecht. Ganz im Gegenteil, Ihr Konzert war sehr kurzweilig. Schade nur, dass noch nicht allzu viele Leute vor der Bรผhne standen. ร„hnliches Schauspiel bei der Band Foiernacht aus Sรผdtirol. Ihre Mischung aus Oi!, Punk und Psychobilly kam beim anwesenden Publikum sehr gut an. Auch sehr gut waren die 5 Jungs von Restrisiko. Das Publikum wurde inzwischen auch immer grรถรŸer und das Festivalgelรคnde fรผllte sich zunehmends.

Mein persรถnliches Highlight an diesem Tag des Festivals waren โ€“ wie vielleicht schon zu erwarten โ€“ The Business. Ihre Show war von Anfang an energiegeladen. Und da mittlerweile das Festivalgelรคnde fast voll war, konnten dies auch noch viele andere so sehen. Das Wetter wurde zwar zunehmend schlechter, aber die Jungs konnten noch trockenen Hauptes Ihr Konzert beenden. Danach spielten die Punkrocker von Unantastbar aus Sรผdtirol. Diese hatten mit dem starken Regen allerdings so dermaรŸen Pech, dass bis auf einige Fans nahezu alle Gรคste das Festivalgelรคnde verlieรŸen, oder sich bei den Zelten der Merchstรคnde unterstellten. Bei ihrem Lied โ€žDas Stadion brenntโ€œ, ein Lied รผber Pyrotechnik in FuรŸballstadien, zรผndeten jede menge Fans passenderweise Bengalos. Ein herrlicher Anblick.

Zu guter letzt an diesem Abend lud Roy Ellis alias Mr. Symarip zum Tanz ein. Da sich das Wetter wieder einigermaรŸen beruhigt hatte, folgen dieser Einladung viele Festivalbesucher. Als sein Konzert vorรผber war gingen wir auch wieder ins Hotel zurรผck.

Samstag, der 25. Juli 2015. Es war der letzte Tag des diesjรคhrigen Back On The Streets Festival. Aufgrund einer Unwetterwarnung des Deutschen Wetterdienstes konnte das Programm erst um 17 Uhr beginnen und nahezu alle Bands des heutigen Tages durften nur ein verkรผrztes Set spielen. Da das Festival so spรคt los ging, hatte auch die erste Band EgOi!sten Glรผck und konnte vor einem groรŸen Publikum spielen. Selbstsicher spielten sie Ihr Programm und wurden vom Publikum auch gut angenommen. Ein gelungener Auftritt dieser noch jungen Band. Bei der Band Paris Violence vermisste ich den Schlagzeuger. Entweder ich habe ihn tatsรคchlich รผbersehen, oder sie verwendeten einen Drum Computer. Die Band Martens Army holte sich fรผr ihren Auftritt auf dem Festival Verstรคrkung in Form von Ferdy Dรถrnberg. Der halbe Englรคnder ist ein echter Allrounder, was Instrumente angeht und unterstรผtzte Martens Army an der Slide Gitarre. Danach sollte mein persรถnliches Highlight an diesem Abend folgen: Superyob. Franky Flame schafft es auch im hohen Alter noch, das Publikum ganz auf seine Seite zu ziehen. Viele jรผngere bands kรถnnen sich von ihm noch eine gewaltige Scheibe abschneiden. Nachdem dann die KrawallBrรผder einen zum Besten gegeben haben, betrat Franky erneut die Bรผhne. Dieses Mal haute er allerdings Solo am Piano. Auch Franky bat Ferdy Dรถrnberg fรผr das ein oder andere Stรผck auf die Bรผhne. Diese beiden Virtuosen bildeten wirklich einen wรผrdigen Abschluss fรผr dieses Festival.

Am nรคchsten Morgen trat ich den Weg in meine hessische Heimat an.

Thilo
(geschrieben im August 2015)

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MOTร–RHEAD Drummer PHIL ‘PHILTHY ANIMAL’ TAYLOR Dies At 61

Former MOTร–RHEAD Drummer PHIL ‘PHILTHY ANIMAL’ TAYLOR Dies At 61

November 12, 2015

Another Legend goes to the Great Gig in the Sky 

Ex-MOTร–RHEAD drummer Phil “Philthy Animal” Taylor died on Wednesday, November 11 at the age of 61.

Taylor‘s former MOTร–RHEAD bandmate “Fast” Eddie Clarke posted the following tribute to his colleague: “My dear friend and brother passed away last night. He had been ill for sometime but that does not make it any easier when the time finally comes.

“I have known Phil since he was 21 and he was one hell of a character. Fortunately, we made some fantastic music together and I have many many fond memories of our time together.

“Rest in peace, Phil!”

Taylor played in MOTร–RHEAD from 1975 to 1984 and again from 1987 to 1992.

In a 1983 interview with Artist magazine, Taylor stated about his drumming approach in MOTร–RHEAD: “Well, once [MOTร–RHEAD bassist/vocalist] Lemmy starts playing, he’s sort of out there on his own, in a way. It’s something that came naturally; but when Robbo [Brian Robertson, guitar] joined the band, we started working it out a bit more. When Eddie was with the band, I played more with the guitar than I did with Lemmy, because he’s not really a bass player. Lemmy always plays so fast that it’s always been down to the guitarist and me to keep the rhythm and melody going. Lemmy is just non-stop playing all the time, so for the highs and lows of the numbers, the ups and downs, light and shade โ€” whatever you want to call it โ€” it’s basically down to Robbo and myself. I’d never played much before, so it’s probably a lot more difficult for Robbo than for me. He’d always played in bands that had a proper bass player, so to speak.”

Pictured in his early days as a 1960’s Skinhead

Clarke and Taylor rejoined their former bandmate Ian “Lemmy” Kilmister on stage on November 6, 2014 at National Indoor Arena in Birmingham, England before Clarke, Lemmy and current MOTร–RHEAD drummer Mikkey Dee ripped through a blazing rendition of the MOTร–RHEAD classic “Ace Of Spades”.

Asked in a 2011 interview with Guitar International if he had any plans to ever reunite with Taylor and Clarke, Lemmy said: “No, because these two guys with me now have been with me longer than the original two. They played ‘Ace Of Spades’ more often than those two. They played ‘Overkill’ more often than those two. Why should I put Phil [Campbell] and Mikkey on hold to go off with guys who probably can’t play them as well? They’ve been out of practice. It’s ridiculous to think of it. Then I would be a nostalgia act. I’m all for the now and the future.”

Regarding whether he still talks with Phil and Fast Eddie, Lemmy told Guitar International: “Now and then. I like Phil, he was my best mate. Eddie was kind of a friend except he was always complaining about something. It got kinda tedious. Last time he left, we laid low. Before, one of us would go off and bring him back. It was a shame he shouldn’t have done that, we had a lot going for us back then. He should have stuck though it. It was the Wendy O. Williams thing and I couldn’t understand that (reference: recording ‘Stand By Your Man’, a cover version of the Tammy Wynette with Wendy O. Williams). He just gave up on it because Wendy wasn’t immediately perfect on it, she just needed to go through it a few times and he left the band over it. I couldn’t fucking believe it. I think he was expecting to be talked back in. Phil came in the room and said, ‘Eddie‘s left again.’ I said, ‘Whose turn is it to go talk to him?’ [Laughing]. I said, ‘Fuck it, I’m not doing it.’ That’s the way it went. Wrong decision on his part.”

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Tony Van Frater of The Cockney Rejects dies.

Tony Van Frater, the guitarist with Sunderland punk band Red Alert, has died, reportedly of a heart attack. He was 51.

He was a mainstay of the group, who were formed in Sunderland back in 1979 and went on to tour nationally and internationally.

He also played with the Angelic Upstarts and Cockney Rejects, and was one of the most respected figures in the North East punk scene.

Tony – real name Anthony Frater – was a founder member of Red Alert, who made three studio albums and released several singles which reached the UK Indie Charts Top 30.

Red Alert broke up in 1985, reformed four years later and continued touring and occasionally recording.

Meanwhile, Tony, who was known as ‘Tut’, played with South Shields band Angelic Upstarts, and, since 1999, with the reformed Cockney Rejects.

Away from music, he used to have an ice cream van, and it is believed he had recently been working as a taxi driver.

Tributes started flooding in today on social media sites.

Official announcement from the Cockney Rejects.

Dear friends and supporters worldwide, most of you are probably aware of the tragic circumstances of this past week in which we lost our beloved brother and friend Tony Van Frater. Due to this catastrophic event we have no option other than to cancel the forthcoming UK tour forthwith as a mark of respect for the man and his family.
none of us knows what the future holds at present, we wish to enter a period of mourning and reflection on the massive contribution and impact that Tony made on all our lives.
All tickets will be refunded and we apologise for this, and we hope that we have your understanding and co operation in these difficult times.

Thank you one and all. The Cockney Rejects.

Tony played for us at Concrete Jungle Festival for us in 2007, and has been a big part of the Cockney Rejects band since he joined 

“The founding member of Red Alert and Cockney Rejects bass player was one of the scene’s true gentlemen.

“His talent and friendship will be missed by many. RIP big man – our thoughts are with your family and friends.”

Red Alert singer Steve ‘Castiron’ Smith wrote on his Facebook page: “Best mate, brother, legend, thanks for the memories son, see u up there.”

I was actually to be seeing Tony tomorrow, as i am DJ’ing a festival in Bavaria. we are all deeply shocked by this, and our thoughts go out the the Rejects and all Tony’s friends and family, it makes you realise once again, how short this life is, and we have to keep on keeping on. Stop the negative infighting, and enjoy the life we have. We are all brothers and sisters in our old punk and skinhead subcultures. Symond

The show will go on, and a pint of two will be drank in Tony’s name. Big respect will go out to Tony ifrom Bavaria, and across the Punk and Oi! world

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Monty Neysmith Reggae Legend

Symarip (also known at various stages of their career as The Bees, The Pyramids, Seven Letters and Zubaba) were a ska and reggae band from the United Kingdom, originating in the late 1960s, when Frank Pitter and Michael Thomas founded the band as The Bees. The band’s name was originally spelled Simaryp, which is an approximate reversal of the word pyramids.[1] Consisting of members of West Indian descent, Simaryp is widely marked as one of the first skinhead reggae bands, being one of the first to target skinheads as an audience. Their hits included “Skinhead Girl”, “Skinhead Jamboree” and “Skinhead Moonstomp“, the latter of which was based on the Derrick Morgansong, “Moon Hop“.

They moved to Germany in 1971, performing reggae and Afro-rock in Germany under the name Zubaba. In 1980, the single “Skinhead Moonstomp” was re-issued in the wake of the 2 Tone craze, hitting #54 on the UK Singles Chart.[2][3] The band officially split in 1985 after releasing the album Drunk & Disorderly as The Pyramids. The album was released by Ariola Records and was produced by Stevie B.

Pitter and Ellis eventually moved back to England, where Ellis continued performing as a solo artist, sometimes using the stage name Mr. Symarip. Mike Thomas, who had moved to Switzerland and met a Finnish girl there, moved to Finland where he worked as a musician, doing the groundwork for the Finnish reggae culture through his band Mike T. Saganor. Monty Neysmith moved to the United States, where he toured as a solo artist.

In 2004, Trojan Records released a best of album that included a new single by Neysmith and Ellis, “Back From the Moon”. In 2005, Neysmith and Ellis performed together at Club Ska in England, and a recording of the concert was released on Moon Ska Records as Symarip – Live at Club Ska. In April 2008, they headlined the Ska Splash Festival inLincolnshire as Symarip, and later performed at the Endorse-It and Fordham Festivals. Pitter and Thomas now perform in a different band as Symarip Pyramid. Their Back From The Moon Tour 2008-2009 was with The Pioneers. In 2009, to celebrate the rebirth of the band and the reunion of the two original members, Trojan Records released a compilation album, Ultimate Collection. Pitter holds all copyright and trademark rights for the name Symarip Pyramid.

Monty Montgomery was born In Port Antonio, Jamaica. This talented and charismatic singer started to write and create music in his early years. While studying in London, England, Monty met with fellow Jamaican musicians on the weekends.

This led to the creation of the worldwide known

SYMARIP / PYRAMIDS

With hits like: Skinhead Moonstomp, Traintour To Rainbow City, Skinhead Girl, Mexican Moonlight,

All Change On The Bakerloo Line, Must Catch A Train to Night, etc.

This band reached the British Charts and toured all over Europe. Monty collaborated with the legendary โ€œGodfather of SKAโ€ Laurel Aitken and Eddie Grant.

Monty holds numerous awards and is listed in the Guiness Book Of British Hit Singles. Voted as one of Top Reggae Artists of all times by Billboard magazine. Montyโ€™s versatile songwriting genius is his biggest asset. His many years of performing all over Europe, USA, Africa and the Caribbean, including the annual Sun -Splash in Jamaica, has given him the experience and skills that makes him the ultimate professional that he is today. Several of his songs have become staples on the list of many young SKA bands around the world. Sharon Woodwardโ€™s โ€œThank you, Skinhead Girlโ€, a documentary film made in the UK, includes Montyโ€™s penned โ€œSkinhead Girlโ€. Monty Montgomeryโ€™s albums: Seeds, Massive Are You Ready , Crucial Vibes and Back To Jump Street established him as a solo artist in the reggae world.

Miss Goosy (Audio and Video) is an ideal party mix and the video is very funny. It is now available @ CDBaby.com

Monty also was a finalist in 2008 Jamaicaโ€™s Festival with the song โ€œMy Jamaicaโ€.

Now his latest work โ€œYah Monโ€ ranges from SKA to Reggae, and will with no doubt stand out. Songs like โ€œYah Monโ€, Sweet Suzieโ€, โ€œItโ€™s time againโ€ and โ€œKingston Cityโ€, just to name a few.

Montyโ€™s latest single โ€œThe Freak In Meโ€ was produced and arranged by Grub Cooper, from the number one band in Jamaica, known as FAB 5.

Monty and Jump up Records teamed up to release four new titles on vinyl. “Spirit Of 69 ” is a must to listen and dance to.

Montyโ€™s live shows are engaging and energetic, and he always leaves his audiences feeling positive and happily skanking, begging for more.

FORTIS FOREVER

Monty is now a stand alone artist playing both the Symarip classics and his own work written over his years as a reggae legend

for bookings please contact Symond at subcultz@gmail.com

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Great Skinhead Reunion Brighton, Big 6. 2016

Tickets for 2016 are available HERE

CONFIRMED ACTS

INFA RIOT Punk – Oi! 1982 Legends   

ROUGH KUTZ

FECKIN EJITS

THE HACKLERS – SKA

GRADE 2

CROWN COURT

TEAR UP from Watford, A brand new young oi! act

Dekkertones a leading British Ska Tribute act, to get the party started

PISTONES  (Finland)

SPECIAL GUESTS WILL BE ANNOUNCED AT THE EVENT

Facebook Event page

Bands and DJ’s wishing to perform, all info and enquiries, contact Symond at subcultz@gmail.com

Video made in 2013

The Great Skinhead Reunion, Brighton, www.subcultz.com

The Great Skinhead Reunion Brighton Every Year, the first weekend of June, Skinheads come from across the globe to Brighton seafront. for full event details go to www.subcultz.com

Posted by Skinhead Reunion Brighton on Saturday, 2 April 2016

FULL 3 DAYS EVENT, YOUR WRISTBAND IS VALID THROUGH OUT, YOU CAN USE IT FOR AS LITTLE, OR AS MUCH AS YOU WANT. THE EVENT WILL SELL OUT, AND THERE WILL BE NO ADVANCE DAY TICKETS AT A REDUCED DAILY RATE , IN ADVANCE.

The line-up maybe subject to change, as so many band members and dj’s are involved. Babies coming along, alcohol, world wars and famine can be unforeseen, but the Great Skinhead Reunion, is more about coming to Brighton to see all your friends and making some more, for 3 full days of mayhem.

SKINHEAD ONLY HOTELS .

Add to your experience, by getting a room in our Skinhead only hotels. Conveniently located, with a short walk to the venue, and no moaning neighbours to worry about. The rooms vary in size and cost, to fit your needs. all within an easy walk to the skinhead reunion venue. We have hotels exclusive to the Great Skinhead Reunion guests and bands.  Party party !! please email subcultz@gmail.com with your requirements, to be booked into the Skinhead Hotels

For those on a low budget, its worth checking Hostels and campsites, but my advice, is to get in the reserved hotels, for a nice stress free, clean and comfortable holiday in Brighton.

TRAVEL INFORMATION

Brighton is situated on the south coast of England, approximately one hour from London. London Gatwick is the nearest airport. There are regular direct trains and National Express buses. The next nearest is Heathrow,  There are also direct trains from Luton Airport . Its advised not to fly to Stansted, as this is a long way, and you risk losing valuable drinking time

The nearest ferry port serving mainland Europe is Newhaven -Dieppe . Newhaven is about 20 min drive to Brighton. Dover is about 2 hours to Brighton

PARKING ZONES – one of the worst aspects of Brighton, is a lack of affordable parking. my advice is to use street parking on the suburbs of Brighton, its a reasonably safe place. a good bus service will take you into brighton centre (churchill square) and a short walk from there to the sea front. worth allowing the extra hours work, to save yourself serious parking charges

All Event Enquiries email Symond at subcultz@gmail.com. phone (uk) 07733096571

The Facebook community group Facebook group

Facebook page

Continue reading Great Skinhead Reunion Brighton, Big 6. 2016
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The Hipster

Last week, anti-gentrification protesters took to the streets of Londonโ€™s East End as part of a series of parades organised by the anarchist group Class War.

One of their targets, the Cereal Killer Cafe, was bombed with paint and scrawled with graffiti that read โ€œscumโ€. While businesses such as this one are a symptom of the cityโ€™s extreme gentrification, rather than its cause, they have – in the eyes of some – become symbolic of this rampant and unwelcome redevelopment.

The subsequent media coverage, whether earnest or cheeky, drew attention to the establishmentโ€™s hirsute and tattooed proprietors, Gary and Alan Keery. Why were the bearded brothers subjected to such ire? Apparently because theyโ€™re hipsters.

It has become fashionable to hate the hipster. They are blamed not only for big issues such as gentrification, but also for the style crime of donning distinctly unhip fashions (at least in the eyes of other current or former subculturalists).

Why hate the hipster? Scott Hart/flickr, CC BY

However, in this instance, many commentators rightly highlighted the fact that while hipsters and their quirky businesses – cafes that charge A$11 per bowl of cereal, for instance – are easy targets of scorn, they are only symptomatic of larger socio-economic realities and problems.

Following this story, I could not help but think what future cultural historians might make of the early twenty-first-century hipster.

Is the introduction of the long beard into mens fashion a deliberate attempt to normalise the religious muslim man into Europe

Historicising youth subcultures

Over the last decade, in both popular media and scholarly work, there has been a surge of interest in the historicising of post-war youth subcultures. TV documentaries celebrating these narratives, such as the recent Street, Sound & Style (2015) and films like This is England (2006) and Northern Soul (2014), exemplify this growing trend.

The 1957 Broadway musical West Side Story depicted youth culture in New York City. Fred Fehl/Wikimedia Commons, CC BY

On the academic front, the Interdisciplinary Network for the Study of Subculture, Popular Music and Social Change (currently based at the University of Reading) is made up of scholars from around the world who work on projects highlighting young peopleโ€™s contributions to history. Many of these academics are interested in constructing narratives that attempt to make sense of why youth subcultures or lifestyles arose when they did.

Youth cultures characteristically embody the various sensibilities of an era. For instance, my own work on Mod culture depicts the original British subculture of the early 1960s as one that firmly wanted to put the trauma of war behind it by adopting all that was ultra-contemporary and up-to-the-minute. Instead of necessarily trying to reinvent neighbourhoods (though, to be fair, some Mods were also ambitious entrepreneurs), Mods focused on reconceptualising themselves.

erick hrz aguirre/Flickr, CC BY

The first iteration of the subculture saw male Mods cut dashing figures across Londonโ€™s grey East End in their European-style suits and atop sleek, Italian scooters. For them, reaching for the โ€œnow,โ€ the โ€œnewโ€ meant looking beyond Britainโ€™s shores.

The more commercialised, mid-sixties โ€œSwinging Londonโ€ version of the culture embraced pop art and space-age motifs. Female Mods wearing paper dresses or white and silver miniskirts jauntily reflected this forward-thinking.

Numerous authors have described the advent of punk in 1970s Britain, with its โ€œno futureโ€ ethos, as a reaction to the economic crises of the decade. Recent ruminations on the 1980s New Romantics position them as make-up-laden yuppies – Thatcherites in disguise.

While itโ€™s important to recognise nuance and variation within all youth subcultures or trends – and not paint any of them with one, totalising brush – it is also an intriguing exercise to consider how young peopleโ€™s interests, sensibilities, and actions are symbolic of their times.

The hipster as a reaction to neoliberal values

Since reading about the London protests, I have thought about what future historians might make of the hipster. Attention has already been paid to the hipster as a possible manifestation of and/or reaction to the neoliberal values that have come to dominate contemporary life in the developed world. While some academics and cultural commentatorshave critiqued the hipster more generally, others also have discussed the groupโ€™s neoliberal sensibilities more specifically.

While some might see hipsters as โ€œprogressiveโ€, this tag may be limited to their appearance alone. They are far from radical. Hipsters, as purveyors of pricey artisanal goods, are not trying to buck the system or advocate for social change. They are not โ€œangry youthโ€.

Cecilia Sรกnchez Sรกnchez/Flickr, CC BY-SA

If anything, their ardent embrace of entrepreneurialism and D-I-Y craftiness suggests that they have wholeheartedly accepted the fact that โ€œthe marketโ€ rules oneโ€™s lot in life. If living and thriving in hyper-expensive cities like London or New York requires opening a business that charges A$11 for a bowl of cereal, so be it.

Seemingly inherent to the hipsterโ€™s philosophy is the pragmatic acceptance that oneโ€™s possibilities are determined by the economic and political systems in place.

The fact that the hipsterโ€™s mode of operation has inspired such disdain – often among those who identify with more traditional youth subcultures such as punk – is likely because hipsters are seen as selling out (or buying in) rather than trying to resist or subvert mainstream realities.

The recent flowerbeard trend. Kiselev Andrey Valerevich/www.shutterstock.com

While a full sleeve of tattoos may suggest more historically familiar notions of โ€œrebellionโ€, the much-ridiculed Amish-style beard alludes instead to an austere, old-world sensibility. It is more than likely that many of those youths involved in the London protest would perceive hipster identity as the antithesis of their own.

In thinking through the existence of the hipster – and why he (see footnote) has become the target of such ire – it is important to ask ourselves this: Why is there still an underlying expectation that any seemingly โ€œnon-mainstreamโ€ group of young people are rebellious or want to โ€œquestion the systemโ€?

In a more pessimistic response to such a question, those who dislike the hipster may say that we have entered into an age where many young people are just happy to accept what is; that hipsters see themselves as living in a world that is both post-subculture and post-rebellion.

It is certainly easy to see how precarious employment, inflated costs of living, and heightened levels of surveillance would prompt capitulation on all fronts – making even the supposedly โ€œhipโ€ not quite what they seem.

A less damning and more supportive reading of the hipster would argue that young people do not have to โ€œfight the powerโ€ or โ€œsystemโ€ because they are the system (and are reinventing it). The agency and empowerment offered to the millennials through their mastery of digital media has not only provided the world with Silicon Valley Wunderkinds, but hipster entrepreneurs, too. They are two functions of the same app.

While I am not the first to speculate on why the hipster has come to be a part of our contemporary world, I will certainly not be the last. What will the hipster come to symbolise about life in the early twenty-first century when historians of the future reflect on this era?

Note: Yes, โ€œheโ€. The hipster is most always perceived as male, though there are certainly many millennial women who take part in this subculture or lifestyle (minus the Amish-style beards).

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The Beard, Jihad or Hipster

Is the Hipster a naturally organic manifestation of fashion, or was it a planned style to normalize the beard, not seen in mens fashion since the pre-punk days of the early 1970’s ?

More than 10 years later, the consequences of the September 11 attacks are still being felt by Muslims all over the world. There are still stories about Muslim Americans having to hide their religion, by changing their names or appearance, or by practising their faith discreetly. A cloud of distrust still hangs over many ordinary Muslims, not only in the United States, but around the globe.

In one terrible moment, the disgraceful attacks of 2001 tarnished the name of Islam. What was once known as a peaceful, loving religion is now mistakenly identified by some as a backward faith that promotes aggression and oppression.

Friends returning from studies in the US describe their experiences as filled with caution. The change in attitudes towards Muslims was almost simultaneous with the attacks. For the prejudiced, Muslim identity is no longer a statement of faith but an insult or an accusation.

One of the most identifying feature of the Muslim man, in the west is the facial beard

Hipster Beard, a coincidence?

Undoubtedly, media have played a major role in the misrepresentation of Muslims in the subsequent 10 years. Video, print and online content disseminates images such as those of Muslims pumping their rifles in the air in Afghanistan. This has little to do with faith. Images depict Muslim men as being uneducated, dangerous extremists while Muslim women are shown as oppressed.

September 11 was a sad day for all faiths, but Muslims in particular continue to feel the repercussions.

For Hollywood, we have become the bad guys. Movies, TV series and even comedy shows write “the Muslim terrorist” stock character into the script as the main villain. News reports play up the images of Islamist training camps and suicide bombers, enforcing the stereotype that Muslims are extremists by nature.

Having a long beard, wearing a hijab or headscarf, or praying in a mosque is now grounds to be harassed, and in some cases attacked, by ignorant groups or individuals. Many Muslims, including American citizens who had spent years building their lives in the US, have begun practising their faith more discretely or have even returned to their countries of origin out of fear for their safety.

