Stanley Motta is always mentioned as an early pioneer in the ska industry since he had the first recording studio on the island, although they were not pressed there–Motta sent the acetates to the U.K. for duplication. But Motta began the recording industry in Jamaica. His recording studio was opened in 1951 on Hanover Street and his label, M.R.S. (Motta’s Recording Studio), recorded mostly calypso and mento. Motta’s first recorded in 1952 with Lord Fly whose birth name was Rupert Lyon. It is to be noted that in his band on these recordings were Bertie King on clarinet, an Alpha Boys School alumnus who would go on to have a successful jazz career in Europe, as well as Mapletoft Poule who had a big band that employed many early ska musicians and Alpha alumni. Motta also recorded artists like Count Lasher, Monty Reynolds, Eddie Brown, Alerth Bedasse, Jellicoe Barker, Lord Composer, Lord Lebby, Lord Messam, Lord Power, and Lord Melody (good Lord!).
There is a strong ska connection too. While I originally thought and posted that Baba Motta was Stanley Motta’s little brother and got that misinformation from Brian Keyo (here: www.soulvendors.com/rolandalphonso.html
), I have been corrected by mento scholar Daniel Neely, as you will see from his fantastic and helpful comments below. They, in fact, are not related. Baba Motta was a pianist and trumpeter who also played bongos at times. Roland Alphonso performed with Baba Motta and Stanley then employed Roland to play as a studio musician for many of his calypsonians. Baba Motta had his own orchestra based at the Myrtle Bank Hotel. Baba Motta also recorded for his brother Stanley Motta with Ernest Ranglin. And other ska artists who recorded for Stanley Motta include Laurel Aitken and Lord Tanamo. Rico Rodriguez also says he recorded for Stanley Motta. Theophilus Beckford also performed for other calypsonians that Motta recorded, playing piano before he cut his vital tune “Easy Snapping” for Coxsone, the first recognized ska recording.
So who was this Stanley Motta character and what was his interest in Jamaican music? Well as most Jamaican residents know, Motta was the owner of his eponymous business that sold electronics, camera equipment, recording equipment, and appliances. They also processed film, if you remember that! Motta started his business in 1932 with just two employees. Motta’s grew to hundreds of employees over the years and they sold products from Radio Shack, Poloroid, Hoover, Nokia, and Nintendo, to name a few. Stanley Motta was born in Kingston on October 5, 1915. He was educated at Munro College and St. George’s College. He was married twice and has four sons, Brian, David, Philip, and Robert.
Motta chose to get into recording perhaps because it was a new industry for the island. And as a businessman, he saw that there were tourists who flocked to Jamaica with spending money, and in an effort to capture some of that money, he began recording to send them home with a souvenir. Many of these calypso and mento recordings for MRS were intended to be souvenirs, a take home example of the sounds enjoyed while on the north coast beaches. In fact, later Motta would serve on the board of the Jamaica Tourist Board from 1955 to 1962, so this was a focus for Motta. He recorded 78s, 45s, but also 10 full-length LPs including “Authentic Jamaican Calypsos,” a four volume series targeted at tourists upon which Roland Alphonso is a featured soloist on the song “Reincarnation.” In short, Motta was an entrepreneur, so his interest in recording came from a vision to fill a need, and he quickly moved on into more enterprising endeavors when he saw that need was being met better by others, like Federal Records, a physical pressing plant, and he chose to focus on his retail stores instead, stores which are still in business today.
Motta was also involved in broadcast, but not as you might think. In 1941, after viewing a program that was broadcast on NBC, Motta was so moved by the content of the program titled “Highlights of 1941,” that he wrote to NBC to obtain a recording of this broadcast. He secured the one-hour program which he then showed for audiences at the Glass Bucket Club and he used donations from the screening to support war funds. The program dramatized many of the events of the year interspersed with real footage of Pearl Harbor and the milestones leading up to World War II.
Motta was likely also a supplier for many sound system operators, as you can see from the advertisement above. He sold amplifiers, speakers, and all types of recording equipment so without his influence, the face of Jamaican music would not be the same, in many ways. Share your stories, memories, and research on Stanley Motta here and keep the dialogue going!
Here are a number of links to more information on Stanley Motta and his recording legacy: