Posted on Leave a comment

Soviet subcultures through vintage photographs: Hippies, punks, goths, and metalheads, 1980s

The subcultures in the Soviet Union, a country cut off from the West by the infamous Iron Curtain, were a form of open youth rebellion against ideological and cultural stagnation.

Stilyagi, goths, hippies, bikers, punks, rockers, and metalheads formed countercultures that often invited the wrath of the Soviet communist authorities. Their legacy is remembered by these pictures that show their radical self-expression, extravagant style, hairstyles, tattoos, and elaborate clothes.

The Soviet state media called these groups “non-conformists,” who were deliberately devoid of all the good qualities possessed by a Soviet citizen. They were even referred to as lazy parasites, dirty, leeches of society, and fascists.

The so-called stilyagi was a youth counterculture movement from the 1950s to the 1980s, with its main identification being the bright and eye-catching clothing that the Stilyagi wore. The literal translation of the word can be interpreted as ‘stylish’, or ‘style hunters’.
A stilyagi was primarily distinguished by snappy clothing—preferably foreign-label, acquired from fartsovshchiks—that contrasted with the communist realities of the time, and their fascination with zagranitsa, modern Western music, and fashions corresponding to that of the Beat Generation. English writings on Soviet culture variously translated the derogatory term as “dandies”, “fashionistas”, “beatniks”, “hipsters”, “zoot suiters”, etc.
Stilyagi greatly favored swing and boogie-woogie. Women wore dresses and high-heeled footwear, while men chose narrow checkered pants and shiny winkle-pickers. Though their style changed a bit over time, the Stilyagi always wore unapologetically bold colors and bright jackets.
The Soviet Union’s hippie movement grew up hand-in-hand with the arrival, through Eastern Europe, of Western records in several major Soviet cities’ black markets. While their American contemporaries were busy denouncing consumerism, Soviet hippies longed for American-style jeans and access to banned music.
The factors motivating Soviet hippies were subtly different than those experienced by their American counterparts. While American hippies rebelled against what they saw as a decadent and corrupt consumer culture in which they were forced to participate, Soviet hippies turned against a state that surrounded them with enforced conformity.

Hippies in the Soviet Union were stereotyped, arrested at concerts, and hassled for their drug use and Western values. But by turning to an international youth movement, they proved that East and West had plenty in common, long before the Iron Curtain fell.

The founder of Russian punk is considered to be Yegor Letov with his band Grazhdanskaya Oborona (Civil Defence), which started performing in the early 1980s. Letov also invented a word chanted by punk fans during concerts, Hoi (a mixture of the Oi! movement and the Russian profanity word Hui (literally penis)).
In the late 1980s, Sektor Gaza formed, reaching cult status. They created a genre called “Kolkhoz punk”, which mixed elements from village life into punk music.
Another cult band that started a few years later was Korol i Shut, introducing horror punk, using costumes and lyrics in the form of tales and fables. Korol i Shut became one of the best-selling and most highly regarded bands in the history of Russian Rock.
With banned foreign music growing in popularity, alternative genres, including heavy metal, became a fad among young Soviet citizens. Heavy metal bands like Black Sabbath, Iron Maiden, Metallica, Judas Priest, and Megadeth were popular among the rebellious Soviet youth. The followers were labeled as metalheads.
Another interesting subculture was the bikers. By the early 1980s, the number of young people riding motorcycles on the streets had grown noticeably. While Soviet bikers did not generally form criminal gangs, they did, however, happen to like some of the same heavy rock music as their Western counterparts and thus came to be called “rockers.”
Soviet rockers usually gathered in the evening on weekends, generally somewhere close to parks or other public spaces. They liked riding through the sleepy streets at night and thus became a subject of acute police interest. At the same time, police motorcycles were often outdated and quite often could not keep up with bikers.

 

 

 

Posted on Leave a comment

The original British Skinhead subculture in photographic portraits, 1970-1990

The skinhead subculture was born in England in the late 1960s as an offshoot of the mod culture. Skinheads were distinct from other British subcultures due to their uniform of boots, jeans, braces (suspenders), and the trademark shaved head.

Their style was an exaggerated version of the traditional unskilled laborer. One of the first scholars to research skinheads, sociologist Mike Brake, classified skinheads as a “traditional working-class delinquent subculture” and documented five traits that defined first-generation British skinheads: toughness and violence; football (soccer), ethnocentrism, Puritan work ethic; and a cynical worldview.

According to author Nick Knight, skinheads first appeared as a distinct youth subculture in 1968. He states in his book Skinhead, “In establishing their own style, the younger brothers of mods adopted certain elements of mod style, combined them with items from traditional working clothes, borrowed some influences from the West Indian blacks and became skinheads.”

Motivated by social alienation and working-class solidarity, skinheads were defined by their close-cropped or shaven heads (long hair was a liability in factory work and street fights) and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise jeans, and button-down collar shirts, usually slim fitting in check or plain.

In England, there were two waves of the skinhead cult. From its inception, the skinhead subculture was largely based around music. The first group appeared in the late 1960s as an offshoot of the mod subculture and largely died out by 1972.

The second wave arrived in the late 1970s and early 1980s. These skinheads differed from the first generation, in that they were not influenced as much by mod as they were by the growing punk and 2Tone Ska scenes in London.

Punk lent itself to violence through its embrace of aggressive music and teenage angst. Skinheads reflected this new influence by combining the exaggerated imagery of the original skinhead style with punk.

They took the boots and suspenders and jeans of the late 1960s and added closser-cropped hair, bomber jackets, and tattoos. The popularity of the 2Tone movement helped spread the look of skinheads to all parts of the United Kingdom.

Symond Lawes, a British skinhead notes, “I became a skinhead and there was only one other skinhead in my estate in 1978. By the following year, every kid in England was a skinhead.”

At the same time the subculture was growing, England was experiencing an influx of immigrants from India; the backlash to this wave of newcomers from the native British population was reflected in the skinhead subculture. Zeig Heiling and “Paki bashing” were sensationalized by the media.

The growth of the right-wing National Front and its recruitment of youth merely increased the amount of conflict present in the skinhead subculture. Punk shows and Ska shows were marred by skinhead violence. Even American newspapers covered the race riots that exploded in London in 1981.

While there is little doubt that North Americans, especially Canadians as part of the British Commonwealth, were exposed to skinhead subculture in the late 1960s and during the initial resurgence of this movement in 1978, it did not take hold as a youth cult in the United States until the arrival of punk.

Groups of youths in the early years of the American hardcore punk scene had shaved heads, but cannot be categorized as skinheads because they did not consciously adopt the lifestyle or dress that defines the subculture. Eventually, American youths began to emulate the skinhead style that was seen in the United Kingdom.

During the early 1980s, political affiliations grew in significance and split the subculture, distancing the far right and left-wing strands, although many skinheads described themselves as apolitical.

As a pro-working class movement, skinhead culture attracted those with nationalist beliefs, including violently racist or neo-Nazi elements.

In Great Britain, the skinhead subculture became associated in the public eye with the membership of groups such as the National Front and the British Movement. By the 1990s, neo-Nazi skinhead movements existed across all of Europe and North America.

Nowadays, few organizations, such as Skinheads Against Racial Prejudice, are attempting to fight back against supremacist skinheads and honor the diverse and multicultural aspects of the original skinhead subculture.

During the early 1980s, political affiliations grew in significance and split the subculture, distancing the far right and left-wing strands, although many skinheads described themselves as apolitical.

As a pro-working class movement, skinhead culture attracted those with nationalist beliefs, including violently racist or neo-Nazi elements.

In Great Britain, the skinhead subculture became associated in the public eye with the membership of groups such as the National Front and the British Movement. By the 1990s, neo-Nazi skinhead movements existed across all of Europe and North America.

Nowadays, few organizations, such as Skinheads Against Racial Prejudice, are attempting to fight back against supremacist skinheads and honor the diverse and multicultural aspects of the original skinhead subculture.