In the UAE, we have the advantages of a rich, multicultural society that allows religious and cultural tolerance in our daily lives, at work, in schools and in public. Yet that is not to say that we don’t have our own fair share of stereotypes. It is only natural to draw conclusions about a faith, nationality or group characteristic, sometimes based on superficial traits.

Whether we like it or not, everyone’s subconscious automatically makes assumptions and builds them into stereotypes, regardless of how open-minded we believe we are.

And while we can fairly condemn discrimination against Muslims in the United States and Europe it cannot be denied that we have inherited our own stereotypes, in the UAE and in many other Arab and Muslim countries, directed towards people based on how they practice their faiths.

By 2015 beards have become a very normal part of Hipster Europe

An easily visible manifestation of this relates to men who choose to grow out their beards. Many times, I have overheard sniggering comments made about long-bearded men. Behind closed doors, accusations of extremism are made, perhaps in jest, but these ideas take root and can become damaging innuendo and rumour.

I saw this firsthand when a colleague of mine decided to grow out his beard. He was on the front line of our organisation and dealing with customers, and so his beard – bizarrely – became an issue of concern for colleagues and management. At first, it was a few harmful jokes about its length; later, a “friendly” suggestion to shave was passed down from management; and, in the end, an indirect threat was made.

My colleague, being one of the most peaceful and patient men I know, decided to stay the course. And his efforts paid off. After exhaustive efforts, he was able to convince management of his ability to do his job, and even outperformed most of his colleagues to prove that he was an asset. Even with a beard.

This is what many fail to understand about men who choose to demonstrate their faith by growing out their beards. Just as with other faiths, piety in Islam does not imply extremism, but rather a commitment to peaceful existence with everything and everyone around you. In the UAE, a Muslim country and also a tolerant one, we must not allow ourselves to fall into the trap of stereotyping religious men and women.

Quite the opposite in fact, we must continue to promote the truth about Islam as a peaceful religion and its powerful benefits for a person’s life at work, at home and as a part of a community. In that way, we can persuade the rest of the world that the harmful stereotypes that followed September 11 have nothing to do with Islam.

Taryam Al Subaihi is an Abu Dhabi-based political and social commentator who specialises in corporate communications

On Twitter: @TaryamAlSubaihi

added content ‘The Hipster’ by subcultz

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Stomper 98 Confirmed for The Great Skinhead Reunion, Brighton, England 2016

Stomper 98 are confirmed for the great skinhead reunion in Brighton England june 3-4-5th 2016. Brighton is seen as a birthplace of the skinhead subculture, with mods and rockers fighting on the beaches in 1964, by 1967 the skinhead had spread across the uk, a solid British working class subculture. Saturday afternoon saw mobs of skinheads fighting for their territory and team on the football terraces, by night, Stomping to Jamaican reggae, wearing the cutting new clothing of quality British design and cloth, handmade leather shoes and boots. After a dip came the rebirth, with the aggro Boot Boys and explosion of Punk Rock from 76, the Sham Army. 79 saw the 2tone revolution, bringing the Punk and Reggae sounds together. By 1980, the largest number of skinheads in history were on the streets of Britain. Then came a backlash against the middle class system, which had controlled the people for centuries, this music was known as Oi! Music. Direct action through music. As riots spread across the UK skinheads scared the government, an army of angry disenfranchised street kids, ready to Ruck. Margaret thatcher put a ban on oi music, clubs and pubs refused skinheads entry, record shops took the vinyl from the shelves. The SPG ( police) Attacked Skinheads across the country . But we refused to die. We went underground, created our own scene, our own clubs, promoted by fanzines and word of mouth. ‘skinheads, a way of life’ like martyrs through the centuries. a faith, which is stronger than any latest fashion. So by the mid 80’s Skinheads were popping up across the planet, fed by the media scare stories, of the anti Christ. By photographic images and books. But also by skinhead bands playing around the globe, for a few beers and a hot dog. Gone are the days of territorial violence and racial conflict. The political infighting designed to divide and destroy, thrown aside. What’s now, is a world wide community, living A skinhead way of life. Every year we celebrate the skinhead subculture, in all its positive eras. From 60’s ska to 21st century oi! And with that, We invite Selective bands each year to come represent their country and scene. We are very pleased to announce Stomper 98 from Germany will be performing at the Great Skinhead Reunion, Brighton, England for 2016. tickets are already 1/3 sold out for 2016, so dont miss out, on what is set to be a sell out event www.subcultz.com

Stomper 98 sind fรผr die Great Skinhead Reunion in Brighton/England bestรคtigt, die vom 3.-5. Juni 2016 stattfindet.

Brighton gilt als eine der Geburtsstรคtte der Skinhead-Subkultur, denn im Jahr 1964 war es eben genau in Brighton, wo sich Mods und Rocker ihre ersten Schlachten an den Strรคnden und in den StraรŸen ablieferten. 1967 hatte sich die Skinhead-Bewegung bereits รผber das gesamte Vereinigte Kรถnigreich ausgebreitet und war fester Bestandteil der Subkultur der britischen Arbeiterklasse. Samstag nachmittags sah man Skinhead-Banden im Umfeld von FuรŸballspielen fรผr ihre Stรคdte und Vereine auf den StraรŸen kรคmpfen und nachts konnte man die Skinheads dann zu jamaikanischem Reggae tanzen sehen. Bei all dem achteten sie darauf stets smart gekleidet zu sein. So trugen sie qualitativ hochwertige Stoffe im typisch britischen Design, sowie handverarbeitete Lederschuhe und Stiefel.

Die Zeit verging und durch die Boot Boys und und den nicht mehr aufzuhaltenden Punk Rock erlebte dieser Kult eine Wiedergeburt im Jahr 1976. Drei Jahre spรคter braucht der 2Tone zusammen, was zusammen gehรถrt und kombinierte die Klรคnge von Punk und Reggae.

Es war in 1980, als man so viele Skinheads wie nie zuvor in den StraรŸen von GroรŸbritannien finden konnte und als eine bestimmte Musikrichtung die Leute aus ihrem Mittelschicht-Winterschlaf reisen sollte. Diese Musik war bekannt unter folgendem Namen: Oi! Mit dieser Musik gingen viele Unruhen und Krawalle einher, sodass die Skinheads bei Staat und Polizei ein Gefรผhl der Angst verbreiteten. Margaret Thatcher verbot Oi! in Clubs und Kneipen, veranlasste gar ein Hausverbot fรผr Skinheads und sorgte dafรผr, dass keine Oi!-Platten mehr in den Plattenlรคden zu finden waren. Die Polizei griff uns Skinheads scharf an, aber wir lieรŸen unseren Kult nicht sterben! Die Bewegung verschwand zunehmend in den Untergrund. Wir betrieben unsere eigenen Clubs, veranstalteten eigene Konzerte, brachten eigene Fanzines heraus und lebten unseren “Way Of Life” abseits der Masse. Wir waren wie Mรคrtyrer. Der Stolz auf diesen unseren Kult war und ist stรคrker als jeder Trend und wird รผberleben!

In den Medien verteufelt verbreitete sich der Skinhead-Kult รผber den ganzen Globus. Doch nicht nur den Medien gelang es Diesen Kult zu verbreiten, sondern auch Bands, die die wahren Werte dieser Subkultur in die Welt hinaus trugen.

Fernab von territorialen Auseinandersetzungen, jeglichem Rassismus und unzรคhligen Versuchen der Politik die Bewegung zu Spalten oder gar zu zerstรถren, lebt der Skinhead-Kult unbekรผmmert weiter wie eine weltweite Gemeinde am Rande der Gesellschaft.

Und genau deshalb feiern wir jedes Jahr unsere Subkultur in all ihren positiven Epochen. Vom Ska der 60er Jahre bis hin zum Oi! der heutigen Tage.

Jedes Jahr laden wir wohl ausgesuchte Bands ein, uns die Szene in ihrem jeweiligen Land zu prรคsentieren und wir freuen uns ganz besonders im Jahr 2016 die Band Stomper 98 https://www.facebook.com/Stomper98?fref=ts aus Gรถttingen/Deutschland in Brighton begrรผรŸen zu dรผrfen.

Ein Drittel der Karten ist bereits verkauft und wir rechnen auch in 2016 wieder mit einer ausverkauften Great Skinhead Reunion.

www.subcultz.com

tickets here

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Seaside Rebels + Bishops Green

Seaside Rebels + Bishops Green + Support

23rd october 2015 โ€“ Hamburg Monkeys Music Club

Bishops Green Live

Bishops Green

Friday, 23rd October 2015. One more time I was on my way to an Oi! concert in

Monkeys Music Club in Hamburg. Last Time when I was there I saw The Headlines

from Sweden and Angelic Upstarts from northern England. This Time I saw Seaside

Rebels, a young London based Oi! band who released their first album and Bishops

Green from Vancouver, Canada who were on an Europe Tour.

It was early in the morning. After I had put my bag into my car I drove on the motor

highway up to north. My mate Frank invited me again to stay at his flat after the

show. When I arrived in Oldenburg in Holstein Frank, his girlfriend Diana and I had an

obligatory cup of tea. Then Henning and Frankโ€™s band mates Pit and Phil came and

we went to Hamburg.

Remedy Records (the label of Frankโ€™s punk band Drunken Swallows) told Frank a

few days before their new album arrived. So our first stop in Hamburg was the shop

of Remedy Records. The boys were very glad when they see their new album. With a

happy attitude we went to the location.

Seaside Rebels Live

SEASIDE REBELS

Rohbert and some of the Skinheads Hamburg were waiting for us to enter the club

together. The support band was a small punk band called Berlin Blackouts. As their

name implied they were from Berlin. Now it was time for Seaside Rebels.

I was really looking forward to see them live because I loved their first EP Changing

Times and I wanted to listen to them live. These nice blokes keep what they

promised on their vinyl. Of course Seaside Rebels played songs from their new

album When Their World Endet, Our Story Beganโ€ฆ They did good covers of Blitzโ€™

Warriors and Madballโ€™s Pride. From the beginning till the end their show was full of

energy and this energy transferred to the audience. Nothing to say but good job!

After a short break it was the turn of Bishops Green. Their performance was very

powerful and mostly the whole audience singed the songs together with the band.

The Canadian street punks played songs of all of their three albums. After the show I

asked Greg (vocals of Bishops Green) how he is able to hold out to the end of a tour

without his voice gets worse from show to show.

The show was over and we drove back to Oldenburg. The next day we had a

wonderful day at the autumnal and rough shore of the Baltic sea. On Sunday I hit the

road to my north heaasian home right with a good new soundtrack. Frank made me a

present of the new album โ€žIm Sturzflug durch die Republikโ€œ of his Band Drunken

Swallows and at Monkeys Music Club I bought the new album of Seaside Rebels.

Thilo

(written in December 2015)

Seaside Rebels + Bishops Green + Support

23.10.2015 โ€“ Hamburg, Monkeys Music Club

Freitag, der 23. Oktober 2015 stand am Kalenderblatt. Ein weiteres Mal sollte es

mich dieses Jahr nach Hamburg verschlagen und auch wieder in den Monkeys Music

Club. Im Sommer sah ich dort die Punks von The Headlines aus Schweden, sowie

die nordenglischen Punkrock-Urgesteine Angelic Upstarts. Dieses Mal feierten

Seaside Rebels, eine junge Oi!-Punk Band aus London dort die Album-Release-

Party ihres ersten Albums und Bishops Green aus Kanada machte dort Halt auf ihrer

Europa Tour.

Das Auto war gepackt und es ging in aller Frรผhe wieder bei Bad Hersfeld auf die A7

in Richtung Norden. Mein guter Freund Frank gewรคhrte mir wie beim letzten Mal

auch ein Unterschlupf fรผr die Nacht nach dem Konzert, sodass ich wieder nicht direkt

nach Hamburg fuhr, sondern wieder zuerst an die Ostseekรผste nach Oldenburg in

Holstein zu Frank und seiner Freundin Diana. Nach einer obligatorischen Tasse Tee

zur BegrรผรŸung kamen auch schon Henning, sowie Franks Bandkollegen Pit und Phil

und wir starteten in Richtung Hansestadt.

Remedy Records, das Label von Frankโ€™s Punkrock Band Drunken Swallows teilte

ihm ein paar Tage zuvor mit, dass ihre neue Platte eingetroffen sei. Aus diesem

Grund fuhren wir vorm Konzert noch schnell zu Remedy Records um das gute Stรผck

zu begutachten. Die Vorfreude auf der Hinfahrt war dementsprechend groรŸ und

wurde beim Label auch nicht enttรคuscht. Weiter ging es zum Monkeys Music Club

und zum Konzert.

Dort angekommen warteten vor dem Eingang schon Rohbert und ein paar der

Skinheads Hamburg auf uns und wir betraten gemeinsam die Location. Die Support

Band hieรŸ Berlin Blackouts und kam wie der Name schon sagt aus Berlin. Dann

betraten endlich Seaside Rebels die Bรผhne.

Ich freute mich sehr auf diese Band, da ich ihre Changing Times EP im

Plattenschrank stehen habe und die schon eine richtige Hausnummer war. Ich wollte

die Songs darauf endlich auch mal live hรถren. Ich wurde nicht enttรคuscht, die Jungs

halten, was sie auf Platte versprechen. Neben den Songs der EP spielten sie

natรผrlich auch die Songs der Platte, die sie an dem Abend verรถffentlichten. Der

Name ihres neuen Albums: When Their World Ended, Our Story Beganโ€ฆ Der Song

Warriors von Blitz, sowie Pride von Madball befanden sich auch in ihrem Repertoire.

Ihr auftritt war energiegeladen, was sich auch auf das Publikum รผbertrug.

Nach einer kurzen Umbaupause betraten Bishops Green die Bรผhne. Vom Anfang bis

zum Ende ihrer Performance zeigte nicht nur die Band, sondern auch das Publikum

vollen Einsatz. Ich bewundere immer wieder die Stimme von Sรคnger Greg und wie er

das beispielsweise auf einer Tour durchhรคlt. Lieder aller drei Platten wurden zum

Besten gegeben. Die Songauswahl konnte sich, wie auch schon bei der letzten Tour

wirklich sehen lassen. Ein rundum gelungenes Konzert.

Nachdem Konzert fuhren wir wieder zurรผck nach Oldenburg. Nach einem herrlichen

Tag an der herbstlich rauen Ostsee fuhr ich Sonntagvormittag wieder nach Hause.

Den richtigen Soundtrack fรผr die Heimfahrt hatte ich, da mir Frank ein Exemplar des

neuen Albums seiner Band mitgegeben hat und ich mir am Konzert das neue Album

der Seaside Rebels gekauft habe.

Thilo

(geschrieben im Dezember 2015)

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Enoch Powell, Rivers of blood speech

Enoch Powell

Enoch Powell stood in British Parliament, and made one of the most famous speeches in history. This speech has been debated ever since. Was is a genuine warning, or did it actually make immigration a ‘Race’ issue.  To date its estimated there are around 10 million immigrants and their descendants now living in the UK, with hundreds of thousands joining every year. No longer from just ex British colonies. making up around 15% of the UK population as a whole, but a much higher percentage of younger generation. 

This is the full text of Enoch Powell’s so-called ‘Rivers of Blood’ speech, which was delivered to a Conservative Association meeting in Birmingham on April 20 1968.

The supreme function of statesmanship is to provide against preventable evils. In seeking to do so, it encounters obstacles which are deeply rooted in human nature.

One is that by the very order of things such evils are not demonstrable until they have occurred: at each stage in their onset there is room for doubt and for dispute whether they be real or imaginary. By the same token, they attract little attention in comparison with current troubles, which are both indisputable and pressing: whence the besetting temptation of all politics to concern itself with the immediate present at the expense of the future.

Above all, people are disposed to mistake predicting troubles for causing troubles and even for desiring troubles: “If only,” they love to think, “if only people wouldn’t talk about it, it probably wouldn’t happen.”

Perhaps this habit goes back to the primitive belief that the word and the thing, the name and the object, are identical.

At all events, the discussion of future grave but, with effort now, avoidable evils is the most unpopular and at the same time the most necessary occupation for the politician. Those who knowingly shirk it deserve, and not infrequently receive, the curses of those who come after.

A week or two ago I fell into conversation with a constituent, a middle-aged, quite ordinary working man employed in one of our nationalised industries.

After a sentence or two about the weather, he suddenly said: “If I had the money to go, I wouldn’t stay in this country.” I made some deprecatory reply to the effect that even this government wouldn’t last for ever; but he took no notice, and continued: “I have three children, all of them been through grammar school and two of them married now, with family. I shan’t be satisfied till I have seen them all settled overseas. In this country in 15 or 20 years’ time the black man will have the whip hand over the white man.”

I can already hear the chorus of execration. How dare I say such a horrible thing? How dare I stir up trouble and inflame feelings by repeating such a conversation?

The answer is that I do not have the right not to do so. Here is a decent, ordinary fellow Englishman, who in broad daylight in my own town says to me, his Member of Parliament, that his country will not be worth living in for his children.

I simply do not have the right to shrug my shoulders and think about something else. What he is saying, thousands and hundreds of thousands are saying and thinking – not throughout Great Britain, perhaps, but in the areas that are already undergoing the total transformation to which there is no parallel in a thousand years of English history.

In 15 or 20 years, on present trends, there will be in this country three and a half million Commonwealth immigrants and their descendants. That is not my figure. That is the official figure given to parliament by the spokesman of the Registrar General’s Office.

There is no comparable official figure for the year 2000, but it must be in the region of five to seven million, approximately one-tenth of the whole population, and approaching that of Greater London. Of course, it will not be evenly distributed from Margate to Aberystwyth and from Penzance to Aberdeen. Whole areas, towns and parts of towns across England will be occupied by sections of the immigrant and immigrant-descended population.

As time goes on, the proportion of this total who are immigrant descendants, those born in England, who arrived here by exactly the same route as the rest of us, will rapidly increase. Already by 1985 the native-born would constitute the majority. It is this fact which creates the extreme urgency of action now, of just that kind of action which is hardest for politicians to take, action where the difficulties lie in the present but the evils to be prevented or minimised lie several parliaments ahead.

The natural and rational first question with a nation confronted by such a prospect is to ask: “How can its dimensions be reduced?” Granted it be not wholly preventable, can it be limited, bearing in mind that numbers are of the essence: the significance and consequences of an alien element introduced into a country or population are profoundly different according to whether that element is 1 per cent or 10 per cent.

The answers to the simple and rational question are equally simple and rational: by stopping, or virtually stopping, further inflow, and by promoting the maximum outflow. Both answers are part of the official policy of the Conservative Party.

It almost passes belief that at this moment 20 or 30 additional immigrant children are arriving from overseas in Wolverhampton alone every week – and that means 15 or 20 additional families a decade or two hence. Those whom the gods wish to destroy, they first make mad. We must be mad, literally mad, as a nation to be permitting the annual inflow of some 50,000 dependants, who are for the most part the material of the future growth of the immigrant-descended population. It is like watching a nation busily engaged in heaping up its own funeral pyre. So insane are we that we actually permit unmarried persons to immigrate for the purpose of founding a family with spouses and fiancรฉs whom they have never seen.

Let no one suppose that the flow of dependants will automatically tail off. On the contrary, even at the present admission rate of only 5,000 a year by voucher, there is sufficient for a further 25,000 dependants per annum ad infinitum, without taking into account the huge reservoir of existing relations in this country – and I am making no allowance at all for fraudulent entry. In these circumstances nothing will suffice but that the total inflow for settlement should be reduced at once to negligible proportions, and that the necessary legislative and administrative measures be taken without delay.

I stress the words “for settlement.” This has nothing to do with the entry of Commonwealth citizens, any more than of aliens, into this country, for the purposes of study or of improving their qualifications, like (for instance) the Commonwealth doctors who, to the advantage of their own countries, have enabled our hospital service to be expanded faster than would otherwise have been possible. They are not, and never have been, immigrants.

I turn to re-emigration. If all immigration ended tomorrow, the rate of growth of the immigrant and immigrant-descended population would be substantially reduced, but the prospective size of this element in the population would still leave the basic character of the national danger unaffected. This can only be tackled while a considerable proportion of the total still comprises persons who entered this country during the last ten years or so.

Hence the urgency of implementing now the second element of the Conservative Party’s policy: the encouragement of re-emigration.

Nobody can make an estimate of the numbers which, with generous assistance, would choose either to return to their countries of origin or to go to other countries anxious to receive the manpower and the skills they represent.

Nobody knows, because no such policy has yet been attempted. I can only say that, even at present, immigrants in my own constituency from time to time come to me, asking if I can find them assistance to return home. If such a policy were adopted and pursued with the determination which the gravity of the alternative justifies, the resultant outflow could appreciably alter the prospects.

The third element of the Conservative Party’s policy is that all who are in this country as citizens should be equal before the law and that there shall be no discrimination or difference made between them by public authority. As Mr Heath has put it we will have no “first-class citizens” and “second-class citizens.” This does not mean that the immigrant and his descendent should be elevated into a privileged or special class or that the citizen should be denied his right to discriminate in the management of his own affairs between one fellow-citizen and another or that he should be subjected to imposition as to his reasons and motive for behaving in one lawful manner rather than another.

There could be no grosser misconception of the realities than is entertained by those who vociferously demand legislation as they call it “against discrimination”, whether they be leader-writers of the same kidney and sometimes on the same newspapers which year after year in the 1930s tried to blind this country to the rising peril which confronted it, or archbishops who live in palaces, faring delicately with the bedclothes pulled right up over their heads. They have got it exactly and diametrically wrong.

The discrimination and the deprivation, the sense of alarm and of resentment, lies not with the immigrant population but with those among whom they have come and are still coming.

This is why to enact legislation of the kind before parliament at this moment is to risk throwing a match on to gunpowder. The kindest thing that can be said about those who propose and support it is that they know not what they do.

Nothing is more misleading than comparison between the Commonwealth immigrant in Britain and the American Negro. The Negro population of the United States, which was already in existence before the United States became a nation, started literally as slaves and were later given the franchise and other rights of citizenship, to the exercise of which they have only gradually and still incompletely come. The Commonwealth immigrant came to Britain as a full citizen, to a country which knew no discrimination between one citizen and another, and he entered instantly into the possession of the rights of every citizen, from the vote to free treatment under the National Health Service.

Whatever drawbacks attended the immigrants arose not from the law or from public policy or from administration, but from those personal circumstances and accidents which cause, and always will cause, the fortunes and experience of one man to be different from another’s.

But while, to the immigrant, entry to this country was admission to privileges and opportunities eagerly sought, the impact upon the existing population was very different. For reasons which they could not comprehend, and in pursuance of a decision by default, on which they were never consulted, they found themselves made strangers in their own country.

They found their wives unable to obtain hospital beds in childbirth, their children unable to obtain school places, their homes and neighbourhoods changed beyond recognition, their plans and prospects for the future defeated; at work they found that employers hesitated to apply to the immigrant worker the standards of discipline and competence required of the native-born worker; they began to hear, as time went by, more and more voices which told them that they were now the unwanted. They now learn that a one-way privilege is to be established by act of parliament; a law which cannot, and is not intended to, operate to protect them or redress their grievances is to be enacted to give the stranger, the disgruntled and the agent-provocateur the power to pillory them for their private actions.

In the hundreds upon hundreds of letters I received when I last spoke on this subject two or three months ago, there was one striking feature which was largely new and which I find ominous. All Members of Parliament are used to the typical anonymous correspondent; but what surprised and alarmed me was the high proportion of ordinary, decent, sensible people, writing a rational and often well-educated letter, who believed that they had to omit their address because it was dangerous to have committed themselves to paper to a Member of Parliament agreeing with the views I had expressed, and that they would risk penalties or reprisals if they were known to have done so. The sense of being a persecuted minority which is growing among ordinary English people in the areas of the country which are affected is something that those without direct experience can hardly imagine.

I am going to allow just one of those hundreds of people to speak for me:

โ€œEight years ago in a respectable street in Wolverhampton a house was sold to a Negro. Now only one white (a woman old-age pensioner) lives there. This is her story. She lost her husband and both her sons in the war. So she turned her seven-roomed house, her only asset, into a boarding house. She worked hard and did well, paid off her mortgage and began to put something by for her old age. Then the immigrants moved in. With growing fear, she saw one house after another taken over. The quiet street became a place of noise and confusion. Regretfully, her white tenants moved out.

โ€œThe day after the last one left, she was awakened at 7am by two Negroes who wanted to use her ‘phone to contact their employer. When she refused, as she would have refused any stranger at such an hour, she was abused and feared she would have been attacked but for the chain on her door. Immigrant families have tried to rent rooms in her house, but she always refused. Her little store of money went, and after paying rates, she has less than ยฃ2 per week. โ€œShe went to apply for a rate reduction and was seen by a young girl, who on hearing she had a seven-roomed house, suggested she should let part of it. When she said the only people she could get were Negroes, the girl said, “Racial prejudice won’t get you anywhere in this country.” So she went home.

โ€œThe telephone is her lifeline. Her family pay the bill, and help her out as best they can. Immigrants have offered to buy her house – at a price which the prospective landlord would be able to recover from his tenants in weeks, or at most a few months. She is becoming afraid to go out. Windows are broken. She finds excreta pushed through her letter box. When she goes to the shops, she is followed by children, charming, wide-grinning piccaninnies. They cannot speak English, but one word they know. “Racialist,” they chant. When the new Race Relations Bill is passed, this woman is convinced she will go to prison. And is she so wrong? I begin to wonder.โ€

The other dangerous delusion from which those who are wilfully or otherwise blind to realities suffer, is summed up in the word “integration.” To be integrated into a population means to become for all practical purposes indistinguishable from its other members.

Now, at all times, where there are marked physical differences, especially of colour, integration is difficult though, over a period, not impossible. There are among the Commonwealth immigrants who have come to live here in the last fifteen years or so, many thousands whose wish and purpose is to be integrated and whose every thought and endeavour is bent in that direction.

