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Facebook ban Skinheads

CLICK HERE TO SUPPORT THIS PETITION, NOT BY JUST CLICKING LIKE, PUT YOU NAME ON THE COMMENTS, AND SIGN UP TO SUBCULTZ. APATHY IS A KILLER 

Letter to face book

hello, over the last few days a lot of groups have gone, these are all related to the skinhead, fashion and music subculture. This is a serious issue as its effected thousands of people. As a promoter of events in England i use Facebook to promote and interact with bands, fans, media and many other aspects. Nobody has been given a reason for this. The groups have no political or aggressive nature, but more a nostalgic and bonding use. people get together from all over the world and follow events. we have The Great Skinhead Reunion weekend party booked in Brighton England, which attracts old jamaicans in their 70’s to young english 15 year old children, people attending from many counries. we have a very warm friendly environment. this culling of groups and people profiles has broken alot of communication links relied on. please contact me as soon as possible and let me know what has happened. has this been a facebook action, or that of a hacker?

We are aware that the skinhead subculture, over its 40 year life span has been abused by the media. but as active skinheads, many of us around the world have fought to kill off the political extremes attached from both left and right. to make it a celebration of music, style and friends. as an example, my next event has a band from ethnic singapore, english/polish band, ska and reggae dj’s. Women , children and every type of person, black and white, coming along for the third year.

an example of the groups which have gone are classic skinhead photographs. traditional skinheads and many more, which have the name skinhead in the title.

https://www.youtube.com/watch?v=Xz_63cTrlxg We believe we have the right to know what has happened to our networking groups, personal photographs. and friendship links made across the Globe If you have been effected by this please register with subcultz and place your name in the comments  below. please put your country and town, so we can show facebook what a worldwide family we are

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Venezuelan Skinheads: few but true!

Venezuelan Skinheads: few but true!

Being a skinhead or skinhead girl in a country like Venezuela hasn’t been very easy, even though we are a tropical country and especially multicultural, here few subcultures are appreciated and followed, although punk subculture has had more relevance in Venezuelan youth, the skinhead subculture has left its mark on some of the Venezuelan’s youth, but today few remain in that lifestyle.

How did begin the skinhead subculture in Venezuela?

It is said that began in the mid-80s. At the time, in Venezuela, it was difficult to find music from other countries, especially from other continents; the music was coming rather late, as the news about the birth of new subcultures which by then some had over 20 years runs and others had more than 10 years. For this reason, the Venezuelan tried to obtain, anyhow, this type of information. Jamaican rhythms known as Ska and Reggae were heard at Venezuela by the mid-60s thanks to groups like “Las Cuatro Monedas”, many of our grandparents and parents fondly remember as part of their youth and good times. It is said that some young people began keeping Skinhead lifestyle in the mid-80s, but due to misinformation and bad reputation that the skinhead subculture had to the time (because they were identified as Nazis or Fascists) it became difficult to be a skinhead in Venezuela. Many of the Venezuelan’ skinheads couldn’t say that they were Skinheads because people confused them with Nazis and also it was known that were some groups of fascists and national socialists who claimed to be “skins” but they always were minority and lived hidden because it didn’t know more about them. In the 90s, the skinheads in Venezuela were few and numbered due to this situation.

By early 2000, the skinhead subculture took some notoriety among Venezuelan youth; this boom began after 2004, we were still few but far more than previous decades. The bad reputation was gradually eradicated, it wasn’t so hard to say if someone was a Skinhead, because this subculture was a symbol of beer, football and violence in some cities, for others it was to belong to certain groups such as SHARP and RASH and for some (very few actually) was a symbol of ska, reggae, beer, loyalty, friendship, tradition and pride.

Today the situation is different than used to be about 4 or 5 years ago, in the years 2007 and 2008, where it could be said that the skinhead scene in Venezuela was significantly higher than it was and what it is nowadays. They were good years for the skinheads of our country, we knew each other, there were events and there was presence. The skinhead scene began to losing ground by 2010, this mostly because of a personal nature. Although between 2011 until nowadays, events of ska and reggae have grown like wildfire in our country, this hasn’t affected in any way the interest in the scene. In fact, by this moment, we are a small number of traditional and Oi! Skinheads those still remain true to the lifestyle. Some people stopped living the skinhead lifestyle to continue with their lives from other perspectives.

Those who still continue living the skinhead lifestyle, we keep living life as each day goes by, it is something we own, something personal, when we can we enjoy excellent events of Venezuelan ska and reggae or some occasional party among friends. We are few in comparison to other Latin American countries but we are faithful and true to the skinhead lifestyle and every year we see more of it.

As I said before, it wasn’t easy to be a skinhead in Venezuela, far less being a skinhead girl like me, but that didn’t affect us negatively. On the contrary, this difficulty makes us true and faithful to the feeling.

Essay made by Mary GunsFever Montilla.

NOTE: Referential Photos of some Venezuelan Skinheads

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Griffiths Clothing

Subcultz Recommended clothing website. support the scene that supports you. Griffiths Clothing

about-us

Early British fashion is highly regarded as the pinnacle of style and design. Clothes were no longer run of the mill items and as such were becoming an identity and a reflection of a personality.

Our range of fashion is inspired by an era for those who appreciate a classic cut and style.

Since our launch, our customer base has grown rapidly from the UK to worldwide. Our own brand now stands toe to toe alongside some of today’s most popular labels. Griffiths-Clothing is full of attitude and ready to cater to the masses.

We’re passionate about how our clothes look and this has to be in the style of one we would not hesitate to wear ourselves.

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Soul Radics

We announced ourselves for the first time as Soul Radics at an Atlanta ska fest in the summer of 2011. That’s the easiest way to say it I suppose.

As a band we’re unanimously fans of the Jamaican classics of ska, reggae, and rocksteady… Though I’m very favorable to Dekker, Toots, and Derrick Morgan, it is a endless list of inspiration. Opinions obviously differ for the whole band, but I’m a fan of a ridiculous amount of music that mostly came before I was born. It’s hard to break it down without yammering on forever, but it starts somewhere around Django Reinhardt, Charles Mingus, Otis Redding, The Beatles, The Animals, Chuck Berry and ends somewhere around Early punk, Devo, The Stray Cats, and The Squirrel Nut Zippers. But above all my heart lies in ska, reggae and soul. I like music with feeling… That’s my thing.

I moved to Nashville, Tennessee from a smaller town in Northwest Indiana that bordered Chicago. I have collectively spent most of my life there after moving young from my home state of Florida, but also lived in New York and oddly enough some obscure places in Nebraska.

I met Jay back in ’09 soon after I’d moved to Nashville. I was looking to play guitar in some kind of punk group, as it’s what I had messed around with prior to, and he said “how about sing in a ska/reggae band?” I immediately got more excited about the idea since the concept of ska thriving in Nashville didn’t even occur to me as a new resident. Jay was from Canada and moved to Nashville specifically for music…. I had never worked with anyone so passionate about it before; it was refreshing. Long story short, and trust me, it’s long…. Jay and I have reformed this group 3 times to get what we have now. We’ve had a great writing relationship since day 1. We picked up our bassist Jamie early on and he’s been with us the longest. Jamie was from Michigan and had played much heavier music before joining up with us, but beyond him it had seemed like a revolving door before we actually became Soul Radics last summer. I think what ailed us the most was our constant drummer situation…. I’m sure most musicians can relate. We had always had a hard time keeping horns on but Nels (Nebraska) came along on sax and held it down for a long time on his own… Rob Hoskins (from Murfreesboro) was in a.k.a: Rudie which is a flawless, long running rocksteady band in Nashville. I had collaborated with them a little bit and was a huge fan, even though in almost 20 years they had never gotten far out of Nashville. Rob and Kevin (also from a.k.a.) came to our show one night, at which point we were basically all leaning to play traditional ska. We played a song for the first time live that night called “Down to the Hall,” which is a more upbeat ska tune, and they wanted to help us track it. Rob then began producing what quickly went from an E.P. to a full album, and also playing organ for us. He opened the floodgate for seasoned musicians. We finally got a professional drummer (Dave from Nashville), and second guitar (Shane from Pittsburgh) that we kinda smuggled in from a.k.a: Rudie. Most recent is Chuck from Cali on trombone, and that’s our current line up. Sorry if that was long winded… big bands are high maintenance, ha.

i read you are in nashville, obviously world famous for music, but how does the soul/ skinhead reggae sound fit in there. i thought the town was very much based around country and western.

Nashville is one of those towns where everyone you bump into is a musician. There’s usually a good show every night but truth be told it’s a small demographic in comparison for what we do. There’s not a lot of pats on the back here for carrying the torch in our town. The people that love us at home base support us dearly… that’s our crew.

listening to ‘hey skavoovie’ it had good production on it. are you signed to a major label.

Cheers! We’ve been recording in a.k.a: Rudie’s studio (which actually happens to be the 2nd floor to their guitar player Kevin’s house). Kevin has engineered the album and the wonderfully talented Brett Tubin is mixing it. As of now and we’re set to release it on both vinyl and cd through Jump Up Records, and our record release show will be with Stranger Cole in Chicago on November 17th. I’m very excited for it! We’ve all poured a lot of blood and sweat into it and I can’t wait for the finished product.

how is the skinhead scene where you are?

Small in Nashville, but they represent. Our buddy Matt Gray DJ’s ‘Sunday Moonstomps’ and the scene brings in some good bands as often as possible. We do a free monthly Nashville gig in the summer and that’s where I see most the crew. Sometimes we’ll get an iconic band through and it’ll draw everyone out of the woodwork.how are your live shows, are you starting to pick up a following?

While Nashville shows are always personal and fun, I live for playing out of town shows. Hell, liveshows in general are my thing, but I love an adventure. I feel like we convert so many people when they see us live… that’s how we’ve gotten our biggest fans up until this point. A good Radics show leaves me high for days. It seems like every time we go back to Atlanta there’s more supporters, and I have to admit I feel a buzz around us right now which makes the record release all the more anticipated. I’m grateful for the shows we’ve been invited to play this year, supporting bands like the Aggrolites and The Toasters as well as a plethora of amazing regional bands. We’ve been fortunate with the opportunities and fans we’ve gotten without yet having an album out.  Dani Radic

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Indonesia Skinhead. No Mans Land Oi!

One of the longest running Indonesian Oi! bands is No Man’s Land. Founded in 1994 they are one of the pioneers in the skinheadscene overthere. Band based in Malang – Indonesia. Their music, started taking on a different direction and influence, after Didit (Vocal/Guitar) introduced them to Oi! music such as, The Last Resort, The Oppressed, The Strike and The 4skins, Cockney Rejects, The Business etc.No Man’s Land : Didit (Vocal/Guitar) Didik (Drum)Catur (Bass)Ferry (Guitar) Once before the three boys formed the band, fery and didik were friends in same high school, but not for didit. He knew them both as playmates at the age of 13 until they were in high school.Didit was the one who always had musical ideas or direction not commonplace and were sometimes considered extreme to some parents in local community, but they all have the similarities in outlook on social development in which they live. All three friends liked pretty much the same music. And most of all, punk and Oi!, they liked different music too and all three were music lovers. They did not like popular music,-pop music .But liked underground music that tended not be popular music listened too by other youth around them at the time. He was always more critical of the lyrics and music of other bands that might have an influence on them.
And after they graduated from high school, they formed a band called No Man’s Land. They took this name from a war movie they had liked and all seen. No Man’s Land was a punk band they formed which was more of an upbeat, faster and more of a singa long punk rock style. Their music, started taking on a different direction and influence. After Didit introduced them to Oi! music such as, The Last Resort, The Oppressed, The Strike and The 4skins Cockney Rejects, The Business etc.The first time they recorded it was on very basic, simple equipment. The results for the first time weren’t what they wanted. Determined to make better recordings and sound better, they kept trying, and recorded once more with some additional tracks.

  In 1996, they made recording of their new songs in a better studio with better equipment. Each of them would collect a little money for the new recordngs. They all had to utilise their time very well, and work out songs faster and more efficiently. As they could not afford to many recording sessions at the new studio. the personnel at the time have become four. is Catur who encounter at the first time when No Man’s Land played in some gig, then didit offered him to join. after the master tape was completed,. They took it to a studio which was commonly used to record/press traditional and folk songs. They made 200 copies and distributed them all friend to friend . In a true DIY punk/Oi way. It was extremely rare and unusual for a band to record and distribute their tapes without a label at that time in Indonesia. Some was merch or music from other punk distro’s etc, from other countries.No Man’s Land formed many good friendships/relationships, in other areas of Indonesia and abroad aswell. Didit corresponded with many friends and fans. Usually writing in the letters, first by introducing his band No Man’s Land. Didit was very diligent with correspondance and keeping up with his fans letters. On average the letters would take about 2 weeks to be delivered upon receivership etc. He was diligent because letter writing was still a main source of communication. As the internet, and internet access for the common people, was still fairly rare at the time. he did it also to make sure , No Man’s Land was given some attention by other scenes, by introducing it to people around the world. And wanted people to know, there was a good and growing punk and Oi scene coming from out of Indonesia. In 1997, a label from Malaysia offered to make a split tape album with No Man’s Land and a punk band called Karatz from Malaysia. The album was produced in Malaysia, and then distributed to various countries.For the Indonesian market , No Man’s Land would be given royalties.After the sale of 200 copies of the album. The label sent 200 printed covers of the album to No Man’s Land. Then they would make copies of the tapes in a DIY way, and then sell those copies themselves. In 1998, No Man’s Land recorded their new album. The studio was better and more proffessional than what they had been used to before. The LP ” Grow Away From The Society ” was recorded all in a live session. In this new album they had a faster and more aggressive sound and more intense lyrics, the lyrics were alot to do with social and racial unrest at the time, commenting about riots etc. The album was released by local label, Confuse records. They took no royalties from album sales, but instead passed on the finances to friends who would later construct a record label-distro, and so develop and build it up. To later pay the recording cost of the next album. The distro serves to distribute stuffs such as tapes-cds-t shirts-button pins etc. Which would be made available for anyone to buy, also became a place for the boys to hang out, and socialise etc. A year after that, No Man’s Land recorded for a new album once again.Called ” All Together Now “. In that album, there was alot of lyrics about the local scene in Malang. The scene was growing bigger at the time, many more punks and skins seemed to be coming up in the scene. No Man’s Land played and average of weekly gigs, but never left town. Due to work commitments, No Man’s Land only played in Malang for a while, but their merch and lp’s were sold all over by friends distro and DIY. And then in 2001, Didit got married and so did Ferry and Didik. Didit got work out of town. Times changed, the scene seemed to slow down, and No Man’s Land were only playing on average a gig/show a month. Didits mates rarely went to see shows after a time. And Didit barely had time to go see a punk show himself anymore. His work was that full time, that he only got back to home to Malang once a week. But inbetween his and their hectic shedules, they still found a little time to get some band practice in and hang out together.

 In 2005, Didit resigned from his out of town work, and started and built up a business with his wife. So then he had plenty of time to get together with his mates again. Then in 2008, No Mans Land went to record some new material after a fair hiatus, of just jamming and prac and no recording. Lyrically and musically they felt they had improved, and seemed they had improved on their sound quality. They were kind of veterans in their scene by now. They took 3 tracks from and old lp, to record on the new material. They didn’t change their sound too drastically, kept it much the same. But just made some subtle adjustments and improvements. The latest lp is scheduled to be released on a European label, and will be out at the end of 2011. No Man’s Land’s expectations for the new album will be realised against the feedback and sales from the current international skinhead scene. Didit and the boys have faith that old fans of No Man’s Land will not be dissapointed, as No Man’s Land has kept true to its lyrical and musical roots, pure , straight up Indonesian Oi!. And at the end of the day, No Mans Land are just happy to play the music they love, and have a laugh and a say. And happy that the Skins/Punks scene is still alive and kicking. 

http://youtu.be/xg46V7ZKGDQAlbums + Separatist Tendency (Demo Tape Self-release) 1995+ P.A.A.S.D.O (LP) KDHC Recs 1996+ Punk Hey Punk (split cassette) Phisik Scream Ent. Malaysia 1998+ Grow Away From The Society (LP) Confuse Recs 1998+ All Together Now  (LP) Rawtape Recs 1999+ Scattered Around And Buried (CD) OiShop Germany 2012+ The Best of 1994-2012 (next on Aggro Beat Recs Compilations + Saudara Sebotol (RawTape) 1998+ Anti Disco League Vol.1 (Templecombe Recs 2006+ Skins And Punks (CD) M2 Bootboys  Recs 2008+ Work Together vol.1 ( Virtual Comp.)  Work Together Recs 2012+ Made In Indonesia (next on Agrro Beat Recs late 2012  (From: http://www.last.fm/music/No+Man%27s+Land+Oi!)Indonesia is one of the countries with a growing skinhead scene. there are Oi! bands from this country. One of the longest running Indonesian Oi! bands is No Man’s Land. Founded in 1994 they are one of the pioneers in the skinhead scene overthere. Band based in Malang – Indonesia. Once before they formed the band, fery and didik were friends in same high school, but not for didit. He knew them both as playmates at the age of 13 until they were in high school.Didit was the one who always had musical ideas or direction not commonplace and were sometimes considered extreme to some parents in local community, but they all have the similarities in outlook on social development in which they live. All three friends liked pretty much the same music. And most of all, punk and Oi!, they liked different music too and all three were music lovers. They did not like popular music,-pop music .But liked underground music that tended not be popular music listened too by other youth around them at the time. He was always more critical of the lyrics and music of other bands that might have an influence on them.

And after they graduated from high school, they formed a band called No Man’s Land. They took this name from a war movie they had liked and all seen. No Man’s Land was a punk band they formed which was more of an upbeat, faster and more of a singa long punk rock style.  

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Jack The Lad, A Skinhead Biography. Soho. By Symond lawes

SOHO

skinhead and skinhead girls piccadilly 1980, by gavin watson

Bev carver, Symond lawes, skinny jim, jayne and nigel buzby
Skinheads in Piccadilly London

Where the fuck is Soho¨? Jack said to Gav studying the tube map on the wall,

I am sure it’s in the west end¨

A bit to shy to ask adults, as Soho was known for sex shops and sleaze, not really the sort of place to encourage teenage kids to go hang around.

But where ever there was danger, there was always fun

The first time the lads had gone looking for Soho, they had studied the tube map looking for Soho station. But to no avail. Being street wise 14 year old skins, they didn’t want to have to ask a stranger and risk embarrassment, but just managed to find it by chance, wandering up through china town behind Leicester square, the shops changed from Chinese restaurants to small shops with the words ,Adult shop’ on the window. Handmade signs saying ´Model upstairs, above a shabby unpainted doorway, a bell hanging on the frame with exposed wires. Not really the place for a twiggy jack thought to himself. More like a model zeppelin he imagined.

Designed for ripping off rich Americans or drunks on a stag night, famous for sleazy shops and overpriced drinks in basement strip clubs. Porn cinemas and prostitution.

A few streets down, in Leicester square were the large theatres showing the Hollywood blockbusters, the caricature artists, painting pictures of ugly kids, whilst throngs of Japanese tourists photograph everything that moves, and most things that dont . The street buskers singing the same old Beatles and rolling stones songs to passing tourists. Well behaved London police officers playing the part of ´Bobby´, giving directions to the tourists, desperately trying to keep the image of nice London safe for the US Dollar and Japanese Yen. Smiling kids posing by red telephone boxes, in their plastic bowler hats.

But for the young skinheads it was a different world.

I´m bursting for a piss¨ jack announced to his mates, just gotta go to the loo¨

In the middle of Leicester square by the small garden there are some public lavatories. Walking down the steps the smell of disinfectant hits the nostrils mixed with the rancid smell of human waste. The tiled black and white chequered tiles, as you enter. The shiny polished copper pipes. Jack wondered to himself, who took so much pride in cleaning toilet water pipes. But any pride is a good thing he reckoned. All the lads piled down the steps to go for a pee.

But even in such a public functional place, there lurked danger.

Like rats, you are never far from a nonce in the west end, and like rats they scamper around looking to feed their hunger. A lot of runaways head for London. The bright lights, the romantic notion of a better life, the anonymity of the big city. Escaping some form of child abuse or unhappiness.

Like Ying and Yang, there is the Salvation Army and churches which are there to help and support. There is also the anti Christ waiting to feed.

When jack was 10 years old he had gone to the seaside, to Selsea Bill, on a very rare trip with his family.. Jack had been so excited, as lots of his mates had been there on family holidays, and had come to school telling stories of the sea and riding donkeys on the beach. Jacks town was about as far inland as possible in the UK, and it took hours to ever reach the ocean.

It was late autumn, and the place was almost deserted, a cold wind coming in off the sea. A closed fair ground and shuttered fish and chip shops, but any trip with his family was a great thing for jack and his sisters, and to see the ocean was almost magical.

Almost as soon as jack got out of his dads car, he needed the bathroom, his dad went crazy if his kids ever asked to stop for a toilet break on the journey, and the excitement of a glimpse of the sea, kept all the kids in anxious excitement anyway. His mum fed them boiled sweets for the journey, which was a lovely treat.

On the edge of the closed fair ground was a public WC. So jack headed straight for it, leaving his sisters and parents to wander along the promenade admiring the view, his sisters dashing down onto the beach to look for sea shells. The seagulls screaming overhead searching for washed up fish.

Jack was so excited to explore the seashore, he thought nothing as he ran into the toilet. Straight into a cubicle he slammed the door behind him, slipped the bolt across and took a seat on the toilet.

As he sat there, a piece of toilet paper flew under the gap beneath the door, and some footsteps walked away. Glancing down, jack noticed there was something handwritten on the piece of paper.

IF YOU WANT A WANK OPEN THE DOOR. The paper read.

Jack was absolutely frozen with fear.

Öh my god, he thought, what can I do, I have to open the door to escape, but if I open the door, then he will get me. He had only just about heard of the word ´wank´ . It’s something Pitwell often talked about, but jack was a lot more interested in collecting football cards and climbing trees for conkers, than anything vaguely sexual. But he realized he was in serious danger.

He understood the danger from his father’s tempers, he got at home, the canings and beatings from school teachers, even the bullies in the street of the council estate. But this was a whole new danger. Something that even scared adults. There were often rumours around the streets about strange men in red Austin mini cars. His mother always told him, never to speak to strangers. Kids talked about this danger, but never in detail, no one really knew who they were, or what they did to kids, when they kidnapped them.

What was he to do, he sat frozen, unable to breath, as it might let out a noise, holding his heart trying to hide the sound of the beating, he let out a slight uncontrollable murmour of fear. Where was he to go, he would have to open the door at some point. Perhaps his dad would come looking for him. But maybe not. Maybe this man will kick in the door. Thinking about it, he realized that as he had came into the building, there was a whole group of men in the toilet. Why were they all there? Were they all bursting to use the bathroom, as he was, maybe they would help him. But then a thought hit him. Maybe they are all together, maybe they are all kidnappers and perverts.

He slowly stood, pulling his belt tight. Raising his courage. Very slowly, he pulled the bolt on the lock, trying desperately not to make a scraping sound of metal on metal, mustering every bit of courage he could in an attempt to allow his escape. The door slowly opened. With every ounce of strength, every piece of energy, he ran. Not looking at anyone, not giving anyone a chance to grab him, he darted for the door to exit. Within a few seconds he was outside. He ran straight into a car parked outside, and as he looked into the window he saw the face of the devil. A thin old man in bottle glasses, with greased hair, staring at him. The look chilled his bones, as he ran for safety towards his sisters and parents. He could feel the eyes of the demon on his back, but he wasn’t going to look behind him.

Making the promenade, he saw his family down on the beach, his sisters bending over and searching the sand for shells, by the edge of the tide, jumping waves and running to escape them. His parents walking along further inland.

His anxiety dropped as he reached safety. Running down the otherwise deserted beach, his sister called him,

¨jack, look I’ve already found a shell fish, as she held it to her ear, listen you can hear the sea inside¨

Instantly he decided not to mention the toilet experience to anyone. His dad would only get angry, his mum wouldn´t know what to say. And it would at the very least, ruin the day for the whole family.

Instead he picked a flat stone up and threw it as hard as he could into the sea, trying to make it skim the surface of the sea. It went up twice then disappeared into a large white rimmed wave of the ocean. Jacks dog ´George ´chased the stone straight into the ocean, which filled jacks heart with joy. The dog had never seen the sea before, and had been howling on the entire journey from home.

´George had endless energy for chasing sticks, balls and anything you threw for him. He was jacks closest friend. One of the few kind things his dad ever did, was to save George from being killed by the vet. He had been bought as a German shepherd, but had not grown. He was just a mongrel, so the neighbour had taken him in the pub and asked if anyone wanted to save the young dog from its death sentence. He soon became one of the biggest personalities on the estate, being Jack, the paperboys dog.

Walking along the beach, the kids were all having the best fun ever. As usual feeling starving hungry, but otherwise loving it. Along the side of the ocean road were lots of shops, all looking tatty, selling rock and postcards and one large one with red flashing lights and music blasting out. It was an arcade filled with amusement and gambling machines. Oh how jack wished he had a few coins to go inside.

¨right that’s it we´re going home!¨ jacks dad barked

What, why? His mother asked quite shocked

¨Bloody Wogs¨ his dad barked with hatred in his eyes, staring at a group of black teenagers who were in the amusement arcade. ¨

So that was the end of the family holiday.

Leicester square was buzzing with crowds of people as the young teenage skinheads entered the toilets. Jack eyeing up the situation, looking for an empty cubical. Most people would be oblivious to the parasitic nonce. They don’t look very different to any man you could see on a Sunday watering his garden lawn, they don’t wear anything different than anyone else. They could be a school teacher or a bus driver, married to a fat wife with blow dried hair. But hidden behind that mask is the sexual deviant, who prey on young boys in public lavatories.

As Stuart entered the toilet, he went immediately to the standing urinal, undoing his jeans zip. Richard a bit further along. Jack was on watch, and sure enough, a man came running up beside Stuart from one of the wash basins. As Stuart was going about his personal business the man stood and looked down at Stuarts hands .

¨Stuart, there’s a fucking nonce next to you¨ jack screamed as loud as he could.

Stuart, bewildered, looked to his side, to see the man of about 45, wearing a sports jacket and backpack, looking at him, trying to get his kicks.

The pervert realizing very quickly he had been noticed ran for the door. This was jacks chance.

¨ let´s do the fucking scum¨ he cried to his mates.

Racing forward. He wanted this piece of scum before he could make the street outside.

Stuart and Richard joined in the chase, but were slightly to late, as the nonce made the crowds of Leicester Square. He went immediately into hiding behind the tourists. But Richard chased straight into the crowd, throwing a can of coke which had been discarded on the litter bin.

´clang´. It bounced off the side of the nonce’s head, sending its contents splashing over the pervert, and some other people in the crowd.

¨fucking nonce¨ Richard called after him.

¨Bloody Yobs ¨ a voice came from the crowd

Yes did you see what that thug did to that poor man?¨ came the sound of his wife

Bloody skinheads, where´s the police¨?, another startled onlooker called out¨.

Quickly coming to his senses jack realized they were in a volatile situation. The west end is crawling with police, and the skinheads would be the first arrested.

¨leave it he cried out to his mates, there´s old bill about ¨

Yes I hope they lock you away¨, came the voices

¨Aww bollocks to you fucking lot, what do you know¨. jack shouted into the crowd.

As the lads got together and mutually decided to leave the scene sharpish, running up the side of the theatre into Leicester place.

Bring back national service¨ came a comment as jack stuck up the V´s to the onlookers as the young skins made their escape into china town.

Another statistic for the newspaper reports

SKINHEAD THUGS ATTACK INNOCENT MAN IN LEICESTER SQUARE, WITNESSES REPORT.

Jack thought to himself as they trotted north into Soho. Sexual perversion and child molesting was a lesser crime than parking on a yellow line in the British court system. For the parking offence the driver immediately gains a fine. For the nonce the most he could expect was a few hours counseling if he ever made it to court.

The courts were full of nonce’s anyway, judges and barristers all had attended private schools and been buggered by rugby playing elder kids as part of the normal initiation. So they didn’t understand what crime had been committed. They would often go to whores in the back streets of kings cross to have their arses spanked by some sexually abused runaway and pay them money for the service.

Whilst Mrs. Judge was at home in Twickenham worrying about the colour of the curtains, as little Harriot and Bartholomew were away at school studying law and sociology in the hope of following their father into chambers, or failing that, getting a high paid job at the BBC, or in the media to write about the menace of the lower class thugs in British society.

Soho peep shows were always good for a laugh. The darkened hallways and the row of booths, a little like confession boxes in a catholic church. Only instead of getting father O´Reilly, when the flap opened after inserting 50p you got a naked girl sitting on a bar stall touching herself for the gratification of anyone with a few spare coins. Sometimes she would be so excited she would be sitting there reading a book, with her lily white skin, cellulite and stretch marks visible to anyone with a few spare coins.

Amongst the sex shops and porn cinemas, Soho was also a place for the drugs trade, it was not uncommon to see a few smack heads lying in the gutter, or spaced out in shop doorways, pallid white skin with blackened eyes. Pupils like pin dots. The living dead, covered in cysts and boils, from too many poisoned needles. Resorting to thieving or begging for any spare change, once the good looks had gone and there was no room left for them on the peep show stool, when the curb crawler kept driving, the nonce onto his next victim. The wheels of the sex industry, ploughing on through the harvest of human destruction.

Jack wondered why in this day and age with all the information out there, people would still take that first puff of opium. That first chase of the dragon. Was Sid Vicious or the rock stars of the 1960´s so cool as to want to follow them to a lonely end. Did they really believe that they were immune to addiction. Or was it just a death wish that would soon be granted, their bodies being found in cardboard city under waterloo bridge. another victim to the paupers grave.

Late night cafe, for a hot mug of tea, or a Spanish omelet. A place to escape the cold night air, or to wait for the morning trains to start. A few drunk clubbers, some musicians sitting for an after work coffee. Late night whores on a break. Old school gangsters wearing the immaculate fitted suites of a bye gone era, after spending too many years behind bars, cooped up in wormwood scrubs. Undercover vice squad with yellow fingers, from too long sitting on stake outs smoking players number 10. The proprietor watching over his flock of misfits.

On the wall are pictures of beautiful Spanish hillside villages, the sunsets over the Mediterranean, white painted buildings and tango dancers, all slightly faded and worn, a tea urn sitting on the edge of the surface, with a steady flow of steam escaping from the top rim.

Family photos of children in Sunday best clothing, posing with their mother and father, proudly hanging on the wall behind the service area. Jack wondered what brought this guy to London, the city of thieves. Maybe he had got on a boat to seek excitement of the most magical city on earth, His own business feeding the English people Spanish food. Sending regular letters home about the great business in London, hoping one day for his Spanish sweetheart to join him, or to one day return a rich man to the village he had come from.

Furniture from 1960´s square melamine tables with wooden chairs. A yellow glow from too much cigarette smoke and cooking fat, creating a warm homely atmosphere, the transistor radio playing wonderful world by Louis Armstrong.

A politeness and courtesy to the night owls of Soho. Two young skinheads feel welcomed as they take a seat, resting the tired feet from the constant walk around the streets of the west end.

Two overdressed and over made up girls stand, the smell of perfume hanging over them mixed with cigarette smoke. One wearing tight leather dress and leopard skin coat. The other in a bright red micro mini skirt short enough, it almost reveals her panties. Her boob tube squeezing the breath out of her chest, pushing her ample breasts to bursting point. Bright red lipstick and almost red blusher on her face.

¨see you later Luca, back to work¨ one says as she blows the proprietor a kiss walking out of the late night omelet café.

¨stay safe darling¨ replies the Spanish guy behind the counter

Jack and Gavin sit by the window sipping mugs of tea. Jack watching the Mercedes outside with the Arabic looking guy behind the wheel.

¨mind if we sit here?¨ a strong female northern Irish accent asks.

Yes sure you can¨ jack says, looking up to see two pretty punk girls standing smiling at him and Gavin. Jack offering a big smile to the girls as they take their seats.

¨god I could murder a cup of tea¨, one of the girls remarks as she looks at the menu written on the wall.

¨I think you have to go ask at the counter, Jack says, I’ll come with you, I need a refill, thinking it a good excuse to talk to the girl.

The proprietor , a thick set man in his mid 50´s with jet black hair and dark brown eyes, a few too many hairs sprouting from his nose and ears, wearing a white shirt with rolled up sleeves, an apron not hiding his petruding stomach very well, a tea towel laying over his shoulder.

¨how can I help you kids¨, he asks the couple as he places some clean plates on the shelf.

¨two cups of tea, please Mr.¨, the young punk girl asks

Holding the silver aluminium teapot under the water boiler, he pulls the handle and a high pitch hiss comes as the boiling water squirts into the open pot. Swirling it around in circles, he pours the thick brown tea,

¨And what about you son?¨ he says to jack without looking at him, preferring to concentrate on the boiling water.

¨I´ll have two teas as well please¨, he says placing his two cups on the surface.

Rejoining Gavin and the other girl, who had already struck up a conversation, the two friends placed the tea cups on the table and sat down opposite each other.

Where you two from¨? Gavin asks, my mum is from Ireland.

¨really, where from, asks the girl, we are from Belfast¨

Port Louth, by the prison¨ Gavin replies.

¨Wild place that, all the families from both sides go and live there, to be near the old man in jail, the girl says with a laugh, having their own private war¨.

Gavin continues ¨my mum hates it in Ireland, she has been here since she was about 18, got out as fast as she could, my uncles also moved to England, so we don’t really have any family there at all nowadays, I have never been there, but my uncle was a champion hurling player.´ Billy Dargan .

¨Oh that’s grand, I hope to move away from Ireland too, maybe we will stay in London, we just got here today, so we don’t know yet. London scares me.¨

Ha-ha jack laughed, you are scared of London, and you got the IRA blowing the fuck out of your town?

¨Oh it’s not as bad as that, don’t believe all the news reports, if you don’t get involved with it, they leave you alone¨.´ The IRA blew up the police station down my street once, but that’s about it¨. London is full of muggers.

¨Yes I guess so, Jack said, my brother was in the army over there, but he was stationed down in south Armagh, a place called Crossmaglen¨

¨Oh yes that’s called bandit country, they have shite going on across the border down there.¨

¨I´m Mary by the way, and this is Bridget, nice to meet you´.

¨My brother is a Belfast skinhead, but he´s over here now, living in Kilburn, do you know him, he´s called Mickey Doyle¨.

¨No can’t say I do know him, there’s a lot of skinheads in London´, but might have met him at some time or other,¨ Jack replied.

So what brought you to London, you just visiting your brother and shopping¨?

Well , something like that. Bridget here thinks she is in the family way, so we had to come over here, you know how it is being catholic in Ireland, she is going to the family planning clinic tomorrow, her ex boyfriend doesn’t want to know, he´s a waste of space, the feckin ejit¨.

¨Oh well I am sure you will be ok in London, there´s more Irish here than in Ireland.

Is that a fact, I was a bit worried we might get a hard time here, because of all the political shite.

¨No, like you say, don’t believe the media, our estate has loads of Irish, I don’t think the average Englishman blames all Irish for a few fucking scumbags, Gavin said, when my mum came over in the 50´s there was a bit of ignorance to the Irish, they used to have signs up in lodging houses, saying no dogs or Irish, but that’s ancient history.

So what brought your brother here, work¨? Asked jack.

Ha-ha, our brother, she said with a big smile. Biggest fool of them all, wherever there is trouble , our brother won’t be far away, he decided one night to steal a car, to get home from the pub, him and a few ejit mates of his.

The next day we get a visit from the ´Boys´, they tell our brother he has one hour to leave Ireland, turns out the car belonged to them. Luckily for him our Dar knows a few people, so managed to sweet talk them into agreeing not to take my brothers knees, if he left, and my father paid for the repairs to the car.

Silly fool, he parks the car a few streets away, thinking no one would notice, the local skinheads, in their big boots and no brains. You can´t blow your nose in my street without all the neighbours knowing how many tissues you use¨. ´

´so of course the Provo’s were round the house before breakfast, knocking me Ole Fella out of bed in his Y fronts

Hahahaha, so he moved to safe London, full of muggers, hahahaha, Jack said with sarcasm.

Yes, something like that, she said, he has to send me father money every week. He got a solid leathering from me Dars belt, to send him on his way. ¨she said, as all the four new friends laughed together.

A man came into the café, immaculately dressed in a sharp 3 button Italian suite, with a full length Crombie style overcoat draped over his shoulders, a pair of smooth’s, so shiny you could see your face in them.

¨hey Peter! The man behind the counter called out, in a very pronounced Spanish English accent, a huge smile across his face and an outstretched hand. The two guys hug, and the proprietor kisses the man on the cheek.

¨how’s the lovely clean air of free London my friend,

¨just great Luca, but the air is not so clean these days, with all these cars about¨.

¨what you want my friend? anything you like on the house, my home is your home¨ he continues

With that, the two old friends went into conversation about old times, dropping the volume levels gradually to a quiet talk.

Jack watched them as they spoke, imaging the stories those two guys could tell. Men from a different era, The jazz clubs of Soho, the swinging 60´s of the Mods . And The London underworld. Judging by Peters clothing, the way he held himself, with confidence, and the fact he wore a deep scar down the side of his face. Not a Chelsea smile, but a sign of an old street fight and a cut throat razor.

¨jack stop staring, Gavin’s voice broke through jacks thoughts¨.

¨Ur ur yes, shit, jack stuttered realizing he had been eyeballing someone who could take it seriously the wrong way, and returned his attention back to the girls.

¨so how’s the punk scene in Ireland¨ jack asked Bridget.

¨Yes pretty good, I like the English bands more. I love Sousxie and the Banshees, X-ray Specs¨ she said.

Yes they are good bands answered jack, but I love Stiff Little fingers and the Undertones¨.

¨Yes they are good an all, but all the best music, comes from London, you have so much here, most of the Belfast punks have turned skinhead now, they all love madness and the specials¨.

The conversation carried on about the punk and skinhead scenes in London and Ireland. As peter the sharp dressed guy crossed the room towards three other older guys of similar age who were sitting in the corner. As he passed the young skinheads table he smiled.

¨Tut tut, what’s this town coming too, he said, bloody skinheads

Hey Luca you don’t want these trouble makers in here, he called over to the proprietor, who was in the process of washing some blue and white striped mugs.

¨Get them all a hot drink on me, he said with a wink and a smile, as he took his seat with the other three guys.

Jack gave a shy thank you smile, in recognition of the generosity shown by the charismatic stranger, the 4 fresh cups of tea arriving soon afterwards to the table.

¨see London’s, not so bad¨ jack said to the Irish girls, who seemed enthralled by this new city.

Gavin pulled out his camera and took a few shots of the girls, which sparked conversation.

¨ I wanted to go to college to study photography , remarked Mary¨. But I couldn´t afford it, I had to get a job, so I ended up working in Woolworths, but at least it was in the photographic processing department ha-ha¨ she laughed.

¨ I never studied a thing, Gavin said, just got hold of a camera off my old man and started taking pictures.

Gavin often used his camera for opening doors, got him free into gigs as well as a good tool for chatting up women.

¨Great fun printing the pictures in the bathroom, as well, interjected jack, then turned his attention back to Bridget and the conversation of music. Jack loved punk music, and also liked punk girls, as they tended to be feminine and wore more revealing clothes than the skinhead girls.

Bridget was a small framed girl, her hair dyed black, with bright green Irish eyes. She was wearing tight fitting black jeans, destroy shirt which was torn across the chest to reveal a slight cleavage and black bra. Her leather biker jacket with love hearts and anarchy sign painted on the lapel in Tipex, with a few band pin badges, one saying Belfast punks, Sousxie and the banshees badges., alternative Ulster, oh bondage up yours, Her skin was crystal clear with a natural beauty. A soft gentleness about her. Small petite hands with manicured nails painted black, with a few silver rings, silver bracelets and pieces of material tied around her wrists.

¨Fancy going for a walk¨? Jack offered the girls

¨Yes sure, why not, can we go see Trafalgar square¨? Asked Bridget.

¨ I thought you said you´d been sightseeing today¨?

¨well we have, but London´s massive, we seen all the shops in Oxford street and Covent Garden¨ laughed Mary.

Yes bet you did¨, jack said with a raised eyebrow and frown, thanking god he wasn’t mugged into that sightseeing trip.

Taking the last mouthful of tea, jack stood and slipped on his prized Crombie, doing up the three buttons, adjusting the red handkerchief in the top pocket and brushing it off with his hand, he walked towards peter, the sharp dressed guy, but as he did he noticed the guys all stopped talking, on his approach. Jack sensing not to step to close, stopped and just nodded at peter.

¨thanks for the tea mate¨!

Peter rose his eyebrows. Don’t mention it , enjoy your girls. A short pause as jack turned away,

¨Keep your nose clean son,¨ Peter chipped in,

As jack walked away, ¨ if you can’t keep it clean, don’t get caught! ¨

Walking through Soho at night was a different experience than during the daytime. Gone were the shoppers and city workers, the black cabs and motorcycles couriers. Replaced by drunken clubbers wearing this week’s trendy clothes, staggering about looking for a kebab to wash down the alcohol, homeless sleeping in shop doorways, sheltering from the wind and rain, the scruffy dog sleeping at his feet, dirty clothing and one bag to hold the worldly possessions, making a bed on piss a stained pavement.

Piles of rubbish waiting collection from the council workers dustcart leaning against lamp posts.

Red lights flickering in upstairs windows above closed video shops.

¨If the Nuns could see me now, Bridget laughed, as she read the posters pinned to the porn cinema windows. Debbie does Dallas ¨she said as she tucked her hand around Jacks arm

Gavin and Mary were walking in front, probably discussing the meaning of life, knowing Gavin, he was always deep in thought about astrology, karma, from the latest hippy book he had read about metaphysics.

Through the streets of Soho the gay rent boys at old Compton street, the Chinese restaurants of china town surrounding Gerard street, on the edge of Soho, bordering Leicester Square and theatre land. Who knows where they all come from, rumours of human trafficking, stuffing people in container s on ships and backs of trucks, all the way from small villages in China, to work the restaurants and sweat shops of London and Europe. Controlled by the Chinese Triad gangs of Hong Kong. But no one really knows, they don’t mix with English people, live a parallel life within the city. But they don’t cause any public concerns. There are never stories of Chinese muggers or street riots, so they go un noticed, so long as the Peking duck stays cheap and tasty.

Maybe due to Bruce Lee movies nobody fucks around with the Chinese, as British kids are well aware that every Chinese person is a trained killer, who can take the biggest man down with one flying kick or karate chop.

Old Compton Street looks like any other West End Street, but Jack felt glad to have Bridget on his arm as they walked along. This strange group of bikers standing around, dressed in too much leather, with no obvious signs of motorbikes about, and even less females for comfort.

Jack felt eyes on him, as he walked, but kept his eyes on the path in front, his conversation with Bridget, perhaps subconsciously pulling her a bit closer to him, as he passed along the road. Bridget seemed unaware of anything odd about these people.

Reaching Charring Cross road unscathed, jack felt a sigh of relief. Relaxing slightly.

¨they give me the creeps¨, he said to Bridget, who was busy chatting about something , which had become a blur to jack, his mind was otherwise engaged.

¨who do, the Buzzcocks? ¨ Bridget answered, a bit confused.

¨No, said Jack, Fucking Queers¨

¨Are the Buzzcocks Gay?¨ She said

¨No, I don’t think so, said jack, but all those Poofs in Compton Street are¨

¨Who…. Those bikers¨? She remarked, looking back over her shoulder, I thought it was a hells angels club or something¨

¨Yes but with a few too many moustaches for my liking¨, laughed Jack

¨Aww leave them, they do no harm¨, She said tugging on Jacks arm

¨Idon’t want to know the harm they do to each others arses¨, Jack joked back

¨Urrr you´re disgusting, she said, screwing up her face.

She giggled a little and rested her head on jacks shoulder, as they walked, jack was worried slightly that her makeup would smudge onto his prized coat, but thought he wouldn´t mention it, he was quite enjoying the feminine touches coming from Bridget. He wasn’t sure if he was on a result here with the girl. Was she putting out inviting body language, or was it was just her friendly Irish nature.

Walking down Charring Cross Road, jack was giving Bridget a bit of a history lesson.

¨Denmark Street, they call Tin pan alley, because of all the musical instrument shops. The sex pistols used to rehearse in an upstairs room above a shop there, McLaren paid them 25 quid a week, before they made it big.

And that’s the National portrait gallery, where they have all the old biscuit tin classics, Constable, or whatever his name is, you´d know his paintings, countryside stuff, with horses and carts etc. the Heywayne or something like that.

That church is St Martin’s in the fields, weird to think this was all fields, once upon a time. The actual city of London, is only one square mile, and was once walled, its where the tower of London is and all the banks. It used to have gates likes Bishops gate etc.

They got a doss house now at St Martin’s for all the homeless, and a lot of those big buildings are embassies, like Canada and south Africa. And there is Trafalgar square, jack announced as Nelsons Column came into view.

¨You know a lot about this stuff Jack, I am very impressed, the perfect English gentleman tourist guide, did they teach you this at school?¨ Bridget asked.

HAHA jack laughed, they teach us fuck all, apart from how to bend over for a whack on the arse from a wooden cane. And especially nothing about British history, its politically incorrect. We have the industrial revolution, all about the toll puddle martyrs and who gives a toss who invented the fucking safety lamp. They teach us nothing about our culture or political history. I just like it, my ancestors were undertakers in Drury Lane, which is just up the road there, at the time the first white settlers were discovering America ¨.

♪have you seen the muffin man, the muffin man♪ Bridget began to sing.

¨Maybe you are the muffin man Jack hehehe¨ she giggled.

♪yes I know the muffin man the muffin man♪ she teased and kissed jack on the side of his cheek.

¨My family have always been Boggies, Bridget laughed, don’t think we ever had anyone as grand as the muffin man. I think a lot left during the famine, to England and America, and ever since then we have tended to leave Ireland, I don’t want to go back, there´s nothing there, in the North with all the guns, bombs, army and police everywhere, it’s no place to bring up children¨ she said with a sad sort of sigh, her mind drifting back to home for a short moment.

¨What about the south¨? Jack asked

¨Never live there, it’s all farmers and cows¨ she said, you don’t get much Rock n Roll in Cork¨. She laughed out loud to herself, putting on some sort of accent, as if laughing at people from Cork.

¨So you gonna be a born again cockney girl now then¨. Jack asked

¨yes something like that, I will start my own band and become the next Souxsie Sue¨

¨Irish Irene and the screaming Fenians¨ Jack suggested

¨sounds great, where the Albert Hall¨ she laughed.

♪ I came a long way from Tipperary, to the streets of London Town♪ jack began singing to make up a song

♪ Where I met a crazy English clown ♪ she sang

Up ahead Gavin and Mary had stopped and were talking to a guy in the street, who looked like another skinhead.

¨seen any skinheads knocking about?¨he asked

¨No not since earlier on¨ Gav replied.

¨You got any fags?, I’m gasping. He asked.

¨no mate sorry, jack answered, we don’t smoke¨

¨I got some rollies, Bridget piped in, as she opened her satchel which was covered in writing from a marker pen, and decorated with pin badges of mainly British punk bands, anarchy symbols and a CND patch.

Searching through her makeup and other things, girls carry around in bags, she pulled out a packet of Golden Virginia.

The guy looked a bit worse for wear, as Bridget handed him the tobacco, jack noticed his hands were black and bruised, visible sores across his knuckles, covered in dry blood, covering the Indian ink tattoos, blood was also all over his green flight jacket. Jack didn’t really want to ask him, what had happened to him.

¨That’s great.¨ He said raising a smile across his face, taking the tobacco and searching for some papers inside.

He stuck a paper to his lip and hissed a little, as he touched a cut , putting his fingers in the pouch to get a few strands of tobacco.

¨that’s looks a bit painful¨ Bridget said, as she curled her eyebrows.

¨ Oh its nothing, I just got out the cells, the old bill gave me a right good hiding. Look, he said as he poked out his tongue, to reveal that is was torn almost in two, from left to right.

Shissssshh, Bridget let out a sound, as she peered at him, touching the side of his face gently. Jack and the rest of the guys also stared in horror.

¨fucking old bill punched me in the face and I bit into my tongue¨.

It looked horrifically painful, jack thought almost cringing, as he felt his own tongue in his mouth, imaging the pain this guy must be feeling.

¨Oh you poor love¨, Bridget continued, as she looked at his mouth, in a caring almost motherly way, as if speaking to a young child who had just fallen off of his bicycle.

¨Why did they do that¨? she asked,

¨I got in a row with some Gooners up at Finsbury Park, and the fuckers nicked me, gave me a right pasting in the cells, but at least they didn’t charge me¨: he said with half a smile.

Jack noticed the skinhead was wearing a London Yids badge and a Tottenham Cockerel. Arch rivals to North London team Arsenal FC.

The guy handed back the tobacco to Bridget, but she held her palm up, and pushed his hand away.

¨No you keep it dear, it looks like you need it more than me, you have had a bad day, she said with a caring soft voice and smile.

¨oh if you insist, the guy returned, quickly pushing the Golden Virginia into his jacket pocket before Bridget changed her mind.

He then tapped his jeans and jacket, whilst holding the unlit cigarette in his mouth.

¨Got a light?¨ he asked from the corner of his mouth, with a raised eyebrow and a little boys cheeky grin, feeling really happy, with the generosity shown to him by Bridget.

¨Here you are, now go on with ya¨. Bridget passed a disposable lighter, closing his hand around it, with her hand.

¨You´re a sweetheart ¨. He said giving Bridget a hug, and a kiss on her cheek.

¨Hope you don’t mind mate. He said to Jack, you got a cracking bird there, make sure you look after her¨.

Bridget giggled slightly and looked at Jack for a split second, which in turn he felt a blush sweep across his cheeks

¨Have a great night¨! He said as the flame lit the end of his cigarette, allowing him to inhale a large lung full of relaxing tobacco smoke.

He took Jacks hand and shook it, and with that, walked into the London night, with a slight stride in his walk.

¨what’s a Gooner¨? Bridget asked Jack as they began to walk.

¨ An Arsenal football hooligan, Gooner is the name for Gunners firm. That guy was a Yid, which is Tottenham Hotspur, they are the big north London rivals, a bit like West Ham and Millwall in East and South London.

¨ha ha, you boys all want to be hero´s, always have to have something to fight about, thought you had a bit more education here, you are as bad as the lads back home¨.

¨Don´t look at me, I’m a nice boy¨. Jack said, giving his most angelic smile possible.

Bridget smiled, like a teacher does, not believing a word.

¨Besides, I come from High Wycombe, we got a shit team, made up of butchers and bakers.¨

¨and candlestick makers¨. Bridget added, giggling to herself.

¨ha ha you know the team then Bridge¨?

Jack paused to let the joke have some time.

¨No I never really been a big football fan, I think my dad put me off it, coming in pissed on a Sunday afternoon and turning the movie off we had all been watching, for the start of match of the day. I am much more into music and having fun. All that running about and millions of hours talking about 90 minutes of pretty boys kicking a bag of wind around, then getting in the bath together afterwards, doesn’t do it for me¨.

¨hahahaha you are funny Jack, she said. My sort of boy¨.

Trafalgar square was empty, just a few people standing on the road above the Square waiting for a night bus, and one guy in the far corner sweeping up discarded litter..

The four teenagers just messing about. Gavin leaned against the big grey stone held his hands together and gave the girls a bunk up onto the surface surrounding Nelson.

Jack jumped up himself, and immediately climbed onto one of the four brass lions, which sat at Nelsons column´s base.

¨pull me up jack¨. Asked Bridget, as she desperately tried to be the tom boy and join jack on the climb.

Jack leaned over and took her hands, pulling her up to join him. The both sat astride the lion, as if riding him, jack felt the closeness of Bridget against his body and smelled her perfume and the beautiful fragrance of female, as she looked out over London.

¨That’s Whitehall down there, where Maggie and the Government do their stuff. At the End is Big Ben, I think you can see that from here. And the next street over there is The Mall. We can go visit Lizzie if you like¨.

¨Who´s Lizzie¨? Asked Bridget.

¨You know, Lizzie, The Queen, Elizabeth¨! Jack Explained

¨Oww got ya, Bridget said, as she got the joke, Yes lets go see the Queen at Buckingham Palace, do you think she will make us some tea?¨

¨I am sure she will, we can tell her some loyal subjects are over from Ireland, maybe we will get some Digestives, or scones¨. Jack added.

¨I want to meet the Corgi’s, I love dogs¨, Bridget said as she slid down off the Lion.

Walking down through Admiralty Arch into the Mall, the sight of thousands of parades over the last few hundred years.

Jack was giving Bridget the tourist guide, all about how the Royal Navy was controlled from here, and the Horse guards which did all the ceremonial stuff for the tourists. Reading a few plaques, under military statues. From days gone by, when the British establishment, honoured its fallen heroes, killed on a far way field. During the time Britain was building her Empire.

Jack felt a sense of pride, as he walked down the Mall, admiring the palace buildings. The architecture. The flag poles lining all the way down the road, one of the few places in Britain they still flew the union jack on occasions. The guardsmen outside the palaces, in their immaculate red tunics and bearskin hats, were just there to collect the tourist dollar. But as an Englishman Jack still felt a pride in his heart, and yearned to be part of a Britain which travelled the Earth, spreading education, designing and building railway systems and hospitals. Trading with tribes, in distant nations. Discovering amazing new breeds of animals and forests. Being feared and respected by all the other World powers, bashing the French and Spanish for Gold in the process.