But to imagine that such a thing enters the heads of a great and growing majority of immigrants and their descendants is a ludicrous misconception, and a dangerous one.

We are on the verge here of a change. Hitherto it has been force of circumstance and of background which has rendered the very idea of integration inaccessible to the greater part of the immigrant population – that they never conceived or intended such a thing, and that their numbers and physical concentration meant the pressures towards integration which normally bear upon any small minority did not operate.

Now we are seeing the growth of positive forces acting against integration, of vested interests in the preservation and sharpening of racial and religious differences, with a view to the exercise of actual domination, first over fellow-immigrants and then over the rest of the population. The cloud no bigger than a man’s hand, that can so rapidly overcast the sky, has been visible recently in Wolverhampton and has shown signs of spreading quickly. The words I am about to use, verbatim as they appeared in the local press on 17 February, are not mine, but those of a Labour Member of Parliament who is a minister in the present government:

‘The Sikh communities’ campaign to maintain customs inappropriate in Britain is much to be regretted. Working in Britain, particularly in the public services, they should be prepared to accept the terms and conditions of their employment. To claim special communal rights (or should one say rites?) leads to a dangerous fragmentation within society. This communalism is a canker; whether practised by one colour or another it is to be strongly condemned.’

All credit to John Stonehouse for having had the insight to perceive that, and the courage to say it.

For these dangerous and divisive elements the legislation proposed in the Race Relations Bill is the very pabulum they need to flourish. Here is the means of showing that the immigrant communities can organise to consolidate their members, to agitate and campaign against their fellow citizens, and to overawe and dominate the rest with the legal weapons which the ignorant and the ill-informed have provided. As I look ahead, I am filled with foreboding; like the Roman, I seem to see “the River Tiber foaming with much blood.”

That tragic and intractable phenomenon which we watch with horror on the other side of the Atlantic but which there is interwoven with the history and existence of the States itself, is coming upon us here by our own volition and our own neglect. Indeed, it has all but come. In numerical terms, it will be of American proportions long before the end of the century.

Only resolute and urgent action will avert it even now. Whether there will be the public will to demand and obtain that action, I do not know. All I know is that to see, and not to speak, would be the great betrayal.

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Jeff Turner and Gary Bushell on Oi!

The Cockney Rejectsโ€™ 1980 performance at Birminghamโ€™s Cedar Club remains unnoted in the annals of rock history. It warrants no mention when music journalists compile the 100 Most Shocking Moments in Rock, nor the 100 Craziest Gigs Ever, which seems like a terrible oversight. In fairness, no one is ever going to rank the show by the East End quartet โ€“ then enjoying chart success with a punk take on the West Ham terrace anthem Iโ€™m Forever Blowing Bubbles โ€“ alongside Jimi Hendrix at Monterey in terms of musical brilliance. Still, it has its own claim to historical import: by all accounts, it was the most violent gig in British history.

โ€œIโ€™d seen quite a bit on the terraces or outside football grounds, but this was carnage,โ€ says Jeff Turner, today an immensely amiable decorator, then โ€œStinkyโ€ Turner, the Cockney Rejectsโ€™ teenage frontman, cursed with what his former manager Garry Bushell tactfully describes as โ€œa bit of a temperโ€. Turner continues: โ€œThere was a lot of people cut and hurt, I got cut, my brother [Rejectsโ€™ guitarist Micky Geggus] really got done bad, with an ashtray, the gear was decimated, there was people lying around on the floor. Carnage.โ€

The problem was football-related. โ€œMost of the punk bands at the time, they had their ideals โ€“ the Clash, Career Opportunities, political stuff, fair play,โ€ says Turner. โ€œWhen I was a kid, my thought for punk rock was that it could put West Ham on the front pages.โ€ To this end, the band โ€“ affiliated to the clubโ€™s hooligans in the Inter City Firm โ€“ had appeared on Top of the Pops in West Ham shirts. โ€œAfter that, everybody wanted to fight us, but you couldnโ€™t back down,โ€ says Turner. โ€œOnce you were defeated, it would have opened the floodgates for everybody.โ€

So the Rejects and their party fought: โ€œTwenty Cockneys against โ€ฆ well, not all 300 Brummies were trying to attack us, but Iโ€™d say we were trying to fight off 50 to 100 people.โ€ In the aftermath, Micky Geggus was charged with GBH and affray, and the Cockney Rejectsโ€™ career as a live band was, in effect, over. An attempt to play Liverpool later that year ended after six songs โ€œbecause there was 150 Scousers trying to kill usโ€, while a subsequent gig in Birmingham was aborted by the police: โ€œThe old bill got wind of it and escorted us on to the M6,โ€ says Turner. โ€œAt the time, I was gutted, but now, I think, thank God for that. Someone could have died.โ€

Perhaps itโ€™s unsurprising the gig has been swept under the carpet of musical history: after all, so has the genre the Cockney Rejects inadvertently inspired. Thirty years after Bushell โ€“ then a writer for the music paper Sounds, as well as the Rejectsโ€™ manager โ€“ coined the term โ€œOi!โ€ to describe a third generation of punk-inspired working-class bands playing โ€œharder music on every level, guitar driven, terrace chorusesโ€, it remains largely reviled or ignored in Britain.

In the eyes of its remaining fans, Oi! is the โ€œreal thingโ€, the genuine sound of Britainโ€™s streets in the late 70s, populated by artists Bushell championed when the rest of the music press concentrated on โ€œbands who dropped literary references you wouldnโ€™t have got if you didnโ€™t have a mastersโ€™ degree and wrote pretentious lyricsโ€. Bands such as the Cockney Rejects, the Angelic Upstarts โ€“ Marxists from South Shields managed by a man Bushell colourfully describes as โ€œa psychopath โ€“ his house had bars over all the windows because people had thrown firebombs through itโ€ โ€“ Red Alert, Peter and the Test Tube Babies. It briefly stormed the charts. The Angelic Upstarts followed the Cockney Rejects onto Top of the Pops, while Splodgenessabounds made the Top 10 with the deathless Two Pints of Lager and a Packet of Crisps Please. But today, if the general public have heard of it at all, they tend to agree with the assessment once offered by journalist and broadcaster Stuart Maconie: โ€œPunkโ€™s stunted idiot half-brother, musically primitive and politically unsavoury, with its close links to far-right groups.โ€ It is, asserts Bushell, โ€œwithout a doubt, the most misunderstood genre in historyโ€.

The problem isnโ€™t really to do with the music, although protracted exposure to the oeuvre of Peter and the Test Tube Babies โ€“ home to Student Wankers, Up Yer Bum and Pick Your Nose (and Eat It) โ€“ could leave all but the hardiest soul pleading tearfully for a few literary references and pretentious lyrics. The problem is Oi!โ€™s adoption by the far-right as its soundtrack of choice. It wasnโ€™t the only part of street culture to attract the attentions of the National Front and the British Movement in the late 70s and early 80s. Losing out at the polling stations thanks to the rise of Margaret Thatcher, the NF had instigated a programme of โ€œdirect actionโ€: it would attempt to kick its way into the headlines at football matches and gigs. Chart bands such as Sham 69, Madness and the Specials had concerts disrupted.In 1978, seig-heiling skinheads caused ยฃ7,500 worth of damage at a Sham 69 gig in London.

But it was to Oi! that the far-right was most attracted, not least because it attracted both football hooligans and the re-emergent skinhead movement โ€“ two groups the NFโ€™s direct-action programme targeted for recruitment. โ€œWe played a gig in Camden, we saw these Nazi skinheads beating the shit out of these two punks,โ€ remembers Turner. โ€œTheyโ€™d managed to wreck Sham 69โ€™s career, but us with our followingโ€ โ€“ the ICF was then headed by Cass Pennant, whose parents were Jamaican โ€“ โ€œwe werenโ€™t going to have it. We just went down and absolutely slaughtered them. We declared to them that if they ever set foot where we were again, weโ€™d decimate them.โ€ And so it proved. โ€œNeo-nazis confronted the Rejects again at Barking station,โ€ remembers Bushell. โ€œThey basically told them, โ€˜Weโ€™re going to come to your gigs, weโ€™re going to do this and do that.โ€™ The Rejects crew battered them all over the station. They didnโ€™t come to the gigs after that.โ€

Bushell points out that there was โ€œa Nazi subculture all the way through punk. Malcolm McLaren started it all with the swastikas, which thick people saw and thought, โ€˜Oh, they must be Nazis.’โ€ There were white power punk bands, too โ€“ such as the Dentists and the Ventz, which were formed by the โ€œPunk Frontโ€ division of the National Front, in lieu of real punk bands showing any interest in promoting white supremacy. It was a trick the NF would be forced to pull again when Oi! bands resisted their overtures โ€“ the party recruited a failed punk band from Blackpool called Skrewdriver and repositioned them as the musical voice of the neo-Nazi movement. โ€œIt was totally distinct from us,โ€ says Bushell. โ€œWe had no overlap other than a mutual dislike for each other.โ€

Bushellโ€™s latterday career as a gleeful provoker of the liberal left, writing for the Sun and the Daily Star, probably hasnโ€™t done much to help public perceptions regarding Oi!โ€™s political affiliations. When Oi! was at its height, however, he says he was a Trotskyist who did his best to infuse the movement with socialist principles. He organised Oi! conferences and debates, โ€œtrying to shape the movement, trying to stop the culture of violence, talking about doing unemployment benefits, working with the Right to Work campaign, prisonersโ€™ rights gigs โ€“ I thought we could unite punk and social progress.โ€ Not everyone was receptive: โ€œStinky Turner was at one debate, and he didnโ€™t contribute much, apart from the classic line, โ€˜Oi! is working class, and if youโ€™re not working class youโ€™ll get a kick in the bollocks.’โ€ He laughs. โ€œPerfect! That was what the Rejects were all about.โ€

Trotskyist or not, Bushell also managed to exacerbate the problem, not least by masterminding the unfortunately titled 1981 compilation Strength Thru Oi!. โ€œI didnโ€™t know!โ€ he protests. โ€œIโ€™d been active in politics for years and had never come across the phrase โ€˜strength through joyโ€™ as a Nazi slogan.It was the title of a Skids EP.โ€

To compound matters, its cover featured a photograph of a skinhead who turned out to be the delectable-sounding Nicky Crane, who โ€“ nothing if not a multi-tasker โ€“ managed to combine life as a neo-Nazi activist with a secret career as a gay porn star. โ€œI had a Christmas card on the wall, it had that image that was on the cover of Strength Thru Oi!, but washed out. I honestly, hand on my heart, thought it was a still from The Wanderers,โ€ Bushell says. โ€œIt was only when the album came through for me to approve the artwork that I saw his tattoos. Of course, if I hadnโ€™t been impatient, I would have said, right, fucking scrap this, letโ€™s shoot something else entirely. Instead, we airbrushed the tattoos out. There were two mistakes there, both mine. Hands up.โ€

Much worse was to follow. A July 1981 Oi! gig featuring the 4-Skins and the Business in Southall โ€“ the scene of a racist murder in 1976 and the race riot that ended in the death of Blair Peach in 1979 โ€“ erupted into violent chaos: 110 people were hospitalised, and the venue, the Hambrough Tavern, was burned down after being petrol bombed. Depending on whose version of events you believe, it was either sparked by skinheads attacking Asians or Asian youths attacking gig-goers: either way, the Southall riot stopped Oi!โ€™s commercial progress dead. The Cockney Rejects found that shops refused to stock their new album, The Power and the Glory: โ€œIโ€™d sung a song called Oi Oi Oi and all of a sudden thereโ€™s an Oi! movement and I didnโ€™t really want anything to do with it,โ€ says Turner. โ€œThis awful, awful shit happened in Southall, we were never there, and we got the rug pulled out from under our feet. I went from the TV screen to the labour exchange in 18 months.โ€

An inflammatory article in the Daily Mail exacerbated the situation further: โ€œWe never had an problems with Nazi activists at our gigs until after the Mailโ€™s piece,โ€ says Bushell. โ€œOnly then did we have people coming down, thinking it was going to be this rightwing thing, When they discovered it wasnโ€™t, thatโ€™s when the trouble started. I was attacked at an Upstarts gig at the 100 Club by about 20 of them. I had a knife pulled on me at Charing Cross station.โ€

That should have been that, had it not been for Oi!โ€™s curious afterlife in America. Steve Whale โ€“ who joined the Business after Southall and struggled on through the 80s, repositioning the band as โ€œstreet punkโ€ โ€“ unexpectedly found himself in possession of a US recording contract with Bad Religionโ€™s label Epitaph, lauded by bands including Bostonโ€™s Irish-punk stars the Dropkick Murphys and the extraordinarily influential California band Rancid. Jeff Turner has just returned from a tour of Japan: โ€œOsaka, Tokyo, Nagoya. I havenโ€™t got fortunes but Iโ€™m able to do that. Thatโ€™s all I can ask for, it makes me happy.โ€

โ€œI had Lars Freidricksen of Rancid come in and sit in the pub round the corner from my house, welling up, telling me if it wasnโ€™t for Oi! he might have killed himself as a teenager,โ€ says Garry Bushell. โ€œI thought, โ€˜Fuck me, itโ€™s really had an effect on these people.โ€™ Iโ€™m not proud of the way Oi! was misunderstood, but Iโ€™m proud of the music, proud of what it started, proud of what it gave punk.โ€

In Britain, he concedes, the genreโ€™s name is still blackened in most peopleโ€™s eyes. โ€œThere were people in 1976 saying punk had to be a Nazi thing because of the swastikas. The difference is, those bands had rock journalists on their side. The Oi! bands only had me.โ€ He laughs, a little ruefully. โ€œI did me best.โ€

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Racism within The Skinhead Subculture

Racism within The skinhead subculture

As annoying as it is, the one question almost everybody, who is not a skinhead wants to know, is about the racism connection to skinheads, which has become almost a synonym of the word Skinhead

I will try to explain the reasons behind it. Without denying or justifying. I can only talk from my own real life experience, having grown up in a multi racial environment, from a very young pre school age child. On a council estate on the outskirts of London, in a town called High Wycombe.

Britain had an empire for almost 400 years, which covered 1/3rd of the world, encompassing many cultures and races. Every British person was bred to work for it, as a military serviceman, Industrial worker, or tradesman. The Second World War put an end to Britain’s power base. Germany surrendered, but the UK lost more than most nations.

Skinhead appeared towards the end of the 1960’s a boom time, with high employment, as the Empire was being closed and sold off, a boom needed cheap labour, to fill the shortage, created by the war losses. The government of the day decided to award all ex colonies British citizenship, and actively went out to places like The Caribbean and India to recruit a workforce. Those early immigrants arrived in the UK and were immediately awarded social housing. The British working class communities were forced to accept these new cultures into their communities, with no real education or understanding.

A deep fear of change arose. This together with the economic bust of the 1970’s, huge industrial turmoil, with strikes, 3 day working week, and a poverty wide spread across the country, a collapse of Britain as a national power and world influence. Racism was an immediate reaction. Immigrants taking jobs from the countries indigenous working class population. Three million unemployed โ€“ three million immigrants, easy mathematics. But it wasn’t only the unemployment, there was a huge shift in culture. The single parent family, shop hours changing. Foreign languages and street gangs on the estates. Fear and ignorance of the unknown.

The average skinheads age was around 14 years old, he would be very influenced by his parents, the media around him. Political groups set up, and actively recruited these kids into the fold, to act as street fighters. The organisations, The British Movement and National Front became a fashionable rebellion, very popular in the white working class areas, organizing highly visual street marches, adopting symbols of previous fascist groups of the 1930’s.

Here we see photographer Nick Knight photographing a young Skinhead lad. Nick later produced a book of images, which became mainstream reference for the Skinhead Subculture. Nick is now one of the UK most highly successful and wealthy fashion photographers

Although skinhead had originally come from Mods, the music of Jamaican Reggae and Ska popular. The skinheads of the mid to late 70’s and 80’s were much more of an aggressive hooligan element, wrapped up in political instability. The cold war made it popular to be anti Communist. The Racial tension and conflicts created by mass immigration, made it real life on the streets and school yards to associate with your own, fight for your territory. But most of it was just a fashion, rather than a violent reality, often just a rebellion to left wing leaning school teachers.

In 1981 riots spread across the UK, as a reaction to police oppression, political instability and anger at the governments, who had destroyed industry and communities. Most of the riots came from the Black areas , like Brixton in London, St Pauls in Bristol, Toxteth in Liverpool, The Moss side in Manchester. But there was one which happened in Southall, west London, which was a Bengali Sikh area. This went off between Skinheads and the local population. A pub venue called the Hanborough Tavern, which had skinhead bands playing was burned to the ground, the skinhead kids in attendance almost being burned to death. But Margaret Thatcher, notorious for knee jerk reaction banned skinhead Oi! Music overnight. Records pulled from the shelves, blacklisting, no radio play. The fact 2tone, which was also a very popular music of the same time, was reggae based, with multi racial members, was ignored. Those bands distanced themselves from Skinheads or stopped playing.

Many of the mainstream Skinhead/Punk bands, known as OI! bands folded up, labels dropping them. But it didn’t kill skinheads. It just pushed it underground, and made an already violent subculture, more violent, and radicalised some, deeper into political extreme groups. In reality the actual racial violence was quite small, it was often nothing more than a few skinheads fighting a few left wing students, but it grabbed huge media attention, which actually fuelled it. Kids became skinheads, and thought it was a rule, to be racist, even though a big number of skinheads came from all white areas, and had probably never met a non white person. This rumbled on throughout the 1980’s, creating a small industry for some. Racialist motivated skinhead music was made and exported, which, not unlike Irish rebel music, got a fan base and fantasy wrapped around it. But also raised reasonably large amounts of money for those involved, and their political groups.

Industrial Strikes ravaged the 1970’s, ultimately culminating in a mass cull of industry right across the UK, making millions unemployed and destroyed working class communities

Skinheads never really recovered the huge numbers of 2tone 1979-1982.

The media constantly wrote that any violence or racism reported must therefore involve Skinheads, who would always be portrayed as the instigators, which drove huge divides and enhanced the public persona, but also exported the skinhead image, as one of a racist thug. White supremacist groups in USA, Hollywood and parts of Europe picked up the image and uniform, a monster was fed. Even today, and although Indonesia has one of the biggest Skinhead scenes on the planet, California has a big Hispanic Skinhead scene, whenever the word Skinhead is mentioned in the press, any random Racist white person, is often what they are talking about.

  • Yea good….a few things I would say is that there was racism with the skinheads in the 60’s ” Enoch Powell Rivers of blood speech” Paki bashing and the likes….. Also the racism of the 70’s was a trend of going against the status quo such as lefty teachers and a lot of kids attracted to being a skinhead were so because it was unpopular with the masses as with the NF…a lot went along with it as they did with the uniform…it was part and parcel…those days if you became a skin you became a racist and a lot loved to revel in there 5 minutes of TV glory seig Heiling for the cameras even though a lot couldn’t care…it was all about being anti social and what better way than pretend you agreed with what the country had fought against not 40 years previous….if we weren’t the outsider then we would make ourselves the outsider by any means possible…..I would also say that before becoming skinheads we were no bodies, part of a massive crowd then when we became skinheads we become something and infamous which as a kid we all yearned for. Jim
  • Skinheads were a violent youth culture, and a big part of that was street fighting with other young men, These days, would be seen as very politically incorrect. Squaddies, Pakistanis and even Gays were reported in the press, as being targets for skinhead aggression. But much of that was just media exaggeration, The mass majority of fighting was with any other group of young, mainly white men.
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The Story of Oi!

The Cockney Rejectsโ€™ 1980 performance at Birminghamโ€™s Cedar Club remains unnoticed in the annals of rock history. It warrants no mention when music journalists compile the 100 Most Shocking Moments in Rock, nor the 100 Craziest Gigs Ever, which seems like a terrible oversight. In fairness, no one is ever going to rank the show by the East End quartet โ€“ then enjoying chart success with a punk take on the West Ham terrace anthem Iโ€™m Forever Blowing Bubbles โ€“ alongside Jimi Hendrix at Monterey in terms of musical brilliance. Still, it has its own claim to historical import: by all accounts, it was the most violent gig in British history.

โ€œIโ€™d seen quite a bit on the terraces or outside football grounds, but this was carnage,โ€ says Jeff Turner, today an immensely amiable decorator, then โ€œStinkyโ€ Turner, the Cockney Rejectsโ€™ teenage front man, cursed with what his former manager Garry Bushell tactfully describes as โ€œa bit of a temperโ€. Turner continues: โ€œThere was a lot of people cut and hurt, I got cut, my brother [Rejectsโ€™ guitarist Micky Geggus] really got done bad, with an ashtray, the gear was decimated, there was people lying around on the floor. Carnage.โ€

The problem was football-related. โ€œMost of the punk bands at the time, they had their ideals โ€“ the Clash, Career Opportunities, political stuff, fair play,โ€ says Turner. โ€œWhen I was a kid, my thought for punk rock was that it could put West Ham on the front pages.โ€ To this end, the band โ€“ affiliated to the clubโ€™s hooligans in the Inter City Firm โ€“ had appeared on Top of the Pops in West Ham shirts. โ€œAfter that, everybody wanted to fight us, but you couldnโ€™t back down,โ€ says Turner. โ€œOnce you were defeated, it would have opened the floodgates for everybody.โ€

So the Rejects and their party fought: โ€œTwenty Cockneys against โ€ฆ well, not all 300 Brummies were trying to attack us, but Iโ€™d say we were trying to fight off 50 to 100 people.โ€ In the aftermath, Micky Geggus was charged with GBH and affray, and the Cockney Rejectsโ€™ career as a live band was, in effect, over. An attempt to play Liverpool later that year ended after six songs โ€œbecause there was 150 Scousers trying to kill usโ€, while a subsequent gig in Birmingham was aborted by the police: โ€œThe old bill got wind of it and escorted us on to the M6,โ€ says Turner. โ€œAt the time, I was gutted, but now, I think, thank God for that. Someone could have died.โ€

Perhaps itโ€™s unsurprising the gig has been swept under the carpet of musical history: after all, so has the genre the Cockney Rejects inadvertently inspired. Thirty years after Bushell โ€“ then a writer for the music paper Sounds, as well as the Rejectsโ€™ manager โ€“ coined the term โ€œOi!โ€ to describe a third generation of punk-inspired working-class bands playing โ€œharder music on every level, guitar driven, terrace chorusesโ€, it remains largely reviled or ignored in Britain.

In the eyes of its remaining fans, Oi! is the โ€œreal thingโ€, the genuine sound of Britainโ€™s streets in the late 70s, populated by artists Bushell championed when the rest of the music press concentrated on โ€œbands who dropped literary references you wouldnโ€™t have got if you didnโ€™t have a mastersโ€™ degree and wrote pretentious lyricsโ€. Bands such as the Cockney Rejects, the Angelic Upstarts โ€“ Marxists from South Shields managed by a man Bushell colourfully describes as โ€œa psychopath โ€“ his house had bars over all the windows because people had thrown firebombs through itโ€ โ€“ Red Alert, Peter and the Test Tube Babies. It briefly stormed the charts. The Angelic Upstarts followed the Cockney Rejects onto Top of the Pops, while Splodgenessabounds made the Top 10 with the deathless Two Pints of Lager and a Packet of Crisps Please. But today, if the general public have heard of it at all, they tend to agree with the assessment once offered by journalist and broadcaster Stuart Maconie: โ€œPunkโ€™s stunted idiot half-brother, musically primitive and politically unsavoury, with its close links to far-right groups.โ€ It is, asserts Bushell, โ€œwithout a doubt, the most misunderstood genre in historyโ€.

The problem isnโ€™t really to do with the music, although protracted exposure to the oeuvre of Peter and the Test Tube Babies โ€“ home to Student Wankers, Up Yer Bum and Pick Your Nose (and Eat It) โ€“ could leave all but the hardiest soul pleading tearfully for a few literary references and pretentious lyrics. The problem is Oi!โ€™s adoption by the far-right as its soundtrack of choice. It wasnโ€™t the only part of street culture to attract the attentions of the National Front and the British Movement in the late 70s and early 80s. Losing out at the polling stations thanks to the rise of Margaret Thatcher, the NF had instigated a programme of โ€œdirect actionโ€: it would attempt to kick its way into the headlines at football matches and gigs. Chart bands such as Sham 69, Madness and the Specials had concerts disrupted.In 1978, seig-heiling skinheads caused ยฃ7,500 worth of damage at a Sham 69 gig in London.

But it was to Oi! that the far-right was most attracted, not least because it attracted both football hooligans and the re-emergent skinhead movement โ€“ two groups the NFโ€™s direct-action programme targeted for recruitment. โ€œWe played a gig in Camden, we saw these Nazi skinheads beating the shit out of these two punks,โ€ remembers Turner. โ€œTheyโ€™d managed to wreck Sham 69โ€™s career, but us with our followingโ€ โ€“ the ICF was then headed by Cass Pennant, whose parents were Jamaican โ€“ โ€œwe werenโ€™t going to have it. We just went down and absolutely slaughtered them. We declared to them that if they ever set foot where we were again, weโ€™d decimate them.โ€ And so it proved. โ€œNeo-nazis confronted the Rejects again at Barking station,โ€ remembers Bushell. โ€œThey basically told them, โ€˜Weโ€™re going to come to your gigs, weโ€™re going to do this and do that.โ€™ The Rejects crew battered them all over the station. They didnโ€™t come to the gigs after that.โ€

Bushell points out that there was โ€œa Nazi subculture all the way through punk. Malcolm McLaren started it all with the swastikas, which thick people saw and thought, โ€˜Oh, they must be Nazis.’โ€ There were white power punk bands, too โ€“ such as the Dentists and the Ventz, which were formed by the โ€œPunk Frontโ€ division of the National Front, in lieu of real punk bands showing any interest in promoting white supremacy. It was a trick the NF would be forced to pull again when Oi! bands resisted their overtures โ€“ the party recruited a failed punk band from Blackpool called Skrewdriver and repositioned them as the musical voice of the neo-Nazi movement. โ€œIt was totally distinct from us,โ€ says Bushell. โ€œWe had no overlap other than a mutual dislike for each other.โ€

Bushellโ€™s latterday career as a gleeful provoker of the liberal left, writing for the Sun and the Daily Star, probably hasnโ€™t done much to help public perceptions regarding Oi!โ€™s political affiliations. When Oi! was at its height, however, he says he was a Trotskyist who did his best to infuse the movement with socialist principles. He organised Oi! conferences and debates, โ€œtrying to shape the movement, trying to stop the culture of violence, talking about doing unemployment benefits, working with the Right to Work campaign, prisonersโ€™ rights gigs โ€“ I thought we could unite punk and social progress.โ€ Not everyone was receptive: โ€œStinky Turner was at one debate, and he didnโ€™t contribute much, apart from the classic line, โ€˜Oi! is working class, and if youโ€™re not working class youโ€™ll get a kick in the bollocks.’โ€ He laughs. โ€œPerfect! That was what the Rejects were all about.โ€

Trotskyist or not, Bushell also managed to exacerbate the problem, not least by masterminding the unfortunately titled 1981 compilation Strength Thru Oi!. โ€œI didnโ€™t know!โ€ he protests. โ€œIโ€™d been active in politics for years and had never come across the phrase โ€˜strength through joyโ€™ as a Nazi slogan.It was the title of a Skids EP.โ€

To compound matters, its cover featured a photograph of a skinhead who turned out to be the delectable-sounding Nicky Crane, who โ€“ nothing if not a multi-tasker โ€“ managed to combine life as a neo-Nazi activist with a secret career as a gay porn star. โ€œI had a Christmas card on the wall, it had that image that was on the cover of Strength Thru Oi!, but washed out. I honestly, hand on my heart, thought it was a still from The Wanderers,โ€ Bushell says. โ€œIt was only when the album came through for me to approve the artwork that I saw his tattoos. Of course, if I hadnโ€™t been impatient, I would have said, right, fucking scrap this, letโ€™s shoot something else entirely. Instead, we airbrushed the tattoos out. There were two mistakes there, both mine. Hands up.โ€

Much worse was to follow. A July 1981 Oi! gig featuring the 4-Skins and the Business in Southall โ€“ the scene of a racist murder in 1976 and the race riot that ended in the death of Blair Peach in 1979 โ€“ erupted into violent chaos: 110 people were hospitalised, and the venue, the Hambrough Tavern, was burned down after being petrol bombed. Depending on whose version of events you believe, it was either sparked by skinheads attacking Asians or Asian youths attacking gig-goers: either way, the Southall riot stopped Oi!โ€™s commercial progress dead. The Cockney Rejects found that shops refused to stock their new album, The Power and the Glory: โ€œIโ€™d sung a song called Oi Oi Oi and all of a sudden thereโ€™s an Oi! movement and I didnโ€™t really want anything to do with it,โ€ says Turner. โ€œThis awful, awful shit happened in Southall, we were never there, and we got the rug pulled out from under our feet. I went from the TV screen to the labor exchange in 18 months.โ€

An inflammatory article in the Daily Mail exacerbated the situation further: โ€œWe never had an problems with Nazi activists at our gigs until after the Mailโ€™s piece,โ€ says Bushell. โ€œOnly then did we have people coming down, thinking it was going to be this rightwing thing, When they discovered it wasnโ€™t, thatโ€™s when the trouble started. I was attacked at an Upstarts gig at the 100 Club by about 20 of them. I had a knife pulled on me at Charing Cross station.โ€

That should have been that, had it not been for Oi!โ€™s curious afterlife in America. Steve Whale โ€“ who joined the Business after Southall and struggled on through the 80s, re positioning the band as โ€œstreet punkโ€ โ€“ unexpectedly found himself in possession of a US recording contract with Bad Religionโ€™s label Epitaph, lauded by bands including Bostonโ€™s Irish-punk stars the Dropkick Murphys and the extraordinarily influential California band Rancid. Jeff Turner has just returned from a tour of Japan: โ€œOsaka, Tokyo, Nagoya. I havenโ€™t got fortunes but Iโ€™m able to do that. Thatโ€™s all I can ask for, it makes me happy.โ€

โ€œI had Lars Freidricksen of Rancid come in and sit in the pub round the corner from my house, welling up, telling me if it wasnโ€™t for Oi! he might have killed himself as a teenager,โ€ says Garry Bushell. โ€œI thought, โ€˜Fuck me, itโ€™s really had an effect on these people.โ€™ Iโ€™m not proud of the way Oi! was misunderstood, but Iโ€™m proud of the music, proud of what it started, proud of what it gave punk.โ€

In Britain, he concedes, the genreโ€™s name is still blackened in most peopleโ€™s eyes. โ€œThere were people in 1976 saying punk had to be a Nazi thing because of the swastikas. The difference is, those bands had rock journalists on their side. The Oi! bands only had me.โ€ He laughs, a little ruefully. โ€œI did me best.โ€

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UK Immigration and the National Health Service

Immigration and the National Health Service: putting history to the forefront

Wedding-on-Somerleyton-Road-west indians in london
Stephanie Snow , Emma Jones | 08 March 2011

Executive Summary

  • The Coalition Government’s plans to restrict immigration to the UK through capping non-EU immigrants and to introduce more stringent controls for highly skilled migrants are contradictory given the long history of recruitment of overseas health workers.
  • Since the 1930s, successive governments have recruited doctors, nurses and other health workers from overseas to work in UK health services with the first mass recruitment waves of nurses from the African Caribbean in the 1950s and doctors from the Indian subcontinent in the 1960s.
  • The need for health workers was significantly increased by the creation of the National Health Service (NHS) in 1948 and the expansion of specialists and technologies.
  • Immigration controls were tightened during the 1960s and 1970s but the increasing demand for overseas health workers continued.
  • Discrimination around training and career opportunities of first generation overseas health workers has had negative consequences for recruitment from the second generation.
  • The lack of any system of accurate data to monitor the migration, immigration, recruitment and retention of health workers has exacerbated the difficulties of manpower planning.
  • Shortfalls in certain fields of nursing and medicine continue and are predicted to intensify because of an international shortage of health workers.
  • Putting history to the forefront would help policymakers realize the significance of the NHS’s continuous dependence on overseas health workers and the need therefore both to improve equity and opportunity for such health workers and to integrate this fact of health manpower planning into national immigration policy.

Introduction

The current recruitment of junior doctors from India appears incongruous given the Coalition Government’s plans to cap non-EU immigrants, apply transitional controls for all new EU members in future, and introduce more stringent controls for highly skilled migrants. Yet present preoccupations about immigration take no account of the impact of such measures on public services such as the National Health Service (NHS) which has a long history of reliance on overseas health workers. Since the 1930s, successive governments have resolved staffing crises through recruiting workers from overseas. The NHS currently employs around 30 per cent of nurses and doctors from black and minority ethnic (BME*) groups with approximately 30 per cent of doctors and 40 per cent of nurses born outside the UK. The low awareness of the historical importance of overseas recruitment to the NHS has artificially constrained immigration debates. It has also contributed to the failure to tackle the discrimination experienced by these workers in training and career opportunities. BME clinicians are over-represented in the lower grades of the professions, under-represented in senior managerial positions, and work in the less popular areas; fewer than 10 per cent of NHS senior managers and only 1 per cent of NHS chief executives have a minority ethnic background.

Putting history to the forefront requires addressing deep-seated and difficult questions around immigration and the NHS that have never been tackled by policy makers. Health worker shortages have been a perennial problem for a number of interrelated reasons including difficulties around nurse recruitment and retention, the reluctance of UK-trained doctors to take up posts in unpopular locations and specialties, and the challenges of balancing the production of doctors and nurses with NHS staffing needs against the unpredictable forces of immigration and emigration. The difficulties look set to continue given the international shortages of health workers which are anticipated to reach 53,000 in the UK, 40,000 in Australia, and 275,000 in the US over the coming year.

Recruitment of overseas nurses

Staffing crises in British hospitals had been identified long before the establishment of the NHS in 1948 and concern over nurse shortages had been the subject of numerous government inquiries which blamed low recruitment on inadequate training, poor pay, and the marriage bar. During the Second World War, hospital domestic and nursing work was regarded as vital to the war effort and attracted a large number of women into national service. But staffing the new NHS was compromised by the national post-war labour shortage. The unprecedented increases in the medical and nursing workforce over the first decade of the NHS exacerbated the problem. Between 1949 and 1958 the medical workforce increased by 30 per cent in England and 50 per cent in Scotland; the nursing and midwifery workforce increased by 26 per cent across Britain. The most severe shortages were in unpopular areas of nursing such as hospitals for the chronically sick, mental hospitals and in geriatric nursing.

As early as 1949 the Ministries of Health and Labour, in conjunction with the Colonial Office, the General Nursing Council and the Royal College of Nursing launched campaigns to recruit hospital staff directly from the Caribbean. Recruitment was aimed at three main categories of worker: hospital auxiliary staff, nurses or trainee nurses, and domestic workers. Senior NHS staff from Britain travelled to the Caribbean to recruit, and vacancies were often published in local papers. In 1949, the Barbados Beacon advertised for nursing auxiliaries to work in hospitals across Britain; applicants were to be aged between 18 and 30, literate, and willing to commit to a three-year contract. By 1955 there were official nursing recruitment programmes across 16 British colonies and former colonies. Over the next two decades, the British colonies and former colonies provided a constant supply of cheap labour to meet staffing shortages in the NHS, and the number of women from the African Caribbean entering Britain to work in the NHS grew steadily until the early 1970s. By the end of 1965, there were 3,000-5,000 Jamaican nurses working in British hospitals, many of them concentrated in London and the Midlands. It has been estimated that by 1972, 10,566 students had been recruited from abroad, and that by 1977 overseas recruits represented 12 per cent of the student nurse and midwife population in Britain, of which 66 per cent came from the Caribbean.

By the late 1980s, the NHS again faced serious problems in the retention and recruitment of nursing staff, much as it had done in 1948. The problem now involved chronic shortages of both trainees and qualified nurses. Nursing’s popularity as a career choice among school leavers had declined markedly. Changing social expectations and financial constraints meant that young people were now seeking better-paid job opportunities in other sectors of the economy. The abolition of work permits for overseas nurses in 1983 added to the difficulties. Meanwhile, an estimated 30,000 nurses were leaving the NHS every year; their departure blamed on long-standing problems associated with low salary levels and the pressures of the job. By 1998, there were reports that the shortages in newly qualified nurses were approximating 8,000 a year. Problems intensified with the expansion of the NHS in 2000 which created additional demand for nurses that were met by recruiting workers from India.

Recruitment of overseas doctors

The shortage of doctors in the UK was well-established by the 1960s especially in unpopular locations such as single-handed general practices in deprived urban areas and remote rural locations, and in hospital specialties like mental health and care of the elderly. In 1944, the Goodenough Committee had recommended expanding medical schools to relieve shortages but the 1957 Willink Committee decided that student numbers should be cut because of the risk of overproduction. Taking into account the minimum five year period of training, the Committee concluded that reducing medical student intake by 10 per cent between 1961 and 1975 would keep numbers in balance. Since 1939 student numbers had increased by more than a third and even before the Committee’s recommendations were made public some medical schools had begun to reduce their student intakes. Yet, within months of the report’s publication, it became evident that in fact a shortage of medical personnel was imminent.

In retrospect it is clear that the Willink Committee’s estimates failed to anticipate the need for extra doctors to improve future health services and to meet the requirements of a growing population. These underestimates drove the first mass wave of medical recruitment from India, Pakistan, Bangladesh and Sri Lanka and by 1960, between 30 and 40 per cent of all junior doctors in the NHS were from these countries. In 1961, Lord Cohen of Birkenhead told the House of Lords: ‘The Health Service would have collapsed if it had not been for the enormous influx from junior doctors from such countries as India and Pakistan’. The emigration of these doctors built on Britain’s historical links with its ex-colonial territories, especially India. As a direct result of colonial rule, by the time of Indian Independence in 1947 Indian medical schools and hospital administration ran along the lines of the British model. Medical education and training were delivered in English, and geared towards meeting the requirements of the General Medical Council. This ensured that Indian-trained doctors would be able to work in Britain, and encouraged overseas medical graduates to come and gain further training and experience that they would then take home. Emigration of large numbers of UK-trained doctors to work mainly in the United States and Canada, because of the relatively poor pay and conditions of the NHS, compounded the shortages. By the late 1960s, Henry Miller, Professor of Neurology at Newcastle University and chairman of the British Medical Association’s Committee for Planning, estimated that the annual emigration of British trained doctors amounted to between 30 and 50 per cent of the annual number of medical graduates.

In 1963 the Conservative Health Minister, Enoch Powell, who later led the call for stricter controls on immigration, launched a campaign to recruit trained doctors from overseas to fill the manpower shortages caused by NHS expansion. Some 18,000 of them were recruited from India and Pakistan. Powell praised these doctors, who he said, ‘provide a useful and substantial reinforcement of the staffing of our hospitals and who are an advertisement to the world of British medicine and British hospitals.’ Many of those recruited had several years of experience in their home countries and arrived to gain further medical experience, training, or qualification. In 1968, the recruitment of overseas doctors was fuelled again by the predictions of further medical shortages by the Todd Committee, which recommended expanding medical schools. By 1971, 31 per cent of all doctors working in the NHS in England were born and qualified overseas. Overseas doctors remained central to NHS staffing throughout the last decades of the twentieth century, filling vacancies in locations and specialties that were unpopular with UK trained doctors. In 1997, 44 per cent of 7,229 newly registered doctors (under full registration) had received their initial medical education overseas.

Brixton riots 1981.
Brixton riots 1981.

Racial integration has caused issues in British society for many years, with street riots in areas like Brixton in London

Immigration controls

Since the nineteenth century and before, Britain has had a long history of immigration and racial tensions have arisen from groups such as the Irish and East European Jews settling in the country. However, post-war mass migration changed the UK’s ethnic landscape in an unprecedented way and successive governments sought to allay public anxiety by introducing tighter controls around immigration. By the 1960s, the 1948 Nationality Act, which had granted British citizenship to citizens of British colonies and former British colonies, was under attack. In 1962, the then Conservative Government introduced the Commonwealth Immigrants Bill, restricting the admission of Commonwealth settlers to those who had been issued with employment vouchers. In the eighteen-months before the Act was passed, many new arrivals came to Britain. This large influx stoked popular fears of uncontrolled immigration, which sustained calls for increased controls. In 1968, a new Labour Government introduced a second Commonwealth Immigrants Act, which distinguished between British passport holders, with the right to live in Britain, and those without. The law was rushed through with the primary purpose of restricting the entry into Britain of Kenyan Asians, driven out by the ‘Africanisation’ policies of the Kenyan government. As British passport holders, Kenyan Asians had had, up to this point, unconditional right of entry. While this new piece of legislation applied to all Commonwealth countries, including Australia, New Zealand, and Canada, it was more unlikely that people from the New Commonwealth would qualify as patrials, thereby creating a division between white and black Commonwealth citizens.

Exceptions to immigration controls were made for essential and well-qualified staff, hence both nurses and doctors were exempt from the immigration controls imposed in the 1960s. In general, the men and women who came to work in the NHS were welcomed throughout this period of political agitation. Their professional status distinguished them from the mass of migrants, most of whom were classified as unskilled. In spite of his later vocal opposition to black and Asian immigration in general, Health Minister Enoch Powell championed the recruitment of overseas nurses in the early 1960s. As historian of the NHS, Charles Webster suggests, this apparent anomaly was perhaps because the immigration of nurses not only ‘provided a plentiful supply of cheap labour, reduced wastage, and undermined the shortage argument’ but also ‘strengthened his hand in pressing for a strong line against the nurses’ pay claim, which itself was his chief weapon in his wider campaign to induce colleagues to adopt a more aggressive approach to the control of public sector pay.’ Immigrant nurses were therefore an expedient means of providing political leverage.

The situation had altered by the 1970s. Immigration laws undermined the employment rights of overseas nurses. The automatic right of entry to prospective nurses from the Commonwealth was withdrawn with the passing of the 1971 Immigration Act. Later, in 1983, work permits for nurses were also abolished prohibiting further entry of overseas nurses to train in Britain. A report for the Commission of Racial Equality, published that same year, found a higher proportion of trained overseas-born nurses, than overseas-born nurses in training. It also stated that less than 9 per cent of nurses employed by the NHS were born in developing countries. Despite attempts to improve recruitment within the UK, the shortage of qualified nursing staff continued, and was approximating 8,000 a year by 1998. The subsequent expansion of the NHS under New Labour created a need to rapidly increase the nursing workforce but while the number of British training places was increased, this did not solve the immediate demand for workforce growth. International recruitment became one of the government’s key strategies in tackling the chronic shortage of qualified nurses, this time with a focus on recruiting already trained nurses and midwives from overseas, rather than training them in the UK. In 2002-03 more than half of the nurses newly registered with the Nursing and Midwifery Council had trained outside Britain. Unlike for overseas nurses, the tightening of immigration controls in the 1970s and 1980s had not significantly reduced the numbers of overseas doctors coming to Britain, while the output of UK medical schools continued to fall short of the NHS’ manpower needs. The flow of overseas doctors into and out of the UK is not monitored, but estimates from the early 1980s suggest that around a third of the yearly influx of overseas doctors returned to their home country. In 1985 the work permit scheme was eventually extended to include doctors. An official ‘loophole’ was created however which meant that overseas doctors could continue to seek postgraduate training in Britain for a four year permit-free period, extendable for a further year after approval from the postgraduate dean. In 1997, this permit-free period of postgraduate training was extended to six years.

The output from UK medical schools was increased in 2000 and this brought a change in attitude towards overseas doctors. By 2005 the government feared that the recruitment of overseas doctors would deny employment to a large number of home-grown medical graduates, especially as International Medical Graduates (IMGs), who were often highly skilled, and with several years’ experience in their chosen field, remained an attractive prospect for the NHS. In a bid to keep junior posts open for graduates who were British or EEA nationals, in April 2006 the Department of Health retrospectively sought to debar IMGs from applying for training posts in the NHS. Under new rules, hospitals were told they must prove they could not recruit a junior doctor from the UK or the EU before shortlisting candidates from other countries. The British Association of Physicians of Indian Origin (BAPIO) challenged the Government in the High Court, which ruled that the Department of Health’s guideline was illegal. The judgement was upheld by the House of Lords in April 2008, but not before thousands of overseas doctors had had their opportunity of permit-free training abruptly withdrawn at great personal and financial costs to themselves and their careers. The long-term implications of this action however were not anticipated so the UK is now once again looking to recruit Indian-trained doctors to fill vacancies in specialties unpopular with UK-trained graduates.

Discrimination, qualifications and training

Migrants arriving in the first wave of mass migration endured verbal and physical abuse both within and outside the workplace. White trade unionists resisted the employment of migrants and imposed a quota system. Within the NHS, concern that importing overseas workers was likely to create tensions was recognised in a 1949 Home Office memo:

‘it has been found that the susceptibilities of patients tended to set an upper limit on the proportion of coloured workers who could be employed either as nurses or domiciliaries.’

Racism and discrimination have been universal experiences of health workers migrating to the UK especially around training and career progression. Many of the nurses who came to the UK from the Caribbean in the 1950s expected to achieve the internationally-recognised State Registered Nurse qualification (SRN) which would allow them to return home and gain employment. But nursing authorities at that time argued that their racial characteristics limited their intellectual capacities and motivation to achieve that level of training. Thus many overseas nurses were forced or even duped into State Enrolled Nurse (SEN) training rather than the more prestigious and more highly valued SRN qualification. The longer term consequences of this were significant as the SEN was not an internationally-recognised qualification and limited overseas nurses’ options for returning home.

The move towards recruiting overseas-trained nurses has not prevented discrimination and exploitation. Overseas-trained nurses are required to complete a programme of supervised practice placement and adaptation, but as the Researching Equal Opportunities for Overseas-trained nurses and other Healthcare Professionals (REOH) Study found, the skills and experiences of these highly trained individuals are not given adequate recognition within the inflexible formal assessment and accreditation system in the UK, leading to under-grading, deskilling, and skills waste. Like nurses, BME doctors have been disadvantaged by the medical profession’s internal hierarchies which left them working on the geographical and institutional margins of medicine. As migrants, they experienced difficulties in getting shortlisted for jobs and were more likely to gain posts away from prestigious teaching hospitals and medical schools. Some even had to accept lower remuneration in order to support themselves and their families. Nor were BME doctors trained in the UK exempt from barriers, particularly around selection processes where those responsible for shortlisting candidates frequently excluded individuals on the basis of a foreign surname.

The legacy of discrimination against first generation overseas health workers has had consequences for the recruitment from the second generation. Nurses, especially, do not see nursing or other health service work as a career they would wish for their daughters. And although some of the barriers have been removed since the 1990s with new legislation and workplace regulations, institutional discrimination within the NHS continues to impede many working lives. This has direct implications for the future of the NHS and its status as a world-leading provider of healthcare as it is likely to continue to need to recruit manpower from overseas

Manpower planning

Since the 1930s, unplanned shifts in population growths, upturns and downturns in economic conditions, and changing political motivations have created and continue to create contingencies in NHS staffing for which successive governments were and are unprepared. It is clear that any government would find it very difficult to manage health manpower requirements by achieving equilibrium between migration and immigration flows. Shortages of health workers, especially doctors, are difficult to handle because of the lag time between the creation of training places and qualification.

Nevertheless, a lack of longitudinal data to track the migration, immigration, recruitment and retention of health workers has contributed to the difficulties. As has the fact that workforce planning for medicine and for nursing has been treated as two separate enterprises, despite evidence from economic analysts since the 1960s of the inherent problems in this approach. In May 2006, Josie Irwin, Head of Employment Relations for the Royal College of Nursing, summarised the difficulties in oral evidence to the House of Commons’ Health Committee. Numbers of nurses, she said, had increased by 85,000 since 1997. However: ‘the quality of workforce planning in the UK means that we do not know where all those nurses have gone; we do not know how many of them have stayed in the UK; we do not know how many of them have stayed in the NHS … we do not know very much about the retirement behaviour of these nurses … the success of importing new numbers of nurses in the UK is challenged by not knowing enough about them once they have entered the workforce.’

Manpower challenges persist. A 2008 report by the Organisation for Economic Cooperation and Development, The Looming Crisis in the Health Workforce, suggests that the overall pool of potential workers will diminish internationally on account of contractions in younger age cohorts. UK medical and nursing school places have increased significantly over the last 10 years with the aim of developing a sustainable UK-trained workforce. Yet history suggests that the UK’s dependence on overseas health workers will continue and may even be exacerbated by the international shortage of health workers.

Conclusions

The Coalition Government’s resolve to introduce further curbs on immigration as a response to public concern about the drain of migrants on local resources simply repeats the contradictory patterns of earlier administrations. Putting history to the forefront would help policymakers construct historically-evidenced agendas that could aid health manpower planning and improve equity and opportunity for significant numbers of health workers.

Current debates need to reflect on the impact of tightening immigration controls – including those for highly skilled migrants – on public services, especially the NHS. The forces of migration and emigration are unlikely to weaken given the global nature of the healthcare market, and the NHS will continue to need to recruit staff from overseas. Acknowledging the UK’s long reliance on overseas health workers and establishing a system for the collection of longitudinal data to monitor the migration, immigration, recruitment and retention of health workers are achievable short-term policy goals which would help manpower planning enormously. Measures could be put in place to ensure the qualifications and training of highly skilled migrants are recognised within UK systems; and institutional discrimination around training and career opportunities in the NHS needs continuing redress. Addressing the deep-seated problems around nurse recruitment and retention, and the unpopularity of certain medical specialties and locations are much more challenging issues and will require a longer timeframe. History shows that it is in the UK’s long-term interests to ensure that future generations of overseas health workers operating in a global market will choose to work in the NHS.

*Technical Note: BME: the predominant term employed throughout this article is ‘black and minority ethnic’, or BME, to describe all members of minority racial groups. Other terms such as ‘black’, ‘West Indian’, ‘Caribbean’, ‘Afro-Caribbean’, and ‘South Asian’ and ‘Asian’ have been used where appropriate to distinguish between ethnic minority groups. We recognise that the persons to whom the terms are applied do not necessarily define themselves by such terms.

Further Reading


Organisation for Economic Cooperation and Development (2008) The Looming Crisis in the Health Workforce.

Panayi, Panikos (2010) An Immigration History of Britain. Pearson Education. Julian M Simpson, Aneez Esmail, Virinder S Kalra, Stephanie J Snow (2010) ‘Writing migrants back into NHS history: addressing a ‘collective amnesia’ and its policy implications’,Journal of the Royal Society of Medicine 103(10): 392-6.

Smith Pam A., Helen Allan, Leroi W Henry, John A Larsen, and Maureen M. Mackintosh (2006) ‘Valuing and Recognising the Talents of a Diverse Healthcare Workforce’, Report from the REOH Study: Researching Equal Opportunities for Overseas-trained Nurses and Other Healthcare Professionals. European Institute of Health and Medical Sciences, University of Surrey, the Open University and the Royal College of Nursing.

Migrant Health Workers in the NHS

About the author


Stephanie Snow and Emma Jones are Wellcome Research Associates in the Centre for the History of Science, Technology & Medicine, University of Manchester. stephanie.snow@manchester.ac.uk; emma.l.jones@manchester.ac.uk. This paper is based on their new book, Against the Odds: Black, Minority and Ethnic Clinicians and Manchester, 1948-2009, published by Carnegie Press, 2010 on behalf of Manchester Primary Care Trust who funded the research.