But this was 1981, what future was there for today’s youth, what did this country hold for him. Unemployment and maybe a council flat if there are any left. Some shit job in a factory or supermarket.

¨ It’s a bit dark and quiet down here Jack, are you sure we will be ok¨?

¨ Yes, this is tourist central, you won’t get any problems here¨ Jack answered,

The two walking arm in arm down the road. Jack felt good. It was really lucky to meet Bridget in the café, she seemed a really nice girl. Jack was wondering how he could see her again, and was hoping she decided to stay in London. Maybe she would come visit Wycombe some time. Was he going to get a kiss at some point tonight, he was wishing.

The City was quiet, just the odd car passing along the Mall, it’s not a bus or truck route, and there were no other pedestrians.

The pair were just wandering along casually, enjoying the evening, when behind him jack felt the thump of running feet. Looking over his shoulder, he saw somebody in the distance coming towards him. Not sure who it was or quite what to do, Jack immediately thought it best to keep Bridget calm. His natural male protectiveness coming to the fore.

He carried on chatting, but was concentrating on the feet, bracing himself for some sort of confrontation. Gavin was up ahead. Jack wondered if he had noticed yet, but didn’t want to raise the alarm, because he didn’t want to frighten Bridget, but she had noticed, jack felt her pull a bit tighter on his arm. Maybe she was also thinking about not to panic.

Speeding up his step slightly to close the gap between himself and Gavin, bracing himself as the footsteps got nearer

Jack was on high alert, his muscles tightening, but he didn’t want to look at the person running, hoping he would keep on going. He pulled his hands out of his pockets, clenched fists.

The guy passed him, overtook Gavin, then in front he stopped the run, and went into a slow pace.

He was a young black guy.

Gavin had noticed and looked back to Jack, to see where his backup was. Jack was thinking the same thing.

Something made jack look over his own shoulder, maybe for an escape route, but to his major alarm he saw a big mob running towards him.

Shit! He thought, this is going to be a proper row.

This was definitely getting more serious by the minute. The guy in front was holding them pinned in, as the rest of the mob caught up. Jack stood his ground and turned. He was used to street fighting, and knew Gavin would be thinking the same thing. He weighed his options up in his mind.

Fight or flight. Well he wasn’t going to run for several reasons, mainly that Bridget would slow him down, and if he did run he would almost certainly take a beating, or his friends would. He had learned that its always best to front out a situation, however much it goes against nature.

Bridget had stopped talking, she must have noticed the impending situation. Jacks stress levels were rising, the adrenalin and rushing of blood to the head. His sensing becoming hyper aware, as all the sounds disappeared. Jack focused

In a situation like this jack always applied the same rule, just go for the biggest one, take out the leader, in a firm, you will have the fighters and the followers. If you are going to take a beating then at least inflict as much damage into one of them as you can. Get hold of him. Bite him, punch and gauge his eyes out, but whatever you do, but don’t let go. If they are going to kick the shit out of you, then use their guy as your shield keep your face and body as close to him as you can and cause him maximum damage, the more vicious you are, the less you should get hurt. Most attacks will be over in a few minutes, so just hold on. Unless they have a blade, you should only end up with a few cuts and bruises. But long gone were the days when Jack would let anyone rob him, without a fucking good fight.

The mob approached, but as they neared it became apparent that they weren’t looking at jack. They divided and ran either side, as if Jack were a lamppost. He didn’t feel any punches, and kicks, were they going to attack Gavin first?

A thought struck him. These were white guys, and not the black mob Jack was expecting. Who were they?

They all ran past Gavin, then like a pack of wild dogs tore into the lone black guy.

The game had changed, but both jack and Gavin were pumped and ready to fight. But instead of defensive, it turned to offensive. Without a word Jack and Gavin charged towards the mob to defend the lone victim. Gavin grabbed one by the shoulder, spinning him around as Jack sprinted in, his fist raised, lining it up for the first jaw to smash.

The guy raised his hand up from his jacket pocket, he was holding something.

Pointing it directly at Jack came the words

¨Old Bill, Fuck Off¨!!

Like a sportsman’s getting the whistle, Jack just sort of froze mid flight, as reality hit him. Maybe with a little help from Bridget who grabbed his coat tail.

¨NOOOOOO, JAAAAAACKKK¨

Perhaps it was the girls company or location, but for whatever reason. The police didn’t react to the Skinheads, but put their attention back to the black guy, who by now was spread eagled on the pavement, Two undercover policemen holding him down, knees pushed into his back, as they pulled his hands behind him, clipping the handcuffs on him. Cursing and swearing at him, as another stood over him, speaking into a radio.

The four teenagers were all silent as they walked for a few minutes, past the dramatic scene.

¨We should be getting back. Was the first words Bridget spoke, as she hung onto Mary. I don’t feel safe, let’s get back to the room Mary¨:

Another night ruined by the fucking Police. Jack thought, scratching an imaginary ACAB tattoo into his knuckles, as the two girls said their farewells, never to be seen again.

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Sara Silva

My name is Sara Silva and I am Portuguese. I am 29 years old and currently live in the south of Portugal in Faro. After finishing my degree in Graphic Design from the University of Algarve in 2007, started working as a freelancer in design and as a collaborator in the studio of tattoos and piercings Freak Shop, where i currently work as a full time as body piercer.
I started drawing as a child, I studied art in high school and went into graphic design.
In my illustrations use my main theme is skinhead culture composition, dynamic fruit of my artistic evolution and personal . My inspiration comes from the music I hear, the lifestyle I have, to my personal experience and artitist and my everyday struggle in life. I try to combine traditional design with more digital techniques to create a more personal and current mixture.

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Plan B Wears Skrewdriver T Shirt

Plan B Photographed In Skrewdriver T Shirt The Quietus , July 22nd, 2012 05:18

Has Ill Manors rapper had an attack of the Morrisseys? 

As reported on Brian Whelan’s excellent blog recently, UK rapper/neo-soul star Plan B was photographed last week wearing a T shirt bearing the band name Skrewdriver.

The picture was taken from the front cover of popular free title, Shortlist which has a circulation of over half a million copies a week. The The Defamation Of Strickland Banks star was giving an interview to promote his new album and film (both called Ill Manors). The photoshoot took place immediately on his arrival at the studio, but it isn’t made clear if the clothes belong to the rapper or were given to him by a stylist.  

The T shirt appears to bear a picture of Nicky Crane, a violent Nazi skin who provided security for Skrewdriver and served several jail terms for racist assaults. Donaldson and Crane both fell out when the latter came out as gay towards the end of his life. For many, the white power, bonehead band Skrewdriver represented the absolute nadir of popular music’s interaction with the Fascist movement, given that their message was evangelical, unironic, violent, radical and, to a certain degree, popular. That singer Ian Stuart Donaldson died in a car crash in 1992, did nothing to hurt their standing worldwide among neo-Nazis. The band however started as a non-politically aligned punk group in 1976 signed to Chiswick, and this incarnation of the group still has many fans internationally including J Mascis and Pink Eyes from Fucked Up. (Pink Eyes, aka Damian from Fucked Up, delivered a righteous screed on the subject of being a fan of the band’s early recordings on the Guardian which is worth checking out.) The interview with Benjamin Paul Ballance-Drew aka Plan B is still viewable on the Shortlist website where you can clearly see he is wearing the neo-Nazi band top. It seems highly unlikely that Plan B has accidentally revealed himself to be – or indeed is – a Nazi especially given his recent, left leaning and nuanced ‘Ill Manors’ single but it is ironic and doesn’t help him any that during the interview he praises Tim Roth’s acting in Made In Britain, Alan Clarke’s 1982 film about racist skinheads. He was asked: “Do you look at actors such as Winstone, Gary Oldman and Tim Roth and think, ‘I’d like to be at that level in 20 years’?” And replied: “Oh mate, Tim Roth in Made In Britain – f*cking amazing. In 20 years, I’d love to be at the level they’re at, but it depends how I look. Some people don’t age well for films. They lose that spark. Oldman’s still got it, Ray’s still got it. It all depends on what fate’s got in store for me.”Yet another example of a complete lack of knowledge or investigation by the media, but printed as fact.Well here’s the real story of the ‘T shirt’ the facts are Gavin Watson has done a bit of work with Plan B, and he loved Gavins skinhead photographs, he asked Gav could he use some, and Gavin gave him a whole box of images to choose from, which he then printed a few to t shirts, as a way of using genuine British street images, and also supporting Gavins photography. 

But the picture in question, printed on the T shirt is one that Gavin Watson took of his younger brother Neville, who at the time was about 14 years old. Taken in the mid 1980’s on a council estate in High Wycombe at the height of the Skinhead Subculture. Posing against a garage, which has the word Skrewdriver graffitied on it. At that time it was very common for punk bands names to be graffitied all over the country. Gavins photographs have been printed worldwide and have come to represent Margaret Thatchers Britain. Gavin was given a camera as a kid and went about photographing his  environment, family and friends, in a complete innocent love of photography. It just so happens that the time was when the British youth culture of Skinheads was at its height, of which Gavin was an active part. Films like ‘ This is England’ and many fashion designers and marketting people have used Gavins images as inspiration, but due to 21st Century political correctness, the actual era that the photos represent is something the British establishment would rather bury under a carpet. and even today, 30 years later the media are still spewing out their lies about the time and the young people involved. This obsession with  belittling  council estate kids, and anyone that tries to inspire them. i think its extremely brave and sincere of Plan B to take genuine images of real kids from the council estates that he now represents with his music. In the USA people like Biggy Smalls did that, with his own environment, to huge worldwide success. Yesterdays Skinheads who listened to Oi music, are no different than todays youth, listening to Grime . The more young people feel attacked and written off, outcast, the more chance they will take to the streets, as was seen last year in British cities and in 1981, with the previous generation.   July 22, 2012 13:34

Plan B responds to NME ‘neo-Nazi’ t-shirt criticism

Rapper apologises, says he was unaware of the existence of Skrewdriver

Plan B has responded to criticism for a photograph which shows him wearing what appears to be a Skrewdriver t-shirt. The most recent issue of Shortlist shows the rapper sporting a top with the band’s name written on it. This prompted some commentators to question his motive. The New Statesman asked why the rapper had worn the T-shirt and quoted journalist Brian Whelan, who wrote on his blog: ” It is very unusual that Plan B would knowingly wear this t-shirt and that Shortlist would stick it on the front of their publication. Make no mistake about it Skrewdriver were a nasty bunch, [founding member] Ian Stuart became a martyr for the far-right when he died in a car crash almost 20 years ago.” The rapper has now released a statement, which has been posted on The Quietus, explaining that the garment was not an official Skrewdriver t-shirt. He also apologised for not knowing who the band were, or what they represented. He said: “I was ignorant to the existence of the band Skrewdriver. I don’t listen to music like that so I wouldn’t know the names of bands that make that music. I was wearing a T-shirt I created using a photograph from the photographer Gavin Watson’s book Skins. “I asked him if I could print shots from his book on to T-shirts. I made a number of these T-shirts. Gavin’s photos are relevant to me because they represent the demonised youth of the past. Just like my generation of young people are demonised in the media to all be hoodie wearing thugs and chavs so were the skinheads in the 80’s.” Speaking about the person on the T-shirt, who some thought to be former Skrewdriver associate Nicky Crane, Plan B explained: “Most of the T-shirts I had made were of his brother. The boy on the image is Neville Watson. Neville is Gavin Watson’s brother. The graffiti behind him is graffiti. Neither Gavin or Neville put it there; it was already there when Gavin took the photo. Gavin did not know I had printed that image on a T-shirt and I was not aware of the significance of it.” He concluded: “The minute I found out what the words on the T-shirt meant I was angry with myself for not questioning them. The T-shirt is not official nor is it on sale anywhere. It was of my own doing and therefore it is my mistake, but that is all it is.” Skrewdriver were a notorious neo-Nazi “white power” group with links to the National Front. Founding member Ian Stuart Donaldson died in a car crash in 1993 and his death is celebrated every year by the far-right movement. Shortlist’s interview with Plan B can still be viewed on their website, where he talks about his favourite actors and movies as well as his own film, and accompanying album, Ill Manors.

Read more

Plan B Talks 'ill Manors'
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Girl Punk Band, Pussy Riot Moscow, Protest Spreads Worldwide

 Pussy Riot supporters protest at Russian cathedral

Supporters of female punk group Pussy Riot hold signs to form a message during a protest on the steps of the Cathedral of Christ the Saviour in Moscow August 15, 2012. REUTERS-Evgeny Feldman-Novaya Gazeta
A supporter of female punk group Pussy Riot is detained by security guards during a protest on the steps of the Cathedral of Christ the Saviour in Moscow August 15, 2012. REUTERS-Evgeny Feldman-Novaya Gazeta
Protesters wearing masks take part in an Amnesty International flash mob demonstration in support of Russian punk band Pussy Riot in the Royal Mile in Edinburgh, Scotland August 14, 2012. REUTERS-David Moir

By Steve Gutterman

MOSCOW | Wed Aug 15, 2012 6:23pm BST

(Reuters) – Security guards scuffled on Wednesday with masked protesters demonstrating outside Moscow’s main cathedral in support of members of the Pussy Riot punk band who are on trial for an irreverent protest at the same church.

Witnesses said 18 demonstrators in colourful balaclavas like those worn by the band mounted the steps of Christ the Saviour Cathedral and held up placards reading: “Blessed are the merciful”.

Guards moved swiftly to disperse the demonstrators and treated some of them roughly, Internet TV channel Dozhd reported. Ekho Moskvy radio said five people were detained.

A Moscow court is to issue its verdict on Friday in the trial of three women who sang a “punk prayer” on the altar of Christ the Saviour in February, calling on the Virgin Mary to rid Russia of President Vladimir Putin, then prime minister.

Prosecutors want the judge to convict Nadezhda Tolokonnikova, 22, Maria Alyokhina, 24, and Yekaterina Samutsevich, 30, of hooliganism motivated by religious hatred and sentence each to three years in prison.

Amnesty International, Human Rights Watch and other rights groups called for protests around the world to support the jailed musicians on the day of the verdict.

Amnesty International in Washington said a senior counsellor at the Russian embassy refused to discuss “more than 70,000 petitions urging Russian authorities to immediately and unconditionally release the women.”

“This representative of President Putin and his government not only rejected Amnesty International’s pleas to take our concerns to Moscow, he unceremoniously dumped the petitions on the sidewalk. If this and other actions taken by Russian authorities are any indication, Putin’s vision for the country is a complete breakdown of a free and just society,” it said.

The accused say they were protesting against close ties between the state and the Russian Orthodox Church, whose leader supported Putin during his successful campaign in a presidential election in March.

They have been held in jail since shortly after their performance, which offended many people in mostly Orthodox Christian Russia. Kremlin critics see their trial as part of a crackdown on dissent as Putin starts a new six-year term.

(Editing by Timothy Heritage and Robin Pomeroy)

An international frenzy is building over the trial verdict that some are saying could decide the future of Russia. Artists in London and Berlin are organising protests. The European Union has accused Russia of intimidating judges and witnesses. Even stars like Yoko Ono and Madonna are getting involved.

Here’s what happened: Nadia, Masha, and Katya were arrested, denied bail, and imprisoned for months because they sang a protest song criticising Russian president Vladimir Putin. In just days, a judge will decide whether to sentence them to three years in prison on charges of “hooliganism.”

Canadian singer Peaches is known for her controversial lyrics — and when she saw the way these women were being treated for speaking out, Peaches started a petition with other musicians on Change.org asking the prosecution to drop the charges and set the women free.

Click here to sign Peaches’ petition.

Nadia, Masha, and Katya joined the political punk band, known as “Pussy Riot,” to help raise awareness over government corruption. Together with a handful of other committed young women, they dress up in colourful clothing and sing about what they think is wrong with their country — like earlier this year when they performed outside a prison for political dissidents.

Their arrest and trial have drawn international attention. Musicians across the globe are rallying to the cause, with Madonna interrupting her concert in Moscow this week to voice her support, and Russian artist Pyotr Pavlensky sewing his mouth shut in protest.

President Putin is starting to show sensitivity to the pressure, and the women’s defense lawyer has told the press that he thinks the judge may be moved by outside influence. To ramp up the pressure, supporters of the Pussy Riot defendants are collecting petition signatures from thousands of people around the world calling on Russian authorities to release the women. 

Click here to sign Peaches’ petition and demand that the Russian government release Nadia, Masha and Katya — members of the rock band Pussy Riot.

Thanks for being part of this,

Podcast: One Year After Pussy Riot, Culture War Vs. Countercultural Insurgency

Pussy Riot's brief act of defiance last year helped lift the lid on some deep divisions within Russian society.

Pussy Riot’s brief act of defiance last year helped lift the lid on some deep divisions within Russian society. August 16, 2013

Ayear ago, much of the world’s eyes were on a Moscow courtroom where three young women were on trial for a two-minute act of defiance in the Russian capital’s main Orthodox cathedral.The Pussy Riot case exposed deep divisions in Russian society — divisions the Kremlin was eager to exploit for its own purposes.In the latest “Power Vertical Podcast,” we discuss the implications of the cultural war and countercultural insurgency that has raged since the verdict.

Joining me is co-host Kirill Kobrin of RFE/RL’s Russian Service, a contributor to the online magazine Polit.ru, and Sean Guillory of the University of Pittsburgh’s Center for Russian and Eastern European Studies, author of Sean’s Russia Blog.

Enjoy…

Podcast: One Year After Pussy Riot, Culture War Vs. Countercultural Insurgency
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Cheryl Cole (Skinhead girl Art)

My name is Cheryl Cole and I’m originally from Oakland, California, U.S.A. My interest in skinheads goes back to the early 80’s when I was very much into the second wave of ska and mod sounds. I was not a skinhead then, more of a rude girl/mod/new wavey type. I also listened to R&B and oldies, I loved Prince, I loved rap, Run DMC and all that, I don’t know how you would classify me! By the late 80’s I was obsessed with music, mainly punk, metal, glam, some Oi! ska, industrial, rap, soul, anything that was good I got into it. Most of the skinheads I would see back then were hardcore skins, which I love of course but my skinhead love affair was really with the ska end of it. During the 90’s I was very disapointed with the third wave and the new punk that was coming out so I basically spent that decade listening to the music I loved from the 60’s, 70’s and 80’s. Just a few years back I got very involved in the traditional skinhead life and now I am happy to be a part of this amazing vibrant subculture.

  

I did not study art at school, I had high school art class, and I tried to take a figure drawing course at community college but I hated it so I walked out. My friends and I used to draw and paint all the time, I had friends in the 80’s who were incredible graffiti artists, painters, people who drew things with a Sharpie pen that were mind bendingly good with meticulous shading done with old pens which were half way dried out. I learned techniques from those friends, and from my love of comic books. I used to sit and draw from comic books and try to paint similar to the watercolor comic art like Havok and Wolverine and Black Orchid. my friends and I used to stay up for days on end, (if you know what I mean) and just draw until we could barely see any more! Now days I am straightedge, but I do think that those crazy days of my youth and the obsessive way I drew and drew truly shaped my style and abilities. I also learned SO much from the staff at an art store I worked at for 4 years. They were all amazing artists who had gone to school and knew so many techniques and they shared that knowledge with me and encouraged me to try oils, which I love now of course! 

 I would like to show the world through my art what a beautiful and diverse scene we have, I would love it if the name skinhead made people think immediately of Jamaican Ska, dancing and good times. Unfortunately, at least here in the USA, “normal” people tend to cringe when you say the word skinhead.  Right now I live in San Diego, California. The skinhead world here is small, but very welcoming. I am fairly new to them and for the past few years, they have all been so great, I just love each and every one of them. There are a few excellent and knowledgeable DJ’s who have skinhead reggae nights around town, and we are very close to Tijuana, which has a big group of skinheads along with good shows and dos. Also we are just a few hours from Los Angeles, they have some GREAT shows up there, and lots of people doing events with amazing DJ’s and really good people. 

 I can’t think of one particular highlight to my artistic life, but I do really enjoy giving my art to my dear friends. They get so happy and there is really no feeling like it! I have had low points, where I just don’t want to paint or draw, and sometimes these low points will last for a few years. I will try to force myself to do stuff but if you are not feeling it, it will turn out bad. I’ve noticed that good positive friends who truly encourage me help immensley. Right now I am surrounded by people who truly care for me, and want to encourage me and all I want to do is paint and draw! My dry spells usually went along with stress and depression. I am currently in the process of some big changes in my life, I plan on taking big steps to forge a positive life for myself and my family, I am making an effort every day to be a good person, be a hard worker, be an honest and loyal friend. It takes effort to be positive and truly honest as much as you can, but it is worth it as you find good things around you and good people come in to your life.

I’ve given up trying to change other people, I just change myself and be what I wish other people would be.

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Cleopatra

Cleopatra the Tearaway

I was born at a very young age like everyone else. By the time I was four-years old I could read, and I did.  I read constantly. I talked to adults that came over to visit my drug dealing, crooked, thieving, mobbed-up parents, and I freaked them out. Once, a lady said, “Shit! This kid is not normal; she is like a midget that knows about everything.” The point is is that I grew up fast. And, for whatever reason, I want to share the shit life that I have had with you. Why? I don’t know. Maybe I am trying to purge the past, and get on with the future. And there may be a little vanity in there somewhere, too.

I was a street kid since I could remember anything. I have stories about being a woman who always had to fight all the sordid creeps that have crossed my path on this planet with pride and violence. I got into punk rock in 1989 from a neighbor that moved across the street from me in Los Angeles. The first punk song I ever heard was “John Wayne was a Nazi” by MDC. I fell in love. I was eleven years old and completely blown the fuck away. I got into underground music, and started seeking the underground in Hollywood, California. Slowly, but surely I ended up running with a punk gang. Real chaos punks, but we were down with the merkzy traveling crusties too. Subcultural people from all over the world would end up in our town. It was never boring. It was great to wake up every morning for everyday was an adventure. Of course, there were hard times. Of course, there was violence. But I was really innit for the madness.

Eventually I got burnt-out, tired of seeing everyone sleep with everyone behind each other’s back, hated being a sexual target all the time.  It all made me sick. I started to grow up, and became tired of the endless drug overdoses, the growing pile of dead friends.  And of L.A.’s biggest gang:  the LAPD.  Good times had gone sour. It was too painful.   At times, I was able to distance myself from the self-destruction for long periods as the “family” business kept me on the road a lot. And, even though I got to travel, I hated that, too. But I make the best of any situation. I am big on fun. When I’d roll back into town after being on the road for up to a year (I was fifteen when the road trips started.)   I’d get bored and go kick it for days or weeks in Hollywood, or whatever city I happened to be in.  But I always knew when to fuck off.  I was too afraid I would be sucked into gutter punk vortex yet again. I couldn’t handle it because I had a little sister I had to protect.  I had others to think about now.  I had to keep myself somewhat together.

I started getting chummier and drawing closer to like-minded friends who were sick of it all too. We all became skins. And strangely enough, things actually got crazier without the drugs or indiscretions.  With the skins, if you were gonna fuck around, you could end up six feet underground. I came from a mob-y family anyway. This was just right for me. Music-wise, the genre that made me fucking maniacal was Oi! I was a fucking Oi! girl!!! I was not mousey, but quite the opposite- menacing, loud, obnoxious, wild-eyed, but always a sweetheart (for the most part).

My personal battles have included crime, alcoholism, domestic violence, and just plain old violence. But I’ve never stopped fighting.  Even if it’s just for the remote control. I din’t always win. Sometimes I had so much on my mind that I just did not fucking care. I will tell you the truth. I will tell you when I was weak and when I was strong. I got nothing to hide.  And nothing to prove.

I married a skin, and two years in I hung up my boots. Why? Fuck. I had developed so many anxiety disorders that I did not feel tough enough to represent. I had a life changing experience aka the worst day of my fucking life, a day that continues to torment me.

My life has been many things, but it’s never been normal or boring. I mean, where I was at last night? Drinking with a motley crew of nutters at a party worthy of the silver screen.  Like always, it was fucking crazy. Who I am nowadays? A humanitarian that looks like she gets dressed in the dark. Had enough yet?

The Bother Girl and the Pimp

I have recently acquired a Cosmetology license. It really is a brilliant way to start all over. Because all hair dressers are crazy and nobody gives a fuck! Here in America the students who get a Cosmetology license get a fresh start which includes disregard for criminal histories and bad work histories.  A lot of women in America acquire their Cosmetology education in prison and statistically they have the best grades. As an enigmatic fuck in this society and love for all things regarding beauty, this was perfect for me.

I knew this lady for a year, she was one of my favorite school mates and drinking buddies. We never had a problem and a pretty solid friendship at that.  I took my State Board of Texass Practicum test with her. We both passed. She works at a spa. She had been working there long before we met as the receptionist. Once licensed, she got to do more than run the desk. She came to my birthday party and told me she would put in a good work for me at work.

I was thrilled with thoughts of the possibility of a better near future. Things went fast. The next day she told me her boss was interested in me. I came in that very day for an interview. I was supposed to be hired as a nail tech. I arrive and the place is so nice, I am excited, oozing with energy, and ready to charm my way in!

We must have nattered for an hour and a half that old geezer and I. I sold myself offering all of my other skills. I was confident, I knew I was in! I thought “Oh wow look at the fucking bar in here!” Then he started putting me through a series of hands on tests…

He had me give him a manicure. I made sure to give the enormous weirdo a great hand massage. Shit! I am horrible at cutting cuticles out and I pulled through that miraculously because I wanted in! I wanted to be able to make the bills this month. My despair was kicked in sky high because I have a baby nephew living with me and thus I have got to make it!

Next up he has me shampoo his unstylish mop. So I rub that head into submission, I gave it my all, every second I felt more confident that this job was mine and that life would be right. He then wants to have another talk. This time he asked me about how I felt about performing Brazilian waxing. I told him I had absolutely no problem performing this task at all. He proceeds to ask me if I am comfortable with nudity enough to perform this task on the male clientele. I say to him that I haven’t got a problem with it at all. (In my brain I am thinking, ah, surely these guys are poofs… coming in to get their cracks, yarvels, and tallywackers waxed!)

Ha! He asks me how he can trust me with his clientele, and their genitalia… hahahaha! This is when everything started getting weird. He asked me to wax him to see how good a job I could do!!! Ok, so I was so weirded out and wanting to laugh, I told him I would be right back. I run outside and tell my people that were waiting for me outside about this wacky shit I am about to do. And we had jokes, a real hard bunch of laughs but I went back in and I went for it. We are half way through the service and the man is still flaccid, I was no longer shallow breathing but actually deep breathing from the release of the paranoia this fucking idea had given me.

Now, this is where it starts to go to shit… this asinine fuckhead starts to tell me that in order for me to wax the males’ shafts I must make sure to get them erect!!! He commenced to give me tips on how to arouse him personally, playing with his cock in the way that most guys do. He is exposed lying back and in a very vulnerable position. My head starts to go into a tizzy. I could feel it. I had the crazy look in my eyes but much to my demise psychos find it sexy. I tell him sternly that I am not jacking anyone off! My face is in a craze. I keep my composure. I just keep waxing. As I wax I am enjoying burning him and making this as painful as possible! I am clever. I am angry. And this weak faced fuck has no idea who “I” am!

He asks me how it is that I will make the experience pleasurable for his clientele??? I then tell him that I am not a whore and will never be. I am being stern. So it was clear as day that I was in an undercover whorehouse! And that I hate this piece of shit scum pimp! I realize I’ve got the upper hand and that my purse is behind me which always has a weapon innit according to my mood. It was a hammer day, as it often is… I had a driver right outside the front door behind the wheel. I fucked off with a bottle of cake rum from the bar, I had been looking at those bottles earlier…

My Knight in Shining Boots

I was destitute. My grandmother had left the country. My uncle would not even let me in his apartment to pee. I was in Los Angeles. I had left town for too long and as always had lost my phone book. I went to an older half-brother of mine. Who might actually be my biological father? Yeah! I love to hear about that fucking shit. I did not grow up around the white side of my family. I needed help. He said I could move in. I got a job at a Chinese restaurant. Funny thing is they never seem to hire outsiders. He said that if I was to live at his house I had to disconnect from everyone I knew. Tall order, Mr. Asshole! Finally, about after a month of my good behavior, he said I was allowed to go hang out. So my old neighbor from Hollywood rolled up to the Valley and picked me up. He came with an old punk rocker. They got too drunk to drive me home. I was terrified to call up and awaken Mr. Asshole from his beauty sleep. I thought fuck it, “I’ll wait until the buses run in the morning and get back a.s.a.p.!” So I did. I am so tired, it was a long night. He comes in mid-morning and I am asleep on the floor and starts kicking me. This is the first time I literally get kicked-out of someone’s house.

I call my friend who had picked me up to see if I could come over. He said his roommate would not let him have anyone over. He told me to call the old punker we had been hanging with all night. I call and tell him what’s going on. He told me to grab my stuff and call a cab and get to his address. I was hesitating but it made sense. I had to go!

I hang out with him for like two weeks and he called me “kid”; he seemed to really want to help me out. But it all went to shit the night he smoked mad crack, pot, and got awfully drunk. I refrained from the crack but indulged from the ganja tree and the beverage. Still being a paranoid ex-squatter I slept with my steelies on! I allowed myself the comfort of wearing a band t-shirt and flannel pajama pants, but the boots were not coming off!!! So we have my ex neighbor over and he runs him off for some reason. I thought he might just want to sleep. What he wanted to do was ravish me. Yuck! This fucker was nasty looking. I had nicked him “Frog Legs.” He went for my pajama pants pulling them down! I was like “Fuck no! Get off me!” Well he got nasty persistent. So he got a kick, a kick right between the eyes and that was all it took. He was knocked the fuck out. So I fuck off and thank God I was in Hollywood because I had homeless droogs o’ plenty in town. I come out and find em and shelter. Next mourning I am really pensive.

I was drinking with the punks on the corner of Hollywood Blvd. and La Brea planning further action. That hot fucking skinhead guy I avoided hanging out with for years shows up and asks me what in the hell I am doing on the street again. So I tell him. He says “Where does this faggot live?” It was on! He said you are one of us now and I’ll be damned if you’re gonna live in the street, you’re rolling with me now! I felt like a million bucks right after I was feeling like a copper penny.

We set out to get hammered and planned for an evening attack. He was so fucking good looking, funny, and I saw him in a different light. And in this light I fell in love.  We were drinking a carton of orange juice wif a lot of potato juice innit.  We were sitting in front of some gypsy establishment; the ambience was mystical and silly. The bliss of being hammered, the incredible man candy next to me on that bench, and the exchange of madness, was glorious. We went for it, we kissed and it was fucking hot! I think there were imaginary fireworks in the skies, what a kiss! He stole my fucking soul with that kiss. It was perfect. As the evening fell we started up with our sanguinary appetite, it was time to fry us up some frog legs!

We show up and the moment is mighty opportune! Frog Legs is scared shitless! He was just stepping out of his place, so he was ours, all ours!

My hero tells frog legs real firmly in his gangster tone that he needs to let me in and get my shit right now…or else! Well nervy lil ole creepy cretin lets us in as he knows he is at a loss but he comes in as well. And the criminal mischief/retaliation starts! We went all Dennis Hopper on this motherfucker! Once inside my boy took his keys and we locked ourselves in with him. We tied him to a chair, real horrorshow. My boy cut the phone lines. We had fun slapping him in the face with his big heavy rotary desk phone. “Wouldn’t you love to be able to call someone for help right now?” We had fun verbally, mentally and physically torturing this rapo scum. He had this big old stuffed swordfish that I was whacking him in the face with, it was so ridiculous, and I just HAD to do it. I was laughing. Maybe I am twisted but even while I felt that I was getting my justice I still had to have fun with it.

We were pretty blitzed on the giant screwdriver as it was and we had all this sexual tension between us the bovver was only getting us turned on, hahaha! So here is where we take it to the next level we have sex there while the douchebag is tied up. Now what fucking girl comes back after her failure of a rapist to scare the shit out of him and fuck somebody hot in front of them? Me, that’s who! This is how our incendiary, insane love affair started. Man I know most of you skins are not that bad and would never do such heinous thing. But this was the unholy union of two tearaways in love.  We were two very troubled adolescents. And together we were bad, baddywad indeed! I had never been so turned on by a man in my life, one look was all it took. Girls! He was so gorgeous and he could kick people’s asses by the dozen simultaneously. I’d never seen such a king of the boot party, and thus I became his queen!

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Ben Sherman 1963 -2012 RIP

Ben Sherman is Dead

June 11, 2012

The iconic British clothing brand is officially dead to many loyal fans.

Founded in 1963 by Arthur Benjamin Sugarman, Ben Sherman was an originator of the mod look and a legendary lifestyle brand that became an international sensation for impeccably tailored shirts and suits.

Ben Sherman was murdered by a new corporate structure that didn’t stay true to its roots and completely disregarded his loyal following. While trying to boost sales and increase market share by appealing to a broader audience, Ben Sherman’s new marketing tactics led to his ultimate demise.

His health started to fail when the women’s line was discontinued and subsequently restyled shirts, clothing and accessories were introduced without any trace of Ben’s original clean-cut, mod identity.   The final nail in the coffin was the “Plectrum Sessions” – featuring un-kept, unfashionable hippie and hipster bands- exactly the opposite of his original style.

He is survived by betrayed loyal fans worldwide, especially mods and skinheads who will miss the classic, clean-cut styles that have been replaced by fickle hippie and hipster fads.  Restoration of the lifestyle brand seems hopeless.  Based in London, UK; Ben Sherman was 49 years old.

Chelsea Hawkins

IT’S A MOD, MOD WORLD

 London Mods 1960’s

Pan Philippou, CEO of Ben Sherman, reflects on the company’s heritage and plans for a brilliant future.

By Randi Gollin

How does an iconic brand get its groove back? That was one of the key conundrums facing mover and shaker Pan Philippou when he took the reins as CEO of Ben Sherman in January 2010.  A British company with staying power Ben Sherman was founded in 1963 by Arthur Benjamin Sugarman, a shirtmaker who seized the mod moment and ran with it, creating London-look button-downs that struck a chord with bands like The Who , The Rolling Stones and The Kinks, becoming a vibrant emblem of youth culture. “It was post-war — you think of the revolution, The Beatles, all that. And this brand comes around,” says Philippou during a recent interview at the company’s midtown Manhattan showroom. “He took the shirt to another level. The button-down collar, the button at the back, all the colors, the fabrications, and people were just used to wearing white shirts. Now they were wearing colored shirts. It was a bit of the anti of the shirt in many respects,” he says.  (It might be said that Philippou, too, takes the radical approach, dressed in a black T-shirt and jeans rather a Ben Sherman button-down.)

“I was born in the ’60s,” he continues. “I remember, if you had a Ben Sherman, in the ’70s, you were like the crème de la crème — if you had a Ben Sherman, certainly you’d get a bird.”

Over the decades, Ben Sherman continued to outfit musicians like The Clash, The Jam, Blur, Oasis and Moby and it also captured the hip peacock’s fancy with its kaleidoscope of eye-catching hues and patterns. “There are stories around Ben Sherman, there’s sincerity, there’s heritage,” he explains. But as this pioneering label, which turns 50 years old in 2013, expanded its reach into women’s clothing and beyond, it also morphed into a business with an unwieldy number of categories and licensees and its vision got, well, a tad murky.  The name, Philippou notes, seemed to carry more weight than the goods bearing its label.



Plectrum Collection

Approachable, funny and candid, with impressive business chops to boot, this Londoner knows a thing or two about redefining a brand and maximizing its potential. Prior to joining Ben Sherman, Philippou headed up the privately held World Design & Trade Co. for four years, where he restructured the prominent UK streetwear brands Firetrap, Full Circle and Sonnetti. His gig before that: leading the charge at Diesel, from 1995 to 2007, where he started as finance director and was swiftly promoted to CEO. “I was like a duck to water,” he says, recalling his transition from numbers man to the style side of the fence. “I just really enjoyed the whole fashion thing. I was probably living that life, at the weekend, parties, dressing up a bit, and it was just an extension of that, so it became a blur of happiness. I didn’t know anything about markets but it was really just the intuition, the feel of the market, the distribution, understanding the customer. I loved being a connoisseur, understanding what was cool and what wasn’t cool and that made it all sort of relevant to the brand.”

Diesel, of course, went on to become “best in the class in the UK” and at the end of 2003, its owner, Renzo Rosso, dispatched Philippou, a born fashion-maven, to the States to reposition the brand.

This look could be based on 1930’s Bolshevik, or perhaps just the local jumble sale

Philippou’s laser-beam focus has come to the fore once again in his current post. Once onboard, he and his team took stock of every detail, from the branding strategy and the very definition of the Ben Sherman customer to its own store concepts, which have been repositioned and will soon be launched in the UK.

As the reshaping got underway, it became apparent that a return to the company’s core business was imperative if Ben Sherman was to move ahead. “We had to say first and foremost we’re a shirt company. And that got lost along the way; we developed into a lifestyle brand. So we spent a lot of time rekindling. We had some people who had come on board, help design the shirts further, looking at supply chain to see where we could start to innovate a little bit more,” says Philippou. “Now we’re trying to get back with the Ben Sherman button-down shirt. We need to make sure that the staple is always there so we can build on that and build around that.”

In an effort to streamline the myriad licenses, accessories, for instance, have been brought back in house, and placed in the hands of a Fred Perry alum. This September, Ben Sherman will launch a fragrance through Nordstrom’s  — not exactly a new foray, but a better-positioned, more professional undertaking. And as many a bird can tell you, women’s clothing has flown the coop.  “It’s a market based on trends, as opposed to brands. Women are very fickle. They’ll wear leggings one season, denim another and we just couldn’t compete in that marketplace where there’s a massive turnaround for looks,” he says.

Admittedly, the fashionable guy is also capricious, but Philippou has found that as a customer, he’s “more dedicated to a brand. It’s more of a case of I’m part of that tribe, I’ve gone for Ben Sherman, therefore this is my DNA, this is what I subscribe to, this is the music I like, this is where I hang out.”

Back in Sugarman’s day, that mod guy wearing a Ben Sherman shirt would have hopped on his scooter, dressed in his parka, and zipped down to Brighton. Not so, today’s modernist customer, a fashion lover who’s 25 to 45, professional, educated and makes an above-average income.  “He’d maybe take a flight to Miami, maybe take a flight to Ibizia, with his iPad; he’d be really techno savvy. He wouldn’t be bringing some girl on a scooter to Brighton. He’s listening to things like Plan B and Mos Def,” muses Philippou.

And he might also opt for one of the brand’s more premium segments — the on-trend Plectrum collection, or the higher-end Modern Classics, which incorporates slim-fit shirts and jackets with a hint of British attitude.

“We’re really trying to make a brand these last 12 months all relevant to 2011, while at the same time, keeping the heritage there,” Philippou says. “We call ourselves the heritage of modernism. We want to be applicable to the modern guy — the mod guy of 2011.”

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The Great Skinhead Reunion 2012 Featuring The Legendary Roy Ellis AKA Mr Symarip (tickets)

The Great Skinhead Reunion 2Brighton Seafront 8th – 10th June 2012Live Performance from the Legend of Skinhead Reggae, Roy Ellis AKA Mr Symarip, plus a full line up of events from Friday afternoon until Sunday. The Ticket is for the Allnighter. Due to high numbers expected, this year we have incurred costs for extra security, and the all nighter is in a second venue, The View, Hove Beachfront, which starts at 10pm . The Wristband will also give you preferential entry to all free daytime venues, and to take part in the Quadrophenia tour

on Sunday 10thThe Great Skinhead Reunion is booked for the 8-10th june on Brighton seafront. the event kicks off on friday with a gathering at the volks club. Spirit of 79 will be focussing on the era of punk rock, oi and 2tone as well as the origins. CASE coming down from London on the Saturday, it will be all day at the volks, Madeira Drive,from 12 noon, which is the venue used in quadrophenia , where sting first shows up . Scooterists are parking for the day, Live performance from Ska’d 4 Life.Then after that is the allnighter, which will be two rooms, bands, dj’s and right on the beach. The Jamaican Reggae Legend Roy Ellis AKA Mr Symarip live. Then weather permitting a Quadrophenia tour and beach BBQ on Sunday. this event is for anyone  who is, was and just likes the skinhead scene, all styles and eras of skinhead music will be played, from original ska and soul, to punk, oi, 2 tone and beyond, its strictly non political and non snob. everyone is welcome. we have people coming from ireland, scotland, the north and south of the uk, plus several contacting us from abroad as far away as USA and Singapore who are making the trip.You dont have to be a skinhead, nobody is excluded. its for fun. children and famillies are welcome. (very strictly non political)A full line up of The Uk’s top dj’sBands Roy Ellis AKA Mr Symarip meets the Moonstompers, Ska’d 4 Life, Case,.
Dj’s ConfirmedSka ShackGrooverDarren  (official Madness DJ) Hit the MoonOlas BossLee Evans, Direction ReactionBarrySabrina LatinaGegga, Skinhead Heaven
Check out last years video if you missed ithttps://subcultz.com/2011/12/the-great-skinhead-reunion-review/SCOOTER PARKING AVAILABLEhttp://www.facebook.com/groups/SkinsUWW/

 <iframe width=”420″ height=”315″ src=”//www.youtube.com/embed/AkG0rSDLNxs” frameborder=”0″ allowfullscreen></iframe>

SATURDAY, SKA’D 4 LIFE LIVE 

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Scuttlers! Hooligans! Street gangs are nothing new

The Scuttlers of Manchester

Waging turf wars with knives and belts, teenage gangs with a ‘ferocious love of fighting’ horrified civilised society. The date? 1870. A new study of ‘The Scuttlers’ of Victorian Manchester reveals that gang culture dates back almost 140 years.

A Scuttler gang [photo: Greater Manchester Police Museum]

First of the gangs? Convicted Scuttlers

Out of the grime and squalor of industrial Manchester, emerged Britain’s first youth cult. The Scuttlers were the ‘hoodies’ of their day: teenagers who dressed alike and shared a thirst for recreational violence.

Their turf wars waged by gangs such as the Bengal Tigers and the She Battery Mob  are described in detail in the book: ‘The Gangs of Manchester: The Story of The Scuttlers.’

We spoke to its author Andrew Davies, senior lecturer in History at the University of Liverpool:

So who or what was a Scuttler?

“A Scuttler was a gang member. The term ‘Scuttler’ was devised by young people who were taking part in gang conflicts but it was passed on to the magistrates at some of the early trials of gang members and at that point the local press became very interested in both the new term and what looked like a new and very dangerous pastime.”

Smoky houses in Ancoats (c) Manchester Libraries

Ancoats c. 1870 (c) Manchester Libraries

You say it was the earliest recorded instance of a youth culture…

“Yes, it was a way of life, with its own fashions, its own language, its own code of conduct and it was very, very visible on the streets of Manchester in the 1870s. But it really shocked local civic and religious leaders who hadn’t come across anything quite like this before and didn’t know how to make sense of it.”

And the Scuttlers had a kind of uniform…

“Yes, the fashions were very distinctive. The Scuttlers’ haircut was described as a ‘donkey fringe’: hair cropped very closely at the back and sides but with long fringes at the front that were longer on the left hand side than the right. They also wore neckerchiefs which might vary in pattern or colour and that would be used to denote membership of a particular gang: there are a few surviving photos in which the neckerchiefs look, ironically, very like modern day Burberry! The Scuttlers also wore bell-bottom trousers and, though many adults at the time wore clogs in Manchester, the Scuttlers’ clogs had a brass tip on the end. They would have made quite a clatter on the cobbles.”

Why did they fight?

“The Scuttling conflicts were all about local pride and were organised as neighbourhood-based fighting gangs. They weren’t criminal gangs in the conventional sense. I think that Scuttling was very much about carving out an identity in what were these very densely populated districts. So it was about a sense of locality with young people trying to prove that their neighbourhood was the toughest one in town. So a lot of status or kudos rested on that.”

“Toughness, the resort to fighting to prove your mettle, and also the fierce pride in territory… I think all those ingredients are still there today”

Andrew Davies, author

There are obvious parallels between the Scuttlers and the gangs of today…

“Yes, the pride in toughness, the resort to fighting to prove your mettle both as an individual and on behalf of the gang, and also the fierce pride in territory – I think all of those ingredients are there today and in studies of football gangs. And of course the importance of fashion is paramount today as it was then. I was very struck by the description of Scuttler fashion of the 1880s – they were staggeringly close to the fashions of the Madchester era. You could imagine a Scuttler finding himself at a Happy Mondays concert a hundred years later and blending right in.”

So what was it that gave rise to Scuttling and this passion for extreme violence?

“It seems that the practice was somehow ratcheted up as Manchester became more heavily industrialised. You’ve got huge problems of overcrowding in the poorer districts with tens of thousands of people crammed into very close proximity in areas like Ancoats, Angel Meadow, Collyhurst and Salford. What that seems to have done is to have injected a new vigour and ferocity into the fights between competing sets of young men which had always gone on but never with this intensity of violence.”

And there were the same debates about how to deal disaffected youths as there are today…

“Yes. At the time, very large numbers of youths were sent to jail. In the first 12 months of the so-called Rochdale Road War of 1870-71, around 500 Scuttlers were convicted and members of the local council were growing quite alarmed at the sheer number of 12 and 13-year-old boys who were languishing in prison. So, the resort to imprisonment was made very early with sentences being handed out of 15–20 years. And somewhat to the astonishment of the authorities, this wasn’t enough to stamp the practice out.”

So why did Scuttling come to an end?

“What changed in the 1890s was the development of the Lads’ Club movement in Manchester and Salford, set up by local philanthropists and targeting those areas most infamous for their Scuttling gangs. For instance, Ancoats had four Lads’ Clubs established in a period of five years. Where they were very successful was in working with 12, 13 & 14 year olds – those lads of school leaving age who might have been expected to form the next cohort of the Scuttling gangs and getting those younger lads involved in educational and craft training and, more importantly, in new forms of leisure and sport and, most of all, football. So I think the Lads’ Clubs must have played some part in disrupting the supply of recruits into the gangs and also by promoting sport as an alternative form of competition between lads from different streets and neighbourhoods.”

So what do you conclude from your research?

“What’s very striking is that, looking at the records of Scuttling over a 30-year period, you seldom find a clerk or an apprentice being arrested. It was always those lads in that huge swathe of society for whom there were very few opportunities, and had no political rights. So if you like, staking out a claim to territory was one of the very few opportunities to ‘be somebody’ and be respected – even if that was to be feared.

“I think it’s no coincidence that when we get reports of gang activity today and knife or gun crime, they still tend to be clustered in those areas where young people, I would say, still have far fewer educational opportunities and poorer prospects in the labour market than their counterparts might enjoy in more affluent areas of Greater Manchester. That was the case in the late 19th Century and I would say absolutely remains the case today.”

‘The Gangs of Manchester: The Story of The Scuttlers’ by Andrew Davies

In the distinctive language of British journalism, the English football fans who caused so much trouble in Marseilles variously “went on the rampage”, “ran amuck”, were guilty of “thuggish behaviour”, or “caused mayhem”. They were variously described in news stories as loutsyobsthugs and ruffians, but the word that was universally employed was hooligan.

It’s an odd word, which the Oxford English Dictionary says started to appear in London police-court reports in the summer of 1898. It became instantly popular, with several compounds appearing in newspapers within weeks (a sure sign of acceptance), including HooliganismhooliganesqueHooliganic, and the verb to hooligan, of which only the first has survived. The long-defunct London newspaper the Daily Graphicwrote in a report on 22 August that year, “The avalanche of brutality which, under the name of ‘Hooliganism’ … has cast such a dire slur on the social records of South London”. The word soon reached literary works; Conan Doyle employed it in The Adventure of the Six Napoleons in 1904: “It seemed to be one of those senseless acts of Hooliganism which occur from time to time, and it was reported to the constable on the beat as such”, and H G Wells included it in his novel Tono-Bungay in 1909: “Three energetic young men of the hooligan type, in neck-wraps and caps, were packing wooden cases with papered-up bottles, amidst much straw and confusion”.

Several suggestions have been made about its origin that link it to the Irish family name variously spelt Hooligan or Houlihan. It seems there was a popular music-hall song of the period about a rowdy Irish family of that name; the OED comments that there was a series about a similarly-named comic Irish character that appeared in a periodical called Funny Folks. Some reports say it was a mishearing of the termHooley’s gang but nobody has come up with a source for this.

However, a book by Clarence Rook named Hooligan Nights, which was published in 1899, gives some helpful evidence. Mr Rook claimed that the word derives from a Patrick Hooligan, a small-time bouncer and thief, who lived in the Borough, on the south side of the river. With his family and a small gang of followers he frequented the Lamb and Flag public house in Southwark (not to be confused with the older and more famous hostelry of the same name across the river in Covent Garden). Mr Hooligan murdered a policeman, was put away for life and died in prison. Another writer, Earnest Weekley, said in his Romance of Words in 1912: “The original Hooligans were a spirited Irish family of that name whose proceedings enlivened the drab monotony of life in Southwark about fourteen years ago”. It would seem from the other evidence that spirited and enlivened are euphemisms.

Whatever its origins, it quickly became established. At first this was most probably because of its novelty and news value. Later, as its sense shifted slightly, none of the possible alternatives had precisely the undertones of a (usually young) person, a member of an informal group, who commits acts of vandalism or criminal damage, starts fights, and who causes disturbances but is not a thief. Last week’s newspaper reports show that it continues to serve a useful purpose.

World Wide Words is copyright © Michael Quinion, 1996–201

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Concrete Jungle Festival to X-ray Spex

From Concrete Jungle Festival to X-ray Spex live at the Roundhouse

Dress rehearsal one week before the gigwhat was I thinking, the day I decided to get involved with punk rock. my youth was way behind me, long gone were the days when I thought we were going to change the world. call it a mid life crisis, or just plain madness., but I would like to think it was more the desire to preserve and celebrate a time in British culture and music.

 Poly and Saxby live on the roundhouse stageI had been away, become a father, worked for many years as a television actor, seen the world, discovered foreign cultures and philosophy. I didn’t need a pair of doc martins to define myself.Whether it was because I had often played skinhead roles on television shows, the bond I had with my friends, the memories of punks queuing up outside the town hall when I was a kid to see our local band the Xtraverts. The Clash at Brixton, Madness in Hammersmith Odeon, The fact Gavin Watson had made a living from photographs of my friends and me, or the TV documentaries I took part in on the subject. whatever it was, inside me was a belief which I discovered in my teenage years, which had kept me safe throughout my life. that said whoever you are, from where ever you come, you can get up there and do it. Punk Rock was a lot more than fashion and clothes, records and rock stars. It was a belief system, shared and loved by thousands.

 Flash on saxAfter my time working with the Mean Fiddler came to an end, I was at a lose end. throughout my time doing large festivals, such as Leeds and Glastonbury, working behind the scenes, I had witnessed hundreds of bands come and go. The large American corporate labels selling the new generations, their version of Punk Rock, never booking the real thing. I often felt it such a shame that the kids of today or the Bands of real Punk had never had the chance of such exposure to each other, so when I bumped into an old friend, who was guitarist in the biggest band on the punk underground, Cock Sparrer, I agreed to work with him to produce a punk festival. I had experience with production, he was well in with the scene and all the bands, so the agreement was that I would sort the venue out, he would book the acts.

The crowd loving poly

All ages for an icon

 Poly styrene

a job well done

Straight from signing the contract with the venue and paying the deposit of £10.000 I was in too deep, and alarm bells started ringing. Bands contacted me to ask who I was and why was I advertising that they were playing at my show. I was just going on what my booker was informing me, but apparently it had been discussions in bar rooms, and not official agreements made. “Oh well that’s how its done in Punk” He told me.Things were quickly ironed out with most bands, but a few had to drop out because of other commitments. The tickets went on sale through a punk website, at first all was OK, but after months of promotion it became apparent that tickets weren’t selling at anywhere near the amount we needed to break even. I then noticed even headline acts hadn’t put on websites etc. that they were even playing. I didn’t have the money or time to go to every small gig in Europe to give out flyers, I was hoping the punk scene would rally behind a great new event. but what I got was the polar opposite.

When I asked a headline band from Scotland called the Exploited, if we could renegotiate their fee, which was four times higher than their usual gig fee, they refused and threatened the website selling tickets, which then panicked and returned everyone’s money that had ordered tickets. The money I had taken directly had all gone to pay the monthly deposits ordered by the venue, which was non refundable. Rumours became loud about cancellation, other punk promoters sent texts out to tell people it was cancelled. Political extremists started to spread personal insults and commit purgery about me. Even one disgruntled ex Punk singer Jimmy Percey, who incidentally was the singer of a song which changed my life called the kids are united, put on his website that the event was some sort of Nazi rally, because his previous band had decided to play without him. Who was this stranger, who had come from nowhere and decided to put on a Punk festival. Is he a Nazi or communist. The truth didn’t seem to matter on the internet world, where the Troll and Internet warrior rules.Concrete Jungle Festival 2007, featured over 60 bandsThen the next head-liner started causing trouble because the logo used mentioned a band he was once a member of, again one of my all time favourite acts from Coventry, and ex members of the Coventry Ska band The Specials accused us of trying to cash in on the name, or give people false hope that it was in fact the original act playing, which was completely untrue, but he also had to pull off of the event.The stress levels were effecting my personal life beyond belief. I had invested my life savings. I naively thought that the scene would get behind a great new event. 60 bands were booked. but sales we lower than band members. with no sleep for three months my mental health was suffering, I had no energy left to fight an internet war, I had no idea about what bands had been involved with in the last 30 years politically, had no idea about how many loyal fans they had, I took the word of people I thought knew. a very bad business decision. as the stress became higher and higher, I cut away from people, found myself lost in the internet world of make believe, just looking for positives. it cost me the relationship with the girl I loved.Two weeks before the event the website/ production manager demanded full payment then ran away, refusing to work any moreMy girlfriend and helper abandoned ship and left the country. taking what she thought should be her wages, but was in fact ticket money to be paid to bands. but worst of all my emotions.An hour away from the show, I knew I was financially ruined, my crew had left, the money gone, I preyed for a walk up which never came. but I had found some friends who had come in to at least help on the day, my kids ran the merchandise stall with my sister, some real angels helped to make the show go on. In terms of entertainment it was highly successful. many people told me later that it was the best punk show they had ever attended, but emotionally. financially and mentally I was broken. One guest came that day, who was to turn the whole tide, and if there is a god on Earth it was her. Poly Styrene is her stage name. to me she is Marianne.She offered me the hand of friendship, showed me a way forward, gave me support and mental help, the courage to go on.She also offered to perform an X-Ray Spex show with me. With my last bit of energy, I agreed and booked the Roundhouse in London, for a show the next year. I was finished financially, so what did I have to lose, it was not like Concrete Jungle festival,this was a standard venue, with a band which were icons of my youth. one of my all time favourite acts, and true punk rock, in attitude and action.The Roundhouse holds 3000 people, and by new years day we had sold enough tickets to break even,but there was a lot of work to be done, find musicians, work on the set, organise all the promotions,the radio, press.Three thousand people came

Poly suffers with serious mental health issues, which had to be considered everyday. until she actually got on the stage we never knew if it would go ahead. we had the usual people trying to sabotage the event, but we also had an army of loyal fans that made X-Ray Spex live at the Roundhouse the best day of my life.

for the year running up to the event, we booked the venue, put our money where our mouth was, poly was constantly worrying about her mortgage payments, she had a little house in st leonards by her mother, any money she had made years before had been taken from her by bad management and sharks. we were in the same boat, it was us against the world. but the word spread, the love which was attracted to poly from across the world was unbelievable, with no big business, no big corporate promotion we did it. people said it wasnt punk rock, because we put the show in a big venue, but the roundhouse is a charity which helps deprived kids, poly and me decided its the only place we could possibly hold it, she didnt like the drinking festivals which most punk gigs were, neither of us liked the corporate events. we wanted to do the show for the real fans, from all walks of life, all ages groups and backgrounds. 

the night before the gig my friend fiona was cutting the logo out to stick on a drum kit on her lounge carpet, for the kit we had got from ebay, the drummer didnt have his own kit. pete heywood had his circle of plyboard from his old band pink fraud, to be used for the stage projection. 

on the day we didnt have any catering or food for the band, but no one complained, poly got on the stage and took the house down. halway through the gig my son asked me to go upstairs. we looked over the balcony, the place was full from wall to wall, back to front, people of all ages, from many different countries, the atmosphere was beyond words. my son said to me ‘ Dad did you do this’ the pride i felt at that moment will live with me forever.

later i stood on the side of the stage with my  nephew alfie, watching the crowd going crazy, poly was alive and so young, her natural charisma shining like a star, my nephew asked me why was a crying. i said well. ‘its the happiest day of my life’Thank you Poly, Saxby, Flash, Paul, Pete Heywood, Oonagh. Luke

My son Jack, Sally, Alfie and Steve Reeve 

daryl, ian, daz and guss, Oonagh and LukeAnd everyone that bought a ticket or helped out with promotion and spreading the word

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Lloyd Brevett, The Skatalites RIP

Skatalites Lloyd Brevett Is Dead

Published: Thursday May 3, 2012 | 9:05 am15 Comments

Lloyd Brevett (2nd left) in the company of his friends and fellow musicians.

Lloyd Brevett (2nd left) in the company of his friends and fellow musicians.

Barbara Gayle, Staff Reporter

One of the founding members of The Skatalites Band, Lloyd Brevett is dead.

Brevett died at the Andrews Memorial Hospital in St. Andrew this morning at the age of 80.

In October 2001, he was conferred with Jamaica’s fifth highest honour, the Order of Distinction and in October 2010, he was awarded the Silver Musgrave Medal for his contribution to music.

The musician’s son Okine Brevett was killed in February after collecting an award on his father’s behalf at the Jamaica Reggae Industry Association Awards at Emancipation Park.

At that time, the former upright bass player of The Skatalites was said to be too ill to collect the award.

barbara.gayle@gleanerjm.com

Lloyd Brevett, the upright bass player for the legendary Skatalites, has passed away at the age of 80 in St. Andrew’s Parish, Jamaica. Brevett had been hospitalized a few weeks earlier due to a series of seizures and a stroke. While he was already in poor health, Lloyd’s health began to decline following the tragic murder of his son, Okine, in February of 2012. Okine had just accepted an award on behalf of his father earlier that night, but the celebration was cut short after he was accosted not far from the Brevett home.

Lloyd Brevett’s musical legacy cannot be understated, although his name sometimes does not get as much mention as other Skatalites members. Lloyd was introduced to the bass at a young age, as his father was one of Jamaica’s first jazz bass players. His father taught a young Lloyd not only how to play bass, but also how to make his own upright bass. As a young bass prodigy, Lloyd would be exposed to many local bands and players through his father’s work, meeting other up-and-comers like future Skatalites drummer Lloyd Knibb, who was learning how to play drums from Esmond Jarrett, who was playing with Eric Dean’s band at that time. Both Knibb and Brevett would eventually go on to play with Eric Dean’s band (as well as many other club and hotel bands), and from there, both became highly sought-after musicians in Jamaica.

As the recording industry began to take off in Jamaica in the late 1950’s, Brevett found plenty of session work, where the best of the local musicians would find themselves doing many sessions together for various producers. It was at Studio One, however, where the core group of musicians that would eventually become the Skatalites recorded some of the most popular tunes of the early 60s. Sir Coxsone would play his Studio One productions at his Downbeat sound system dances, and as the local demand for buying these records grew, Coxsone figured that the people would want to know the name of the band that everyone was dancing to. Coxsone then assembled his finest group of session players, and attracted the talents of other in-demand players like Tommy McCooke (who was working in Nassau), Lloyd Knibb (who was working in Montego Bay) and Lynn Taitt (who was working with Byron Lee and Count Lasher, as well as his own groups), and thus the Skatalites were born.

Lloyd Brevett’s bass work was quintessential to the Skatalites’ sound, even though his bass lines may not always be all that easy to define. That was really his genius coming through, though. Although he learned the instrument from his father, Lloyd had been developing his own style based on all of the styles he played in his earlier career, as well as his understanding of drumming styles like burru and mento, which were uniquely Jamaican. Listening to certain Skatalites tunes, it can be quite difficult to pick out just what Brevett is playing; at times he seems to be all over the place, but it becomes apparent that every note is exactly in its place.

Brevett was also crucial in the transition from ska to rocksteady, as he was the bass player for the Soul Vendors, the studio band that rose from the ashes of the Skatalites and the Soul Brothers.

This is Lloyd Brevett’s legacy; the sublime beauty of his musicianship, a crucial foundation of the ska beat, and a true Jamaican legend. His music will live on in his numerous recordings, from ska and rocksteady to roots and dub, and his memory will endure as one of Jamaica’s best known and most-beloved bass players.

If you would like to donate money to the fund for both Okine and Lloyd Brevett (for funeral arrangements and hospital bills), please see the information listed below. Even though Lloyd was a US citizen, he was unable to receive any health or social security benefits while being hospitalized in Jamaica. His wife (Ruth Brevett) and family would appreciate any assistance during this tragic time. Rest In Peace, Lloyd Brevett.

c/o Lloyd Brevett
National Commercial Bank, Hagley Park Branch –
Hagley Park Road

Acct # 174274584

Western Union –
Ruth Brevett, Kingston Jamaica
876-850-4403
originaljamaicaskatalites@gmail.com

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Jimmy Pursey, The End of An Ego ?

THE GUARDIAN BREVARDA PROGRAM SERVICE OF PROTECT OUR CHILDREN, INC.

Punks Planned Performance Prompts Protest

March 29, 2012 by Protect Our Children

James Timothy Pursey (AKA: Jimmy Pursey)

Protect Our Children has challenged the planned visit of a British sex offender scheduled to perform at a concert in May.  Jimmy Pursey, a member of the Punk group “Sham 69″, is slated to appear May 25th, at a music festival called “Punk Rock Bowling 2012″, in Las Vegas, Nevada.

In 2002, Pursey received a “Caution” from police in Weybridge, U.K., for committing an Indecent Assault on a teenaged girl.  The British “Caution”, which has no corollary in the U.S., allows offenders to avoid trial if they agree to admit guilt and register with the police.  They are also listed on the United Kingdom’s “Registry of Sexual and Violent Offenders”.

Correspondence sent to John Morton, Director of Immigration and Customs Enforcement (I.C.E.), renewed the group’s objection to the practice of granting visas to foreign nationals who have been registered as Sex Offenders in their homelands.  The March 14th letter calls the practice “a slap in the face” to victims of sexual abuse.

In a response dated March 26, Deputy Director Peter T. Edge, said the Department of Homeland Security takes the allegations seriously, and has forwarded the information to the D.H.S. field office.

In 2010, the Brevard County charity joined other child-advocacy organizations in protesting Pete Townshend’s performance at the SuperBowl in Miami.  The group, which informs local citizens about convicted child molesters, mailed a sex offender advisory to residents living in the vicinity of the stadium in Miami Gardens.

Immigration officials were also notified that permitting foreign sex offenders to enter the U.S., is in conflict, with the “Moral Turpitude” clause, found in American immigration law.  Townshend, a member of the British rock band: The WHO, received a Caution in 1983 after his arrest for paying to access child pornography.

SHAM 69

15 hours agoOFFICIAL SHAM 69 STATEMENTA DISCLAIMERWE, THE OFFICIAL SHAM 69, WISH TO MAKE THE FOLLOWING DISCLAIMER STATEMENT:THIS IS DUE TO THE PERSISTENT EMAILS FROM BOTH FANS, MEMBERS OF THE UK/INTERNATIONAL PRESS, AND STATEMENTS MADE VIA SOCIAL NETWORK SITES REGARDING AN INCIDENT THAT TOOK PLACE INVOLVING JAMES TIMOTHY PURSEY (AKA JIMMY PURSEY) BEING ARRESTED FOR INDECENTLY ASSAULTING AN UNDER AGE GIRL.
THIS INCIDENT DID TAKE PLACE, THE GIRL WAS UNDERAGE, THEREFORE LEGALLY A MINOR, AND SUFFERED TRAUMA AS A RESULT WITH LIFE LONG CONSEQUENCES NO DOUBT.
THIS BAND FULLY AND UTTERLY CONDEMNS SUCH BEHAVIOUR AND WISHES TO MAKE IT KNOWN THAT JIMMY PURSEY IS NOT PART OF THE OFFICIAL SHAM 69 LINEUP IN ANY WAY. WE ALSO WISH TO MAKE IT KNOWN THAT HE IS NOT PART OF THE STAFF OR ANY SUBSIDIARY OF THIS BAND.
ALONG WITH MANY FANS, BE THEY PUNKS, SKINS OR WHATEVER, WE TOO HAVE KIDS OF OUR OWN AND SOME HAVE GRAND KIDS TOO. AS SUCH WE DO NOT TREAT THIS AS A LIGHT HEARTED MISTAKE AND NEITHER DID THE GIRL’S PARENTS, ADDITIONALLY NEITHER WOULD YOU IF IT WAS YOUR CHILD OR FAMILY MEMBER.
THIS GIRL WAS A MINOR, AND THOUGH SOME PEOPLE MAY BRUSH THIS OFF WITH A BLIND VIEW IN SUPPORT OF THIS MAN, WE WONT.
SEEING AS WE DO HAVE SOME LYRICAL CONNECTIONS HOWEVER, WE, THE OFFICIAL SHAM 69, HAVE DECIDED THAT IN RESPECT OF OUR MORAL BELIEF AND SUPPORT WE WILL MAKE A DONATION FROM EVERY SHOW WE PERFORM, BE IT UK OR WORLDWIDE, TO THE NSPCC’S CAMPAIGN AGAINST CHILD ABUSE, AND WILL DO SO UNTIL WE RETIRE AS A BAND.
SO STAY TRUE AND STRONG AND WE’LL SEE YOU DOWN THE FRONT.
SHAM 69however……

Hurry up Harry, get that Sham 69 plaque erected

1:46pm Saturday 23rd September 2006

By Yvonne Gordon

A plaque has finally been erected at The Watermans Arms in Hersham to seminal 1970s punk rockers Sham 69.

The band which which was formed in 1975 had several hits, including Hersham Boys, Hurry Up Harry and If the Kids are United.

Hersham residents association chairman, Andy Pinnick said the plaque was put up outside the pub, on Hersham Green, as a tribute to the band’s role in putting Hersham on the map. He said: “The band played there regularly when it was starting out in the mid-1970s, because all its members came from Hersham village.

“We originally wanted a blue plaque but found out from English Heritage that you had to be dead for at least 20 years! We thought green was the best colour.”

The plaque, which was funded by £200 from community donations and £100 from the residents’ association, is made of enamelled steel and is oval-shaped, 20ins by 14ins.

Pub landlord, Tony Blenkinsop, who went to school with the band’s frontman Jimmy Pursey, said although he didn’t live in the village any more, the group had made a big impact.

He said: “The cover of the band’s first album, Hersham Boys, was photographed outside The George Pub in Hersham Road, opposite our old school, Rydens. All the Hersham boys were in the picture.”

The residents’ association began discussions about the plaque in November but there was a delay after controversy caused by Pursey admitting he accepted a police caution in 2002 after forcibly kissing a 16-year-old girl in a Weybridge newsagents.

Pursey said the incident was “exaggerated”. 

  • It’s no Sham: Hersham Boys honoured despite assault2:07pm Thursday 4th May 2006 inLocals will erect a plaque in tribute to Hersham punk rockers Sham 69 despite its controversial lead singer admitting to a caution for indecent assault.The work of frontman Jimmy Pursey will be honoured along with band members Dave Parsons, Rick Goldstein, Dave Tregenna, Albie Slider and Mark Cain.Their 70s hit Hersham Boys which contained memorable refrain “Hersham Boys, Hersham Boys, laced-up boots and corduroys” is credited with putting the town on the map.Plans by Hersham Residents’ Association (HRA) to erect the plaque were put on hold last month after it emerged police cautioned Pursey in 2002 after he admitted he was involved in an incident in a Weybridge newsagents with a 16-year-old girl when he forcibly kissed her on the mouth an incident which left her so traumatised she left her job.Pursey said the incident was exaggerated and added the plaque should be more about the music than the person behind it.Since a meeting of HRA last week, members and locals have come up with the cash to fund the £300 plaque.The plaque will go outside the Waterman’s Arms in Hersham Green and will be in place in the next three months.Andy Pinnick, chairman of Hersham Residents’ Association, said: “Some of the people in Hersham have known Jimmy throughout his life. “He is a little bit impulsive and over the top but he is not malicious.”His behaviour was inappropriate and we are not condoning it but there needs to be an element of understanding.”There is more to him than the negative headlines.” Pursey recently beat more than 600 entrants to win Virgin Radio’s competition to write the unofficial song for the England football team for the World Cup finals in Germany.His single, which will raise cash for the Teenage Cancer Trust, will be recorded later this month and released to coincide with the start of the tournament in June.More about the Walton Hop peodaphiles September 10, 2001. The Old Bailey trial of the pop mogul and former pop star Jonathan King, in which he is accused of a series of child sex offences dating back to the 1970s and 1980s, begins this morning. Back in July, Judge Paget decided, for the purposes of case management, to have three trials instead of one. So the jury will hear only the charges that relate to the years between 1982 and 1987. There are six within this time frame – one buggery, one attempted buggery, and four indecent assaults on boys aged 14 and 15.I have been having an email correspondence with Jonathan King for the past nine months, and last night he emailed me to say, “I think you know, young Ronson, that whichever way it goes for me you could have an award-winning story here, if you’re brave. You can change the face of Great Britain if you do it well. Good luck! JK”I have just returned from New York, and in the canteen on the third floor of the Old Bailey – in the minutes before the trial is due to begin – Jonathan King comes over to make small talk about my trip. “Did you bring me any presents back?” he asks. “Any small boys? Just kidding! Don’t you think it is amazing that I have retained my sense of humour?”He smiles across the canteen at his arresting officers. They smile faintly back. Jonathan has always told me about his good relationship with the police, how kind they were to him during his arrest, and he looks a little crestfallen at their evident withdrawal of affection. “The police are far less friendly than they were,” he says. “Quite boot-faced, in fact.” He pauses. “And there doesn’t even seem to be a senior officer around. I’m getting quite insulted that I’m so unimportant that only constables are allowed anywhere near the case.”He looks at me for a response. What should I say? Yes, his crimes are so significant and he is so famous that it would seem appropriate for a more senior officer to be in attendance? In the end, I just shrug.There are half-a-dozen journalists here today covering the case. In the lobby outside the court, Jonathan approaches some to shake their hands. “Who’s the gorgeous blonde with a TV cameraman?” he whispers to me. “Sorry if this ruins my image.””I felt terrible about shaking his hand,” one reporter says a little later. “I felt disgusting. I was standing there thinking, ‘What’s he done with that hand?’ I should have refused to shake it.””I just asked my solicitor if it’s unusual for the accused to make a point of shaking the hands of the press and the prosecution barrister,” Jonathan says as we walk into court. “He said it was absolutely unheard of!” Jonathan laughs, and adds, “You know, I fully intend to change the legal system just like I changed the pop industry.”And, at that, we take our seats. The jury is selected, and the trial begins.On November 24, 2000, Jonathan King was charged with three child sex offences, dating back 32 years. In the light of the publicity surrounding his arrest, a dozen other boys (now men) came forward to tell police that King had abused them too, during the 1970s and 1980s. Some said he picked them up at the Walton Hop, a disco in Walton-on-Thames run by his friend Deniz Corday. Others said he cruised them in his Rolls-Royce in London. He’d pull over and ask why they were out so late and did they know who he was. He was Jonathan King! Did they want a lift?He told the boys he was conducting market research into the tastes of young people. Did they like his music? His TV shows? Were they fans of Entertainment USA, his BBC2 series? He asked them to complete a questionnaire – written by him – to list their hobbies in order of preference. Cars? Music? Family and friends? Sex?”Oh, really?” Jonathan would say to them. “You’ve only put sex at number two?”And so they would get talking about sex. He sometimes took them to his Bayswater mews house, with its mirrored toilet and casually scattered photos of naked women on the coffee table. Sometimes, he took them to car parks, or to the forests near the Walton Hop. He showed them photographs of naked Colombian air hostesses and Sam Fox. He could, he said, arrange for them to have sex with the women in the photos. (Sam Fox knew nothing about this).Sometimes, within the bundle of photographs of naked women he would hand the boys, there would be a picture of himself naked. “Oh!” he’d say, blushing a little. “Sorry. You weren’t supposed to see that one of me!” (When the police raided King’s house, they say they found 10 overnight bags, each stuffed with his seduction kit – his questionnaires and photos of Sam Fox and photos of himself naked – all packed and ready for when the urge took him to get into his Rolls-Royce and start driving around.)He told the boys that it was fine if they wanted to masturbate. And then things would progress from there. Some of the boys reported that his whole body would start to shake as he sat next to them in the Rolls-Royce. And then he “went for it”, in the words of one victim. None of the boys say that he forced himself on to them. They all say they just sat there, awed into submission by his celebrity. The boys all say that Jonathan King has emotionally scarred them for life, although almost all of them returned, on many occasions, and became the victims of more assaults.Later, Jonathan King will spend his last weekend of freedom – the weekend before the guilty verdicts – recording for me a video diary of his feelings about the charges. At one point, midway through this 20-minute tape, he hollers into his camera about this perplexing aspect of the case. “They kept coming back to me again and again and again, although this vile behaviour was supposed to be taking place!” He laughs, as if he’s delivering a funny monologue on some entertainment TV show. “Why on earth would anybody do that? I’d be out of that house as fast as I possibly could! I’d make damned sure I was never alone with that person again. Mad!”When the police asked Jonathan why all these boys – who have never met or even spoken to each other – had almost identical stories to tell, he replied that he didn’t know. I am determined to ask at least one victim why he continually went back for more.The defence argues that the police actively encouraged claims of emotional scarring when they interviewed the victims, because, without it, what else was there? Just some sex, long ago. The danger, says the defence team, is that if Jonathan is found guilty, the judge will sentence him not only for the acts themselves, but also for the quantity of emotional scarring the victims claim to have. And how can that be quantified, especially in this age of the self, when the whole world seems to be forever looking to their childhoods for clues as to why they turned out so badly.”Jonathan King,” says David Jeremy, the prosecution barrister, in his opening remarks to the jury, “was exploiting the young by his celebrity.”When I first heard about King’s arrest, I looked back at his press interviews for clues, and found a quote he gave Music Week magazine in 1997: “I am a 15-year-old trapped inside a 52-year-old body.”I talked to some of his friends from the pop industry, and one of them said, “Poor Jonathan. We were all doing that sort of thing back then.”I attended an early hearing at Staines Magistrates’ Court. Jonathan King arrived in a chauffeured car. The windows were blacked out. Two builders watched him from a distance. As he walked past them and into the court, one of them yelled, “Fucking nonce!”He kept walking. Inside, he noticed me on the press benches. We had appeared together on Talk Radio a few years ago and he recognised me. On his way out, he gave me a lavish bow, as if I had just witnessed a theatrical event, starring him. Outside, the builders were still there. They shouted “Fucking nonce!” again.My email correspondence with Jonathan began soon after this hearing. In one email, he asked me if I would consider it fair if, say, Mick Jagger was arrested today for having sex with a 15-year-old girl in 1970. I agreed that it wouldn’t be. He told me that he was being charged with the same crime that destroyed Oscar Wilde – the buggering of teenage boys – and we perceive Wilde to have been unjustly treated by a puritanical society from long ago. I wonder if the reason why we look less kindly upon Jonathan King is because he sang Jump Up And Down And Wave Your Knickers In The Air , while Oscar Wilde wrote De Profundis.In another email, he wrote about Neil and Christine Hamilton, falsely accused of rape while being filmed by Louis Theroux, whom Jonathan sees as my great competitor in the humorous journalism market. He wrote, “Louis EVERYWHERE . . . but who on earth would want to cover the Hamiltons, famous for doing NOTHING. Still, I do hope The Real Jon Ronson will have the balls, courage and integrity to take up the crusade (whatever the outcome) that it is GROSSLY unfair for the accused person/people to be smeared all over the media. Over to you, Ronson (we don’t just want a Theroux treatment, do we?)”Later, in court, some of the victims say that Jonathan had a trick of making them feel special, as if they could do anything, as if they could make it big in showbusiness, just so long as they stuck with him (and didn’t tell anyone what had happened). Has King got legitimate grievances against the legal system, or is he simply trying to seduce me in the same way he seduced the boys?His Jagger analogy, I presume, was alluding to some covert homophobia at the heart of the case. But perhaps the real contrast lies somewhere else. Mick Jagger (or, indeed, Bill Wyman) wouldn’t have needed to pretend he was conducting market research into the tastes of young people. He wouldn’t have needed to have promised them sex with Colombian air hostesses. But Jonathan did not, intrinsically, have much pulling power, so he did need those extra little touches. Perhaps the real contrast, then, is one of aesthetics.The Walton Hop closed down in 1990. There were complaints of noise from the neighbours. But the Hop’s home, the Walton Playhouse, still stands. Jimmy Pursey, the lead singer of Sham 69, was one of the Hop’s most regular teenage attendees. He went dancing there every Tuesday, Friday and Saturday night throughout the 1970s. One day, shortly before the trial began, Jimmy gave me a guided tour of the Playhouse. “It’s so hard to explain to people who see in black and white the colour that existed in this club,” he said. “The Playhouse was a theatre for fringe plays and amateur dramatics. But on Tuesdays, Fridays and Saturdays it would become paradise.” Jimmy took me through the hall, and towards the stage.”It was inspirational,” said Jimmy. “This wasn’t table tennis. This was dancing. This was testing out your own sexuality. Normal people would become very unnormal. It was Welcome to the Pleasure Dome. It was everything.”He leapt up on to the stage, and took me to the wings, stage right. We stood behind the curtains. “This is where the inner sanctum was,” said Jimmy. “From here, Deniz Corday [the manager of the Walton Hop] would have the best view of the teenagers who were a little bit bolder, a little bit more interesting.””Bolder and interesting in what way?” I asked.”People like me,” said Jimmy. “If Deniz liked you, you’d be invited backstage and get a little bit of whisky added to your Coca-Cola. Backstage, you see. And you’d go, ‘Oh, I’m in with the big crowd now’. That’s all there was to it with Deniz.””And Jonathan?” I asked.”He’d drive into the Hop car park, and come backstage from the side,” he said. “And we’d all be going, ‘God! There’s a Rolls-Royce outside with a TV aerial coming from it! Ooh, it’s got a TV in the back and it’s a white Rolls-Royce!’ Because you’d never know if it was the Beatles.””But it wasn’t the Beatles,” I said.”No,” said Jimmy. “It was Jonathan King.” He laughed. “A very big difference there!”The Beatles lived on St George’s Hill, in nearby Weybridge, and were often seen driving around Walton in their Rolls-Royces. The Walton area, in the 1970s, was London’s playpen, full of pop moguls and pop stars, letting their hair down, doing just what Jimmy said the teenagers at the Walton Hop did – being “unnormal”. In fact, a disproportionate number of celebrities who are now convicted paedophiles hung around backstage at the Walton Hop, this popular youth club, during the 1970s and 1980s. There was Jonathan King’s friend, Tam Paton, for instance, the manager of the Bay City Rollers who was convicted of child sex offences in the early 1980s. (It was Paton who first introduced Jonathan King to the Hop – they met when Jonathan was invited to produce the Rollers’ debut single, Keep On Dancing.) Chris Denning, the former Radio 1 DJ, was another Hop regular – he has a string of child sex convictions, is currently in jail in Prague, and was friendly with King and Paton.For Jimmy Pursey, the trick was to pick up the girls who were drawn to the Hop to see the Bay City Rollers, while avoiding the attentions of the impresarios who orchestrated the night. “It was fun with Deniz Corday,” said Jimmy. “Deniz would say, ‘Oh Jimmy! Come here! I’d love to suck your fucking cock!’ Deniz was a silly, fluffy man. Then there was Tam Paton.I remember being back here having one of my whisky and Coca-Colas one night, and Tam turned to me and he said, ‘I like fucking lorry drivers’. Chris Denning was more reckless. One time he placed his penis within the pages of a gay centrefold and showed it to my ex-bass player, who proceeded to kick the magazine, and Denning’s dick, and yell, ‘Come on, Jimmy, we’re fucking out of here!’ But Jonathan King was more like a Victorian doctor. It wasn’t an eerie vibe . . . but Jonathan had this highbrow, Cambridge, sophisticated thing about him. The Jekyll and Hyde thing. There wasn’t much conversation with Jonathan. And with Jonathan, you’d always had these rumours. ‘Oh, he got so and so into the white Rolls-Royce’. And they’d always be the David Cassidy lookalike competition winners. Very beautiful.””Would he make a grand entrance?” I asked.”Oh no,” said Jimmy. “It was never, ‘Look at me!’ He never went out on to the dancefloor at all. He was much happier hiding backstage up here, behind the curtains, in the inner sanctum.” Jimmy paused. “The same way he hid behind all those pseudonyms, see? He’s always hiding. I think that’s the whole thing of his life. He always says, ‘That was me behind Genesis! That was me behind 10cc! That was me behind all those pseudonyms.’ But what do you do then, Jonathan? Who are you then, Jonathan?”Jimmy was referring to the countless pseudonymous novelty hits Jonathan had in the late 1960s and 1970s – The Piglets’ Johnny Reggae, for instance, and Shag’s Loop Di Love. These came after his hugely successful 1965 debut, Everyone’s Gone To The Moon, which was recorded while he was still a student at Cambridge. (Before that, he was a pupil at Charterhouse). It was a remarkable career path: a lovely, plaintive debut, followed by a string of silly, deliberately irritating hits.One of King’s friends later suggests to me that it was his look – the big nose, the glasses, the weird lop-sided grin – that determined this career path, as if he somehow came to realise that it was his aesthetic destiny to play the clown. But one cannot categorise his career as a downward spiral from Everyone’s Gone To The Moon onwards. In fact, he has sold 40 million records. He’s had a hand in almost every musical movement since the mid-1960s – psychedelic, novelty bubblegum pop, alternative pop, Eurovision, the Bay City Rollers, 10CC, the Rocky Horror Show, Genesis, Carter The Unstoppable Sex Machine, the Brit awards, and so on.Within two years of leaving Cambridge, he was running Decca Records for Sir Edward Lewis, with his own West End offices and a Rolls-Royce parked outside. “Genesis,” he once said, “would have become accountants and lawyers if I hadn’t heard their concealed and budding musical talent when they were 15 years old.”He is at once seen to be the quintessential Broadway Danny Rose – the buffoonish loser who was forever nearly making it – and also a powerful multi-millionaire whose influence is as incalculable as it is overlooked. He’s hosted radio shows in New York and London, presented the successful and long-running Entertainment USA TV series for the BBC, written two novels, created a political party – the Royalists – and published The Tip Sheet, an influential online industry magazine that, he claims, is responsible for bringing the Spice Girls, Oasis, Blur, Prodigy, R Kelly, and others “exploding on to musical success. We find and help break new stars around the world.”In 1997, he was honoured with a lifetime achievement award by the Music Industry Trust. In a letter read out at the ceremony, Tony Blair acknowledged King’s “important contribution to one of this country’s great success stories”. A galaxy of stars – Peter Gabriel, Ozzy Osbourne, Simon Bates – came out to praise him, although no galaxy of stars is willing to do the same now that he’s been accused of paedophilia.Nonetheless, he seems to delight in being the man we love to hate (theatrically speaking: he is mortified when he thinks his arresting officers really do hate him). “I love to infuriate,” Jonathan told me over coffee in his office, shortly before the trial began. “I deliberately set out to irritate.””Of course,” I said, “should you be convicted, people will hate you in a very different way. This is not a good climate in which to be accused of paedophilia.””Well,” he shrugged, “it’s not as though I’m sitting here thinking, ‘Oh I’m such a nice person. Will everybody please be nice to me.’I know I tend to provoke extreme reactions, so I’m not at all surprised when they arrive.”There was a short silence.”So you see what’s happening now as a continuation of your public image?” I asked him.”Absolutely,” said Jonathan. “And it is so. And it would be absurd not to regard it as so.””But there’s a difference between bringing out a novelty record that nobody likes and being accused of buggering an underage boy,” I said.There was another silence. “Let’s not discuss it further,” he said.September 11, day two of the trial, and things are already looking hopeless for Jonathan King. The first victim – now a painter and decorator from the suburbs of north London – takes the stand. I’ll call him David. Jonathan approached David in Leicester Square when David was 14 or 15. Although David had no idea who Jonathan was, he quickly told him he was famous. “It was exciting,” says David.Jonathan gave David the questionnaire, the one that ranked boys’ hobbies in order of preference. He filled it out. Jonathan invited him back to his house and asked him if he and his friends masturbated together. Jonathan showed him pornographic movies on a cine projector. “We were talking about masturbation,” says David. “He told me to relax. He undid my trousers. He tried to masturbate me, which didn’t arouse me at all. He told me to do it myself, which I proceeded to do. I felt very awkward.”David returned to King’s house on three occasions. Similar indecent assaults occurred each time. Later, Jonathan wrote David a series of letters. “He made it sound like I would be famous,” says David. The prosecuting barristor asks David to read one of these letters to the jury. “‘Maybe you will go on to be a megastar. Now I am in New York. I will call you when I next hit town. In the meantime, keep tuning in on Wednesday at 9pm for Entertainment USA, the greatest TV show in the world.'”David says that Jonathan King has emotionally scarred him for life. He says he cannot hold children. He says it makes him scared and uncomfortable to hold and play with his girlfriend’s little boy.After lunch Ron Thwaites, Jonathan’s defence barrister, begins his cross examination of David. His tone is breathtakingly abrasive. “We are going back 16 years because you decided not to make the complaint until nine months ago,” he says. “You’re not asking for sympathy for that, are you?””I was the one that was assaulted,” David replies, shakily.”Do you think it’s easy for a man to be accused of a crime after 20 years,” says Thwaites. And then: “Are you interested in money?””I am nervous up here,” says David. “You are putting me under pressure. I was sexually assaulted by that man over there.””You must have been fairly grown up to go to London on your own,” says Ron Thwaites. “You can’t have been a boy in short trousers, crying for your mother.”And so on.We are unaware that, during this cross examination, New York and Washington DC are under attack. That night, I receive an email from Jonathan: “Makes whether or not I put my hand on a teenager’s knee 15 years ago seem rather trivial, doesn’t it? Are you dropping KING for the World Trade Centre? Boo hoo!”What do you think of the jury? A lot of ethnic variation which,I think, is probably a good thing. Not Ron’s best day, but not terminal! See you tomorrow. Love JK.”A week later, Jonathan posts an extraordinary message on his website, kingofhits.com: “Well, it’s been a fascinating couple of weeks. Not many people are fortunate to discover first hand exactly what Oscar Wilde went through! This week is the crucial one for me – keep praying. And just one oblique thought . . . when you look at the teenagers from 15 years ago who grew up to be terrorists who killed thousands in America, wonder what changed them into mass murderers. Then wonder what turns other decent teenagers into mass liars.” Of course, they didn’t turn out to have been lying.King’s demeanour remains cheerful throughout our time together. “I am living in clouds and happy flowers and love and beauty,” he tells me one day. “And if I go to prison, I shall enjoy myself.”Even on the one occasion that Jonathan all but confesses to me – “I’m sure you’ve got skeletons in your own closet, Jon. ‘Honest guv! I thought she was 16!'” – he says it with a spirited laugh.When the Guardian’s photographer takes Jonathan’s portrait early one morning before a day in court, he is frustrated to report that during almost every shot Jonathan stuck his thumbs up – as if he was doing a Radio 1 publicity session – or grinned his famous, funny, lop-sided grin into the camera. This was not the image anyone wanted. We were hoping for something more revealing, sadder, perhaps, or even something that said “child sex”, or “guilty”. But Jonathan wouldn’t oblige.One day during the trial, I hear a story about Larry Parnes, Britain’s first pop mogul. He discovered Tommy Steele and Marty Wilde. Like many of the great British impresarios back then, he based his business judgements on his sexual tastes. “If I am attracted to Tommy Steele,” he would tell his associates, “teenage girls will be, too.” Parnes’s West End flat was often full of teenage boys hoping to be chosen as his next stars. If he liked the look of them, he’d give them a clean white T-shirt. Once he’d had sex with them, he’d make them take off the white T-shirt and put on a black one.Wham!’s manager Simon Napier-Bell – who was once invited by Parnes to put on a white T-shirt – has said that the great difference between the British and American pop industries is this: the American impresarios are traditionally driven by money, while their British counterparts were historically driven by gay sex, usually with younger boys – and that British pop was conceived as a canvas upon which older gay svengalis could paint their sexual fantasies, knowing their tastes would be shared by the teenage girls who bought the records. I wonder if the pop impresarios who seduced young teenage boys at the Walton Hop saw themselves not as a paedophile ring, but as the continuance of a venerable tradition.Deniz Corday is desperately worried that the Walton Hop, his life’s work, is about to become famous for something terrible. “Jonathan didn’t want me to talk to you,” he says, “but I must defend the Hop with all my life.” Deniz is immensely proud of the Hop. There is Hop memorabilia all over his flat, including a poster from a Weybridge Museum exhibition, “The Happy Hop Years 1958 – 1990. An Exhibition About Britain’s First Disco: The Walton Hop”.”Every day, someone comes up to me in the supermarket,” says Deniz, “and says, ‘Thank you, Deniz, for making my childhood special.’ Some say the Hop was the first disco in Great Britain. It was terribly influential. Oh dear . . .” Deniz sighs. “This kind of thing can happen in any disco. The manager can’t control everything.”Deniz says that he knows it looks bad. Yes, an unusually large number of convicted celebrity paedophiles used to hang around backstage at the Walton Hop. But, he says, they weren’t there to pick up boys. They were there to conduct market research. “Tam Paton would play all the latest Roller acetates and say, ‘Clap for the one you like the best’. Same as Jonathan and Chris Denning. It helped them in their work.”Deniz turns out the lights and gets out the super-8 films he shot over the years at his club. Here’s the Hop in 1958. Billy Fury played there. The teenagers are all in suits, dancing the hokey-cokey. “Suits!” laughs Deniz, sadly.The years tumble by on the super-8 films. Now it’s the mid-1970s. Here’s Jonathan at the turntables. He’s playing disco records, announcing the raffle winners and grinning his lop-sided grin into Deniz’s super-8 camera. He’s wearing his famous multi-coloured afro wig.Now, on the super-8, two young girls are on stage at the Hop, miming to King’s song, Johnny Reggae. “These were the days before karaoke,” explains Deniz.For a while, we watch the girls on the stage mime to Johnny Reggae. It turns out that Jonathan wrote it about a boy called John he met at the Walton Hop who was locally famous for his reggae obsession. David Jeremy – the prosecutor at the Old Bailey – says that Jonathan’s “market research” was simply a ploy, his real motive being to engage the boys in conversations about sex. But I imagine that the two endeavours were, in Jonathan’s mind, indistinguishable. I picture Jonathan in the shadows, backstage at the Hop, taking all he could from the teenagers he scrutinised – consuming their ideas, their energy, their tastes, and then everything else.The super-8s continue in Deniz’s living room. Here’s Jonathan again, in 1983, backstage at the Hop. He’s put on weight. He doesn’t know the camera is on him. He’s holding court to a group of young boys and girls on a sofa. You can just make out little snippets of conversation over the noise of the disco. He chews on a toothpick, looks down at a piece of paper, turns to a boy and says, “Who’s phone number is this?”He spots the camera. “It’s Deniz Corday!” he yells. “Look who it is! Deniz Corday! Smile at the camera!” He lifts up his T-shirt and Deniz zooms in on his chest.”In 32 years,” says Deniz, “we never had one complaint about Jona-than and young boys, and suddenly, after 32 years, all these old men, grandfathers some of them, come forward and say they’ve been sexually abused and it’s been bothering them all their lives. I think there’s something deeply suspicious about it. Jonathan’s a really nice guy and definitely not a paedophile. Anyway, I think it should be reworded. I think a paedophile should be someone who goes with someone under 13.”The clothes and hairstyles change as the decades roll past on the super-8s, but the faces of the 13- to 18-year-olds remain the same. They are young and happy. Deniz says that, nowadays, we have an absurdly halcyon image of childhood. He says that the youngsters at the Walton Hop were not fragile little flowers. They were big and tough and they could look after themselves. He rifles through his drawer and produces some of the police evidence statements. He reads me some excerpts. “‘There was a crate of Coca-Cola kept backstage, and it was people like Jonathan King and Corday who hung around there. If you were invited back there you would get a free coke with a shot of whiskey.'”Deniz pauses. “Now how ridiculous can you get? I’m going to give the kids of the Hop a shot of whiskey with a coke?” There is a silence. “Well,” he says quietly. “If I gave them a little bit of whisky once in a while, they’re not going to put me in jail for it. I used to call it ‘coke with a kick’. Anyway, we’re not talking about me. We’re talking about Jonathan. Have you heard of any charges against me?””No,” I say.”Exactly,” says Deniz. “This is about Jonathan. Not about me.”Deniz continues to read. The victim making the statement describes life at the Walton Hop and how Jonathan – a regular visitor – once went out of his way to talk to him. “‘I was obviously excited to be talking to Jonathan King. He offered to give me a lift home, which I accepted. This was the first of many lifts King gave me, and I recall that he always drove me home in a white convertible Rolls-Royce. It was an automatic car and the number plate was JK9000. We talked about music, and he often told me that he needed a young person’s point of view. King drove me home on a couple of occasions before he eventually assaulted me. The first assault occurred at a car park, which was situated on the left-hand side of the Old Woking Road. Next to the car park was a field and a wooded area. King seemed familiar with the location. I believe he had been there before. I was sat in the front passenger seat and King was in the driver seat. I noticed that King had started shaking, and I presumed that he needed the toilet.'”Jon Ronson
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The Romper Stomper

The Skinhead Wrestler

In 1979,  I was 13 years of age, and like half the kids on my estate, I  became a skinhead. Down the local youth club i would just love to hang about listening to all the 2tone tracks that were being played. Going to school in my 14 hole pair of Dr Martins, Sta press trousers, school tie turned around the wrong way,  so that  only the thin part was showing, made me feel like a somebody.

At the age of 16, in 1982 i left school and got a job on a fun fair which, had visited Bristol for 2 weeks. After about a year and a half of travelling around the country with the fair i left, and signed on the dole for around 6 months.

By then I was 18 years of age, watching the telly one rainy Saturday afternoon, some wrestling came on the box, i remembered watching it years before with my family, and thought that I’m sure that I could do that. I decided to contact the local venue that held wrestling shows every fortnight, and asked them who the promoter was. The phone call has stuck in my memory forever, like as if it were yesterday. The guy asked if i had a portfolio which of course i said yes too, and they also said if i had any experience which i followed with another quick lie about having done judo for the last few years,

I had two days in which to get a few photos done and to sort out what i will say to the promoter when i met him. The night came for the first meeting, i showed him my photos and just blagged it whilst talking, it was arranged to meet the following Sunday in Liverpool for my 1st bout which would be in Ayr, Scotland,  Determined, the next day i ordered my 1st pair of wrestling boots and shorts.

I travelled up alone, arrived in Scotland and got changed ready for my first match, to tell the truth it went so quick i couldn’t remember much about it. My opponent was a Scouse guy Robbie Brookside, I was more excited than scared, he was about the same size as me. I don’t remember much about the crowd reaction, but due to the fact I am the villain character, they always bay for my blood. The promoter said that i was ok and that the match went well, which made me think that i could make a living doing this, so i trained hard, started to make a name for myself.

In the early days of my career, my wrestling name was Hammer Head, quickly became a villain which i didn’t mind, as there’s no way i could have been one of those good guys.

A few years later i watched  a new film called Romper Stomper and thought,  now there’s a good idea, being that i was a villain i decided to put my wrestling kit away and purchase some new jeans, Dr Martins and a pair of bracers to which i became The Romper Stomper. The next step was to choose the right piece of music in which to walk out to, deciding there was only one track which i could possibly use, and that was the skinhead moonstomp.

In the 26 years of being a pro carreer, i  travelled all over the country wrestling 7 days a week , with only Christmas day off, becoming British heavy middle weight champion, appearances on World of Sport, cable tv, sky and the local news, when the Americans visited.

I wrsesteld non stop, working with a lot of my hero’s like big daddy, giant haystacks, Kendo, Dave Fit Finley, Rollerblade Rocco and Danny Boy Collins, who was in my class at school.

I must say, that as hard as the sport can be on your body, I wouldn’t have changed any of it .

I retired in 2000 from wrestling, after having 3 back operations, so for the next 6-8 months trained other people who wanted to get into the sport.

I enjoyed helping and training people, but missed the part of entertaining,

I decided to try standup, so went to a comedy venue for an open mic session.

The spot was only on me for 10 minutes, and to tell the truth, felt like 1 hour, but I caught the bug.

Robbie Twinkle was born and I started to travel the country once again. I’ve now been entertaining audiences with my comedy show for just over 10 years .

Staying a true skinhead, since my teenage years, I have proved to the finger pointers, who prejudged us as lazy, low life, wasters,.

Never judge a book by the cover!

cheers

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Roy Ellis AKA Mr Symarip Live in Brighton

Roy Ellis AKA Mr Symarip

A Legend of Skinhead Reggae

When the teenage Roy Ellis set sail for a new life in the United Kingdom in 1959. He had no idea what to expect, his mother had left a few months previously, and made a home for her children to join her.

On arrival Roy settled in South London with many other Jamaican immigrants, and found it to be bleak and aggressive. Rife with racism and fear from the local people.  Roy began his love  of music, in church, like many other black people of the era.

“ I really started my music career in London in 1962, As a young man with full blooded music in me, not only I wanted to sing, but also wanted to play an instrument too. So I took up the Trombone. At the same time getting a few lesson from one of the masters Rico Rodriguez, In this time he just got to England, from there onI choose music as my career, singing and playing, and so it all started to where I am today.”

Reggae was finding its feet in the UK and artists were active and playing. Roy got together with some friends and set up his band, The Bees in 1964, and started to perform in small clubs around London. The Jamaican community being quite small at the time, gathered around its own culture and Reggae music. Roys band were discovered by Legendary Laurel Aitkin, who was leading the way in British/Jamaican Reggae in the early part of the 1960’s

The Bees breakthrough came with the chance to play backing band for Laurel Aitkin, who encouraged and helped this young band to climb the ladder, working as producer and promoter for his fellow Reggae musicians.

The new Reggae sound was picking up a large following from fellow council estate kids, who had created their own subculture, a fragment of the Mod culture, which came to be known as Skinheads.  A mixture of white working class English kids, who loved the new sounds coming into their own area.

Although Roy, at first found it hard to find new friends, with strong racial barriers to cross.  He was readily accepted within the Skinhead culture, partly because of his love of music, but mainly because he was a very good amateur boxer. Inter youth cult fighting was a big part of British youth culture during the 60’s. With the Mods and Rockers clashes on South Coast towns hitting the headlines in 1967.

“I got into the mods scene with the other english teenager who was already in it, So at last they accept me,

   But why did they accept me? because  I was a very good Amature boxer from Jamaica, And that`s how I got in to the mods and skinheads scene on till this day.                           

   Someone is got to build the bridges so that we all can cross over doesn`t matter what colour we are.”

“I have very fond memories of Brighton, my mates and me would ride our scooters down from London every Friday night, go dancing in the clubs, kick some Rockers arses, well not me, I was always the guy making the others laugh, but you know, all the teenage things that people do”

With the hunger for new music in the boom years of British music, Reggae found its home and quickly swept the dance halls and charts, with people like Prince Buster, Desmond Decker,  Laural Aitkin leading the way. With Infectious Rock Steady rythms.

Record labels, such as Trojan, Blue beat, Island were doing very well in the UK.

“ Actually I haven`t done any recording in Jamaica, As I said it all started in England,But as singing and playing in a band called The Bees in 1964. We got the luck to be discovered by the one and only late Laurel Aitken who had us as his backing band,and also as our producer, and a promoter. We were touring the UK with him.

Then we got the chance to back Prince Buster, The Ethiopians,  Maytals,  Earol Dickson, The Pioneers, Millie Small, Owen Gray, Jackie Edwards and Desmond Dekker. Then in 1967 we met Eddy Grant, he wrote our first two hits Train tour to Rainbow city, and All Change On The Bakerloo line.

Then in 1969 I wrote Skinhead Moonstomp and Skinhead Girl, and also we recorded the Symarip debut album, Skinhead Moonstomp that went to way up in the hit chart. then it all started

from there.”

Symarip, Skinhead Moonstomp album stormed the charts, which created a boom in the Skinhead Youth cult. The Vietnam war was in full swing. The hippy era began, which took the middle class mods into psychodelia and then flower power. The street kids went the other way into Skinhead working class fashion

A huge show was arranged for Wembley Stadium in 1970, which packed. One half white skinheads, the other half, Jamaicans.

“ Wembley was one of the biggest hightlights of my life, to see this unity of fans, black and white dancing to my songs”

But with the rise of violence associated, the start of football hooligans, it became impossible for Symarip to play anywhere, the press were hyping the violence as a modern menace.

“We were sent to Europe, to pioneer Reggae on the Continent. A completely new sound for them. I Moved to Switzerland, met a lovely lady who became my wife, where I still live”

In 1979 2tone bands like the Specials and Madness paid us the honour of covering some of my songs, which opened it up to a new audience and decade.

Since I`m back in 2005 a lot of great things been happening for me, I`ve been travelling the world knowing the different Countrys, meeting different people, making new friends and new fans, I got the chance to put out two albums, three singles,

Coming out in April my new single with my new video, a lots concerts, lots of media connections etc. It`s been all good for me, could be better, but I`m happy with what I`ve got.

Roy Ellis AKA Mr Symarip will be performing a very special live appearance on June the 9th. The event is titled ‘ The Great Skinhead Reunion’ To celebrate Roys life, The music and youth culture he Pioneered, which has spread the world, from its beginnings in London and Brighton to modern day Indonesia and Columbia. Everybody is welcome, young and old. You don’t have to wear Doc martens or be an active skinhead

GREAT SKINHEAD REUNION ACCOMODATION. i have found 2 more guest houses which are a stones throw from the venue. the first one is £65 per person for the entire weekend including friday and saturday night. there are 20 beds available for our event, so if you would like a full weekend wristband with a room , the total cost per person is £80 (nothing more to pay, this is NOT per night) The second one is double twin room. £70 per night (per room), Family room £75, this option includes breakfast, so add £15 per person for your weekend wristband per person. please contact me asap. as once these rooms are gone i will try and find some more, but dont leave it too late. for this deal please write to symond.lawes@gmail.com

BUY TICKETS HERE

Skinhead Reunion Ticket Price £15.00 Adults

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Skinheads ( An American subculture)

Both Perry and I have been involved in the scene since the 80s and watched tons of shit being written about skinheads by people that had no idea what the subculture was about. I review book proposals for a publisher and I saw another series was being written about skinheads so I thought this would be a great chance to write the definitive book about skinheads in America. I was loathe to see another horrible book about skinheads written by people that had no clue what the subculture was about. I asked Perry because he and I had talked about writing a book before and this seemed like the perfect chance and so we wrote a proposal and got accepted.

2. how did you first discover the skinhead culture.

Perry:I first got into punk in 1980 while growing up in Chicago. I had seen a few TV reports on it and was fascinated. Bought the first Clash album and was hooked, the second or third punk album I got was “Tell Us the Truth” by Sham 69. That album had a huge impact on me and I remember reading an article on them in Trouser Press that mentioned the Sham Army and their large skinhead following. I met a kid at my high school that was really into punk as well as two-tone ska and he turned me onto a lot of bands and suggested I listen to a local radio show called the Big Beat. It was on for an hour every friday night and mainly consisted of new wave stuff. However the DJ always played a set or two of punk. I heard so many new bands on that show including the Angelic Upstarts, Cockney Rejects, Blitz, Cock Sparrer, etc. After seeing footage of the Southall Riot on TV and all the coverage of Oi I’d been reading in Sounds I broke down and bought the Strength Thru Oi! comp. Loved It! Even though I was a punk I became more and more interested in skinhead culture over the next few years and finally got up the nerve to shave my head in late 1985. Have never looked back since.

Tiffini: I got into skinhead by way of hardcore and punk. I went to punk shows at Fenders in Long Beach and saw skinheads and discovered oi music by buying British compilations and started hanging out with skinheads and learned more about it and eventually shaved my head about a year after I heard about the subculture. What attracted me to the scene initially was how bad ass skinheads were at the shows. Back then they dominated and people were afraid of them. I also liked the sound of oi and the look.  It was in 1987 so there was nothing in the news about skinheads just the different crews around the LA area. I didn’t shave my head immediately because I knew about right wing skinheads and nazi stuff was alive and well so I wanted to make sure I knew about the subculture before I shaved my head. A guy I was dating before I shaved my head handed me Skrewdriver’s Blood and Honour and said: don’t shave your head THIS is what skinhead is (and yeah he was skinhead). But I knew about the roots of the subculture and so I didn’t listen to him and shaved my head anyways. Later i discovered the original style of skinheads and the early reggae and ska stuff as well.

3. what is/was your involvement.

I grew my fringe out around 1993 but my friends and my lifestyle are still deeply tied with the scene. I still go to shows and travel to the UK to Rebellion festival and still own all my old gear and even my first pair of DMs.

Perry of course is in the Templars so he plays regularly and is active in the scene as well.

4. the book says ‘an american’ subculture, how do you think that wil go down around the world, or is the book aimed purely at an american readership.

I am sooo happy you asked this question. First to clarify the SERIES is called “American Subcultures” so every single title says that regardless of the subculture. Unfortunately for us that makes the books seem as if we are implying skinheads are an American creation which we all know it isn’t.

The first section of the book traces the origins of skinheads in the UK. The rest of the book focuses on the development of the subculture in America from its inception here in the 1980s until the present day. Because the subculture is British, we talk about the similarities and differences between the UK and US versions of the subculture throughout the book.

We hope that this title becomes one of many volumes people buy to find out the history of skinheads in general. The same way I have skinheads by Nick Knight and Spirit of 69, I am hoping it will become just one other title to have to document the history of the subculture. This one just happens to examine the history of skinheads as they occurred in the USA.

5. how important is the skinhead subculture in the usa, next to things which seem traditionally more american . like rap, rock n roll, blues etc

I think a better comparison would be skinhead subculture and punk subculture in the USA. In terms of alternative music, I think it has increased and decreased depending upon the scenes in different cities. The USA is huge geographically so it really depends on what year, region or strain of the subculture you are considering. Ska and Reggae are more popular in some cities while Oi and hardcore are the mainstay of the scene in others. To try to compare it other subcultures in terms of “importance” would be impossible to do.

6. when did skinheads first make its way to the usa, and why was it picked up there.

Skinheads started in the early 80s in USA. Definitely due to the popularity of 2Tone and Oi! and Punk music. It was picked up because the look and the sound were unique and different. Probably the same reasons skinheads in England got popular.

7. how has the skinhead subculture been treated by the american media over the years, has it always been seen as a political movement or a music, fashion based subculture.

Initially it was reported in the media as a British youth movement. At first when skinheads began popping up in the USA they were lumped together with punks. It wasn’t till a few years after skinheads was in the USA that they started getting labeled as Nazis by the press. Mostly because of groups that started distributing racist materials and marching for a political cause. Once the talk shows and the media portrayed skinheads in one way, the general population saw the subculture as a bunch of “nazi, thugs”.

Of course people in the scene always identified with the subculture based on the lifestyle and didn’t really pay attention or care what the media said.

8. without me reading the book, how do you start middle and end the book, is it just done as a dated reference to the spread of the skinhead subculture across america, with media stories propping it up, ie the geraldo show.

The book is organized by topics. There is a timeline at the beginning tracing the major events that shaped the subculture in the USA and after that its broken down into the following chapters: Origins of Skinheads, Being a Skinhead (for people that don’t know anything about the lifestyle), Media coverage of the subculture (mainstream media, skinhead publications, movies, television and internet), Music (Oi!, 2Tone, Reggae, Ska, NY Hardcore, American Oi! and Djs) Fashion (clothes, tattoos and hairstyles), and Politics (Rise of White Power and Antiracist groups). It ends with profiles of the major skinhead bands and crews, primary documents (interviews, scene reviews and research written during the 80s-90s) and a glossary of major terms used in the subculture (again for people that don’t know about the subculture).

Because this is a reference book it is written so people that don’t know anything about skinheads will understand how it developed, what shaped the subculture and how it was in the early days in the USA. For that reason we interviewed skinheads all over the USA and did extensive research in both the mainstream and underground media. The perspective of the scene is given from all parts of the subculture and all regions.

We collected so much information that we couldn’t fit into the book we could have literally written a second book just based on the interviews. But the publishers wanted a more general overview of the subculture so we couldn’t include everything.

9. from my own investigation into the american version of the skinhead scene, it seems from an outsiders view point to be very gang related, with ceremonies like, ‘shaving in’ ‘jumped in’, and various other terms, freshcuts, peckerwood etc. is there some form of organised gangs or crews with strict rules, if so where did that come from, and how does a skinhead differentiate from any other ‘gang’

Just like in the UK there were various factions of skins that developed. I think the longstanding existence of gangs in the United States made it much more aligned with traditional gang structure in some cities. For example Chicago and New York and Los Angeles were well known for having crews that resembled street gangs. Even the political groups were derived from gang structures and heavily influenced by pre-existing gangs. Probably due to the size of the US, every region had its own unique aspects which we explore in the book.

As far the “rules” or social structure of the subculture, I can’t speak to every one. But I know in my own experience these were things just passed down or generally “known” by skinheads. For example, girls were expected to cut their fringe really short when I shaved my head and the term “earning your fringe” was something you just knew you did. Who knows it was probably some rule made up by a girl that didn’t’ want anyone having a better cut than her! The same for the lace color rules. Every city was different but you heard about all the different ones. I always thought they were dumb and wore white laces (white power) in my boots because it looked good.

Skinheads in America basically made their own rules because they could. In the early 80s there was no manual, no older skinheads to define the rules so they just did what they wanted and made it their own.

10. do you think that the media version, of the political extremist is the actual reality of skinheads in usa. being a racially devided country, how does the skinheads cross communities. in the uk the scene was very much from the working class, is that the same in the usa?

Again, that depended on the geography. There is no denying that in some cities racist skinheads ran shit. Just like in other cities it was the opposite. In even more cities it was a constant war between the two factions. The media only looked at the side that sold the most papers. Even when they reported so called racists attacks they were talking about non-racist skinheads. I am sure you have plenty examples of the UK misrepresenting events that involved skinheads too. So in short I don’t think the media version of skinhead is the reality of the subculture (god help us if it was!).

I also think the assumption of the USA as being “racially divided” is a misleading statement. We are too large a country to make sweeping statements about- some cities and areas are different than others. As far as skinheads go, they basically reflect the populations they live in. For example there are larger Latino skinhead populations in states like Texas and California. In New York there were a lot of Italians, Puerto Ricans and Blacks. Chicago probably had the largest black skinhead population of all in the 80s and 90s.

Because our countries are different we don’t have the same “working class” as you do. We have the middle class as well which a lot of skinheads would probably be categorized as in addition to working class. To skinheads that we interviewed, “working class” meant working for a living and being self-sufficient – not existing on government handouts or other people. If you listen to the lyrics of a lot of American skinhead bands you can hear this same message.
11, which skinhead bands first became known in the usa, did they model themselves on the uk oi bands, 2tone or original Jamaican ska.

First bands that became popular were from the UK (ska and oi). A lot of early American bands emulated those sounds. But just like other areas of the subculture the bands integrated sounds that were popular in their areas with what the UK brought over. The first skinhead band in the USA according to our exhaustive research was Iron Cross from Washington, DC. Other US bands were influenced by the UK oi scene: Youth Brigade from LA, Negative Approach from Detroit and The Effigies from Chicago for example, but none of those bands could really be defined as ‘skinhead’ bands in the UK sense. The bands that really kick-started the skinhead scenes in the US were New York hardcore bands like Agnostic Front and the Cro-Mags. While they listened to British Oi!, they fused it with their own distinctly New York Hardcore sound. They were both dynamic live bands with skinhead members in their ranks and they really spread the skinhead idea through touring in the mid-1980s. Other American Oi! bands like the Anti Heros have a uniquely American sound. Later bands sounded more like traditional Oi! (Templars) and ska/reggae (Hepcat and Aggrolites).
12. how did Hollywood effect the skinhead culture, with films like American history x

Killed it. You had a whole definition of kids that ONLY knew about skinhead from that movie. Before that, the other shows also gave a very plastic view of the subculture. Luckily most of those kids have moved onto another cool subculture. Maybe they are all wearing black like Twilight movies or something.

13, when would you say the height of the skinhead population was.

Probably the late 1980s and the late 1990s. The scene has had its ebbs and flows. It was real small in the early 1980s, grew exponentially and peaked in the late 1980s, fell off in the early 1990s, grew big again in the late 1990s, declined in the early 2000s and now in the last couple years its really picked up again. Hopefully we can sustain the growth this time around!
14, how did the hardcore scene become part of the skinhead culture.

All roads lead to New York. The Lower East Side Crew was formed in NY and included most of the members of all the original NYHC bands (Cromags, Agnostic Front, Warzone). They adopted the skinhead look and sung about skinheads but to hardcore music. NYHC was an entry point for many youths into the subculture especially for the second generation of skinheads in the USA (after 1986). Because they toured they brought it all over the US. Eventually hardcore branched off and became its own subculture.

15 what do you wish to achieve with your book

We hope that anyone that wants to learn about the subculture will read our book instead of the other bullshit titles out there written by people that don’t know shit about it. Every “academic” book written about it is done by cops or scholars and not people that lived it. We are hoping to document our past so any future generations will have a story that isn’t twisted by whatever some dumb fuck makes up on the internet. We want to publish something that accurately portrays the subculture to the best of our ability. I am sure there will be people that say “you didn’t add this or you didn’t cover that” or “why did you put that or why did you quote that” but to them I say this: go ahead and publish your own book. This book took more than two years to put together and we interviewed skinheads from every generation and across the nation to make it as comprehensive as possible. It is impossible to include everything in just one volume but we hope this is a good start to covering the subculture we both love.

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Roy Ellis AKA Mr Symarip

Hi Symond,Here we go with the answer to your questions!! For pictures, I`ve to look,  By moving from place to place it seem to lost lots of them.My bestRoy Elis

where were you born ( I was born in Kinghton Jamaica 27 April, age I never tell,  it`s not important for me,is how you feel It`s just another number.

when did you first get into music? (As you all know, most black singers started their singing career in the churches,and so did I

I really started my music career in London in 1962, As a young man with full blooded music in me, not only I wanted to sing, but also wanted to play an instrumant too.                             So  I took up the Trombone,at the sametime getting a few lesson from one of the masters Rico Rodriguez, In this time he just got to England,                                         And from there on I choose music as my career, singing and playing, and so it all started to where I am today.

how was life in jamaica, what studio’s did you work at, orange street, studio 1 etc. what musicians and people did you know and work with

actually I haven`t done any recording in Jamaica, As I said it all started in England,But as singing and playing in a band called The Bees in 1964.                                                                              

 We got the luck to be discovered by the one and only late Laurel Aitken who had us as his backing band,and also as our producer, and a promoter.                      we were touring the UK with him.

Then we got the chance to backed Prince Buster,The Ethiopians, Maytals, Earol Dickson,The Pioneers,Millie Small, Owen Gray, Jackie Edwards,                   Desmond Dekker, Then in 1967 we met Eddy Grant he wrote our first two hits Train tour to rainbow city, and All change on he Bakerloo line.

   Then in 1969 I wrote Skinhead Moonstomp and Skinhead Girl, and also we recorded the Skinhead Moonstomp album that went to way up in the hit chart. then it all started

from there.

when and why did you come to the uk ( I came to UK between 1959-1960 as a teenage school boy.

how did you find life different in the uk, was it what you expected on arrival, did you come with family and friends.

I came to Uk  alone, My mother was here long before me,in this time the Uk wasn`t a nice place for black people,It was too much discrimination giong on then, and it still is!! 

for me it was very very hard as a teenager,no one to play with or to talk to me, but I was mentally strong, so I try to over come the problem  by try to intergrate.how did you get involved in the mod scene, and how come you moved onto the skinheads. what was the difference in the two scenes.

Well been intergrate in the school, and learning to be a cook, I got into the mods scene with the other english teenagers who were already in it, So at last they accept me,   But why did they accept me? because  I was a very good Amature boxer from Jamaica, And that`s how I got in to the mods and skinheads scene on till this day.

Someone is got to build the bridges so that we all can cross over doesn`t matter what colour we are.

whats the story with symarip, who were the guys, do you ever see them, why did you write the skinhead moonstomp album, with many songs referencing skinheads

Well  I was the only one the band as a black skinhead who believed in the scene at that time,and after Prince Buster tour we made meny fans and Laurel Aitkens gave
me the idea by saying why don`t you write something about the skinheads, then come Skinhead Moonstomp etc.

Well The Bees,The Pyramids,The Symarip, The Seven Letters were the same people,and  we allcame from Jamaica, some have been to school here in Uk, and some have been to school in Jamaica,The band broke up in 1988.and I went on my own to do solo as Roy Ellis aka Mr.Symarip and it`s been going well for me since, as solo singer and I`ve been traveling all over the world,t hey got very jealous, so right  now we don`t speak to each other,It`s pitty thow, But that`s how it is with some people.

what significance has brighton to your life

Great remembrance as a teenager, every friday night riding down to Brighton beach on scooters with the other boys, kicking  Rockers asses,  dancing, drinking a little etc.  You know what teenagers do. Its such a pleasure to be invited back to Brighton to play for the Skinheads in june 2012, i hope to see some old friends there and meet all the new boys and girls

how is your carreer these days. (Well I can`t complain, since I`m back in 2005 a lot of great things been happening for me,I`ve been traveling the world knowing the drifferent Countrys, meeting different people, making new friends and new fans, I got the chance to put out two albums, three singles, coming out in April my new single with my new video, a lots concerts, lots of media connections etc. It`s been all good for me could be better, but I`m happy with what I`ve got.

what has been the highlight of your musical life. (Well my highlights are all my hit records, Playing Wembley Stadium 1970, Been in a film with Sydney Poitier,
Travel the world etc. there are so much more, but it goes on to long 🙂why did you go to switzerland.

In 1970,after the Wembley Stadium concert, our agent sent us to mittle Europe to Pioneer the reggae music,no one knew what reggae was then,So by touring around I`ve met a lovely lady in Switzerland in 1980, and she became my second wife in 1988,  that`s why I stayed in Switzerland (The end !! 

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London Diehards

I keep being told to wrote a blog, so here are some thoughts that I thinked!There is no set topic, just my brain wave patterns expressed in words

I play drums so don’t be surprised if there are a lot of posts on the subject

Also tattoos … I have lots of tattoos.

Londoner

Twitter: @quinn_drummerSieg Heiling? Then piss off out of my gig!

Let me first of all get one thing straight.  I’m a very liberal person.  I believe whole heartedly in free will and that there are very few occasions that you should be told what you can and cannot do.  I also believe whole heartedly that you are free to believe and think whatever you want to believe or think.  This can be summed up in a famous quote by Voltaire, which I have tattooed on my back, “I may disagree with what you say, but I’ll defend to the death your right to say it”.  I for one am not of any religious orientation what so ever and I’ll happily admit that I think anyone who holds any belief in a supernatural being that is solely responsible for the creation of an infinite universe with only one inhabited planet totally fucking nuts.  But then those people will think exactly the same as me for believing, nay, knowing the opposite is true.  However I won’t storm up to them and force them to try thinking the way I think or believe what I do, I will hold lengthy discussions on the matter come up on a stale mate and go home happy in the knowledge that I live in a country where I am free to do so.

I am exactly the same when it comes to politics.  Absolutely everyone holds differing political views.  Even if you are of the same political persuasion as someone else you are undoubtedly going to disagree on a number of things and how we should deal with them, which is why you can talk for hours down the pub with your mates on one issue and all throw up different ideas and opinions on it and leave pondering things that may never have occurred to you before.

The reason I write this is because I play in a band, well several bands actually, but this particular band I speak of today is the London Diehards.  We are an Oi band, from in and around London (obviously) formed a few years back and I have been playing with them for about a year.   In that time I have seen so much shit flying it’s like being stuck in a wind tunnel with 1000 diarrhetic elephants after a curry eating contest.  It seems everywhere we turn someone is trying to convince the world we are right wing, Nazi loving, ethnic hating band that is intent on spreading our racial hatred where ever we go.  This is simply NOT TRUE.

There is one individual that is famous for this that anyone with even the slightest of connections to the UK Oi scene will know by name.  He seems to find joy in running Facebook groups and blogs and websites dedicated to smearing the name of many a good band on the basis of incorrect rumours, miscalculated and ill informed connections and general lazy fact gathering.  Now it is not he that I am here to fire down, that’s why I haven’t put his name in print.  The people I am here to fire down are the selfish, idiotic, racist scumbags that tarnish an almost unblemished UK Oi scene.  I am talking about the unwelcome far right of our group that seem to find it acceptable to turn up at a show and start throwing Sieg Heils left, right and centre in front of a band while they are playing.  Now personally I really could not give two fucks where your political allegiances lie, if you want to frog march every one of an ethnic background out of the country then so be it.  It’s never going to happen, chances are if you tried you’d end up incarcerated quicker than you can say Islamic Fundamentalist, which is actually a very long time judging by some news footage of EDL members on demonstrations.  Just remember this, chances are your GP, Doctor, Fire Fighter etc is of ethnic origin and chances are one day you’ll need him or her to save your life.

Anyway as always I digress somewhat.  I am not altogether against anyone that leans heavily on the far right pillar coming to our shows, you have as much right as anyone else to attend.  What I do object to is having you stand their throwing Nazi salutes wearing fascist symbols on your jackets and stomping around having your picture taken while we are on stage … or even while you are in the same venue as us frankly.

It’s hard enough for us to get gigs at the best of times because we’ve been tarnished and stigmatised with the far right.  As it stands the venue for the show on Saturday was kept a secret to avoid it getting unwanted attention for ill informed left wing do gooders that think they are helping society by telling the venue owners that they had inadvertently given permission to the promoter to run the next Nuremburg Rally and even then the venue pulled the gig just a few days before it was meant to go ahead and we had to relocate everything from Hayes to Essex.   And is it any wonder why?  It’s not because the bands set to perform sing songs about our higher racial authority as White Brits, its not because we turn up to gigs to promote racial genocide of the masses of hard working foreigners that live in this country.  It’s not because our singer used to be a member of the BNP (a rather ridiculous rumour started by same internet demon of the PC Mafia) and it’s not because we go on stage with a flaming cross as a back drop, because none of these things are true.  It’s because a few selfish bastards who come to our shows, pay good money to get in and then stand at the front Sieg Heiling us and the rest of the crowd from the entire hour of our set.  People take pictures at shows, these pictures end up on the internet and then because people see two or three small minded individuals throwing Nazi salutes around they put 2 and 2 together and make 5.

Apart from the fact it’s blindingly disrespectful to all the bands that play these shows, to the venues that are willing to put them on despite the rumours they hear and to the promoters that go out on a limb to put these shows on, it’s also making it more and more impossible for those shows to even happen.  I nearly pulled the gig myself last night for reasons I won’t go into but that link to the content of this post.  I assume you come to these shows to see us play, I assume you enjoy our music (most of you were wearing our band’s t-shirt so an accurate assumption I’ll presume) and I assume you want to continue for us to write and record music (music that if you actually bothered to pay attention to the lyrics and the context you’d realise were predominately working class, slightly left wing, anti-government, anti-terrorist [but not anti-Islamic or any other religion or culture], anti-hate songs) and play shows, then for fucks sake stop giving fuel to the internet trolls that sit at computers all day with a metaphorical magnifying glass trying to find evidence that we, or any other generic Punk and Oi band want to purge this wonderful, multi-cultural country of ours of all our non-indigenous population. Which is a completely bullshit phrase to use anyway because none of us are indigenous.  Geography, History and Science would all seem to agree that we migrated over thousands of years starting our journey in Africa.

As I have said, believe as you wish, think as you will but please, if you want to Sieg Heil then piss off out of our gig and go and do it in front of Skrewdriver or Nick Griffin.  You can all throw your hands into the air and praise Hitler in the sanctuary of your own far right meetings not at a Punk and Oi show and especially not at one I’m playing, because next time I might not be so forgiving and refuse to play meaning you’ll have blown £10 on a poxy arm movement.

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Bootboys Chile

Well Bootboys began in April after finishing with my previous band (the bandio). I searched everywhere a guitarist until I found Chuleta members of a psychobilly band. He supported my project to make oi! British,we started writing songs with electronic drums because in my city is very difficult to find a good drummer .Then  a friend joined us, helping in the chorus  and keeps us in the band supporting at all times. After we made our first demo called “my beers, my fights” in a small study because in my city is very high the cost of a professional recording studio. After a while we recorded our first video clip, there were many problems  recording the video: infighting at the time, By the way we do feel proud to be the first skinhead  band in Chile recording a video clip (“beers everywhere”https://www.youtube.com/watch?v=-Yf0qggsTUI). After that we played in our city and then in the capital of my country. Until that moment  the guitar and bass was recording by Chuletabut finally  we found a bassist from another city called Karlos, and today we are joined by a drummer named Bryan who is from the capital.. Now we have  the second demo called “kings of the streets” and soon will record our second video “skinhead rock” and new Bootboys’s proyects.greetings from chile!

buenos bootboys comienza en el mes de abril despues de aver terminado con mi reciente banda (the bandio)busco a un guitarrista por todos lados hasta que encuentro a chuleta ex intregrante de una banda psychobilly que apoya mi proyecto de realizar oi! britanico empezamos a crear temas con bateria electronica.porque en mi ciudad muy dificil de encontrar un baterista decente, en los ensayos llega un amigo nuestro que nos ayuda en los coros y se queda con nostros en la banda apoyando  en todo momento,  despues realizamos nuestro  primer demo llamado” mis cervezas ,mis peleas” donde  el chuleta graba guitarra y bajo en un estudio pequeño porque en mi ciudad es muy alto el costo de un  estudio de grabacion profesional.despues de un tiempo grabamos nuestro primer video clip donde hubo muchos problemas al grabar el video por peleas internas en el momento ,nose sentimos orgullos en  ser la primera banda skinhead  de chile en grabar un video clip(cervezas por todas partes)despues de eso logramos tocar en nuestra ciudad y en la capital de mi pais ,y se nos une una bajista de otra ciudad llamado karlos ,con el realizamos el segundo demo llamado “reyes de las calles” y hoy en dia  se nos une un baterista llamado bryan que es de santiago y pronto grabaremos nuestro segundo video “rock skinhead” y nuevos proyectos con bootboys.saludos desde chile!

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GBH (UK)

Formed late 1979 GBH have been described as one of the forerunners of the UK82 sound and an influence on bands as diverse as metallica,queens of the stone age,rancid,slayer,anthrax,

nirvana,and a host of younger punk bands.they have continually recorded albums and toured worldwide since they started.currently writing songs for the follow up to 2010`s Perfume and Piss cd on Hellcat records.dates are being added to their touring schedule regularly.
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Graveyard Johnnys

“One of the most frantic and energetic live bands around today, Graveyard Johnnys mix the primitive rhythms and animal-instinct of 1950’s rockabilly with the aggression and passion of punk rock from back when it was dangerous. Non-stop touring thoughout Europe and Scandinavia and heavy rotation on The Radio1 Punk Show has helped them sell out pressing after pressing of their first EP and set them up for their debut full length album due to be released this winter on Wolverine. This is intense, on the edge of collapse, breakneck, 21st Century rock and roll at it’s wildest”

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Broken Heroes (USA)

GenreHardcore Punk
MembersScotty Violence: Vocals
Tim Blank : Lead Guitar
Broken Joe Martin : Drums
Andy Skovran : Bass
Pete Hero: Rhythm Guitar
HometownFilthy New Jersey
Record labelD.I.Y.
AboutFor show info, bookings & Samples of our music you can find us on myspace! www.myspace.com/brokenheroes
DescriptionNew Jersey Oi!
BiographyFormed in 1991, the BROKEN HEROES are a New Jersey based band. Once complete, they hit the ground running. Playing many shows and shutting down most of those shows. The aggression that you expect from an oi!-punk band was prominant in BROKEN HEROES. It was a time when punk was still only cool to those that really loved it. (Not the whole entire friggin commercial world!) “The Pipeline”, in Newark …See more
Current LocationEast Coast, U.S.A.
General managerMatt Bastard
Artists we also likeWe support local & national acts
InfluencesEach member of BROKEN HEROES comes from their own unique background, thus mixing a broad spectrum of musical interest & influence.
Websitehttp://www.myspace.com/brokenheroes
Press contactbrokenheroesnjoi@gmail.com
Booking agentBroken Heroes can be reached via E-mail, or through the myspace account

Likes and interests

LikesCommon People RecordsBrass City Boss SoundsThe Roadside Bombs,The Genuine ArticleArmed SuspectsOi! the Boat Records,Rickenbacker bassesDistress NJHCMurphy’s LawCrave Case
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Bootgirl Power, By Jenny Woo

Bootgirl Power

By Jenny Woo

When I was thirteen years old, I was miserable. I had acne, I had only hand-me-down clothing from my older sister (who was 3 sizes smaller than me), I had no friends, and worst of all, I felt like I didn’t belong in any crowd. I was exposed to pictures, music videos, and songs from major mainstream pop stars, and I just could not relate. I had no idea what they were singing about. The supposed universal topics of broken hearts, dancing, and the expression of teenage sexuality all seemed like distant and irrelevant subjects to me. I knew that I would never look like them, I would never live their lifestyle, and more importantly, I knew I never wanted to be like them. I felt lost, different, and profoundly alone. Then, one day, my life changed forever.

I was in junior high, eating alone in front of my locker as was my usual routine, when I came across an old fanzine lying on the floor of my school’s hallway. One of the other students in the school had probably been reading it and accidently left it behind. Having nothing better to do, I started flipping pages. My eyes caught an image that I had never seen before in my life – a woman with spiked up blue hair, studs all over her black leather jacket, and wailing on a guitar. It was a picture of Bekki Bondage, and that was my first exposure to women in punk rock. I decided then and there that instead of unsuccessfully trying to fit in all the time, I would do my best to stand out. I was inspired by Bekki’s outrageousness, her energy, her unfaltering self-confidence, and I made it my own mission to find that sense of passion and assurance in myself. I ripped the picture out of the magazine and pasted it into my locker as a reminder, and I’ve still got the photo after all these years.

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Cryo- Genics

Cryo – Genics, Been in and around the Punk scene for a bloody long time but only got our arses in gear to play recently. After a few false starts with various other people and their instruments Sid finally met Ruby at an English Dogs gig and the new and improved Cryo-Genics was born. Along with Col, our ace drummer boy and Ernie our bass player we’ve been playing together since January 2010 and have played with some mint bands including Disharge, Broken Bones, The Fiend and Sick on the Bus. We’re always on the lookout for gigs and already have some ace ones lined up for 2010. We’ll pretty much play anywhere. We’re completely DIY and fucking love it that way. We’ve just recorded a new live demo which is now up on our page. It’s full of mistakes, feedback and attitude but doesn’t have a bass. For us, it’s all about the music we love and being part of it. Make sure you come and have a drink with us, we’ll be at the fucking bar 🙂 Cheers, Ruby x ..

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A view with Nu / #1

Good or Bad?

Japanese music started off as a mixture of popular and distinct styles, from Classical, Folk and Traditional, originating from as early as the thirteenth century. The oldest forms of Traditional and Folk music in Japan are Buddhist Chanting, Orchestral Court music and Biwa hōshi (otherwise known as stories created by Lute performances.) Into the 1960’s the Japanese youth became very influenced by the modern rock genre, as a well-known modern rock band, The Beatles, who become internationally active in 1964. By the time the 80’s band ‘Japan’ appeared, Japan’s music industry was determined to show the western world their talents of making rock/punk culture internationally cultivating. Now in 2012, Japan is the second biggest music market in the world, behind the United States.

Jrock however, is a fairly new, popular choice by people from their teens to their twenties and here’s why!

This is Mana Sama, known and loved internationally from the band Moi Dix Mois. Now you may be thinking ‘My goodness he looks Pete Burns without the eye-patch’, which is what many people I showed this idol to said the first time. You may also be thinking he has taken the feminine gothic look that Dead or Alive one had and has simply put that in his own group. REMEMBER, these are biased opinions thatfellow friends, family, etc, have expressed.

Here’s a fan’s strongly worded reply to the subject on biased opinions towards Jrock. 

Rien Xi, 17, Birmingham
Common interests ~ Elegant Gothic Lolita & Aristocrat and Ouji fashion, Music (particularly Jrock and Classical), vampire, horror novels and tea!

“The people, who are quick to judge and insult Mana, obviously have no idea of the kind of person he is. Mana is an inspiration to thousands of people; he is a musician, an artist, the creator of a fashion and an intriguing human being with so much to offer to the world. Everything he does is inspiring, he has made a name for himself and has fans and followers all over the globe, so you may not like him, but you can’t deny the fact that he is talented. Those who talk badly of him because of the way he looks, without knowing anything about him, are obviously close-minded, simple and immature individuals. “Oh, he looks like Pete Burns.” Sure, maybe he does look like Pete Burns in your opinion… but what does that matter? Mana is beautiful and I feel sorry for those who can’t recognise that fact. He is an extraordinary person and he is clearly un-phased by hateful comments and opinions.  Even so, it’s quite pathetic to talk badly of somebody who looks different or is into something that you are not. It’s sad that people are still so close-minded and ignorant in this day and age.”

So many J-fans, as I call them, have participated in a wide variety of social events, such as; Gigs, Expos, Festivals and many gatherings discussing music, anime shows, fashion and most popularly the imaginative sexual stories between band members, aka ‘Fanservice’. A short while ago I was into this subculture and it took me on an extreme emotional adventure. When I had turned fourteen my gothic-cyber scene was abounded and I had found a new ‘alternative’ to become intrigued with and that was the commonly known Japanese street fashion Decora. I found out about the new exciting scene from my pen pal in China, whom herself was in high school and the same age as me. Of course due to our ridiculously random sense of humour, we clicked straight away and after 3 weeks were listening and fan-girling about the popular Jrock band ‘The Gazette’. From there I had changed my look on fashion, my future and which Japanese musician I had on my bedroom wall and had already booked a ticket to see my first live Jrock band – ‘Dio –distraught overlord-. On-top of being overly excited and screaming every 10 minutes before the gig in London, I was nervous beyond belief because of meeting a few people I knew but hadn’t met until that night. Thankfully, it all went well and to this day I still know those people who are now some of my closest friends including my boyfriend who I’ve been with for three years.  When I joined the queue outside the venue in Camden, I had heard rumours that people had camped outside for four days in the freezing cold in order to get right to the front of the stage, which until this day, I really didn’t see the point in. The whole night was fantastic, everyone really enjoyed themselves, so much so in fact, that some particularly obsessed fans were known to grope parts of the bands “private places” (yes, fans can get this horny in the pit)! It was all blood, sweat and tears when the gig was over as we were chanting for the band to come back on stage. But eventually they left, and I have to say, that was the most mad music experience of my life. Most Jrock gigs can get so wild that people get injured, mostly like metal gigs but with a lot more high-pitched screaming. But never fear, the security guards are always there to help (yeah, right). Unfortunately there are a lot of aspects about Jrock and Jfans that I don’t agree with. People often become so absorbed in the culture and its specific fashion that they take on a high school dynamic. People can get bitchy and arrogant, constantly passing judgment on any new people that don’t quite fit in with the strict unsaid rules, which from where I am is unheard of in metal gigs. And I ask you this, how do you think the band would feel if they found out about how their fans were promoting the gig experience?

Thankfully most people from the gig aren’t like that. Like i said, lots of them I’m still friends with and a lot of people agree with the problems that occur at gigs and gatherings, for instance my friend Keita who has been a lover of Jrock for over ten years –

Keita-Eiri Uesugi, 22, Boston/Lincoln

Common interests: Kamijo, reading, writing and drawing.     

“For the past few years, I can quite safely say that Jrock has certainly been a big inspiration. I think, in some respects, it’s helped me to find out who I am and to not be afraid of stepping out of the box and being different; I can be myself and don’t have to feel I have to follow the crowd. Not only that, but it has helped to fuel my style of writing and the way that I draw as well and being a creative person, inspiration in the form of music is a pretty important thing. Good aspects of Jrock would have to be the appreciation that the whole songs get, from vocals, through the bass line and everything else in-between. I have found in the past, compared to western bands where the vocalist is the front man, the rest of the musicians seem to be ignored and bundled in the background… but with Jrock, it’s different. Also, there are so many styles within the Jmusic scene, that there literally is something to please everyone, whether it’s pop rock, symphonic metal and so on. Sadly, with all things, there is a downside. The level of competitiveness between fans cannot be denied and this often puts people off. Also, because the music is essentially sung in Japanese, this can course a lot of close minded people or none-listeners to turn their ears to what they do understand. “
On a lighter note though, Jrock music is a fantastic genre and has been widely recommended by such companies as Neo magazine, Kerrang and Moshi Moshi and of course, me. It has inspired me throughout the years to change my life and my career which is to work with the artist Hayao Miyazaki from Studio Ghibli.

 Today’s Jrock band is Dir En Grey and their famous song- Child prey

Thank you for reading, I’m Nu McAdam.

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Condemned 84 upcoming gigs

Condemned 84 Formed in the Autumn of 1980 as Criminal Tendencies. After three years the band changed their name to Condemned. The 84 moniker was added a year later, coinciding with the release of their first demo tape. Between 1984-87 over 90 gigs were played mainly in the U.K.

During 1986 various LP’s / E.P.’s were released, with the debut mini lp Battle Scarred reaching No 21 in the National Independent Album chart, the follow up Oi! Ain’t Dead E.P. reached No 18 in the U.K. Independent singles chart. Since then they have continued to play in front of a very loyal, mainly Skinhead based Audience Worldwide, releasing new material to this day

The current line up is:

GUNK (BASS), FLOYD (GUITAR), KEV (VOCALS), MARK (DRUMS) & DAMON (GUITAR)

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Doc Marten Boot company up for sale

British boot and shoemaker Dr Martens put up for sale by R Griggs Group

British boot and shoemaker Dr Martens has been put up for sale by R Griggs Group, which has owned it for more than 50 years. It could fetch as much as £120m.

The firm, which makes fashionable footwear in the style of the one pictured on the front of a shop in Camden, North London, is run by Max Griggs.

A giant Union Jack Dr Martens boot above a shop in Camden High Street, London

Best foot forward: Pre-tax profits at Dr Martens more than tripled last year

His father bought the design rights – originally standard boots for the German army – after the Second World War.

It was struggling to survive ten years ago, but revenue jumped 33 per cent to £110m last year. Pre-tax profits more than tripled to £15.3m.

Dr Martens has become an inconic brand, favoured variously over the years by punks, skinhead and goths and more recently once again in mainstream fashion.

The last year has seen Dr Marten open more stores in the U.S., which accounts for 42 per cent of sales, and also grew sales in Asia.

Current owner Max Griggs’ father, Reginald, bought the rights to Dr Martens boots from its German owners after the Second World War. The boots were originally designed by Dr Klaus Maertens. The signature air-cushioned sole was originally made with abandoned rubber from Luftwaffe airfields.

The first eight-eyelet boot – with its distinctive yellow stitching and black and yellow heel loop – entered production in the UK in 1960.

In 2000 Dr Martens moved production to China and Thailand. But R Griggs reopened the brand’s original factory at Wollaston, in Northamptonshire, in 2007 to produce vintage styles.
Read more: http://www.thisismoney.co.uk/money/markets/article-2096859/British-boot-shoemaker-Dr-Martens-sale-R-Griggs-Group.html#ixzz1lj0QwOnb

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Poly Styrene Xray Spex a legend of Punk Rock

Punk icon Poly Styrene dies at 53

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Punk icon Poly Styrene, former X-Ray Spex singer, dies aged 53

Punk singer Poly Styrene, former singer with the X-Ray Spex, has died at the age of 53 after suffering from cancer.

She was one of the first female punk icons, whose unorthodox yet infectious style was highly influential.

Real name Marianne Elliot-Said, she had cancer of the spine and breast.

A statement on her official Twitter feed said: “We can confirm that the beautiful Poly Styrene, who has been a true fighter, won her battle on Monday evening to go to higher places.”

Singer Billy Bragg was among those who paid tribute, saying: “Punk without Poly Styrene and the X-Ray Spex wouldn’t have been the same.”

Poly Styrene formed her band after watching the Sex Pistols perform on Hastings Pier on her 18th birthday and became known for her unpolished vocals and energetic rallying cries against consumerism and environmental destruction.

Poly Styrene

Poly Styrene released her third solo album only a month before passing away

X-Ray Spex’s signature tune was Oh Bondage Up Yours!, a riotous rejection of social and gender norms that began with Poly Styrene’s spoken line: “Some people think little girls should be seen and not heard.”

The band released just one album, Germ Free Adolescents, in 1978, before splitting up.

The singer went on to record a more subtle and subdued solo album, Translucence, in 1980, before retreating from the music industry to join the Hare Krishnas.

She moved into a Krishna temple in Hertfordshire with her daughter, and struggled with bipolar disorder.

Boy George – who once tried to break her out of the temple – wrote on Twitter: “I was a fan of Poly before I got to know her, she was a Krishna follower too, oh bless you Polly you will be missed! Legend!”

Former Sex Pistols bassist Glen Matlock praised the “general joie de vivre nuttiness” shown in songs like Oh Bondage Up Yours!

X-Ray Spex with Poly Styrene, right

X-Ray Spex, with Poly Styrene, right, recorded just one album before splitting up

“She wouldn’t kow-tow to even what the punk fashions should be, I think that’s what that song is about,” he told BBC 6 Music.

“I did see her not that long ago so it’s sad. Again, somebody from the punk rock scene has died far too young and it’s a loss.”

Billy Bragg told the radio station that Oh Bondage Up Yours! was a “slap in the face” to male punk bands and rock journalists.

“It’s always hard for women in rock music but it was particularly hard in the 70s,” he said. “I think she cut right through that. The work that she did and the things that she produced always stayed true to that original spirit of punk.”

TV presenter Jonathan Ross said his first concert was an X-Ray Spex gig, adding that the singer had “changed lives”.

Poly Styrene occasionally re-emerged into the limelight, holding a sell out 30 year celebration of xrasy spex live at the Camden Roundhouse in 2007 and released her third solo album, Generation Indigo, in 2011

“I know I’ll probably be remembered for Oh Bondage Up Yours!” she told 6 Music last month. “I’d like to remembered for something a bit more spiritual.”

 From Concrete Jungle Festival to Xray Spex

What was I thinking, the day I decided to get involved with Punk Rock. My youth was way behind me, long gone were the days when I thought we were going to change the world. Call it a mid life crisis, or just plain madness, but I would like to think it was more the desire to preserve and celebrate a time in British culture and music.I had been away, become a father, worked for many years as a television actor, seen the world, discovered foreign cultures and philosophy. I didn’t need a pair of doc martins to define myself.Whether it was because I had often played skinhead roles on television shows, the bond I had with my friends, the memories of punks queuing up outside the town hall when I was a kid to see our local band the Xtraverts. The Clash at Brixton, Madness in Hammersmith Odeon, The fact Gavin Watson had made a living from photographs of my friends and me, or the TV documentaries I took part in on the subject. whatever it was, inside me was a belief which I discovered in my teenage years, which had kept me safe throughout my life. that said whoever you are, from where ever you come, you can get up there and do it. Punk Rock was a lot more than fashion and clothes, records and rock stars. It was a belief system, shared and loved by thousands.

Continue reading Poly Styrene Xray Spex a legend of Punk Rock
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Another Chance (Czech Republic)

Another Chance is Czech street-ska-punk since 2010. Home town of Another Chance is Bruntál. Bruntál is at northeast of Czech republic – at Silesia. Band is four members: Tommy – sing, lyrics, music and lead guitar, Jakub – bass guitar, Petr – trumpet and second vocals and Pavel – drums. Band is formed in part on former members of no idle ska band Náhradní Program. We play fusion between classic punk-rock and ska. Lyrics are primarily about entertainment, us, our future, and last but not least, about drinking. There is no politics as in other Czech bands. We are behind about 20 concerts in Silesia. We have a young, cheerful band always head upwards. We are not pure skinhead band, but we are punks and skinheads in one. Bands Perkele and Stomper 98 are our largest models, but we do not copy anyone, our style is ours and it is different than any other band.

Here is a link to our music profile at Czech music server Bandzone.cz and profile at Facebook: http://bandzone.cz/anotherchance http://www.facebook.com/dalsisance Here is our Youtube channel: https://www.youtube.com/user/tmazal At this sites you can find our music, pictures, movies and lyrics. We are Czech band, so our lyrics are in Czech language. We would like to greet all the listeners oi! and ska around the world. Oi! to the World. Be happy and proud, thanks, Tommy, Another Chance

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Armed Suspects

MembersJay – Vocals
DJ – Guitar
Scotty – Bass
Kurt – Drums
HometownMiddletown, NY
AboutBlue Collar Drunk Rock.
BiographyARMED SUSPECTS formed in January of 2004.
InfluencesCock Sparrer, The Beltones, The Bruisers, Rancid, Anti-Heroes, Pink Lincolns, The Pist, The Descendents, Black Flag, Carnivore, Agnostic Front, Riot, Dio, Iron Maiden, Slade, Rose Tattoo, The Jook, The Who and way too many more to list. Basically, if it rocks, we’re into it.
Band interestsDrinking beers & playing shows.
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On Trial (USA)

On Trial started with two Oi! fanatics, Ben and Wes, in January/February of 2007 in the Lehigh Valley, Pennsylvania. The first two songs written were Friend or Foe and Unionize. They went about one year without a bass player until it dawned on them to just teach Sarah, a mutual friend at the time, to learn bass since she was at every band practice anyway. They played three shows with Sarah and she ended up being their first official bass player. The band finished their first full length titled “Thirty Years Too Late” referring to how their vintage sound could have fit in well with other late ’70s and early ’80s Oi! bands. Shortly after the release of their CD, they released their first E.P. titled “Underage & Full of Rage.” This title referred to how they were all under 21 at the time and how they got picked off by the cops while drinking and driving. About 6 months passed and Sarah left the band, moved to Pittsburgh, then later joined the military. Ben and Wes were once again out of luck with a bass player. There were a few tryouts but nothing really stuck. They couldn’t find anyone as influenced by early British Oi! as them and so they pressed on without a bassist. A year and a half went by without any shows or a bassist until they considered letting Zach try out. Zach tried out and he became On Trial’s new bassist. Since Zach joined the band, they recorded two full lengths, one in 2009 titled, “Falling Down” and one in 2010 titled, “Today America, Tomorrow the World.” Another release they were proud to be a part of was Boots and Booze’s first compilation release titled, “East Coast Oi! Attack Vol. 1” featuring On Trial, Maddog Surrender, Vanguard and The Hooliganz. Throughout their four years of existence they’ve played with bands such as Hub City Stomers, Stigma, The Toasters, Oxblood, Stomper 98, The Templars and many more. They are still looking for venues and bands to play with regularly.
Thanks to the few people who supported us through the years by booking us shows, buying our merch. and believing in us.
-Wes 3/21/2011

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The Champions Inc (USA)

The Champions Inc. is the name of my skinhead reggae band, we are a 6 piece band from California(San Jose/San Francisco) who play around California. We cover some reggae favorites and write original music as well. I sing, my husband plays guitar and we gatheres our friends together for this project. We hope to get you moving on the dance floor and have a great time doing it! CHeck out our website  to link up to our facebook fan

page and keep up to date with our shows, etc…

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999

The band that came to be known as 999 first came together towards the end of 1976 when Guy Days and Nick Cash (AKA Gene Carsons AKA Keith Lucas) who had known each other since schooldays, started thinking seriously about getting a group together. Previously Nick Cash had been the guitarist in pub rockers Kilburn & The High Roads who also featured Ian Dury and featured on the album ‘Handsome’. But for 999 he claimed to have had to unlearn An advert was placed in the Melody Maker for a bassist. Jon Watson remembers, “I had come back from a year of playing in Germany and I was determined not to end up in a funk/soul band, then I saw this advert in the Melody Maker …’Bass player required for punk rock group.’ Pablo Labrittain (AKA Paul Buck) joined two months later in December after the band had auditioned numerous drummers. Nick and Guy recall: ‘We knew what we wanted and we wouldn’t settle for anything less.’ Others passing through auditions would be the ever hopeful Chrissie Hynde’ later of the Pretenders’ and John Moss who had also failed the Clash auditions and who would later join London, the Damned & Culture Club. They started serious rehearsals the week before Christmas ’76 in the basement of Broomfields Bakery Brixton before making their debut appearance in January supporting Stretch at Northampton Cricket Ground. Drummer Pablo had only been with the band for nine days! Apart from one other show at the Target Club Reading, 999 did not get a chance to play live again for nearly two months. During this period they found that they could not afford to function without taking daytime jobs. Nick worked as a postal clerk. Pablo became a porter, Guy took a job as a general office worker and Jon started painting on a Brixton building site. ..

..

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Daggers Punk presents 999 plus support

Dagger’s Punk presents… 999 + The Fuckwits + Danger’s Close + The Bleach Boys Entry:  £10 Doors:  7pm Venue:  Bridge House 2, Bidder Street, Canning Town, London, E16 4ST Tube:  Canning Town (Jubilee/DLR) or West Ham (Star Lane will be closed on this day) Stage Times (approx)22:30 99921:35 – 22:15 The Fuckwits20:40 – 21:20 Danger’s Close19:45 – 20:25 The Bleach Boys  999http://www.facebook.com/pages/999/46666653829http://www.nineninenine.net/999 are an English rock band who formed in London in 1977. They are often cited as one of the first punk rock bands.Between 1978 and 1981, they had five Top 75 singles in the UK Singles Chart but only one made it to the Top 40. Also, after extensive touring across the Atlantic, the band’s third and fourth (proper) studio albums charted in the U.S. Despite breaking up a couple of times, they continue to record and play live to the present-day. The Fuckwitshttp://www.facebook.com/pages/The-Fuckwits/322935834502http://www.myspace.com/fuckwitsTHE FUCKWITS are a 4-piece 77-sounding punk rock band from Sheffield. Danger’s Closehttp://www.facebook.com/dangerscloseofficialhttp://www.myspace.com/dangersclosemusicDanger’s Close are a 5-piece, female-fronted punk rock band hailing from Ipswich. The Bleach Boys (Hertfordshire)http://www.facebook.com/pages/The-Bleach-Boys/201051713292494http://www.thebleachboys.co.uk/The Bleach Boys are punks best kept secret. In their time, they have produced some of the most collectable punk records and to top it all, are still going.  Ok, we have had a few members which isnt suprising in 30 years, but we have two original members and an original roadie who is as much a member as any of us.  Daggers Punk Promotionsdaggerspunkpromo@gmail.comClive: 07544534062https://sites.google.com/site/daggerspunk/http://www.facebook.com/DaggersPunk

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TKRS Radio

20/01/201228/01/20122012Time22:00 – 01:00EventTKRS: Out On The FloorVenueACE RADIO: www.aceradio.co.ukEvent DescriptionAs a result of the recent news that Ace Radio will soon be bidding it’s “Last Goodbye” at the end of January this will be my last show on Ace Radio.I’ll be playing a great mix of Motown, Stax, Atlantic and Northern Soul from the very early pioneers through the decades to the present day.Listen ‘LIVE’ on Saturday 28th January 2012 on Ace Radio – The Sound Of The Internet.
Time19:00 – 22:00 20/01/12
EventTeenage Kicks Radio Show
VenueACE RADIO: www.aceradio.co.uk
Event DescriptionTeenage Kicks Radio Show is sponsored by Eazeybeat Music, great CD’s at great prices at www.eazeybeat.co.ukWe’re really rocking here at the TKRS Studios at the moment and this weeks show is definitely going to reflect that mood. With some new CD’s supplied by the wonderful people at Eazeybeat Music, along with some amazing tracks sent in by some new unsigned artists, we’ve got some fantastic music to share with you.This is where the Teenage Kicks Radio Show comes into it’s own, this is what sets it aside from all the other shows broadcasting on the internet at the moment. This is “The Best” mix of Scootering sounds around, so don’t miss out!Tune in and join me on Ace Radio.ACE RADIO: www.aceradio.co.uk
TKRS Radio: www.facebook.com/tkrsradio
Eazeybeat Music: www.eazeybeat.co.uk27/01/20122012Time19:00 – 22:00EventTKRS: One Step BeyondVenueACE RADIO: www.aceradio.co.ukEvent Description”HEY YOU! DON’T WATCH THAT, WATCH THIS!”Let’s have one last skank before Ace Radio goes off-air!This is the best mix of Reggae & Ska, from the early days of Jamaican Calypso, to the Trojan Explosion of the 1960’s and the British Ska Revival of the late 1970’s, right through to the new bands keeping the sound alive on the live circuit today.Featuring the “Double-Shot”, two tracks from one fantastic artist! And not forgetting the “Totally Trojan!” section, thirty minutes of classic tracks from the Trojan archives.
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Buenos Aires Do the Ska

Buenos Aires Do the Ska es un proyecto independiente y autogestionado de fotografia de Julieta Federico. Las fotos se ven en el blog y eventualmente en exposiciones o shows.

La idea es mostrar lo que pasa en los shows, mostras los djs, la gente en las fiestas y en la calle. Es lo que pasa en la escena de Argentina, o almenos algo de lo que pasa.

Es un proyecto relacionado al reggae, ska, dub, early reggae,  rocksteady y generos similares, por eso a veces tambien hay fotografias de punk, oi y rock.

Buenos Aires Do the Ska is an independent photography project by Julieta Federico. You can see the pictures in the blog and also in gigs and expos. The main idea is to give a view of the scene in Argentina, gigs, djs, people partying and in the streets. The project is directly connected to music, reggae, ska, dub, early reggae, punk, oi and rock.

Little East Street I Enero 2012 Este lugar le va resultar familiar a quienes vieron la película Quadrophenia… si, es el callejon de Jimmy! Queda en Brighton, Inglaterra y encontrarlo es un tanto dificil ya que se pierde entre los locales de la cuadra por ser tan angosto.
Si algún dia tienen la posibilidad de darse una vuelta por ahi, busquen Little East Street y dejen su firma!

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“PSYCHOCUNTABILLY” Merchandise and Live Shows

So what is Psychocuntabilly and why should you care ?
Psychocuntabilly is a word that Swifty came up with while planning a live broadcast show. This name was chosen as a way of trying to explain to the listener what sort of madness was about to ensue. Take some Psychobilly, mix in a little Country Punk and some large dollops of Hellbilly and Rockabilly and you’re starting to see what you might expect from one of our adrenaline pumping live shows.
Psychocuntabilly is an umbrella name given to a combination of shows that DJs, SWIFTY, SEBSTER and ROSCO put together on a weekly basis and broadcast live via the World Wide Web. Psychocuntabilly makes only one simple promise… “Psychocuntabilly, Grabs Sub Culture by the Balls”.
With Swifty & wife Sebster on the decks for “Psychocuntabilly”. You can expect to be hearing all of your favorite tracks and some from way out of leftfield from all of the following acts…
KING KURT
MAD SIN
THE METEORS
THE CRAMPS
JOHNNY CASH
HANK WILLIAMS 3rd
SEASICK STEVE
REVEREND HORTON
HOUND DOG TAYLOR
ZOMBIE GHOST TRAIN
DEMENTED ARE GO
DASH RIP ROCK
HORROPOPS
Plus heaps more from similar bands & artists…

“Grab Yr Boots & Harry”
This is another show hosted by Swifty. A night of OI & NewWave Music from back in the day with new and upcoming bands also thrown into the mix… No self respecting Skin or Punk can afford to miss this one.
4SKINS
REJECTS
SPARRER
CODE1
LONDON DIEHARDS
SKINFUL
PRESURE 28
STRANGLERS
EXPLOITED
GBH
BLITZ
THE JAM
SHAM
IGGY POP
HAZEL

Plus loads more…

Original & Rare Ska (No 2Tone)
With Swifty again in control of the decks this show is currently grabbing a massive audience from around the world. Usually held on Sunday nights and a great way to unwind and chill out before the weekend winds down.
PRINCE BUSTER
DESMOND DECKER
LAUREL
DERRICK MORGAN
LEE SCRATCH PERRY
TOOTS
KING HAMMOND
BABA BROOKS

You get the picture, loads and loads of 100% pure unspoilt ska as it was meant to be.

“Sunday Reggae Breakdown”
Swifty again firing down the reggae slabs to help you unwind (not every Sunday but usually held at least twice a month).

“Soitiz”
DJ Swifty again, this time blasting out Techno sessions live from the studio. These shows can tend to be a bit random with guests turning up and playing impromptu sets.

“Back2Back Battles”
DJ Swifty & DJ Rosco also perform various back to back battles. For these shows two music genres are selected and then quite simply put to the test in 2 hour bouts.
PUNK V MOD
NORTHERN V SKA

Expect PUNK, MOD, NORTHERN, SKA, REGGAE and 2TONE. Plus crazy band battles where 3 or 4 bands from the same genre are sent in to battle it out over the airwaves.

None of these shows are your normal run of the mill broadcasts; expect banter, pisstaking and some strange requests. We always strive to dig out the lesser know songs and play lots of rarities from all bands within the various genres.

The DJs, ..SWIFTY, SEBSTER and ROSCO…
Swifty over 20yrs experience DJ’ing all over the world.
Sebster, the freshest of the trio, but already with a reputation for delivering the goods on every show.
Rosco another professional DJ, working on the circuit for almost 10ys now.

You won’t be disappointed with our shows. Most of the shows are recorded so if you miss them you have the opportunity to listen in again later. Should you require a show to be downloaded, simply contact Swifty and it will be sorted for you.

Swifty, Seb & Rhoss
Mission
Keep the airwaves filled with awesome music “
http://twitter.com/#!/PSYCHOCUNTABILY
direct link to all our saved shows
http://mixlr.com/psychocuntabilly/showreel

24/01/20122012
Time8pm uk time
EventRadio Show
Venuepsychocuntabilly studio
Event DescriptionTHE BATTLE OF THE SKA KINGS COMES BACK
OUR 1ST WIN PRINCE
2ND DESMOND
3RD LAUREL
AND NOW WE HAVE ADDED TOOTS N THE MAYTELLS INTO THE RING
KICK OF 8PM UK TIME
SWIFTY
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The Short ‘n’ Curlies

TheShort ‘n’ Curlies were formed in Norwich, England at the beginning of 1989 by Paddy & Maff after the break up of their band ‘YOB’. The line up at this time was Johnny-Vocals, Adie-Guitar, Paddy-Drums and Maf-Bass. After a couple of years of gigging, Adie left the band and was replaced by Stuie (ex. YOB guitarist). Soon after this Mark, the bands’ van driver, took over on vocals. The line up now was Mark-Vocals, Stuie-Guitar, Paddy-Drums & Maf-Bass. At this time the band released a compilation of old and new demo’s under the title „Nuts As Fuck“ and then set out gigging around the U.K. The demo sold well and was well received by fanzines, the band soon made a name for themselves on the U.K. punk scene. It wasn’t long before the band came to the attention of Germany’s ‘Knockout’ Records who begged the band to release an album which they did in 1994 with their debut album „Bitter ‘n’ Twisted“. The band then set about gigging and touring all ove r Europe, the U.K. and Ireland. 1996 saw the release on Knockout of the 4 track „Make ‘em Suffer“ E.P. followed by yet more gigging and touring. Being fat lazy bastards they didn’t get around to recording any new stuff until 1998 and now in 1999 sees the release of „For Fuck’s Sake“ a new 8 track album. Now were back! with a new line up of mark/vocals,maff bass, mark /guitar,ryan/guitar,paddy/drums.