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Football hooliganism makes it to America

Football, or as Americans call it ‘Soccer’ may be one of the fastest growing sports in America – with the English Premier League watched by millions each week – but it appears some of its worst excesses may have crossed the Atlantic. 

Two gangs of rival supporters were seen brawling in the streets of New Jersey Sunday afternoon ahead of a heated clash between the New York Red Bulls and newly-formed New York City Football Club.

In scenes reminiscent of the blood-soaked battles between British hooligan gangs, shirtless men bellowed ‘who are ya?’ at one another and lashed out with full trash bags and sandwich boards outside a supporters’ bar.

The unedifying confrontation raised the prospect of a violent soccer culture having migrated west, along with many of its best-known players, who have accepted big-money deals to devote themselves to U.S teams.ย 

 Scuffles break out outside New Jersey bar ahead of soccer derby 

Attack: Street brawlers were pictured in Newark, New Jersey, attacking one another with sandwich boards and shouting ahead of a New York City FC vs New York Red Bulls soccer match

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Attack: Street brawlers were pictured in Newark, New Jersey, attacking one another with sandwich boards and shouting ahead of a New York City FC vs New York Red Bulls soccer match

'Who are ya?': The fighters were shouting at one another in faux-British accents, appearing to mimic the hooligan cultures which plagues UK soccer

‘Who are ya?’: The fighters were shouting at one another in faux-British accents, appearing to mimic the hooligan cultures which plagues UK soccer

The clash took place not far from Penn Station in Newark, and under a mile from the Red Bull Stadium, where the Red Bulls eventually beat NYCFC two goals to nil.

The fans fought – reportedly only for a few minutes – outside Bello’s Pub and Grill, a New York Red Bulls supporters’ bar.

A member of staff told DailyMail.com the clash did not involve patrons drinking inside and it is the first known instance of soccer-related violence around the stadium

Violence and gang culture related to soccer fans has been a serious problem in Great Britain and other European countries, where riot police and mounted officers often attend the most emotional games in an attempt to keep the peace.

One passing witness said ‘Some of the guys had tattoos and were making hand gestures, whilst bouncing on the spot, a bit like a child desperate for an ice cream’

Soccer authorities have been promoting a sanitized version of the game in the United States, garnering many fans in the process.

The elevated profile of the sport – as well as big-money contracts – have seen famous European players moved to American teams.

Shirtless: Some of the fans wore little clothing as they clashed not far from Newark's busy Penn Station

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Shirtless: The appalling site of fat guts put local residents off of their hot dogs. Some of the fans wore little clothing as they clashed not far from Newark’s busy Penn Station

Intervention: An NJ Transit Police squad car was seen headed for the fans towards the end of the clip

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Intervention: An NJ Transit Police squad car was seen headed for the fans towards the end of the clip

Quite the welcome: Fans at the game displayed this banner - satirizing the way many European players towards the end of their careers have signed deals with U.S. clubs

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Quite the welcome: Fans at the game displayed this banner – satirizing the way many European players towards the end of their careers have signed deals with U.S. clubs. Big names include David Beckham, Thierry Henri and Chelsea’s Frank Lampard – who played Sunday for NYC FC.

Hollywood producer Albert Goldstein has immediately called for a script to be written, and is desperately looking for an English sounding American actor to play firm boss ‘Road-sign Randy’

The violence tonight raises the question of whether individual soccer fans may be attempting to transfer the so-called hooligan culture across the Atlantic.

The video shows an New Jersey Transit Police squad car responded to the violence. DailyMail.com has contacted NJ Transit and the Newark Police Department for comment. 

Reminiscent: The men seemed to be imitating the football violence which is common overseas - pictured above are fans in Germany being held back by riot police

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Reminiscent: The men seemed to be imitating the football violence which is common overseas – pictured above are fans in Germany being held back by riot police

Transplant: Former Chelsea player Frank Lampard, pictured above with his fiancee Christine Bleakley in Times Square, is one of several European stars to transfer to the U.S.

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Transplant: Former Chelsea player Frank Lampard, pictured above with his fiancee Christine Bleakley in Times Square, is one of several European stars to transfer to the US

The height of the British hooligan culture, was the 1970’s and 80’s until Maggie Thatcher clamped down on it, with heavy fines and jail terms. The New Yorkers have some distance to go, than a few cafe signs and ‘Oo Are ya’s’ย 

SOCCER HOOLIGANISM VIDEO ECHOES ELIJAH WOOD ‘GREEN STREET’ FILM

Soccer fans brawling in the streets may be new in reality, but the fascination of hooligan-style violence to Americans has been given the silver screen treatment in the past.

2005’s Green Street Hooligans, which stars Elijah Wood, demonstrated told the story of a Harvard drop-out who was enticed into the violent world of British sporting violence.

Wood’s character left college in disgrace after taking the fall for his roommate’s cocaine use, then moved to London and got caught up in the Green Street Elite, a group with links to London’s West Ham football club.

The young American gets caught up in the brutality and camaraderie of the so-called GSE, which organizes huge, bloody brawls with fans of rival clubs.

However, he is scared away from hooligan culture for good after a family friend is beaten to death when a fight gets out of hand. Elijah Wood joins British football hooligans in Greet Street 

Visceral: Elijah Wood, right, starred in Green Street, which saw him take on British football hooligans on their own turf
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Visceral: Elijah Wood, right, starred in Green Street, which saw him take on British football hooligans on their own turf

Read more: http://www.dailymail.co.uk/news/article-3191764/Has-British-style-hooliganism-infiltrated-American-soccer-Fans-brawl-streets-ahead-New-York-derby-match.html#ixzz3iUjsJWAy
Follow us: @MailOnline on Twitter | DailyMail on Facebook

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George Cole Dies aged 90, A British Legend

Actor George Cole, best known for playing Arthur Daley in TV’s Minder, has died aged 90.

Cole played the Cockney wheeler dealer Daley for 16 years, between 1979 and 1994.

He also starred in a number of St Trinian’s films as shady businessman Flash Harry.

Agent Derek Webster said Cole had died at the Royal Berkshire hospital following a short illness, surrounded by his family.

“It is with deep regret that I have to announce the sad death of one of our most loved and respected actors,” 

George was a much loved actor, and great inspiration for working class people. playing the lovable rogue, Wheeler Dealer anti authority character. He became the name used for the dodgy second hand card dealer, that you cant trust as far as you can throw him.

God love ya sunshine, see you at the Winchester Club in the sky, So long as ‘Er indoors aint there’

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Sharpies, Australian

Sharpies, or sharps, are the darlings of Australian gang fashion. They started out in the 1960s when groups of working-class teenagers in Melbourne, and to a lesser extent, Sydney, came together over cars, tattoos, fights, and “dressing sharp.” While US-style motorcycle clubs evolved around leather jackets, Australian sharpies defined themselves by Conny tops, Staggers jeans, and chiseled shoes. But like bikers, sharpies placed a similar value on loyalty asserted with violence.

Nick Tolewski was in his early teens in the late 1970s when he and his friends started taking photos of the Thomastown Sharps, one of Melbourne’s largest sharpie groups in the city’s north. A few years ago Tolewski self-published some photos of the period in a book titled Once Were Sharps. Now, with a second book on the way, we sat down for a chat.

VICE: Hi, Nick. Tell me about growing up with these guys.
Nick Tolewski: A lot of them lived on the same street. As a young kid I would see them at Andy’s Pinball Parlour, the roller disco on Settlement Road, the swimming pool, the youth center on a Friday night, or at the Main Street Recreation Reserve. Then I got to know some of them through my love of pigeons. I used to breed pigeons when I was five and so did a bunch of the Thomastown Sharps. So we used to go to each other’s houses and check out what we each had. But see, I was eight years younger than a lot of them. I used to run around like a little mascot to them. When I was 13 I started boxing with Squirt, who was similar in age and part of the sharpies because his brother was Thomastown’s main guy.

Apparently sharpies were like Australian skinheads. Were they racists?
Nah, they weren’t. The Thomastown Sharps were all different nationalities. They had all religions, races… it was all mixed. A lot of the ethnics had been in Thomastown for 20 years. The rest of the city was still getting used to the influx of migrants that arrived in the 50s and 60s, but Thomastown had racial harmony.

But they were definitely violent?
Oh, sure. The Thomastown Sharps had five big names: Big Louie, Blacky, Mitcho, Big Ears, and Wayne. They were all the big blokes and got in a lot of brawls, but Big Louie was definitely the toughest. He didn’t fear anyone. He knew Chopper Read the best out of Thomo boys and they spent some time together in Pentridge Prison.

There are a lot of tattoos in these photos. Tell me about what tattoos meant?
To get inked back then made a statement. Some of the boys got the names of the core members tattooed on them. It was like a badge of honor and a distinctive statement that showed you didn’t care what others thought. The boys couldn’t always afford to get them done properly, so they’d jerry-rig a tattoo gun with pen ink, wire, and a small motor. Snatch tattooed “fuck off” on Pee Wee’s lip. The Pink Panther and a bluebird were also iconic tattoos among the sharps.

That takes me to my next observation: There’s not a lot of girls in these photos. Did anyone ever have a girlfriend?
Yeah, there weren’t too many girls in Thomastown, but there were a few scattered across different sharpie gangs. They were tough and held their own. No one did them any favors because they could do it for themselves. But a lot of the guys had girlfriends. Snatch had a fair few. He was seen as the ladies man among the Thomo sharps. He used to pull in the sheilas.

What happened to the Thomastown Sharps?
In the early 80s, they started using guns. Places started getting shot up and the whole gang thing was taken to another level. Also drugs got in the way. Blokes were getting on heroin. They were ten years older and everything changed.

So what are these guys doing now?
One of them works for the local council of Whittlesea. One is a schoolteacher in Daylesford. Another is a builder in Bundoora. A lot of them became panel beaters. But the majority of them don’t work these days. And a lot of them have passed away from overdoses or car accidents.

What do you think of modern gangs?
No good, mate. Too much violence with knives and guns, which leads to killings. The Lebanese Tigers and Black Dragons used to do their karate, but most of the fights back in the day were fists and feet. Also, gangs now take all types of drugs that make them go mad. It’s not good.

So what do you still find appealing about the sharpies?
The look of them. With their hair, tattoos, clothes, and how they hung out as a gang. They were tough, you know. And as a little kid, coming from a working class family, you looked up to those guys. They gave me a sense of belonging and purpose.

Interview by Dan Nulley. Follow him on Twitter

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Did Punk rock change the world

Punk not as important as former punk thinks

PUNK was far less important than ex-punk Tom Logan likes to think, it has emerged.

Historians have taken issue with claims made in the autobiography of former Septic Nipples drummer Logan, which include the assertion that punk โ€œchanged everythingโ€.

History professor Mary Fisher said: โ€œClearly many areas of life were not affected by punk. The car industry, for example, did not start making Allegros covered in spit with an anarchy symbol Tippexed on the side.

โ€œMr Logan โ€“ or Johnny Piss, as he was known then โ€“ believes punk had some political significance. But it was followed by Thatcherism, which was all about buying your own house and making it look nice, which isnโ€™t very punk.

โ€œItโ€™s also possible that if punk had not existed, grunge would have been invented sooner and we could have just listened to Nirvana and not pretended to like the Slits.โ€

However Logan defended the importance of punk, saying that without it he would not have a vast stock of underwhelming anecdotes.

Logan said: โ€œI was at a party with Johnny Thunders and the Pistols at Siouxie Siouxโ€™s house, and the Damned turned up without any booze, so Siouxie told them to fuck off and get some from the off licence, and some crisps.

โ€œAll that craziness was a long time ago though. Today Iโ€™m an IT consultant with a wife and two kids living in a semi in Leeds.

โ€œBut thereโ€™s no way that could have happened if it hadnโ€™t been for punk.โ€

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PRINCE BUSTER – DISCOGRAPHY: (Ska/Rocksteady Singer)

PRINCE BUSTER – DISCOGRAPHY: (Ska/Rocksteady Singer)

Biography:
Cecil Bustamente Campbell OD (born 24 May 1938, Kingston, Jamaica), better known by the stage name Prince Buster, is a Jamaican singer-songwriter and producer. Prince Buster, one of the founders and leaders of the ska music scene that originated from jamaica.
Reggaediscography presents the most complete discography on internet dedicated to Prince Buster’s music.

PRINCE BUSTER – OFFICIAL DISCOGRAPHY:

1) Albums:
.1963 – I Feel The Spirit
.1964 – Fly Flying Ska
.1964 – National Ska: Pain In My Belly
.1965 – It’s Burke’s Law (Jamaica Ska Explosion)
.1965 – Ska-Lip-Soul (Prince Buster And His All Stars)
.1967 – What A Hard Man Fe Dead (The Prince Buster All Stars) – [Aka: “Live By My Ten Commandments” 1967]
.1967 – Prince Buster On Tour – [Reissue: “King Of Blue Beat” 2001]
.1967 – Sings His Hit Song Ten Commandments
.1967 – Jamaica’s Pride: Rock Steady (Judge Dread feat. Prince Buster)
.1968 – She Was A Rough Rider
.1968 – Wreck A Pum Pum (Prince Buster & The All Stars)
.1969 – The Outlaw
.1972 – The Message Dubwise (Featuring Prince Buster All Star)
.1972 – Big Five
.1972 – Sister Big Stuff
.1972 – Dance Cleopatra Dance – [Includes some previously unreleased + Compilation]
.1987 – Prince Buster Sing Showcase
.2003 – Prince Of Peace: Live In Japan (Prince Buster With Determinations)

2) EPs:
.1980 – Behind Bars [Judge Dread (Aka: Prince Buster)] – [Blue Beat]
.2013 – Blue Beat Original EP (JJ Sparks & Prince Buster) – [An Altara Production]

3) Compilation/ Best of:
.1967 – Prince Buster Record Shack Presents The Original Golden Oldies Vol. 1 – [Prince Buster]
[Compilation of Hits]
.1967 – Prince Buster Record Shack Presents The Original Golden Oldies Vol. 2 – [Prince Buster]
[Compilation of songs produced by Prince Buster. It includes various artists]
.1968 – FABulous Greatest Hits – [(FAB, 1968) & (Sequel Records, 1993)]
[Compilation/Greatest Hits]
.1968 – Tutti Frutti – [FAB]
[Compilation/Greatest Hits]
.1968 – 15 Oldies But Goodies (Prince Buster & Other Stars) – [FAB]
[Compilation of songs produced by Prince Buster. It includes various artists]
.1994 – The Prophet – [Lagoon]
[Compilation/Greatest Hits (1963-67)]
.2000 – King Of Ska – [Prince Buster/Jet Star]
[Compilation/Greatest Hits]
.2003 – Rock A Shacka Vol. 5 – Dance Cleopatra – [Drum & Bass Records/Japan]
[Compilation/Greatest Hits]
.2013 – The Blue Beat Explosion! The Birth Of Ska – [Sunrise Records]
[Classic collection of early Prince Buster related material]
.2013 – Buster’s Shack (Prince Buster & Friends) – (Digital Release)
[Greatest Hits of early Prince Buster material]

4) Appearances:
Albums
.1972 – Chi Chi Run [Big Youth, Prince Buster All Stars + Friends) – [FAB]
.1972 – Jamaica’s Greatest (Prince Buster & Friends) – [Prince Buster]

5) Album Tribute:
.1986 – “Prince Buster Memory Lane” by Owen Gray – [Phill Pratt]
.2012 – “Prince Buster Shakedown” by The Dualers – [Cherry Red Records]

See Photos and Music Videos:

Prince Buster – Discography:
____________________________

1) Albums:

.1963 – I Feel The Spirit
(Original Press):
“I Feel The Spirit” 1963 – [Blue Beat]

“I Feel The Spirit” 1968 – [Fab]

Editions:

“I Feel The Spirit” 1963 – (Original Version)
Tracks:
1) I Feel The Spirit. 2) Madness. 3) Don’t Make Me Cry. 4) They Got To Come. 5) All Alone. 6) Soul Of Africa. 7) Wash Your Troubles Away. 8) Jealous. 9) Black Head Chinaman. 10) Beggars Are No Choosers. 11) Run Man Run. 12) Just You.
[Label: Blue Beat (Lp: 1963)]

Reissue: “I Feel The Spirit” 1968 – (Same Album)
Tracks:
1) Wash Your Troubles Away. 2) Hold Them. 3) Shaking Up Orange St. 4) We Shall Overcome. 5) Last Train To London. 6) Time Longer Than Rope. 7) I Feel The Spirit. 8) Madness. 9) Closer Together. 10) They Got To Come. 11) All Alone. 12) Soul Of Africa.
[Label: Fab (Lp: 1968)]
______________________________________________________________

.1964 – Fly Flying Ska
(Original Press):

“Fly Flying Ska” 1964 – (Original Version)
Tracks:
1) Prince Buster “Flying Ska (Wings Of A Dove)”. 2) Prince Buster “Lucky Seven”. 3) Prince Buster Feat. The Skatalites “Perhaps”. 4) Prince Buster Feat. Bobby Gaynair & Errol Dunkley “My Queen”. 5) Prince Buster Feat. Millie Small & Roy Panton “I Go”. 6) Prince Buster Feat. Roland Alphonso “Roland Plays The Prince”. 7) Prince Buster “Call Me”. 8) Prince Buster “Eye For An Eye”. 9) Prince Buster Feat. Owen Gray “River Jordan”. 10) Prince Buster “The Greatest”. 11) Prince Buster Feat. The Maytals “Ska War”. 12) Prince Buster Feat. Don Drummond “The Burial”.
[Label: Blue Beat (Lp: 1964), Blue Beat/Prince Buster (Lp: 1964)]
______________________________________________________________

.1964 – National Ska: Pain In My Belly
(Original Press):

“National Ska: Pain In My Belly” 1964 – (Original Version)
Tracks:
1) Prince Buster & The Maytals “I Got A Pain”. 2) The Maytals “He Is Real”. 3) T. McCook “Cast Your Faith To The Wind”. 4) Prince Buster “Faith”. 5) The Ska Busters “Georgia”. 6) Prince Buster “Have Mercy”. 7) The Maytals “I Love You So”. 8) Eric Morris “Those Teardrops”. 9) Prince Buster “Chinaman Ska”. 10) The Skatalites “Super Charge”. 11) Don Drummond “Ska Town”. 12) Prince Buster “Ska School”.
[Label: Blue Beat (Lp: 1964), Blue Beat/Prince Buster (Lp: 1964)]
______________________________________________________________

.1965 – It’s Burke’s Law (Jamaica Ska Explosion)
(Original Press):

“It’s Burke’s Law (Jamaica Ska Explosion)” 1965 – (Original Version)
Tracks:
1) Burke’s Law. 2) Al Capone. 3) Gun The Man Down. 4) Skahara. 5) Trip To Mars. 6) Rygin’. 7) Mighty As A Rose. 8) Indian Love Call. 9) Here Comes The Bride. 10) Almost Like Being In Love. 11) She Pon Top. 12) Feel Up.
[Label: Blue Beat (Lp: 1965), Blue Beat/Prince Buster (Lp: 1965)]
______________________________________________________________

.1965 – Ska-Lip-Soul (Prince Buster And His All Stars)
(Original Press):

“Ska-Lip-Soul”  (Prince Buster And His All Stars) 1965 – (Original Version)
Tracks:
1) Wings Of A Dove. 2) Respect. 3) Cat Munno. 4) Mek It Tan Deh Goosie. 5) Sammy Dead Medley. 6) Dance Jamaica. 7) Mr. Wonderful. 8) How Can I Tell Them. 9) Dayo. 10) And I Love Her. 11) Matilda. 12) Rum And Cocoacola.
[Label: Blue Beat (Lp: 1965), Blue Beat/Prince Buster (Lp: 1965)]
______________________________________________________________

.1967 – What A Hard Man Fe Dead (The Prince Buster All Stars) – [Aka: “Live By My Ten Commandments” 1967]
(Original Press):

Editions:

“What A Hard Man Fe Dead”  (The Prince Buster All Stars) 1967 – (Original Version)
Tracks:
1) Hard Man Fe Dead. 2) That’s Saying A Lot. 3) Words Of Wisdom. 4) Sit And Wonder. 5) Sad Song. 6) Thanksgiving. 7) Ten Commandments. 8) Moving Spirit. 9) The Prophet. 10) My Girl. 11) I Won’t Let You Cry. 12) Answer Your Name.
[Label: Blue Beat (Lp: 1967), Blue Beat/Prince Buster (Lp: 1967)]

Aka: “Live By My Ten Commandments” 1967 – (Same Album with some different title tracks)
Tracks:
1) Ten Commandments. 2) Moving In My Soul. 3) The Prophet. 4) My Girl. 5) I Won’t Let You Cry. 6) Girl Answer Your Name. 7) Hard Man Fe Dead. 8) Ain’t That Saying A Lot. 9) Words Of Wisdom. 10) Is Life Worth Living (Sit And Wondtr). 11) Sad Song (Your turn). 12) Thanksgiving.
[Label: Prince Buster (Lp: 1967)]
______________________________________________________________

.1967 – Prince Buster On Tour – [Reissue: “King Of Blue Beat” 2001]
(Original Press):
“Prince Buster On Tour” 1967 – [Blue Beat]

Reissue: “Prince Buster On Tour” 1988 – [Skank Records]

Reissue: “King Of Blue Beat” 2001 – [Wah-Wah Records Sound]

Editions:

“Prince Buster On Tour” 1967 – (Original Version)
Tracks:
1) Intro. 2) Madness. 3) Take It Easy. 4) Oh Love. 5) Seven Times To Rise. 6) 007 (Shanty Town). 7) Come To Jamaica. 8) Cincinnati Kid. 9) Move Over. 10) Sound And Pressure. 11) On The Beach. 12) Al Capone.
[Label: Blue Beat (Lp: 1967), Skank Records (Lp: 1988)]

Reissue: “King Of Blue Beat” 2001 – (Same album)
Tracks:
1) Intro. 2) Madness. 3) Take It Easy. 4) Oh Love. 5) Seven Times To Rise. 6) 007 (Shanty Town). 7) Come To Jamaica. 8) Cincinnati Kid. 9) Move Over. 10) Sound And Pressure. 11) On The Beach. 12) Al Capone.
[Label: Wah-Wah Records Sound (Lp/Cd: 2001), Tam-Tam Media (Digital Release: 2007)]

!!!
Album Recorded live at UK tour, on May 28, 1967
______________________________________________________________

.1967 – Sings His Hit Song Ten Commandments
[It includes 5 songs taken from the album “What A Hard Man Fe Dead” 1967 + New Tracks]
(Original Press):
“Sings His Hit Song Ten Commandments” 1967 – [RCA Victor]

Reissue: “Sings His Hit Song Ten Commandments” 2009 – [Reel Music/Sony]

Editions:

“Sings His Hit Song Ten Commandments” 1967 – (Original Version)
[It includes 5 songs taken from the album* “What A Hard Man Fe Dead” 1967 + New Tracks]
Tracks:
1) Ten Commandments*. 2) I Won’t Let You Cry*. 3) Is Life Worth Living*. 4) Ain’t That Saying A Lot*. 5) Girl, Answer To Your Name*. 6) Ten Commandments From Woman To Man. 7) Wings Of A Dove. 8) Smart Countryman. 9) Tongue Will Tell. 10) They Got To Come.
[Label: RCA Victor (Lp: 1967)]

Reissue: “Sings His Hit Song Ten Commandments” 2009 – (Includes 1 bonus track**)
Tracks:
1) Ten Commandments. 2) I Won’t Let You Cry. 3) Is Life Worth Living. 4) Ain’t That Saying A Lot. 5) Here Comes The Bride**. 6) Girl, Answer To Your Name. 7) Ten Commandments From Woman To Man. 8) Wings Of A Dove. 9) Smart Countryman. 10) Tongue Will Tell. 11) They Got To Come.
[Label: Reel Music/Sony (Cd: 2009)]
______________________________________________________________

.1967 – Jamaica’s Pride: Rock Steady (Judge Dread feat. Prince Buster)
(Original Press):
“Jamaica’s Pride: Rock Steady” – [(Blue Beat, Lp: 1967), (Blue Beat/Prince Buster, Lp: 1967) & (Westmoor Music, 1993)]

Reissue: “Jamaica’s Pride: Rock Steady” 1988 – [Skank Records]

Reissue: “Jamaica’s Pride: Rock Steady” 1998 – [Diamond Line/Jet Star (Lp: 1998)(Cd: 2000)]

Reissue: “Judge Dread Rock Steady/She Was A Rough Rider” 1993 – [Dojo Limited]
[It includes two original album on one cd]

Editions:

“Jamaica’s Pride: Rock Steady” (Judge Dread feat. Prince Buster) 1967 – (Original Version)
Tracks:
1) Judge Dread. 2) Shearing You. 3) Nothing Takes The Place Of You. 4) Ghost Dance. 5) Rock With A Feeling. 6) Sweet Beat. 7) The Appeal. 8) Dark Street. 9) Judge Dread Dance. 10) Show It Now. 11) Raise Your Hands. 12) A Change Is Going To Come.
[Label: Blue Beat (Lp: 1967), Blue Beat/Prince Buster (Lp: 1967), Skank Records (Lp: 1988), Westmoor Music (Cd: 1993), Diamond Line/Jet Star (Lp: 1998)(Cd: 2000)]

Reissue: “Judge Dread Rock Steady/She Was A Rough Rider” 1993
[It includes two original album on one cd]
Tracks:
1) Judge Dread. 2) Shearing You. 3) Nothing Takes The Place Of You. 4) Ghost Dance. 5) Rock With A Feeling. 6) Sweet Beat. 7) The Appeal. 8) Dark Street. 9) Judge Dread Dance. 10) Show It Now. 11) Raise Your Hands. 12) A Change Is Going To Come. 13) Rough Rider. 14) Dreams To Remember. 15) Scorcher. 16) Hypocrites. 17) Walk With Love. 18) Taxation. 19) Bye Bye Baby. 20) Tenderness. 21) Wine Or Grind. 22) Can’t Keep On Running. 23) Closer Together. 24) Going To The River.
[Label: Dojo Limited (Cd: 1993)]
______________________________________________________________

.1968 – She Was A Rough Rider
(Original Press):
“She Was A Rough Rider” –  [(Blue Beat, Lp: 1968) – (Blue Beat/Prince Buster, Lp: 1968) – (Westmooor Music, Cd: 1990?)]

Reissue: “She Was A Rough Rider” 1988 – [Skank Records]

Reissue: “Judge Dread Rock Steady/She Was A Rough Rider” 1993 – [Dojo Limited]
[It includes two original album on one Cd]

Editions:

“She Was A Rough Rider” 1968 – (Original Version)
Tracks:
1) Rough Rider. 2) Dreams To Remember. 3) Scorcher. 4) Hypocrites. 5) Walk With Love. 6) Taxation. 7) Bye Bye Baby. 8) Tenderness. 9) Wine Or Grind. 10) Can’t Keep On Running. 11) Closer Together. 12) Going To The River.
[Label: Blue Beat (Lp: 1968), Blue Beat/Prince Buster (Lp: 1968), Fab (Lp: 1969), Skank Records (Lp: 1988), Westmooor Music (Cd: 1993)]

Reissue: “Judge Dread Rock Steady/She Was A Rough Rider” 1993
[It includes two original album on one cd]
Tracks:
1) Judge Dread. 2) Shearing You. 3) Nothing Takes The Place Of You. 4) Ghost Dance. 5) Rock With A Feeling. 6) Sweet Beat. 7) The Appeal. 8) Dark Street. 9) Judge Dread Dance. 10) Show It Now. 11) Raise Your Hands. 12) A Change Is Going To Come. 13) Rough Rider. 14) Dreams To Remember. 15) Scorcher. 16) Hypocrites. 17) Walk With Love. 18) Taxation. 19) Bye Bye Baby. 20) Tenderness. 21) Wine Or Grind. 22) Can’t Keep On Running. 23) Closer Together. 24) Going To The River.
[Label: Dojo Limited (Cd: 1993)]
______________________________________________________________

.1968 – Wreck A Pum Pum (Prince Buster & The All Stars)
(Original Press):
“Wreck A Pum Pum” – [(Blue Beat, Lp: 1968), (Blue Beat/Prince Buster, Lp: 1968) & (FAB, Lp: 1969)]

Reissue: “Wreck A Pum Pum” 2000 – [Prince Buster/Jet Star]

“Wreck A Pum Pum” (Prince Buster & The All Stars) 1968 – (Original Version)
Tracks:
1) Wreck A Pum Pum. 2) Wreck A Buddy [Feat. The Sexy Girls]. 3) Rough Rider. 4) Pum Pum A Go Will You. 5) Whine And Grine. 6) Ten Commandments. 7) Beg You Little More. 8) Pussy Cat Bite Me. 9) Pharaoh House Crash. 10) The Abeng. 11) Train To Girls’ Town. 12) Stir The Pot.
[Label: Blue Beat (Lp: 1968), Blue Beat/Prince Buster (Lp: 1968), FAB (Lp: 1969), Prince Buster/Jet Star (Cd: 2000)]
______________________________________________________________

.1969 – The Outlaw
(Original Press):

“The Outlaw” 1969 – (Original Version)
Tracks:
1) Gun The Man Down. 2) The Baddest. 3) Cincinnati Kid. 4) The Sermon Of A Preacher Man. 5) Al Capone. 6) Any More. 7) Happy Reggae. 8) Hold Them. 9) Outlaw. 10) Burke’s Law. 11) Fever. 12) Phoenix City.
[Label: Blue Beat (Lp: 1969), Blue Beat/Prince Buster (Lp: 1969)]
______________________________________________________________

.1972 – The Message Dubwise (Featuring Prince Buster All Star)
(Original Press):

“The Message Dubwise (Featuring Prince Buster All Star)” 1972 – (Original Version)
Tracks:
1) Swing Low. 2) Sata A Masa Gana. 3) Java Plus. 4) The Message. 5) Mississippi. 6) Saladin. 7) Why Am I Treated So Bad. 8) Jet Black. 9) Black Harlem. 10) Big Youth.
[Label: Prince Buster (Lp: 1972), FAB (Lp: 1972)]
______________________________________________________________

.1972 – Big Five
(Original Press):
“Big Five” – [(Prince Buster/Melodisc, 1972), (Westmoor Music, 1993)]

Unofficial Album:”Big Five” – [Unknown label]

Reissue:”Big Five” 1988 – [Skank Records]

Editions:

“Big Five” 1972 – (Original Version)
Tracks:
1) Big Five. 2) Kinky Griner. 3) Leave Your Man. 4) Give Her. 5) Bald Head Pum Pum. 6) At The Cross. 7) Fishey Fishey. 8) The Virgin. 9) Black Pum Pum. 10) Every Man Pum Pum. 11) Tonight. 12) Wash The Pum Pum.
[Label: Prince Buster/Melodisc (Lp: 1972), Skank Records (Lp: 1988), Westmoor Music (Lp/Cd: 1993)]

Reissue: “Big Five Party Album” 197?
[Same Album with different title tracks. Album released without cover art]
Tracks:
1) Big Five. 2) Kinky Griner. 3) Tonight. 4) Give Her. 5) Bald Head Pum Pum. 6) At The Cross. 7) Holly Fishey. 8) It Big. 9) Fat Girl. 10) It Too Long. 11) Mrs. Tail. 12) Wet Dream.
[Label: Prince Buster/Melodisc (Lp: 197?)]
______________________________________________________________

.1972 – Sister Big Stuff
(Original Press):

“Sister Big Stuff ” 1972 – (Original Version)
Tracks:
1) South Of The Border. 2) Still. 3) Protection. 4) Why Not Tonight. 5) Wish Your Picture. 6) Sata A Masa Gana. 7) Sister Big Stuff. 8) Stand Accused. 9) Bridge Over Troubled Waters. 10) Stick By Me. 11) Young Gifted And Black. 12) Cool Operator.
Bonus Tracks*:
13) Police Trim Rasta. 14) My Happiness. 15) My Heart Is Gone.
[Label: Melodisc (Lp: 1972), Sunspot (Lp: 2011)(Cd*: 2011)(Digital Release*: 2011)]
______________________________________________________________

.1972 – Dance Cleopatra Dance
[It includes some previously unreleased + Compilation]
(Original Press):

“Dance Cleopatra Dance” 1972 – (Original Version)
Tracks:
1) Dance Cleopatra. 2) Madness. 3) Take It Easy. 4) Oh Love. 5) Times To Risc. 6) 007. 7) Come To Jamaica. 8) Cincinatti Kid. 9) More Over. 10) Sounds And Pressure. 11) On The Beach. 12) Al Capone. 12) Waiting For My Rude Girl.
[Label: Blue Elephant (Lp: 1972)]
______________________________________________________________

.1987  – Prince Buster Sing Showcase
(Original Press):

“Sing Showcase” 1987 – (Original Version)
Tracks:
1) Rain From The Sky. 2) Version. 3) Breaking Up. 4) Bugging. 5) Fatty Fatty. 6) Version. 7) Blowing In The Wind. 8) Version. 9) Hypocrites. 10) Version.
[Label Tesfa Records (Lp: 1987)]
______________________________________________________________

.2003 – Prince Of Peace: Live In Japan (Prince Buster with Determinations)
(Original Press):

“Prince Of Peace: Live In Japan” (Prince Buster with Determinations) 2003 – (Original Version)
Tracks:
1) Gaz Mayall “Introduction”. 2) Determinations “Mt. Gem”. 3) Determinations “Mango Rock (Shock Steady)”. 4) Determinations “Crazy”. 5) Prince Buster & Determinations “Introduction”. 6) Prince Buster & Determinations “Al Capone”. 7) Prince Buster & Determinations “Orange Street”. 8) Prince Buster & Determinations “They Got To Come”. 9) Prince Buster & Determinations “Burke’s Law”. 10) Prince Buster & Determinations “Dance Cleopatra”. 11) Prince Buster & Determinations “Hard Man Fe Dead”. 12) Prince Buster & Determinations “Big Five”. 13) Prince Buster & Determinations “Blackhead Chinaman”. 14) Prince Buster & Determinations “30 Pieces Of Silver”. 15) Prince Buster & Determinations “One Step Beyond”. 16) Prince Buster & Determinations “Prince Of Peace”.
[Label: Island/Universal/Japan (Cd: 2003)]

!!! 
Recorded live at Bayside Jenny, Osaka and at Liquid Room, Tokyo in 2003.

______________________________________________________________
______________________________________________________________

EPs:

.1980 – Behind Bars [Judge Dread (Aka: Prince Buster)]
(Original Press):

“Behind Bars”  [Judge Dread (Aka: Prince Buster)] 1980  – (Original Version)
Tracks:
1) Prince Buster “Judge Dread”. 2) Prince Buster & Allstars “City Riot”. 3) Jamaicas Greatest “It’s Burkes Law”. 4) Prince Buster “Barrister Pardon”.
[Label: Blue Beat (Lp: 1980)]
______________________________________________________________

.2013 – Blue Beat Original EP (JJ Sparks & Prince Buster)
(Original Press):

“Blue Beat Original EP” (JJ Sparks & Prince Buster) 2013 – (Original Version)
Tracks:
1) You Did’nt Love Me. 2) Tra La La. 3) Mama Kiss Him Goodnight. 4) Feeling Blue. 5) 3 Nights in Lovers Town. 6) I Love You so Much
[Label: An Altara Production (Cd: 2013)(Digital Release: 2013]

!!!
Songs by JJ Sparks & Prince Buster released early 60’s

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Appearances:

.1972 – Chi Chi Run (Big Youth, Prince Buster All Stars + Friends)
(Original Press):
“Chi Chi Run”  (Big Youth, Prince Buster All Stars + Friends)  1972 – (Original Version)
Tracks:
1) John Holt & Big Youth – “Chi Chi Run”. 2) Prince Buster All Stars – “Haft”. 3) Prince Buster & Big Youth – “Revolution Rock”. 4) Prince Buster & Big Youth – “Revolution Come”. 5) John Holt & Big Youth – “Leave Your Skeng”. 6) Prince Buster All Stars – “Miami Beach”. 7) John Holt & Big Youth – “Leggo Beast”. 8) Little Youth – “Youth Rock”. 9) Dennis Brown – “One Day Soon”. 10) Dennis Brown – “If I Had The World”. 11) Prince Buster All Stars – “Boop”. 12) Alton Ellis – “Since I Fell For You”.
[Labels: Fab (Lp: 1972), Melodisc/Prince Buster (Lp: 1973)]
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.1972 – Jamaica’s Greatest (Prince Buster & Friends) – [Prince Buster]
(Original Press):

“Jamaica’s Greatest” (Prince Buster & Friends) 1972 – (Original Version)
Tracks:
1) Dennis Brown “One Day Soon”. 2) The Heptones “One Day Will Come”. 3) John Holt “If I Had The World”. 4) John Holt “News”. 5) Alton Ellis “Since I Feel For You”. 6) Prince Buster “Still”. 7) John Holt “Mona Lisa”. 8) The Heptones “God Bless The Children”. 9) Dennis Brown “If I Ruled The World”. 10) Alton Ellis “Good Loving”. 11) Prince Buster & Ethiopians “My Happiness”. 12) Prince Buster “Protection”.
[Label: Prince Buster (Lp: 1972)]

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5) Album Tribute:

.1986 – “Prince Buster Memory Lane” by Owen Gray
(Original Press):

Owen Gray “Prince Buster Memory Lane” 1986 – (Original Version)
Tracks:
1) Enjoy Yourself. 2) Run Man Run. 3) They Got To Go. 4) Bad Minded People. 5) Madness. 6) Time Longer Dan Rope. 7) Beware. 8) Black Head Chine. 9) Wash Wash.
[Label: Phill Pratt (Lp: 1986)]
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.2012 – “Prince Buster Shakedown” by The Dualers
(Original Press):

The Dualers “Prince Buster Shakedown” 2012 – (Original Version)
Tracks:
1) Chinaman Ska. 2) King Of Kings. 3) Nothing Takes The Place Of You. 4) Take It Easy. 5) Firestick. 6) Orange Street. 7) Sister Big Stuff. 8) Enjoy Yourself.
[Label: Phoenix City Records (Cd: 2012), Cherry Red Records (Cd: 2012)(Diogital Release: 2012)]

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Ben Sherman sold

Ben Sherman sold to Marquee Brands Fashion brand, a staple for mods and worn by the Who, the Jam and the Specials, sold to US company backed by US private equity firm


Suggs (Graham McPherson) of Madness wears a Ben Sherman shirt in this early 1980s photograph also featuring bandmate Mike Barson (left).

Ben Sherman, the struggling British clothing brand sported by successive generations of rock stars from the Who and the Jam to Oasis, is hoping to make a comeback after being snapped up by a private equity-backed firm.

We Reported The death of Ben Sherman in 2012

Marquee Brands, controlled by the US investment group Neuberger Berman, is buying the loss-making business for ยฃ41m from its current owner, Oxford Industries, also based in the US.

Analysis Ben Sherman now a safe choice but history could help its relaunch
Clothing brandโ€™s mod pedigree, with the right spin, could appeal to a new generation hungry for the latest retro look

It is the latest change in ownership for Ben Sherman, a company whose shirts were a staple of the golden age of UK youth cults, worn by mods in the 60s and later adopted by that movementโ€™s various offshoots including skinheads, suedeheads and rude boys.

Continue reading Ben Sherman sold
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Citizen Keyne. Ungreat Britain

Citizen Keyne. Ungreat Britain

Get your Copy Here

So, as I spend way to long on the internet, checking out bands, thinking about what to programme for my next event, I go through lots of bands. Some I avoid like the plague, some have just overplayed the curcuit and burned out. But some have a bit of mystery over them. Sometimes you hear the rumours and the slagging off, before you actually get to see them. Being the Twat I am, the more the bitching, the more I like to take a look.

When Citizen Keyne got in touch with me, my first thought was OI underdogs, is up my street, so Iโ€™ll give them a whirl. And what a pleasant surprise I found on putting on the first album, Ungreat Britain. I was expecting the same regurgitated Oi!, with loads of repetitive OI Guitar licks and a singer being ‘Very Hard’.

What I actually heard is a flashback to 1977 Punk Rock, but with a modern twist. Chavs , Boot sale Tales, is straight into 21st Century United Kingdom of Methodone

I have to admit, too many years working in music, too many years of being a skinhead, has numbed my brain to so much. A song has to grab you by the bollocks and get those butterflies tickling your chest, that buzz in your neck that makes you want to pogo round the front room.

Most modern Oi bands will perhaps manage one strong track,or follow the same old done subject matter, of boots braces, tattoo’s and working class delusions. Now onto Floyds arse, this album is such an eclectic mix. With a definite punk rock sound, taking me right back to Micklefield estate in the summer of 78. But don’t write this band off as yet another copycat. Citizen Keyne have really brought in a modern sound, with lyrics dealing with todays issues. The love of lager down our necks. With reminders of early Sparrer, Sham, Buzzcocks, with a touch of Macc Lads thrown in for good measure. This really is a stand alone band, and a great first listen. Cant wait to unpack the next selection.

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Great Skinhead Northern Gathering, Sunderland. 9th – 10th Oct. Sunderland

BUY TICKETS 9-10th Oct 2015

Featuring Live bands Citizen Keyne, Skapones, Adverse society, Tear Up. Toxic. Anti Social

Full DJ line up for a second room, playing SKA, And all Skinhead related music

The Great Skinhead Northern Gathering 9th + 10th October In Sunderland. Our second year of our Autumn Gathering, as a celebration of the skinhead culture A full day of Dj’s in one room, and Live bands in another. A full line up to follow, watch this space. Ony ยฃ15 for the whole event. Cheap beer and rooms nearby. Friday will be wristbanded 7pm -3am bands and DJ’s. Saturday 10th noon -5pm free entry meet and greet. After 5pm it will be wristband only, Live bands and DJ’s The weekend wristband ยฃ15 is valid for both nights

DJ Coordinator is Sean Marshall

facebook event page, please share

Tickets Here 

This is a family friendly event. Children are welcome until 9_9:30pm, but must be off the premises by then, by law so all are welcome, the venue is The Corner Flag. Central to the city center in a good location for local transport connections, trains, metro etc it’s the corner flag located at high street west, with plenty of fast food outlets and restaurants nearby, there will be something for everyone a good mix of Oi,ska,two tone a little bit of everything, a good size venue capable of holding this event, any bands wishing to play, Oi,Ska,Two Tone also any dj’s wishing to spin a few disks, should contact subcultz@gmail.com. www.subcultz.com If you missed last years then you have to come to this one, good music,good beer,with very good people

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Kings Road. London Punk Rock

The glory days of King’s Road

This picture shows a group of punks in the 1970s Kings Road, London
London Punks and Skinheads 1970’s Kings Road.

Proud Chelsea’s Sex, Drugstores and Rock & Roll: a History of the King’s Road is a new exhibition of photographs of King’s Road, Chelsea from the early days of the swinging 60s, right up to the end of the 80s. This picture shows a group of punks in the 1970s, when the road became a centre of punk culture.

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Punk Rock. Malcolm Mclaren Artist, Fashion Designer (1946โ€“2010)

QUICK FACTS

NAMEMalcolm McLarenOCCUPATIONArtist, Fashion DesignerBIRTH DATEJanuary 22, 1946DEATH DATEApril 8, 2010EDUCATIONHarrow Art School,Croydon College of Art,Goldsmiths CollegePLACE OF BIRTHLondon, United KingdomPLACE OF DEATHSwitzerlandFULL NAMEMalcolm Robert Andrew McLaren

Recording artist and fashion designer Malcolm McLaren came to fame as manager of the Sex Pistols. Later, he recorded several albums of his own material.

  • Synopsis

Born in 1946 in London, England, Malcolm McLaren was one of the creative forces behind the sound and attitude of the Sex Pistols. With a passion for style and social friction, the daring McLaren went on to manage several other bands following the Pistols’ demise in 1978, as well as record several albums of his own material. He died in Switzerland from complications related to cancer on April 8, 2010.

Early Life

Artist, musician, band manager. One of the creative forces behind English punk rock and the Sex Pistols in particular, Malcolm Robert Andrew McLaren was born January 22, 1946, in London, England. The son of a Scottish engineer, he was raised primarily by his maternal grandmother, whom he later credited with fostering his well-regarded subversive spirit.

As such, school was not a perfect fit for the creative McLaren. He attended more than half a dozen different art schools, including Harrow Art School, where he befriended Jamie Reid, who would later serve as the brains behind the Sex Pistols’ provocative graphics. His struggles in school led one institution to expel him and another, Croydon College of Art, to try to have him committed to a mental institution.

In 1971 McLaren dropped out of school for good and opened a boutique shop in Chelsea. Initially called Let It Rock and later renamed Too Fast to Live Too Young to Die, the store specialized in 1950s “Teddy boy” fashions.

Life in Music

McLaren’s world changed when the New York Dolls, a glam-rock band that performed in high heels, visited his shop one day. McLaren and the musicians quickly hit it off and eventually he followed the band back to the United States, where he worked as its manager. McLaren brought an unusual approach to his job, pushing the band to shock its American audiences as much as possible. In one instance he had the Dolls perform in Maoist Red Guard uniforms and play in front of a hammer-and-sickle flag.

But the Dolls’ run was short-lived, and after the group broke up, McLaren returned to London intent on trying to ramp up what he’d tried to do in the States.

He found his new cause in a group of musicians headed up by lead singer John Lydon, later renamed Johnny Rotten due to the condition of his teeth. In every shape and form, the Sex Pistols was the product of McLaren’s imagination. He put the band together and orchestrated the outrage that made them the toast of the English punk rock scene. Rotten called McLaren “the most evil person on earth.”

With singles like “Anarchy in the U.K.” and “God Save the Queen,” the Pistols climbed the charts in Britain. The group’s short run consisted of just one album, the 1977 release Never Mind the Bollocks: Here’s the Sex Pistols. In 1978 the group embarked on its first and only American tour. It quickly concluded when Rotten walked off the stage at a performance in San Francisco, leaving the band behind and marking the end of the Pistols as a group.

Even with the band’s demise, McLaren continued to stay heavily involved in the music scene. He went on to manage several other acts, and in 1983 issued an album of his own, Duck Rock, which featured a combination of world music and hip-hop. Several other albums followed, including Fans(1984), Waltz Darling (1989), and Paris (1994).

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Great Skinhead Reunion documentary DVD

Great Skinhead reunion documentary DVD, coming soon,.For pre orders click HERE

preview clip 

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Rail Strikes in UK may affect skinheads getting to Brighton, please book national express buses as an option

URGENT NEWSFLASH!!!! IT LOOKS LIKE THE ‘WORKERS’ OF OUR RETARDED RAILWAYS ARE THINKING OF STRIKING ON THE FIRST DAY OF THE GREAT SKINHEAD REUNION, I UNDERSTAND THEY WANT TO JOIN US FOR A PISSUP, BUT THIS DOESN’T HELP OUR SKINHEADS GETTING TO BRIGHTON. SO MY BEST ADVICE IS TO USE NATIONAL EXPRESS BUSES, THESE RUN FROM ALL LONDON AIRPORTS AND LONDON VICTORIA, GET OFF AT POOL VALLEY, BRIGHTON, WHICH IS ABOUT 2 MINUTES FROM THE VENUE ON BRIGHTON SEAFRONT BOOK HERE http://www.nationalexpress.com/home.aspx

KEEP AN EYE ON THE NEWS REPORTS, HOPEFULLY, THE LAZY TWATS WILL AT LEAST SAVE THEIR HOLIDAYS UNTIL AFTER THE REUNION http://www.nationalrail.co.uk

OLYMPUS DIGITAL CAMERA
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Punk Bands – Xtraverts

Xtr@verts biography; โ€˜Who sent the Boysโ€™ ?

In late 1975 a massive shake up within the music industry was emerging and with this came a teenage driven musical revolution, soon to be known as PUNK ROCK.

If the โ€˜Kings Road Londonโ€™ was the birthplace of punk then its younger brother the โ€˜London Road, High Wycombeโ€™ was equally as important. The โ€˜Nags Headโ€™ High Wycombe as a venue was every bit as important as the legendary โ€˜100 Clubโ€™ in Denmark Street, both were linked by one person and that was rock promoter Ron Watts. At the height of this revolution as Ron booked the likes of the โ€˜Sex Pistolsโ€™, โ€˜The Damnedโ€™, โ€˜The Clashโ€™ and the โ€˜The Stranglersโ€™ at both venues, teenagers in Buckinghamshire were being introduced to a major shift in youth culture many months before Punk erupted nationwide.

Mimicking its older London brother in every way in High Wycombe it seemed everybody under the age of 25 was becoming a punk rocker. Hippies had almost been eradicated and with turf wars between punks and teddy boys subsiding further combined with a revival of modโ€™s, rockers and skinheads the townโ€™s local population was slowly having to accept this new โ€˜melting pot of anti- establishmentโ€™ youth culture.

Shortly after the now infamous Punk Festival of 1976 and the riotous Jubilee boat fiasco Ron Watts continued to book well known punk bands at Wycombeโ€™s Town hall, it was always his policy to give local talent a chance to shine through. There was a vibrant local music scene emerging but with so much focus on London bands I believe there was one band that unfortunately went unnoticed.

………..this is the story of THE XTR@VERTS…………

As early as 1976, a good six months before โ€˜The Sex Pistolsโ€™ played the Nags Head, a group of mid-teens including Kris Jozajtis/guitar, Mark White/drums, Carlton Mounsher/bass, formed their own band โ€˜Deathwishโ€™. Inspired by 60โ€™s UK bands such as The Who, Small Faces and The Rolling Stones and later stateside offerings such as Iggy Pop and the Stooges, The Velvet Underground and The New York Dolls.

โ€˜Deathwishโ€™ were soon playing their own brand of Punk Rock well before the term โ€˜Punkโ€™ was even coined.

Their first gig caused a stir when a confused audience who had been expecting the usual hippie drivel turned violent and threw lit fireworks at them. The band had to be escorted from the venue by the police.

At Deathwishโ€™s second gig an A&R rep from CBS came to check out the band following Ron Watts recommendation. Every bit as confused as the audience from the first gig, unfortunately he lacked the vision to sign them, but at least he didnโ€™t throw anything at them, lit or otherwise !!! As fate would have it during the show an enigmatic youth with brightly coloured hair joined in singing with the band on stage, soon becoming lead vocalist, a certain Nigel Martin.

Nigel, influenced by โ€˜Roxy Musicโ€™ and โ€˜Bowieโ€™ was always outrageously dressed, so Punk was a natural transition for him. Unfortunately High Wycombe didnโ€™t have alot to offer fashion wise in the mid 70โ€™s, except flares and platforms. There was a great Teddy boy shop called โ€˜Goddardsโ€™ which in fairness sold some great gear but that wasnโ€™t enough, so he used to hang out at โ€˜SEXโ€™, Malcolm McClarenโ€™s shop at the top of the Kings Road with his punk mate โ€˜Marmiteโ€™, probably the first black punk with peroxide hair. (One time Marmite wore a transparent rubber jacket with goldfish swimming inside it..!!)

Nigel was photographed in Malcolmโ€™s shop by โ€˜Honeyโ€™ magazine, standing out because he would get free crazy colour hairstyles at โ€˜Vidal Sassoonโ€™sโ€™ courtesy of Vivienne Westwood. Malcolm took the fee for the photoshoot and deducted half of the payment, explaining to Nigel that would cover his loss on the t-shirts which Nigel had previously been seen stealing !! At the same time โ€˜Vivienne Westwoodโ€™ had a market stall nearby and Nigel used to go there and get his clothes made to order.

Meanwhile with โ€˜Deathwishโ€™ floundering, Nigel together with Mark Reilly/guitar and Tim Brick/drums had formed a band called โ€˜The Xtravertsโ€™ with Kris Jozajtis filling in on bass, a job he swiftly passed on to Carlton Mounsher. With the line up complete and with a set of original songs plus a few covers they played the University circuit and London venues such as โ€˜The Roxyโ€™, โ€˜The Vortex,โ€™ โ€˜Hope and Anchorโ€™ โ€˜Fulham Greyhoundโ€™ and โ€˜Global Villageโ€™, supporting โ€˜Johnny Kidd and the Piratesโ€™ , โ€˜Gary Glitter and The Glitter Bandโ€™ and โ€˜Bernie Tormeโ€™. Further they were voted best new band in the Aylesbury โ€˜Friarsโ€™ poll.

Whilst at these gigs they rubbed shoulders with the up and coming soon to be punk icons, drinking with โ€˜Joe Strummerโ€™, โ€˜Paul Wellerโ€™, wet toilet roll fights with โ€˜Billy Idolโ€™, arguing with โ€˜Sid Viciousโ€™ and pinching white label copies of โ€˜Anarchy in the UKโ€™ from โ€˜Johnny Rottenโ€™. Whilst at an Arsenal football game in early 1976 Nigel dressed up with brightly coloured spiky hair recalls seeing John Lydon later to become Johnny Rotten sporting long hippy hair and a black trenchcoat, one wonders who influenced who !!! These were remarkable times. Carlton also recalls being persuaded by Rat Scabies and Brian James of โ€˜The Damnedโ€™ to help them put just pressed copies of New Rose into their covers at Stiff Records. Although this meant he had one of the first copies of the UKโ€™s first punk records , he still had to pay for it !!!

The band played around with new names and became โ€˜Nigel Martins Visageโ€™ or โ€˜Mirageโ€™, but with โ€˜Steve Strangeโ€™ having the same name finally agreed and settled on โ€˜THE XTR@VERTSโ€™, a name which reflected their image and style. Soon they released their first vinyl single on Spike Records, โ€˜BLANK GENERATIONโ€™, b/w โ€˜A-LAD-INSANEโ€™, there was a limited pressing of 500 and incidently these singles are now selling for over ยฃ175 on e-bay.

The band individually having strong creative drive, unfortunately disbanded the following year and moved in different directions with Carlton and Mark Reilly forming the โ€˜ Cathedralsโ€™, later Reilly left to join โ€˜Blue rondo ala Turkโ€™ and then formed and continues to have success with โ€˜Matt Biancoโ€™. Carlton formed โ€˜The Ventilatorsโ€™ later โ€˜The Ventsโ€™, and then โ€˜The Swampsโ€™. Kris went on to join โ€˜The Folk Devils,โ€™ whilst Tim did session work with โ€˜Japanโ€™ and then moved into production.

Before leaving High Wycombe, Mark Reilly introduced Nigel to two young musicians โ€˜Mark Chapmanโ€™ and โ€˜Steve Westwoodโ€™, base and guitar players respectively, to continue with โ€˜The Xtr@vertsโ€™. Recruiting drummer โ€˜Andy Crawfordโ€™ they knuckled down and continued rehearsing and writing new material.

With a new line up, fresh and stronger than ever they hit the circuit running. Ron Watts gave the band many supports at the Town Hall where many well known acts were playing. First gig with the Jones Boys (aka Howard Jones) then support slots with โ€˜The Slitsโ€™ and โ€˜Creation Rebelโ€™ and then headline gigs at the โ€˜White Swanโ€™ Southall, the โ€˜Rainbowโ€™ Finsbury Park and then โ€™Oranges and Lemonsโ€™ Oxford. Further concerts followed and a string of support gigs with the Damnedโ€™, โ€˜999โ€™, โ€™Angelic Upstartsโ€™, โ€˜The U.K. Subs, โ€˜The Vibratorsโ€™โ€™ and โ€˜The Lurkersโ€™.

The band went straight into the studio and during 1979 released two singles, the first was โ€˜POLICE STATE/DEMOLITIONโ€™ a double a) side, costs were shared with another local band โ€˜Plastic Peopleโ€™ with their song โ€˜Demolitionโ€™- released on Rising Sun records. The second release later in the year with the introduction of a new guitarist was โ€˜SPEED / 1984โ€™.

The band with its new line up built up a very large following with in excess of 1000 people travelling to gigs far and wide, coaches filled with fans from all over the south of England would come and be a part of the Xtr@verts crew, especially when headlining their own gigs and with the support of โ€˜Rat Scabiesโ€™ drummer of the โ€˜Damnedโ€™ with a band he was managing โ€˜The Satellitesโ€™ played with the Xtr@verts on numerous occasions. Then there was the infamous โ€˜Oranges and Lemonsโ€™ gig in Oxford, The Clarenden, Fulham Greyhound, Hopeโ€™nโ€™Anchor, plus many more memorable gigs in and around the home counties.

The Xtr@verts had a massive Punk and Skinhead following from as far as Birmingham to London and they would travel and support the band. The venues were packed with large chanting boisterous crowds and were more reminiscent of a Millwall -West Ham match than a concert.

At one gig in particular, 1980 at the Town Hall , High Wycombe, Rat Scabies even stood in and drummed for the band, and recently some 35 years later a recording of this electric gig has been discovered.

During late 1979, even after plays of both singles on โ€˜John Peelโ€™sโ€™ radio show, topping the N.M.E and SOUNDS charts, knocking โ€˜pretty vacantโ€™ of the top of the independent charts also in the top 3 of the โ€˜Oiโ€™ charts and a brief appearance on โ€˜20th Century Boxโ€™ a โ€˜Janet Street Porterโ€™ production with an interview by โ€˜Danny Bakerโ€™ on the subject of independent record labels and unsigned bands releasing and distributing their own records. Unfortunately the writing was on the wall.

Coupled with musical differences, changing line up and dissallusion with the punk ethos and the arrival of a new breed of Punk more commonly known as โ€˜Oiโ€™ which had started causing violent confrontations and injecting absolute ch@os between fans at latter gigs, on the 31st January

…………THE XTR@VERTS short life from 1976 to1980 was over……….

Reunions: album release and new line ups:

After the break up members went in different directions, Mark Chapman the totally flambouyant and outrageous base player became a top London DJ playing re mixes of 70โ€™s disco classics in London Nightclubs becoming a promoter and entrepreneur, founder of โ€˜Car Washโ€™ and rubbing shoulders with new found friends โ€˜ Sigue Sigue Sputnikโ€™.

Nigel played with a few local bands but moved into promoting rather than performing and opened the โ€˜Kat Klubโ€™ under the flyover in the centre of town packing out the venue with bands like the U.K Subs, Crass, King Kurt, 999, the โ€˜Meteorsโ€™, โ€˜Angelic Upstartsโ€™ and the โ€˜Vibratorsโ€™, keeping music live after the demise of the Town hall due to skinheads causing so much trouble at an โ€˜Adam Antโ€™ gig the venue was closed by the council.

During the next 10 years there was a handful of re union gigs, re hashing of old songs albeit very well received locally, during the mid eighties with the arrival of new guitarist Alistair Murray and drummer Steve McCormack ( who had been close friends with the band from day one) the Xtr@verts performed 3or 4 gigs with new image and style with a complete new set of songs.

After the release of a compilation Xtr@verts album, with songs and versions unheard of in the day, entitled โ€˜So Much Hateโ€™ was released on โ€˜Detourโ€™ records in the mid 90โ€™s which has sold incredibly well worldwide, the Xtr@verts reformed once again and a launch gig was organised with the UK Subs….this was the last time the band were to play. A chapter in all the lives of the band members was finally put to sleep……….

Until now… 2014,

After the sad death of base player Mark Chapman and a chance meeting with long time friend and organiser of Brightonโ€™s Skinhead Reunion Symond Lawes and with such a worldwide interest in past punk history and youth culture, the XTR@VERTS have reinvented themselves yet again and with a brand new and exciting line up are now in the process of recording a new album and rehearsing for a launch gig at the โ€˜100 Clubโ€™ (to be announced shortly).

The bandโ€™s new line up includes ;

NIGEL MARTIN Original โ€˜Xtr@vertsโ€™ and โ€˜Deathwishโ€™ lead vocalist and front man.

CARLTON MOUNSHER Original Deathwish and Xtr@verts bassist now lead guitarist.

STEVE McCORMACK Later band member, having previously played with โ€˜Xtr@vertsโ€™ on many occasions, sang and recorded with his own band in the late 80โ€™s early 90โ€™s with his rocker outfit the โ€˜T-Birdsโ€™. Even supported โ€˜Screaming Lord Sutch !!โ€™ Also appeared on Granada TVโ€™s โ€˜Stars in their Eyesโ€™ as โ€˜Billy Idolโ€™ 1993/94 and has played drums with rockabilly bands home and abroad and is an accomplished Jazz singer.

NICK โ€˜BOโ€™ CHAPMAN Also known as Joe Hope and brother of former base player Mark Chapman. Nick has played guitar for over 30 years, playing with local Folk Rock and Electronic bands throughout the 80โ€™s to the present. โ€˜Were not the same were individualsโ€™.

IAIN WOOSTER Iain has actively been playing in bands for the past 30 years, touring extensively through the 90โ€™s UK and America, playing on albums for various artisteโ€™s and an appearance with his band on the B.B.Cโ€™s โ€˜Eastendersโ€™ during the 1990โ€™s

The XTR@VERTS were a group that slipped through the media net and in their heyday were every bit as good as their contempories and although not up there with the flagship bands of the time they are credited and historically placed in the period that was punk rock. They appear in the top 100 punk bands of all time and have rubbed shoulders with many of the punk greats, perhaps now is the time to let people see what they missed or what might have been.

The Xtr@verts were one of Wycombeโ€™s finest. So now letโ€™s see what big brotherโ€™s little brother has to offer…….?????

โ€˜Who Sent the Boysโ€™. The story of the Xtraverts.

Biography written and researched by Steve McCormack. April 2014

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Bermondsey Joy Riders to perform the Great Skinhead Reunion, Brighton

Late additions to the Bill for The Great skinhead Reunion 2015 The Bermondsey Joy Riders

Claiming all the credentials of a bonafide โ€˜77 super group, The Bermondsey Joyriders is a band pooling the hard-won experience and history of three veteran punks. Founding membersGary Lammin (vocals / guitar) and Martin Stacey (bass) cut their teeth in the Joe Strummer-produced Little Roosters and Generation X precursors Chelsea respectively, whilst recent recruit Chris Musto (drums) is a sticksman of some credentials โ€“ having previously played with Johnny Thunders, Joe Strummer and Nico, to name but a few!

More than the sum of their impressive punk rock heritage however, The Bermondsey Joyriders have won praise for splicing those sounds from suburbs with raw blues and Lamminโ€™s startling slide guitar โ€“ emerging with a sonic signature that is undeniably all their own. Given just 12 hours (!) in the studio to lay down their self-titled 2008 debut, they managed to produce a record which Classic Rock magazineโ€™s Carol Clerk deemed to have โ€œpulled off a really impudent mix of influencesโ€, and which Guitarist magazineโ€™s Charles Shaar Murray felt had achieved a โ€œunique spin on punk-bluesโ€.

Featuring Gary Lammin, writer of Runnin Riot and Chip on your shoulder, original member of Cock Sparrer. Check their website for full info on the band

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An international trip to London, From Germany, by Thilo

An international trip to London

Feb 2nd 2015 to Feb 6th 2015

At first I wanted to go to Rebellion Festival in Blackpool and the Great Skinhead Reunion in Brighton this year. But then my car broke and it had to be repaired. That was too expensive to realize these two trips to good old England.

Just a few days later good friends of mine from South Tyrol asked me to join their trip to London at the first days of February. it should be their first trip to England, so they would be very happy if I would go with them. This trip would be cheaper than going to the two festivals in Blackpool and Brighton, so I said โ€œyesโ€. It was the first time I could celebrate my birthday in London.

It was Friday, Jan 30th, 6 oโ€™clock in the morning. My brother drove me to the train station of the city of Bad Hersfeld. I left this town by train to arrive at the snow-covered city of Sterzing/South Tyrol. At that weekend I enjoyed the delicious south tyrolean cuisine and maybe a few too many glasses of red wine and beer.

On Monday, Feb 2nd it was Florian, Sandra, Stefan and me (Thilo) going to the airport of Bergamo/Italy at 5 oโ€™clock in the morning. At about midday we arrived at the airport London Stansted.

First we took a taxi to our hotel in London Leyton. The taxi driver was very friendlich and told us to be careful in street-traffic because of the traffic on the left side of the street. When we arrived at our hotel we checked in, ate a small snack and went out to explore the capital of Great Britain. We didnโ€™t want to waste any time, so we started quickly to work off our list of destinations which was full of football, subculture and the typical tourism stuff.

Using the Oyster Card we go by tube to our first destination, the Boleyn Ground in the East End. It was a pity that we canโ€™t have a look inside the stadium but at the shop I bought a new scarf of West Ham United FC.

In the evening we went to Camden Town to have Fish & Chips at The Oxford Arms and have a few pints of beer at The Elephantโ€™s Head.

The next day we explored a lot of tourism stuff. First we used the tube to get to Tower Hill Station. From that station we did a huge walk through London. We went to the Tower Of London and the Tower Bridge. After that we walked along River Thames to the London Eye. We had a wonderful view over the city and we took lots of pictures, so we disclosed our identity as tourists, haha.

On Westminster Bridge near Big Ben we met a bagpiper in traditional Scottish clothing. I hoped he would play the song โ€œHingland Cathedralโ€ because my father loves this song too and plays it very often when he plays the bagpipe. We stopped for a while to listen to the bagpiper and I was very surprised as one of his next songs was โ€œHighland Cathedralโ€. London, I thank you for that little present.

Stefan insisted to go to Hard Rock Cafรฉ so we decided to have a late lunch there. We had a burger and chips and of course a pint of beer. After we were shocked by the bill we had to pay and disappointed by the music they played in the Hard Rock Cafรฉ (It was everything but Hard Rock!!!) we went to Buckingham Palace and Westminster Abbey.

The darkness had set in, so we wanted to view the lights of Piccadilly Circus and Carnaby Street. The Day ended again in Camden Town. But this time we had a few pints in a pub called โ€œThe Worldโ€™s Endโ€.

It was Wednesday, Feb 4th. It was my 26th birthday. The same procedure as every day of this journey we met at the hotel lobby in the morning to have a breakfast in the hotel. I had to find out that I wasnโ€™t the only person who bought something at the shop at Boleyn Ground two days before. Sandra gave a little Button to me on which you can find the coat of arms of West Ham United FC and the slogan โ€œItโ€™s my Birthdayโ€. Sandra and the two other boys laughed and told me that I had to wear that button the whole day.

After the breakfast in the hotel we wanted to follow the Changing of the Guards at Buckingham Palace, but all we found was a sign-post โ€œNo Guard Changing Ceremony Todayโ€. So we had enough time to visit Madame Tussaudsโ€™ before lunch. We took some distracted pictures with some wax celebrities and left the cabinet. Our next destination was the train station Kingโ€™s Cross/St. Pancras. Sandra wanted to have a look at Platform 9 ยพ from the books and movies of Harry Potter.

At the early afternoon we arrived in Camden Town and we decided to spend the rest of the day there. Florian and I wanted to go shopping at Camden Lock Market. That was the day of the trip we spent the most money. We read in the internet about a shop called Oi! Oi! The Shop. The old skin inside the shop was very pleasant character and ready to help. He really knew where we can find the things we want to have. I saw a ring of Trojan records but I hesitated and didnโ€™t buy it. Finally I bought a tee shirt of The Business, a CD of The 4-Skins and a few patches and pins. The other three spent a lot of money in the Lock Market too.

We all enjoyed the time in the pub called โ€œThe Worldโ€™s Endโ€ one day before, so we decided to celebrate my birthday in that pub an have some beers before we went back to our hotel in London Leyton.

Our last full day in London started later than the days before because the day before we came back to our hotel very lately. We used the tube to come back to Camden Town. Everyone of us felt in love with this part of London and everyone had seen a thing that wasnโ€™t been bought. For example I wanted to come back to Oi! Oi! The Shop to buy the Trojan ring. But first we searched for a possibility to have a Full English Breakfast. It was a tasty breakfast but after that all of us agreed that nobody needed a lunch after that. We went back to the old skin of Oi! Oi! The Shop. I wanted to buy the Trojan ring and while I was trying to find one that fits me, the others gave me the money for the ring and told me that the ring is a present for me. The owner of the shop asked them, why they were paying the ring for me. Sandra answered that yesterday was my birthday and the ring should be my birthday present. When he heard that, he went for a Trojan Skins Pin and gave it to me. He said itโ€™s a birthday present too. I thanked him a few times and we left the shop.

In the meantime it was evening and we spent that evening in the hotel and went to bed because at the next morning we had to get up very early.

Friday, Feb 6th. The day we flew home to the continent. Early in the morning we got up to take a taxi back to the airport London Stansted. At midday we landed at the airport of Bergamo/Italy and drove back to Sterzing/South Tyrol. One day later I went back to my hessian home.

I had great days in the english capital. Everyone of us was sure to return to that impressive city.

That trip to London was a wonderful, but calm alternative to the festivals during the summer but I have to admit that it would have been awesome to visit the Great Skinhead Reunion in Brighton or the Rebellion Festival in Blackpool.

London, I spent a good time in you. THANK YOU.

Thilo
(written in March 2015)

Ein Internationaler Trip nach London

02.02.2015 โ€“ 06.02.2015

Eigentlich wollte ich in diesem Jahr auf das Rebellion Festival nach Blackpool und auf die Great Skinhead Reunion nach Brighton. Da aber mein Auto repariert werden musste und die Reparatur leider sehr teuer war, musste ich mich von dem Gedanken dieses Jahr nach Blackpool und Brighton zu fahren wohl verabschieden.

Nur ein paar Tage spรคter erreichte mich von Freunden aus Sรผdtirol die Nachricht, dass sie Ende Januar bis Anfang Februar nach London wollten. Da es ihre erste Reise nach London werden sollte, fragten sie mich, ob ich nicht mitkommen wollte. Da dieser Kurzurlaub in London wesentlich gรผnstiger sein wรผrde, als ein Besuch am Rebellion Festival in Blackpool und auf der Great Skinhead Reunion in Brighton, freute ich mich natรผrlich sehr รผber dieses Angebot und sagte sofort zu. Zumal ich damit auch das erste Mal meinen Geburtstag in London feiern konnte.

Es war Freitag, der 30. Januar. Mein Bruder fuhr mich morgens um halb 6 nach Bad Hersfeld an den Bahnhof. Von Dort aus ging es erstmal mit dem Zug ins verschneite Sterzing in Sรผdtirol. Das Wochenende verbrachte ich dann bei Freunden in den Bergen und genoss die Sรผdtiroler Kรผche und vielleicht auch das ein oder andere Glas Rotwein und Bier zuviel.

Am Montag, den 2. Februar starteten wir, Florian, Sandra, Stefan und ich (Thilo) um 05:00 Uhr morgens von Sterzing aus nach Bergamo an den Flughafen. Mittags landeten wir am Flughafen London Stansted. Es waren fรผr die meine drei Mitstreiter die ersten Schritte auf englischem Boden.

Wir fuhren weiter mit dem Taxi in den Stadtteil Leyton zu unserem Hotel. Unser Taxifahrer war sehr freundlich und wies uns mehrmals darauf hin, dass wir im StraรŸenverkehr vorsichtig sein mรผssten, da der Linksverkehr eine groรŸe Umstellung fรผr uns sein kรถnnte. Der erste Eindruck von England war fรผr die Erstbesucher durch den netten Taxifahrer also ein durchweg positiver. Am Hotel angekommen, checkten wir kurz ein, brachten unser Gepรคck auf die Zimmer und aรŸen eine Kleinigkeit bevor wir uns gleich auf den Weg machten London zu unsicher zu machen. Wir wollten keine Zeit verlieren und fรผllten die wenigen Tage, die vor uns lagen optimal mit einer Mischung aus FuรŸball, Subkultur und dem typischen Touristen-Programm.

Mit der Oyster Card im Gepรคck machten wir uns mit der U-Bahn auf zu unserem ersten Ziel, dem Stadion Boleyn Ground im Londoner East End. Es war schade, dass wir das Stadion nur von AuรŸen besichtigt haben, aber ich habe mir im Stadion Shop noch einen neuen Schal von West Ham United kaufen kรถnnen.

Am Abend hat es uns nach Camden Town verschlagen. Wir aรŸen im The Oxford Arms Fish & Chips und danach gingen wir nach Gegenรผber ins The Elephantโ€™s Head um den ersten Tag in London bei einigen Bieren zu beenden.

Am nรคchsten Tag sollte ein langer FuรŸmarsch vor uns liegen. Wir fuhren mit der U-Bahn zur Station Tower Hill. Nachdem wir dem Tower Of London einen kurzen Besuch abstatteten ging es per Pedes weiter zur Tower Bridge und an der Themse entlang zum London Eye. Ein herrlicher Ausblick bot sich uns von der Spitze dieses Riesenrades direkt am Ufer der Themse. Wir genossen den Blick รผber die Dรคcher von London und zรผckten auch das ein oder andere Mal die Kamera.

Weiter ging es รผber die Westminster Bridge zum Big Ben. Auf der Westminster Bridge stand ein Dudelsackspieler in typisch schottischer Tracht. Insgeheim wรผnschte ich mir, dass er das Lied โ€žHighland Cathedralโ€œ spielen wรผrde, da mein Vater dieses Lied auch sehr liebt und oft spielt. Wir hielten einen Moment an und hรถrten ihm zu. Ich war sehr รผberrascht, als das nรคchste Lied, was er anstimmen sollte, dann tatsรคchlich โ€žHighland Cathedralโ€œ war. Ich danke London fรผr dieses kleine Geschenk.

Da Stefan unbedingt ins รถrtliche Hardrock Cafรฉ wollte, nutzten wir die Gelegenheit und nahmen dort gleich ein etwas verspรคtetes Mittagessen in Form von Burgern und Pommes ein. Dazu gab es natรผrlich wieder ein Bier. Wir staunten allerdings nicht schlecht, als wir die Rechnung bekamen. Die Musik hatte auch nur sehr wenig mit Hard Rock zu tun. So gingen wir dann auch etwas รคrmer und auch vom Gesamteindruck leicht enttรคuscht weiter unseres Weges. Auf dem Weg zur U-Bahn-Station lief uns noch der Buckingham Pallace und Westminster Abbey zufรคllig รผber den Weg.

inzwischen war es dunkel geworden, sodass wir den Piccadilly Circus in seiner ganzen Lichterpracht zu sehen bekamen. Die Carnaby Street sollte unser letztes Ziel sein, bevor wir den Abend wieder in Camden Town, diesmal aber im The Worldโ€™s End Pub, ausklingen lieรŸen.

Es war Mittwoch, der 4. Februar. Es war mein sechsundzwanzigster Geburtstag. Wir trafen uns wie jeden Morgen in der Hotellobby. Dort erhielt ich auch gleich ein kleines Geburtstagsgeschenk von Sandra. Ich war nicht der einzige, der am Montag im Stadion Shop im Boleyn Ground etwas gekauft hat. Sandra kaufte einen Button, mit der Aufschrift โ€žItโ€™s My Birthdayโ€œ und dem Vereinswappen von West Ham United in der Mitte. Diesen Button musste ich dann den ganzen Tag lang tragen.

Nach dem Frรผhstรผck fuhren wir mit der U-Bahn wieder zum Buckingham Pallace um uns die Wachablรถsung anzusehen. Dort angekommen fanden wir allerdings nur ein Schild vor, auf dem folgender Text zu lesen war: โ€žNo Guard Changing Ceremony Todayโ€œ. So ging es dann eben etwas frรผher als eigentlich geplant in Madame Tussaudsโ€™ Wachsfigurenkabinett. Nachdem wir dort das ein oder andere verstรถrende Bild mit dem ein oder anderen Wachsprominenten machten ging unsere Reise weiter zum Bahnhof Kingโ€™s Cross/St. Pancras. Sandra wollte sich dort unbedingt das Gleis 9 ยพ aus den Harry Potter Bรผchern und Filmen ansehen. Am spรคten Mittag sind wir dann in Camden Town angekommen. Hier verbrachten wir dann auch den Rest des Tages. Ich glaube dies war der Tag der Reise, an dem wir das meiste Geld ausgaben. Das meiste Geld davon sollten wir im Oi! Oi! The Shop lassen. Ich gรถnnte mir ein T-Shirt von The Business, eine CD von The 4-Skins, sowie einige Aufnรคher und Pins. Ich sah auch einen Ring von Trojan Records, der es mir wirklich angetan hatte, den ich aber nicht mitnahm. Auch der Rest der Reisetruppe schlug ordentlich zu. Der รคltere Skin im Laden war sehr hilfsbereit, er wusste genau wo die Dinge waren, nach denen wir suchten. Da uns der Pub โ€ž The Worldโ€™s Endโ€œ sehr gut gefallen hatte, beschlossen wir meinen Geburtstag dort noch etwas zu feiern, bevor wir wieder ins Hotel fuhren.

Unseren letzten kompletten Tag in London gingen wir langsam an. Nachdem wir am Vorabend ausgiebig gefeiert hatten, schliefen wir bis in den spรคten Vormittag hinein. AnschlieรŸend fuhren wir mit der U-Bahn in die Stadt um uns ein Englisches Frรผhstรผck zu gรถnnen. Das Frรผhstรผck war genau nach meinem Geschmack und es machte so satt, dass man bis zum Abend nichts mehr essen brauchte.
Beim Frรผhstรผck berieten wir uns, wie wir den letzten Tag verbringen wollten. Schnell wurden wir uns einig, dass wir alle nochmal nach Camden Town wollten, da jeder von uns gestern beim Shopping im Camden Lock Market noch etwas zurรผckgelassen hatte, was er/sie noch unbedingt haben wollte. Wir hatten uns einfach in diesen Stadtteil verliebt. Wir besuchten auch Oi! Oi! The Shop wieder, da ich dort einen Ring mit dem Logo von Trojan Records gesehen habe, den ich mir unbedingt noch kaufen musste. Als ich einige Ringe anprobiert hatte und die richtige GrรถรŸe gefunden hatte, teilten mir Sandra, Florian und Stefan mit, dass sie zusammen gelegt haben und mir diesen Ring zu meinem gestrigen Geburtstag schenken mรถchten. Sandra gab dem รคlteren Skin vom Shop das Geld und voller Dankbarkeit nahm ich den Ring entgegen und streifte ihn mir รผber den Ringfinger. Auf der anderen Seite der Ladentheke fragte der Skin in die Runde, warum sie mir den Ring schenken, schlieรŸlich sei er ja nicht gรผnstig. Sandra antwortete ihm, dass ich gestern Geburtstag gehabt hatte und dass der Ring mein Geburtstagsgeschenk sei. Daraufhin schenkte er mir noch einen โ€žTrojan Skinsโ€œ- Pin. Voller Freude verlieรŸ ich mit den anderen den Shop.

Es war mittlerweile Abend geworden und da wir am nรคchsten Tag wieder sehr frรผh zum Flughafen mussten, beschlossen wir, an diesem Abend mal nur ein Bier zu trinken und dann gleich ins Hotel zurรผck zu fahren.

Es war Freitag, der 6. Februar und der Tag unserer Abreise. Schon sehr frรผh nahmen wir uns ein Taxi und fuhren zurรผck Richtung London Stansted.

Am Vormittag landeten wir wieder im norditalienischen Bergamo, bevor wir mit dem Auto weiter Nach Sรผdtirol und Sterzing fuhren. Am nรคchsten Tag fuhr ich wieder mit dem Zug zurรผck in meine nordhessische Heimat.

Es waren sehr schรถne Tage in der englischen Hauptstadt. Auch meine drei Freunde waren sich sicher, sie waren nicht das letzte Mal in London. Diese schรถne Stadt wรผrden wir wieder besuchen.

Dieser Urlaub war eine sehr schรถne, wenn auch viel ruhigere Alternative zum ausfallenden Besuches am Rebellion Festival in Blackpool. London, Du hast mir viele kleine Freuden gemacht. Dafรผr danke ich Dir.

Thilo
(geschrieben im Mรคrz 2015)

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An international trip to London, From Germany, by Thilo

An international trip to London

Feb 2nd 2015 to Feb 6th 2015

At first I wanted to go to Rebellion Festival in Blackpool and the Great Skinhead Reunion in Brighton this year. But then my car broke and it had to be repaired. That was too expensive to realize these two trips to good old England.

Just a few days later good friends of mine from South Tyrol asked me to join their trip to London at the first days of February. it should be their first trip to England, so they would be very happy if I would go with them. This trip would be cheaper than going to the two festivals in Blackpool and Brighton, so I said โ€œyesโ€. It was the first time I could celebrate my birthday in London.

It was Friday, Jan 30th, 6 oโ€™clock in the morning. My brother drove me to the train station of the city of Bad Hersfeld. I left this town by train to arrive at the snow-covered city of Sterzing/South Tyrol. At that weekend I enjoyed the delicious south tyrolean cuisine and maybe a few too many glasses of red wine and beer.

On Monday, Feb 2nd it was Florian, Sandra, Stefan and me (Thilo) going to the airport of Bergamo/Italy at 5 oโ€™clock in the morning. At about midday we arrived at the airport London Stansted.

First we took a taxi to our hotel in London Leyton. The taxi driver was very friendlich and told us to be careful in street-traffic because of the traffic on the left side of the street. When we arrived at our hotel we checked in, ate a small snack and went out to explore the capital of Great Britain. We didnโ€™t want to waste any time, so we started quickly to work off our list of destinations which was full of football, subculture and the typical tourism stuff.

Using the Oyster Card we go by tube to our first destination, the Boleyn Ground in the East End. It was a pity that we canโ€™t have a look inside the stadium but at the shop I bought a new scarf of West Ham United FC.

In the evening we went to Camden Town to have Fish & Chips at The Oxford Arms and have a few pints of beer at The Elephantโ€™s Head.

The next day we explored a lot of tourism stuff. First we used the tube to get to Tower Hill Station. From that station we did a huge walk through London. We went to the Tower Of London and the Tower Bridge. After that we walked along River Thames to the London Eye. We had a wonderful view over the city and we took lots of pictures, so we disclosed our identity as tourists, haha.

On Westminster Bridge near Big Ben we met a bagpiper in traditional Scottish clothing. I hoped he would play the song โ€œHingland Cathedralโ€ because my father loves this song too and plays it very often when he plays the bagpipe. We stopped for a while to listen to the bagpiper and I was very surprised as one of his next songs was โ€œHighland Cathedralโ€. London, I thank you for that little present.

Stefan insisted to go to Hard Rock Cafรฉ so we decided to have a late lunch there. We had a burger and chips and of course a pint of beer. After we were shocked by the bill we had to pay and disappointed by the music they played in the Hard Rock Cafรฉ (It was everything but Hard Rock!!!) we went to Buckingham Palace and Westminster Abbey.

The darkness had set in, so we wanted to view the lights of Piccadilly Circus and Carnaby Street. The Day ended again in Camden Town. But this time we had a few pints in a pub called โ€œThe Worldโ€™s Endโ€.

It was Wednesday, Feb 4th. It was my 26th birthday. The same procedure as every day of this journey we met at the hotel lobby in the morning to have a breakfast in the hotel. I had to find out that I wasnโ€™t the only person who bought something at the shop at Boleyn Ground two days before. Sandra gave a little Button to me on which you can find the coat of arms of West Ham United FC and the slogan โ€œItโ€™s my Birthdayโ€. Sandra and the two other boys laughed and told me that I had to wear that button the whole day.

After the breakfast in the hotel we wanted to follow the Changing of the Guards at Buckingham Palace, but all we found was a sign-post โ€œNo Guard Changing Ceremony Todayโ€. So we had enough time to visit Madame Tussaudsโ€™ before lunch. We took some distracted pictures with some wax celebrities and left the cabinet. Our next destination was the train station Kingโ€™s Cross/St. Pancras. Sandra wanted to have a look at Platform 9 ยพ from the books and movies of Harry Potter.

At the early afternoon we arrived in Camden Town and we decided to spend the rest of the day there. Florian and I wanted to go shopping at Camden Lock Market. That was the day of the trip we spent the most money. We read in the internet about a shop called Oi! Oi! The Shop. The old skin inside the shop was very pleasant character and ready to help. He really knew where we can find the things we want to have. I saw a ring of Trojan records but I hesitated and didnโ€™t buy it. Finally I bought a tee shirt of The Business, a CD of The 4-Skins and a few patches and pins. The other three spent a lot of money in the Lock Market too.

We all enjoyed the time in the pub called โ€œThe Worldโ€™s Endโ€ one day before, so we decided to celebrate my birthday in that pub an have some beers before we went back to our hotel in London Leyton.

Our last full day in London started later than the days before because the day before we came back to our hotel very lately. We used the tube to come back to Camden Town. Everyone of us felt in love with this part of London and everyone had seen a thing that wasnโ€™t been bought. For example I wanted to come back to Oi! Oi! The Shop to buy the Trojan ring. But first we searched for a possibility to have a Full English Breakfast. It was a tasty breakfast but after that all of us agreed that nobody needed a lunch after that. We went back to the old skin of Oi! Oi! The Shop. I wanted to buy the Trojan ring and while I was trying to find one that fits me, the others gave me the money for the ring and told me that the ring is a present for me. The owner of the shop asked them, why they were paying the ring for me. Sandra answered that yesterday was my birthday and the ring should be my birthday present. When he heard that, he went for a Trojan Skins Pin and gave it to me. He said itโ€™s a birthday present too. I thanked him a few times and we left the shop.

oi the shop

In the meantime it was evening and we spent that evening in the hotel and went to bed because at the next morning we had to get up very early.

Friday, Feb 6th. The day we flew home to the continent. Early in the morning we got up to take a taxi back to the airport London Stansted. At midday we landed at the airport of Bergamo/Italy and drove back to Sterzing/South Tyrol. One day later I went back to my hessian home.

I had great days in the english capital. Everyone of us was sure to return to that impressive city.

That trip to London was a wonderful, but calm alternative to the festivals during the summer but I have to admit that it would have been awesome to visit the Great Skinhead Reunion in Brighton or the Rebellion Festival in Blackpool.

London, I spent a good time in you. THANK YOU.

Thilo
(written in March 2015)

Ein Internationaler Trip nach London

02.02.2015 โ€“ 06.02.2015

Eigentlich wollte ich in diesem Jahr auf das Rebellion Festival nach Blackpool und auf die Great Skinhead Reunion nach Brighton. Da aber mein Auto repariert werden musste und die Reparatur leider sehr teuer war, musste ich mich von dem Gedanken dieses Jahr nach Blackpool und Brighton zu fahren wohl verabschieden.

Nur ein paar Tage spรคter erreichte mich von Freunden aus Sรผdtirol die Nachricht, dass sie Ende Januar bis Anfang Februar nach London wollten. Da es ihre erste Reise nach London werden sollte, fragten sie mich, ob ich nicht mitkommen wollte. Da dieser Kurzurlaub in London wesentlich gรผnstiger sein wรผrde, als ein Besuch am Rebellion Festival in Blackpool und auf der Great Skinhead Reunion in Brighton, freute ich mich natรผrlich sehr รผber dieses Angebot und sagte sofort zu. Zumal ich damit auch das erste Mal meinen Geburtstag in London feiern konnte.

Es war Freitag, der 30. Januar. Mein Bruder fuhr mich morgens um halb 6 nach Bad Hersfeld an den Bahnhof. Von Dort aus ging es erstmal mit dem Zug ins verschneite Sterzing in Sรผdtirol. Das Wochenende verbrachte ich dann bei Freunden in den Bergen und genoss die Sรผdtiroler Kรผche und vielleicht auch das ein oder andere Glas Rotwein und Bier zuviel.

Am Montag, den 2. Februar starteten wir, Florian, Sandra, Stefan und ich (Thilo) um 05:00 Uhr morgens von Sterzing aus nach Bergamo an den Flughafen. Mittags landeten wir am Flughafen London Stansted. Es waren fรผr die meine drei Mitstreiter die ersten Schritte auf englischem Boden.

Wir fuhren weiter mit dem Taxi in den Stadtteil Leyton zu unserem Hotel. Unser Taxifahrer war sehr freundlich und wies uns mehrmals darauf hin, dass wir im StraรŸenverkehr vorsichtig sein mรผssten, da der Linksverkehr eine groรŸe Umstellung fรผr uns sein kรถnnte. Der erste Eindruck von England war fรผr die Erstbesucher durch den netten Taxifahrer also ein durchweg positiver. Am Hotel angekommen, checkten wir kurz ein, brachten unser Gepรคck auf die Zimmer und aรŸen eine Kleinigkeit bevor wir uns gleich auf den Weg machten London zu unsicher zu machen. Wir wollten keine Zeit verlieren und fรผllten die wenigen Tage, die vor uns lagen optimal mit einer Mischung aus FuรŸball, Subkultur und dem typischen Touristen-Programm.

Mit der Oyster Card im Gepรคck machten wir uns mit der U-Bahn auf zu unserem ersten Ziel, dem Stadion Boleyn Ground im Londoner East End. Es war schade, dass wir das Stadion nur von AuรŸen besichtigt haben, aber ich habe mir im Stadion Shop noch einen neuen Schal von West Ham United kaufen kรถnnen.

Am Abend hat es uns nach Camden Town verschlagen. Wir aรŸen im The Oxford Arms Fish & Chips und danach gingen wir nach Gegenรผber ins The Elephantโ€™s Head um den ersten Tag in London bei einigen Bieren zu beenden.

Am nรคchsten Tag sollte ein langer FuรŸmarsch vor uns liegen. Wir fuhren mit der U-Bahn zur Station Tower Hill. Nachdem wir dem Tower Of London einen kurzen Besuch abstatteten ging es per Pedes weiter zur Tower Bridge und an der Themse entlang zum London Eye. Ein herrlicher Ausblick bot sich uns von der Spitze dieses Riesenrades direkt am Ufer der Themse. Wir genossen den Blick รผber die Dรคcher von London und zรผckten auch das ein oder andere Mal die Kamera.

Weiter ging es รผber die Westminster Bridge zum Big Ben. Auf der Westminster Bridge stand ein Dudelsackspieler in typisch schottischer Tracht. Insgeheim wรผnschte ich mir, dass er das Lied โ€žHighland Cathedralโ€œ spielen wรผrde, da mein Vater dieses Lied auch sehr liebt und oft spielt. Wir hielten einen Moment an und hรถrten ihm zu. Ich war sehr รผberrascht, als das nรคchste Lied, was er anstimmen sollte, dann tatsรคchlich โ€žHighland Cathedralโ€œ war. Ich danke London fรผr dieses kleine Geschenk.

Da Stefan unbedingt ins รถrtliche Hardrock Cafรฉ wollte, nutzten wir die Gelegenheit und nahmen dort gleich ein etwas verspรคtetes Mittagessen in Form von Burgern und Pommes ein. Dazu gab es natรผrlich wieder ein Bier. Wir staunten allerdings nicht schlecht, als wir die Rechnung bekamen. Die Musik hatte auch nur sehr wenig mit Hard Rock zu tun. So gingen wir dann auch etwas รคrmer und auch vom Gesamteindruck leicht enttรคuscht weiter unseres Weges. Auf dem Weg zur U-Bahn-Station lief uns noch der Buckingham Pallace und Westminster Abbey zufรคllig รผber den Weg.

inzwischen war es dunkel geworden, sodass wir den Piccadilly Circus in seiner ganzen Lichterpracht zu sehen bekamen. Die Carnaby Street sollte unser letztes Ziel sein, bevor wir den Abend wieder in Camden Town, diesmal aber im The Worldโ€™s End Pub, ausklingen lieรŸen.

Es war Mittwoch, der 4. Februar. Es war mein sechsundzwanzigster Geburtstag. Wir trafen uns wie jeden Morgen in der Hotellobby. Dort erhielt ich auch gleich ein kleines Geburtstagsgeschenk von Sandra. Ich war nicht der einzige, der am Montag im Stadion Shop im Boleyn Ground etwas gekauft hat. Sandra kaufte einen Button, mit der Aufschrift โ€žItโ€™s My Birthdayโ€œ und dem Vereinswappen von West Ham United in der Mitte. Diesen Button musste ich dann den ganzen Tag lang tragen.

Nach dem Frรผhstรผck fuhren wir mit der U-Bahn wieder zum Buckingham Pallace um uns die Wachablรถsung anzusehen. Dort angekommen fanden wir allerdings nur ein Schild vor, auf dem folgender Text zu lesen war: โ€žNo Guard Changing Ceremony Todayโ€œ. So ging es dann eben etwas frรผher als eigentlich geplant in Madame Tussaudsโ€™ Wachsfigurenkabinett. Nachdem wir dort das ein oder andere verstรถrende Bild mit dem ein oder anderen Wachsprominenten machten ging unsere Reise weiter zum Bahnhof Kingโ€™s Cross/St. Pancras. Sandra wollte sich dort unbedingt das Gleis 9 ยพ aus den Harry Potter Bรผchern und Filmen ansehen. Am spรคten Mittag sind wir dann in Camden Town angekommen. Hier verbrachten wir dann auch den Rest des Tages. Ich glaube dies war der Tag der Reise, an dem wir das meiste Geld ausgaben. Das meiste Geld davon sollten wir im Oi! Oi! The Shop lassen. Ich gรถnnte mir ein T-Shirt von The Business, eine CD von The 4-Skins, sowie einige Aufnรคher und Pins. Ich sah auch einen Ring von Trojan Records, der es mir wirklich angetan hatte, den ich aber nicht mitnahm. Auch der Rest der Reisetruppe schlug ordentlich zu. Der รคltere Skin im Laden war sehr hilfsbereit, er wusste genau wo die Dinge waren, nach denen wir suchten. Da uns der Pub โ€ž The Worldโ€™s Endโ€œ sehr gut gefallen hatte, beschlossen wir meinen Geburtstag dort noch etwas zu feiern, bevor wir wieder ins Hotel fuhren.

Unseren letzten kompletten Tag in London gingen wir langsam an. Nachdem wir am Vorabend ausgiebig gefeiert hatten, schliefen wir bis in den spรคten Vormittag hinein. AnschlieรŸend fuhren wir mit der U-Bahn in die Stadt um uns ein Englisches Frรผhstรผck zu gรถnnen. Das Frรผhstรผck war genau nach meinem Geschmack und es machte so satt, dass man bis zum Abend nichts mehr essen brauchte.
Beim Frรผhstรผck berieten wir uns, wie wir den letzten Tag verbringen wollten. Schnell wurden wir uns einig, dass wir alle nochmal nach Camden Town wollten, da jeder von uns gestern beim Shopping im Camden Lock Market noch etwas zurรผckgelassen hatte, was er/sie noch unbedingt haben wollte. Wir hatten uns einfach in diesen Stadtteil verliebt. Wir besuchten auch Oi! Oi! The Shop wieder, da ich dort einen Ring mit dem Logo von Trojan Records gesehen habe, den ich mir unbedingt noch kaufen musste. Als ich einige Ringe anprobiert hatte und die richtige GrรถรŸe gefunden hatte, teilten mir Sandra, Florian und Stefan mit, dass sie zusammen gelegt haben und mir diesen Ring zu meinem gestrigen Geburtstag schenken mรถchten. Sandra gab dem รคlteren Skin vom Shop das Geld und voller Dankbarkeit nahm ich den Ring entgegen und streifte ihn mir รผber den Ringfinger. Auf der anderen Seite der Ladentheke fragte der Skin in die Runde, warum sie mir den Ring schenken, schlieรŸlich sei er ja nicht gรผnstig. Sandra antwortete ihm, dass ich gestern Geburtstag gehabt hatte und dass der Ring mein Geburtstagsgeschenk sei. Daraufhin schenkte er mir noch einen โ€žTrojan Skinsโ€œ- Pin. Voller Freude verlieรŸ ich mit den anderen den Shop.

Es war mittlerweile Abend geworden und da wir am nรคchsten Tag wieder sehr frรผh zum Flughafen mussten, beschlossen wir, an diesem Abend mal nur ein Bier zu trinken und dann gleich ins Hotel zurรผck zu fahren.

Es war Freitag, der 6. Februar und der Tag unserer Abreise. Schon sehr frรผh nahmen wir uns ein Taxi und fuhren zurรผck Richtung London Stansted.

Am Vormittag landeten wir wieder im norditalienischen Bergamo, bevor wir mit dem Auto weiter Nach Sรผdtirol und Sterzing fuhren. Am nรคchsten Tag fuhr ich wieder mit dem Zug zurรผck in meine nordhessische Heimat.

Es waren sehr schรถne Tage in der englischen Hauptstadt. Auch meine drei Freunde waren sich sicher, sie waren nicht das letzte Mal in London. Diese schรถne Stadt wรผrden wir wieder besuchen.

Dieser Urlaub war eine sehr schรถne, wenn auch viel ruhigere Alternative zum ausfallenden Besuches am Rebellion Festival in Blackpool. London, Du hast mir viele kleine Freuden gemacht. Dafรผr danke ich Dir.

Thilo
(geschrieben im Mรคrz 2015)

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New trend in 2015. Header Hero

Integer ut neque sapien. Nulla facilisi. Vestibulum maximus laoreet justo, ut elementum orci cursus in. Sed aliquet, ex eget pulvinar vulputate, ex ligula dignissim eros, a vestibulum lacus purus quis lacus. Duis ut varius lectus. Suspendisse eget est sed odio egestas pharetra eu ut nisi. Aenean non varius erat. Nunc dictum eros ac blandit cursus. Curabitur et eros urna. Fusce non eros elementum, pharetra massa ac, finibus mi.

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Subcultz Stockholm, Featuring live bands, MindofaLion and Mankind

MOAL-MANKIND 17-04-15=2

Great news, Subcultz have teamed up with our Swedish friends to create some regular nights.Our first offering is the Fantastic British Indie band ‘Mind of a Lion’ playing with Stockholm band, ‘Mankind’ This is a free gig. and we are expecting a full house. get there early

Subcultz proudly presents , live at PetSound bar, An evening full of energy with two great bands that will shake you up ;

Mindofalion from Brighton, England
https://www.facebook.com/Mindofalion?fref=ts
http://mindofalion.wix.com/mindofalion

MANKIND from Stockholm, Sweden
https://www.facebook.com/musicofMANKIND?fref=ts
https://soundcloud.com/musicofmankind

FREE ENTRANCE

Come and share this night together with drinks, friends and good music. Bands on stage at 20.00, be there on time…!

//Subcultz Stockholm

Great gig, sell out event, and mindofalion were cheered back for an encore, to a completely new audience. 

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Return to Humanity (food for all)

The Battle For Bagdad

I couldnโ€™t sleep Iโ€™d wake and cry,

You couldnโ€™t sleep because I lied.

But do you really want to know the truth ,

The day I gave away my youth.

They told us to stand upon the sand.
Thereโ€™s no-one there only the dead,
The planes had all flown over head.

โ€œStand and be proudโ€ said Mr Bush,
This today our final push.
Weโ€™ve been trained for this my highland boys,
We played like soldiers with our toys.
Thereโ€™s no-one there, just sand and stone,
But its me this time , that goes alone.

Horay we charged, on our way to Bagdad,
The people they cheer, we will all be glad.
Thereโ€™s no-one there, only the dead,
The planes had all flown over head.

So we ran, oh what a crack,
On our backs, 200lb packs.
Thereโ€™s no-one there only the dead,
The planes had all flown over head.
I couldnโ€™t sleep. Iโ€™d wake and cry,

You couldnโ€™t sleep because I lied.
Over the hole in no mans land,
My rifle held within my hands.
But who was that Mr Bush?
The boy I met on the final push.

A frightened child, with a wide eyed stare.
No prisoners they said, til we make the line,
No prisoners they said, there is no time.
Thereโ€™s no-one there, only the dead,
The planes had all flown over head.

That day I killed a motherโ€™s child,
My darling mothers Bastard child.

Symond Lawes 

2005

Please Support my good friend Jennie Matthias in her charity project, helping those that are not as fortunate as you

return to humanity
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Chelsea Headhunters Racism caught on camera in Paris Underground

Taken from The Guardian newspaper Weโ€™re racist, weโ€™re racist. And thatโ€™s the way we like it.โ€ Just in case there was any possibility that the group of Chelsea hooligans were preventing a man from boarding a train on the Paris Mรฉtro for a reason more obscure than the colour of his skin, they helpfully illustrated their actions with a chant. They are racist.

They like being racist. What further justification than their liking of racism could they possibly need? Itโ€™s quite menacing, I think, the counterpoint in that chant, with the understated use of the word โ€œlikeโ€ confirming that half the fun is in embracing a powerfully destructive and hateful identity in a casual way, as if itโ€™s merely a mild preference. These guys donโ€™t feel passionately racist. Itโ€™s just something they โ€œlikeโ€. No big deal. Whatโ€™s all the fuss about?

Chelsea and the U.N condemn fans who pushed black man off Paris Mรฉtro Read more Are these men still finding their self-identification as racists enjoyable, now that a fellow passenger has filmed them in their petty aggression and taken it to the media? These men will be identified, banned from attending Chelsea matches at the very least, and perhaps face with criminal charges.

In the meantime, we can be assured of further why-oh-why discussion as to why football should continue to attract racists, despite the gameโ€™s years of concerted effort to disassociate itself from racism. Maybe Iโ€™m missing something here, but it always seems to me that football support is all about feeling that youโ€™re part of one group and are opposed to another group.

In that way it surely shares at least some of the mentality of the racist. Then thereโ€™s the even more tiresome question of why these racist men support Chelsea even though it has so many black players. Yes. Why would a racist enjoy cynically exploiting the skills of black people? Such a baffling mystery. When, in human history, has that ever happened? No doubt these men are now feeling that they are the victims โ€“ victims of the political correctness that they think it so clever to defy.

Itโ€™s a shame, in a way, that the term โ€œpolitical correctnessโ€ even exists, that being against ignorant prejudice and vicious hatred can be characterised not as civilised but as โ€œpoliticalโ€, not as right but as โ€œcorrectโ€. The phrase implies heavily that a set of rules that should be followed has been brought into being in some arbitrary, faceless, undemocratic power-grab. The saddest thing is that men such as these men, who โ€œlikeโ€ hating strangers of whom they know nothing, really do feel that they are the ones being oppressed by a sinister ideology, when all thatโ€™s oppressing them is their own nasty, small-minded resentment.
By Deborah Orr

Not undermining, the fact a gang of drunks abusing a rail passenger is a pathetic act, its probably worth looking at the root of where the British football hooligan comes from. The rough end of the council estate. Brought up on a gang mentality. Has much changed in 30 years? Perhaps only the colour of skin

But in the scheme of things, should it really warrant such a high level of BBC media coverage Does anyone remember this being broadcast so loudly?